- published: 26 Apr 2016
Emil Jannings (23 July 1884 – 2 January 1950) was a Swiss-born German/Austrian actor. He was the first actor to win the Academy Award for Best Actor, as well as the first person to be presented an Oscar. He later starred in a number of Nazi propaganda films.
He was christened as Theodor Friedrich Emil Janenz in Rorschach, Switzerland, the son of a German mother and an American father. While he was still young the family moved to Görlitz in Germany and in the town state theatre Jannings started his stage career. He worked in Bremen and Leipzig before joining the Max Reinhardt theatre company in Berlin.
Jannings was a theater actor who went into films. He starred in the 1922 film version of Othello and in F. W. Murnau's The Last Laugh (Der Letzte Mann, 1924), as a proud but aged hotel doorman who is demoted to a restroom attendant. Jannings worked with Murnau on two other films, playing the title character in Herr Tartüff (1925) and Mephistopheles in Faust (1926). Jannings eventually started a career in Hollywood. In 1929 he won the Oscar for two films, The Way of All Flesh, and The Last Command.
Marlene Dietrich (German pronunciation: [maɐˈleːnə ˈdiːtʁɪç]; 27 December 1901 – 6 May 1992) was a German-American actress and singer.
Dietrich remained popular throughout her long career by continually re-inventing herself, professionally and characteristically. In the Berlin of the 1920s, she acted on the stage and in silent films. Her performance as "Lola-Lola" in The Blue Angel, directed by Josef von Sternberg, brought her international fame and provided her a contract with Paramount Pictures in the US. Hollywood films such as Shanghai Express and Desire capitalised on her glamour and exotic looks, cementing her stardom and making her one of the highest-paid actresses of the era. Dietrich became a US citizen in 1939, and throughout World War II she was a high-profile frontline entertainer. Although she still made occasional films in the post-war years, Dietrich spent most of the 1950s to the 1970s touring the world as a successful show performer.
In 1999, the American Film Institute named Dietrich the ninth-greatest female star of all time.
Kurt Gerron (11 May 1897 – 28 October 1944) was a German Jewish actor and film director.
Born Kurt Gerson into a well-off merchant family in Berlin, he initially studied medicine but was called up for military service in World War I. Seriously wounded he qualified as a military doctor of the German Army. After the war Gerron turned to a stage career and became a theatre actor under director Max Reinhardt in 1920. He appeared in secondary roles in several silent films and from 1926 also directed film shots. He had his breakthrough starring in such films as The Blue Angel (Der Blaue Engel) opposite Marlene Dietrich, while on stage he originated the role of "Tiger" Brown in the premiere production of The Threepenny Opera (Die Dreigroschenoper) at the Berlin Theater am Schiffbauerdamm in 1928, also singing Mack the Knife.
After the Machtergreifung in 1933 Gerron left Nazi Germany with his wife and parents, traveling first to Paris and later to Amsterdam. There, he kept on working as an actor at the Stadsschouwburg and director in several movies. He was offered employments in Hollywood by the agency of Peter Lorre and Josef von Sternberg, but refused several times, one time because his potential employer didn't offer first class tickets, and stayed behind in Europe. After the Wehrmacht had occupied the Netherlands, he was interned in the transit camp at Westerbork before being sent to the Theresienstadt concentration camp. There he ran a cabaret called Karussell to entertain the inmates.
Actors: Bruce La Bruce (director), Safiya Randera (editor), Kaleb Robertson (actor), Kaleb Robertson (actor), Sasha Van Bon Bon (actress), Sasha Van Bon Bon (actress), Sasha Van Bon Bon (writer), Beever (actress), Trixie EasyBake (actress), Beever (actress), Trixie EasyBake (actress), The Scandelles (producer), Cat Nimmo (actress),
Plot: Give Piece of Ass a Chance is the third in a series of porn produced by The Scandelles starring their alter egos, The Partistes. It shows the inception of these characters as a group of anti-war sex terrorists who kidnap a munitions heiress and fuckwash her using her family's deadly legacy. GPAC pokes loving fun at the misguided but consequential anti-war, anti-bourgeois and feminist groups of the early '70s and '90s and the media's natural obsession with their innate sexiness. The Scandelles set out to make porn based on genre and this one pays tribute to the political stylings of Bruce LaBruce, directed by the man himself.
Keywords: artporn, hardcore, lesbian, sex