- published: 16 Jul 2015
- views: 1147
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Berlin Philharmonic, conducted by the composer (1966). (WARNING: Video contains images of erotic art which might offend sensitive viewers). This was scored in 1955 for large orchestra, intended as Act 2 of an opera "King Stag" (Konig Hirsch). There were evidently some problems with the staging of the production, so Henze decided to rework the vocal parts of Act 2 into an orchestral texture where the vocals are replaced with solos from the orchestra, such as violin, viola, clarinet, oboe, trumpet, and other small groupings. The result is an unbroken span of strange and magical enchantment quite unique to Henze's style.
The basic motif is the story of King Stag who lives deep inside a forest. The forest has chased out all the intruders, leaving the stag alone and devoid of companionship. Although he has the body of a stag, he has the soul of a human, and so longs to go back to the cities and find human relationships. This creates conflict and an unresolved dilemma which he tries to discuss with the trees of the forest.
The unique style of the music lends itself to an erotic interpretation. I first purchased this recording way back in 1969 when I was still a teenager, and I was already enchanted by this strange music, and played it often. There is a strong sense of the Feminine Principle contrasted against elements of harsh sexual debauchery. Henze subsequently produced scores for several cinema art films which featured the passions of human sexuality. (There are some intensely sensual moments in his 7th symphony).
I offer here a copy of the CD re-release of my original LP for Henze fans to enjoy or discover. I have embellished the video with a generous sequence of mysterious pictures which are entirely my own subjective impressions in symbolic form. These must not be taken as any attempt to create a story board. But I suspect that the composer might have enjoyed my general direction.
((This upload replaces my eralier one of September 2013 which I viewed recently and felt inspired to improve the picture editing)).
Hans Werner Henze (1926-2012): Sinfonia No.8 (1992/1993).
I. Allegro moderato
II. Ballabile
III. Adagio
Gürzenich-Orchester Köln diretta da Markus Stenz.
Cover image: Hans Werner Henze nel 1965.
***
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
- published: 05 Nov 2012
- views: 11866
Hans Werner Henze (1926-2012): Symphony No.10 (1997/2000).
I. Ein Sturm
II. Ein Hymnus [10:47]
III. Ein Tanz [19:02]
IV. Ein Traum [26:41]
Orchestre National de Montpellier diretta da Friedemann Layer.
Cover image: painting by Gerhard Richter.
***
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
- published: 07 Jan 2015
- views: 7325
Guitarist: Otto Tolonen
camera:
WILHELMIEN STAM
FRANK REIJGERSBERG
WIM VAN MUIJEN
audio:
REIJGER RECORDINGS
video edit:
WGS DESIGN
REIJGERRECS
special thanks to:
HOTEL RECUERDOS
GROEIER
BRAVA NL
LA GUITARRA BUENA
produced by:
REIJGER RECORDINGS
in association with:
Brava HD for
Guitar Canon Foundation
www.guitarcanon.com
©2015
- published: 22 Oct 2015
- views: 2680
Hans Werner Henze (1926-2012): Variationen für Klavier, Op.13 (1948).
Jan Philip Schulze, pianoforte.
Cover image: "Silver and Blue" photo/paint by Marilyn Kirsch.
***
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
- published: 16 Feb 2011
- views: 6216
Labyrinth (1951)
The London Sinfonietta
Hans Werner Henze
In 1951, when I was artistic director of a small ballet company attached to the National Theatre of Wiesbaden, I wrote this psycho-chamber-jazz ballet for it. It was never staged because the company dissolved before we could put it on. I conducted the score in a concert on the Darmstadt-Frankfurt a.M. Music Festival on May 29th, 1952.
The ballet tells the story of Theseus, Ariadne, and the Minotaur, in a condensed, anagogical and anagrammatical fashion. It is, as a subject, quite similar to Gozzi's "The King Stag" which I composed as an opera three years later. --Hans Werner Henze
I. Permanent Menace: Adolescents of Knossos under the threat to be fed to the Minotaur.
II. Cantus choralis: Plea to Theseus to kill the monster.
lll. Conflict: Ariadne tries to prevent Theseus from facing the dangers involved by going into the Labyrinth and challenging the Minotaur. But Theseus is adamant.
IV. Variation: She invents the device of the thread stuck to Theseus, made to pull him back out of the Labyrinth in case he would get lost in it.
V. Minotaurus Blues: Theseus in the Labyrinth fights the Minotaur and kills him.
VI. Fantasy in Rose: Theseus and Ariadne happily reunited among the people of Crete who are grateful to be liberated from their nightmare.
Art by Jeffrey Smart
- published: 14 Oct 2015
- views: 1273
Hans Werner Henze (1926-2012): Symphony No. 7 for large orchestra (1983-'84)
4.4.5.4 - 6.4.5.1 - timp, 3 perc, hp, cel, pf - strings
I 00:07 Tanz. Lebhaft und beseelt
II 10:50 Ruhig bewegt
III 27:25 Unablässig in Bewegung
IV 33:01 Ruhig, verhalten
World Premiere
Berliner Philharmoniker, Gianluigi Gelmetti
December 1, 1984, Berlin
Live concert with Webern (Passacaglia) & Wagner/Henze (Wesendonck-Lieder)
https://en.wikipedia.org/wiki/Hans_Werner_Henze
http://www.schott-music.com/shop/persons/featured/hans-werner-henze/
http://www.hans-werner-henze-stiftung.de/home/
http://www.schott-music.com/shop/9/show,152552.html
http://www.hans-werner-henze-stiftung.de/hans-werner-henze/werkverzeichnis/detail/news/detail/News/symphonie-nr-7/
http://www.amazon.de/Symphonie-Nr-Orchester-Dirigier--Studienpartitur/dp/B001FTOQVO/
- published: 15 Jun 2015
- views: 3577
Here is the world premiere performance of "Kammermusik 1958" -- Henze's setting of "In lieblicher Bläue" by Friedrich Hölderlin. It was commissioned by Rolf Liebermann who was director of Der Norddeutsche Rundfunk. The work was dedicated to Benjamin Britten and premiered 26 November 1958 in Hamburg's Studio 10 (now the Rolf Liebermann Studio). The piece is for tenor, guitar and eight solo instruments. The artists were: Peter Pears, tenor; Julian Bream, guitar; Heinz Mönning, clarinet; Fritz Henker, bassoon; Rolf Lind, horn; Bernard Hamann and Fritz Köhnsen, violins; Fritz Lang, viola; Siegfried Palm, cello; Ernst Hand, double-bass; with the composer conducting.
I. Prefazione 0:00
II. In lieblicher Bläue 3:54
III. Tento I, Du schönes Bächlein 8:18
IV. Innen aus Verschiedenem entsteht 10:05
V. Tento II, Es findet das Aug' oft 13:16
VI. Gibt es auf Erden ein Maß? 14:49
VII. Sonata 20:05
VIII. Möcht ich ein Komet sein? 23:04
IX. Cadenza 26:39
X. Wenn einer in den Spiegel siehet 28:50
XI. Tento III, Sohn Laios' 31:54
XII. Wie Bäche reißt das Ende von etwas mich dahin 33:56
Link to my Peter Pears playlist:
http://www.youtube.com/playlist?list=PL56BC9315D6954644
The images included are examples from the art movement known as the Northwest School. Two of its better-known artists were Mark Tobey and Morris Graves.
- published: 27 Jun 2015
- views: 1678
Hans Werner Henze (1926-2012)
El Cimarrón (1969-70)
The biography of the runaway slave Esteban Montejo
Text: Hans Magnus Enzensberger
1. Die Welt (The World) [0:00]
2. Der Cimarrón [6:50]
3. Die Sklaverei (Slavery) [11:07]
4. Die Flucht (Flight) [15:34]
5. Der Wald (The Forest) [19:58]
6. Die Geister (The Spirits) [28:13]
7. Die Flasche Freiheit (False Freedom) [34:54]
8. Die Frauen (The Women) [38:08]
9. Die Maschinen (The Machines) [41:13]
10. Die Pfarrer (The Clergy) [46:57]
11. Der Aufstand (The Uprising) [51:44]
12. Die Schlacht von Mal Tiempo (The Battle of Mal Tiempo) [55:59]
13. Der schlechte Sieg (The Evil Victory) [1:02:02]
14. Die Freundlichkeit (Friendliness) [1:07:10]
15. Das Messer (The Knife) [1:12:33]
William Pearson, baritone
Karlheiz Zöller, flute
Leo Brouwer, guitar
Stomu Yamash'ta, percussion
Hans Werner Henze, conductor
In the nineteenth century on Cuba, “cimarrón” was a word used for an escaped slave. The “cimarrón” in Hans Werner Henze’s “Recital for four musicians,” Esteban Montejo, was born in 1860. In February 1970 Henze completed the score at his home in Marino, near Rome. Enzensberger had arranged the libretto into fifteen scenes, some of which reflect subjectively on historical events, other on the personal views of the Cimarrón. Henze had produced a score that included aleatoric components as well as composed “fields” in which pitches and sounds are specified but the tempi and dynamics are determined by the musicians, as well as passages for free improvisation. There are, however, also sections composed in the classic manner, such as the rather quiet, filigreed, and often enchantingly beautiful duets and solos, such as the guitar solo in the postlude to no. I, “The World,” or the flute solo in no. VIII, “Women”. The latter reflects on how the Cimarrón became anxious and afraid when meeting his lover, Ana, who he thought was a witch. At the beginning of no. VII, “The False Freedom,” the piccolo plays together with the vibraphone, supported by the tom-toms. The duet between the singer and guitar in no. XI, “The Rebellion,” includes one of the most beautiful unison passages in contemporary music. Among the delicately fully written out ensembles that depending on the chamber music qualities of the musicians’ performances include the toque a Babalu Ayé in no. V, “The Forest,” a reference to the Lukumi religion on Cuba, or no. VIII, “Women,” in the rhythm of a Cuban son. In no. XIII, “The Bad Victory,” another Cuban folk rhythm, a rumba, introduces the victorious frenzy that followed Cuban independence. The composer also used popular music in a parodistic manner: an habanera in no. II, “The Cimarrón,” alludes to the decadence of the colonial masters; in no. X, “The Priests,” the slightly out-of-tune chorales allude to the falseness of the clergy on Cuba, and in no. XIII, “The Bad Victory,” the harmonica tells the story of how the new members of the “master race” naively and matter-of-factly make themselves at home on the island. A variety of Caribbean and African instruments supplement the folkloristic aspects of the score, such as a Trinidad steel drum, which has its big entry in no. VII, “The False Freedom,” as well as marimbula, log drums, octobans, temple bells, congas, bongos, and other better-known instruments. Several instruments are reserved for specific dramatic effects, such as an iron chain that drops onto wood at one point (no. III, “Slavery”) and onto steel at another (no. IV, “Escape”), or the guiro that the singer in no. IX, “The Machines,” plays and thus becomes even more united with the relenting running of the modern machines in the factories. In no. IV, “Escape,” the flutist plays a Jew’s harp, enables
us to hear the stars the overseer sees when the Cimarrón hurls a rock in his face.
Henze took up certain models and signs from the vocabulary of modernism (e.g., the use of aleatoric procedures, the integration of improvised sections, free, no longer serial tonality, and the predominance of elements of Cuban folklore in the rhythm and shaping of the melodies). There is a narrative gesture that derives from Esteban Montejo’s speaking style, which was captured on tape. And there is the basso continuo, it was derived from and developed on ancient African (Congolese-Cuban) percussion music. That is the often quite but often loud pulse of our Cimarrón.
Written by: Michael Kerstan (English translation by Steven Lindberg) Source: www.elcimarronensemble.com
~~~~~~~~
The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing on this channel violates the copyright, please inform me immediately before you submit a claim to Youtube. In the case of the latter, I will take care to remove the video immediately.
- published: 28 Jan 2015
- views: 1507
Hans Werner Henze
Hans Werner Henze (1 July 1926 – 27 October 2012) was a German composer. His large oeuvre of works is extremely varied in style, having been influenced by serialism, atonality, Stravinsky, Italian music, Arabic music and jazz, as well as traditional schools of German composition. In particular, his stage works reflect "his consistent cultivation of music for the theatre throughout his life".
Henze was also known for his political convictions. He left Germany for Italy in 1953 because of a perceived intolerance towards his leftist politics and homosexuality. Late in life he lived in the village of Marino in the central Italian region of Lazio, and in his final years still travelled extensively, in particular to Britain and Germany, as part of his work. An avowed Marxist and member of the Communist Party of Italy, Henze produced compositions honoring Ho Chi Minh and Che Guevara. At the 1968 Hamburg premiere of his requiem for Che Guevara, titled Das Floß der Medusa (The Raft of Medusa), the placing of a red flag on the stage sparked a riot and the arrest of several people, including the librettist. Henze spent a year teaching in Cuba, though he later became disillusioned with Castro.
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/Hans_Werner_Henze
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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27:57Hans Werner Henze, Symphony No. 4
Hans Werner Henze, Symphony No. 4Hans Werner Henze, Symphony No. 4
Berlin Philharmonic, conducted by the composer (1966). (WARNING: Video contains images of erotic art which might offend sensitive viewers). This was scored in 1955 for large orchestra, intended as Act 2 of an opera "King Stag" (Konig Hirsch). There were evidently some problems with the staging of the production, so Henze decided to rework the vocal parts of Act 2 into an orchestral texture where the vocals are replaced with solos from the orchestra, such as violin, viola, clarinet, oboe, trumpet, and other small groupings. The result is an unbroken span of strange and magical enchantment quite unique to Henze's style. The basic motif is the story of King Stag who lives deep inside a forest. The forest has chased out all the intruders, leaving the stag alone and devoid of companionship. Although he has the body of a stag, he has the soul of a human, and so longs to go back to the cities and find human relationships. This creates conflict and an unresolved dilemma which he tries to discuss with the trees of the forest. The unique style of the music lends itself to an erotic interpretation. I first purchased this recording way back in 1969 when I was still a teenager, and I was already enchanted by this strange music, and played it often. There is a strong sense of the Feminine Principle contrasted against elements of harsh sexual debauchery. Henze subsequently produced scores for several cinema art films which featured the passions of human sexuality. (There are some intensely sensual moments in his 7th symphony). I offer here a copy of the CD re-release of my original LP for Henze fans to enjoy or discover. I have embellished the video with a generous sequence of mysterious pictures which are entirely my own subjective impressions in symbolic form. These must not be taken as any attempt to create a story board. But I suspect that the composer might have enjoyed my general direction. ((This upload replaces my eralier one of September 2013 which I viewed recently and felt inspired to improve the picture editing)). -
25:10Hans Werner Henze: Symphony No.8 (1992/1993)
Hans Werner Henze: Symphony No.8 (1992/1993)Hans Werner Henze: Symphony No.8 (1992/1993)
Hans Werner Henze (1926-2012): Sinfonia No.8 (1992/1993). I. Allegro moderato II. Ballabile III. Adagio Gürzenich-Orchester Köln diretta da Markus Stenz. Cover image: Hans Werner Henze nel 1965. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. -
38:14Hans Werner Henze: Symphony No.10 (1997/2000)
Hans Werner Henze: Symphony No.10 (1997/2000)Hans Werner Henze: Symphony No.10 (1997/2000)
Hans Werner Henze (1926-2012): Symphony No.10 (1997/2000). I. Ein Sturm II. Ein Hymnus [10:47] III. Ein Tanz [19:02] IV. Ein Traum [26:41] Orchestre National de Montpellier diretta da Friedemann Layer. Cover image: painting by Gerhard Richter. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. -
20:54Hans Werner Henze Symphony No. 5 for Large Orchestra (1962)
Hans Werner Henze Symphony No. 5 for Large Orchestra (1962)Hans Werner Henze Symphony No. 5 for Large Orchestra (1962)
All three movements. -
33:37Hans Werner Henze: Royal Winter Music (Guitar Canon)
Hans Werner Henze: Royal Winter Music (Guitar Canon)Hans Werner Henze: Royal Winter Music (Guitar Canon)
Guitarist: Otto Tolonen camera: WILHELMIEN STAM FRANK REIJGERSBERG WIM VAN MUIJEN audio: REIJGER RECORDINGS video edit: WGS DESIGN REIJGERRECS special thanks to: HOTEL RECUERDOS GROEIER BRAVA NL LA GUITARRA BUENA produced by: REIJGER RECORDINGS in association with: Brava HD for Guitar Canon Foundation www.guitarcanon.com ©2015 -
11:44Hans Werner Henze: Variationen für Klavier, Op.13 (1948)
Hans Werner Henze: Variationen für Klavier, Op.13 (1948)Hans Werner Henze: Variationen für Klavier, Op.13 (1948)
Hans Werner Henze (1926-2012): Variationen für Klavier, Op.13 (1948). Jan Philip Schulze, pianoforte. Cover image: "Silver and Blue" photo/paint by Marilyn Kirsch. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated. -
8:53Hans Werner Henze - Labyrinth
Hans Werner Henze - LabyrinthHans Werner Henze - Labyrinth
Labyrinth (1951) The London Sinfonietta Hans Werner Henze In 1951, when I was artistic director of a small ballet company attached to the National Theatre of Wiesbaden, I wrote this psycho-chamber-jazz ballet for it. It was never staged because the company dissolved before we could put it on. I conducted the score in a concert on the Darmstadt-Frankfurt a.M. Music Festival on May 29th, 1952. The ballet tells the story of Theseus, Ariadne, and the Minotaur, in a condensed, anagogical and anagrammatical fashion. It is, as a subject, quite similar to Gozzi's "The King Stag" which I composed as an opera three years later. --Hans Werner Henze I. Permanent Menace: Adolescents of Knossos under the threat to be fed to the Minotaur. II. Cantus choralis: Plea to Theseus to kill the monster. lll. Conflict: Ariadne tries to prevent Theseus from facing the dangers involved by going into the Labyrinth and challenging the Minotaur. But Theseus is adamant. IV. Variation: She invents the device of the thread stuck to Theseus, made to pull him back out of the Labyrinth in case he would get lost in it. V. Minotaurus Blues: Theseus in the Labyrinth fights the Minotaur and kills him. VI. Fantasy in Rose: Theseus and Ariadne happily reunited among the people of Crete who are grateful to be liberated from their nightmare. Art by Jeffrey Smart -
43:38Hans Werner Henze: Symphony No. 7 for large orchestra (World Premiere)
Hans Werner Henze: Symphony No. 7 for large orchestra (World Premiere)Hans Werner Henze: Symphony No. 7 for large orchestra (World Premiere)
Hans Werner Henze (1926-2012): Symphony No. 7 for large orchestra (1983-'84) 4.4.5.4 - 6.4.5.1 - timp, 3 perc, hp, cel, pf - strings I 00:07 Tanz. Lebhaft und beseelt II 10:50 Ruhig bewegt III 27:25 Unablässig in Bewegung IV 33:01 Ruhig, verhalten World Premiere Berliner Philharmoniker, Gianluigi Gelmetti December 1, 1984, Berlin Live concert with Webern (Passacaglia) & Wagner/Henze (Wesendonck-Lieder) https://en.wikipedia.org/wiki/Hans_Werner_Henze http://www.schott-music.com/shop/persons/featured/hans-werner-henze/ http://www.hans-werner-henze-stiftung.de/home/ http://www.schott-music.com/shop/9/show,152552.html http://www.hans-werner-henze-stiftung.de/hans-werner-henze/werkverzeichnis/detail/news/detail/News/symphonie-nr-7/ http://www.amazon.de/Symphonie-Nr-Orchester-Dirigier--Studienpartitur/dp/B001FTOQVO/ -
39:07Hans Werner Henze: "Kammermusik 1958" - World Premiere!
Hans Werner Henze: "Kammermusik 1958" - World Premiere!Hans Werner Henze: "Kammermusik 1958" - World Premiere!
Here is the world premiere performance of "Kammermusik 1958" -- Henze's setting of "In lieblicher Bläue" by Friedrich Hölderlin. It was commissioned by Rolf Liebermann who was director of Der Norddeutsche Rundfunk. The work was dedicated to Benjamin Britten and premiered 26 November 1958 in Hamburg's Studio 10 (now the Rolf Liebermann Studio). The piece is for tenor, guitar and eight solo instruments. The artists were: Peter Pears, tenor; Julian Bream, guitar; Heinz Mönning, clarinet; Fritz Henker, bassoon; Rolf Lind, horn; Bernard Hamann and Fritz Köhnsen, violins; Fritz Lang, viola; Siegfried Palm, cello; Ernst Hand, double-bass; with the composer conducting. I. Prefazione 0:00 II. In lieblicher Bläue 3:54 III. Tento I, Du schönes Bächlein 8:18 IV. Innen aus Verschiedenem entsteht 10:05 V. Tento II, Es findet das Aug' oft 13:16 VI. Gibt es auf Erden ein Maß? 14:49 VII. Sonata 20:05 VIII. Möcht ich ein Komet sein? 23:04 IX. Cadenza 26:39 X. Wenn einer in den Spiegel siehet 28:50 XI. Tento III, Sohn Laios' 31:54 XII. Wie Bäche reißt das Ende von etwas mich dahin 33:56 Link to my Peter Pears playlist: http://www.youtube.com/playlist?list=PL56BC9315D6954644 The images included are examples from the art movement known as the Northwest School. Two of its better-known artists were Mark Tobey and Morris Graves. -
75:32Hans Werner Henze - El Cimarrón (1969-70)
Hans Werner Henze - El Cimarrón (1969-70)Hans Werner Henze - El Cimarrón (1969-70)
Hans Werner Henze (1926-2012) El Cimarrón (1969-70) The biography of the runaway slave Esteban Montejo Text: Hans Magnus Enzensberger 1. Die Welt (The World) [0:00] 2. Der Cimarrón [6:50] 3. Die Sklaverei (Slavery) [11:07] 4. Die Flucht (Flight) [15:34] 5. Der Wald (The Forest) [19:58] 6. Die Geister (The Spirits) [28:13] 7. Die Flasche Freiheit (False Freedom) [34:54] 8. Die Frauen (The Women) [38:08] 9. Die Maschinen (The Machines) [41:13] 10. Die Pfarrer (The Clergy) [46:57] 11. Der Aufstand (The Uprising) [51:44] 12. Die Schlacht von Mal Tiempo (The Battle of Mal Tiempo) [55:59] 13. Der schlechte Sieg (The Evil Victory) [1:02:02] 14. Die Freundlichkeit (Friendliness) [1:07:10] 15. Das Messer (The Knife) [1:12:33] William Pearson, baritone Karlheiz Zöller, flute Leo Brouwer, guitar Stomu Yamash'ta, percussion Hans Werner Henze, conductor In the nineteenth century on Cuba, “cimarrón” was a word used for an escaped slave. The “cimarrón” in Hans Werner Henze’s “Recital for four musicians,” Esteban Montejo, was born in 1860. In February 1970 Henze completed the score at his home in Marino, near Rome. Enzensberger had arranged the libretto into fifteen scenes, some of which reflect subjectively on historical events, other on the personal views of the Cimarrón. Henze had produced a score that included aleatoric components as well as composed “fields” in which pitches and sounds are specified but the tempi and dynamics are determined by the musicians, as well as passages for free improvisation. There are, however, also sections composed in the classic manner, such as the rather quiet, filigreed, and often enchantingly beautiful duets and solos, such as the guitar solo in the postlude to no. I, “The World,” or the flute solo in no. VIII, “Women”. The latter reflects on how the Cimarrón became anxious and afraid when meeting his lover, Ana, who he thought was a witch. At the beginning of no. VII, “The False Freedom,” the piccolo plays together with the vibraphone, supported by the tom-toms. The duet between the singer and guitar in no. XI, “The Rebellion,” includes one of the most beautiful unison passages in contemporary music. Among the delicately fully written out ensembles that depending on the chamber music qualities of the musicians’ performances include the toque a Babalu Ayé in no. V, “The Forest,” a reference to the Lukumi religion on Cuba, or no. VIII, “Women,” in the rhythm of a Cuban son. In no. XIII, “The Bad Victory,” another Cuban folk rhythm, a rumba, introduces the victorious frenzy that followed Cuban independence. The composer also used popular music in a parodistic manner: an habanera in no. II, “The Cimarrón,” alludes to the decadence of the colonial masters; in no. X, “The Priests,” the slightly out-of-tune chorales allude to the falseness of the clergy on Cuba, and in no. XIII, “The Bad Victory,” the harmonica tells the story of how the new members of the “master race” naively and matter-of-factly make themselves at home on the island. A variety of Caribbean and African instruments supplement the folkloristic aspects of the score, such as a Trinidad steel drum, which has its big entry in no. VII, “The False Freedom,” as well as marimbula, log drums, octobans, temple bells, congas, bongos, and other better-known instruments. Several instruments are reserved for specific dramatic effects, such as an iron chain that drops onto wood at one point (no. III, “Slavery”) and onto steel at another (no. IV, “Escape”), or the guiro that the singer in no. IX, “The Machines,” plays and thus becomes even more united with the relenting running of the modern machines in the factories. In no. IV, “Escape,” the flutist plays a Jew’s harp, enables us to hear the stars the overseer sees when the Cimarrón hurls a rock in his face. Henze took up certain models and signs from the vocabulary of modernism (e.g., the use of aleatoric procedures, the integration of improvised sections, free, no longer serial tonality, and the predominance of elements of Cuban folklore in the rhythm and shaping of the melodies). There is a narrative gesture that derives from Esteban Montejo’s speaking style, which was captured on tape. And there is the basso continuo, it was derived from and developed on ancient African (Congolese-Cuban) percussion music. That is the often quite but often loud pulse of our Cimarrón. Written by: Michael Kerstan (English translation by Steven Lindberg) Source: www.elcimarronensemble.com ~~~~~~~~ The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing on this channel violates the copyright, please inform me immediately before you submit a claim to Youtube. In the case of the latter, I will take care to remove the video immediately.
Henze, Hans Werner Filmography
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2006, role: actor , character name: Himself
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2005, role: actor
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2003, role: writer
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1986, role: composer
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1984, role: composer
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1984, role: composer
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1984, role: composer
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1982, role: composer
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1979, role: composer
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1978, role: composer
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1977, role: actor , character name: Himself
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1977, role: composer
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1975, role: composer
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1974, role: actor , character name: Himself
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1972, role: composer
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1969, role: composer
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1967, role: composer
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1966, role: composer
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1966, role: actor , character name: Himself
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1963, role: composer
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1960, role: composer
Hans Werner Henze
ALBUMS
- Piano Works (piano: Jan Philip Schulze) released: 2009
- Gogo no Eiko (Das verratene Meer) released: 2009
- Musica da Camera (Ensemble Dissonanzen feat. conductor: Claudio Lugo) released: 2008
- Sechs Gesänge aus dem Arabischen / Three Auden Songs (tenor: Ian Bostridge, piano: Julius Drake) released: 2001
- Œuvres pour violoncelle seul released: 2000
- Undine released: 1997
- Streichquartette 1-5 (Arditti-String-Quartet) released: 1996
- Der junge Lord (Chor & Orchester der Deutschen Oper Berlin & Schöneberger Sängerknaben feat. conductor: Christoph von Dohnányi) released: 1996
- Elegie für junge Liebende (Orchester der Berliner Kammeroper feat. conductor: Brynmor Llewelyn Jones) released: 1995
- Symphonie Nr. 7, etc. released: 1993
- Compases / Violin Concerto No. 2 / Apollo et Hyazinthus (London Sinfonietta feat. conductor: Hans Werner Henze) released: 1991
- The Bassarids (RIAS-Kammerchor & Südfunkchor & Radio-Symphonie-Orchester Berlin feat. conductor: Gerd Albrecht) released: 1991
- Kammermusik 1958 über die Hymne "In lieblicher Bläue" von Hölderlin für Tenor, Gitarre und acht Soloinstrumente released: 1988
- 20th Century Guitar released: 1967
- Koenig Stag (Orchestra and Chorus of the Württemberg State Opera, Stuttgart feat. conductor: Denis Russell Davies) released:
Piano Works (piano: Jan Philip Schulze)
Released 2009- add to main playlist Play in Full Screen Lucy Escott Variations, for harpsichord (or piano)
- add to main playlist Play in Full Screen Variations, for piano, Op. 13
- add to main playlist Play in Full Screen Un petite phrase, for piano (from film score 'Un amour de Swann')
- add to main playlist Play in Full Screen Tristan, preludes for piano: I.
- add to main playlist Play in Full Screen Tristan, preludes for piano: II. Allegretto
- add to main playlist Play in Full Screen Tristan, preludes for piano: III. Lento
- add to main playlist Play in Full Screen Tristan, preludes for piano: IV. Ruhig fließend, meditativ
- add to main playlist Play in Full Screen Cherubino, miniatures (3) for piano: Andante cantabile
- add to main playlist Play in Full Screen Cherubino, miniatures (3) for piano: Sostenuto
- add to main playlist Play in Full Screen Cherubino, miniatures (3) for piano: Con allegrezza
- add to main playlist Play in Full Screen Toccata mistica, for piano
- add to main playlist Play in Full Screen Sonatina for piano (withdrawn by composer): I. Allegro con brio
- add to main playlist Play in Full Screen Sonatina for piano (withdrawn by composer): II. Andantino
- add to main playlist Play in Full Screen Sonatina for piano (withdrawn by composer): III. Pastorale. Moderé, doux et triste
- add to main playlist Play in Full Screen Piano Sonata: I. Molto movimentato
- add to main playlist Play in Full Screen Piano Sonata: II. Cantabile, con tenerezza
- add to main playlist Play in Full Screen Piano Sonata: III. Vivace
Gogo no Eiko (Das verratene Meer)
Released 2009- add to main playlist Play in Full Screen Scene 9 - The park
- add to main playlist Play in Full Screen Scene 10 - The warehouse
- add to main playlist Play in Full Screen Scene 11 - Fusako's house
- add to main playlist Play in Full Screen Scene 12 - The warehouse
- add to main playlist Play in Full Screen Scene 13 - Fusako's boutique
- add to main playlist Play in Full Screen Scene 14 - The warehouse
Musica da Camera (Ensemble Dissonanzen feat. conductor: Claudio Lugo)
Released 2008- add to main playlist Play in Full Screen Ein kleines Potpourri, for flute, vibraphone, harp & piano (from the opera "Boulevard Solitude"): I. Berceuse - Gavotte - Galop
- add to main playlist Play in Full Screen Ein kleines Potpourri, for flute, vibraphone, harp & piano (from the opera "Boulevard Solitude"): II. Manon Lescaut schreibt einen Brief
- add to main playlist Play in Full Screen Ein kleines Potpourri, for flute, vibraphone, harp & piano (from the opera "Boulevard Solitude"): III. Perpetuum mobile
- add to main playlist Play in Full Screen Sonatina for violin & piano (from opera "Pollicino"): I. Allegretto
- add to main playlist Play in Full Screen Sonatina for violin & piano (from opera "Pollicino"): II. Moderato assai
- add to main playlist Play in Full Screen Sonatina for violin & piano (from opera "Pollicino"): III. Passacaglia - Moderato
- add to main playlist Play in Full Screen Carillon, Récitatif, Masque, for guitar, mandolin & harp: Carillon
- add to main playlist Play in Full Screen Carillon, Récitatif, Masque, for guitar, mandolin & harp: Récitatif
- add to main playlist Play in Full Screen Carillon, Récitatif, Masque, for guitar, mandolin & harp: Masque
- add to main playlist Play in Full Screen Toccata mistica, for piano
- add to main playlist Play in Full Screen Drei Tentos: I.
- add to main playlist Play in Full Screen Drei Tentos: II.
- add to main playlist Play in Full Screen Drei Tentos: III.
- add to main playlist Play in Full Screen Sonatine for flute & piano: I. Moderato - Allegro molto vivace
- add to main playlist Play in Full Screen Sonatine for flute & piano: II. Andantino
- add to main playlist Play in Full Screen Sonatine for flute & piano: III. Presto
- add to main playlist Play in Full Screen New Folksongs and Herdsmen Songs, for bassoon, guitar & string trio (from musical play "Öedipus der Tyrann"): Pastorale
- add to main playlist Play in Full Screen New Folksongs and Herdsmen Songs, for bassoon, guitar & string trio (from musical play "Öedipus der Tyrann"): Morgenlied
- add to main playlist Play in Full Screen New Folksongs and Herdsmen Songs, for bassoon, guitar & string trio (from musical play "Öedipus der Tyrann"): Ballade
- add to main playlist Play in Full Screen New Folksongs and Herdsmen Songs, for bassoon, guitar & string trio (from musical play "Öedipus der Tyrann"): Tanz
- add to main playlist Play in Full Screen New Folksongs and Herdsmen Songs, for bassoon, guitar & string trio (from musical play "Öedipus der Tyrann"): Rezitativ
- add to main playlist Play in Full Screen New Folksongs and Herdsmen Songs, for bassoon, guitar & string trio (from musical play "Öedipus der Tyrann"): Abendlied
- add to main playlist Play in Full Screen New Folksongs and Herdsmen Songs, for bassoon, guitar & string trio (from musical play "Öedipus der Tyrann"): Ausklang
Sechs Gesänge aus dem Arabischen / Three Auden Songs (tenor: Ian Bostridge, piano: Julius Drake)
Released 2001- add to main playlist Play in Full Screen Sechs Gesänge aus dem Arabischen: I. Selím und der Wind
- add to main playlist Play in Full Screen Sechs Gesänge aus dem Arabischen: II. Die Gottesanbeterin
- add to main playlist Play in Full Screen Sechs Gesänge aus dem Arabischen: III. Ein Sonnenaufgang
- add to main playlist Play in Full Screen Sechs Gesänge aus dem Arabischen: IV. Cäsarion
- add to main playlist Play in Full Screen Sechs Gesänge aus dem Arabischen: V. Fatumas Klage
- add to main playlist Play in Full Screen Sechs Gesänge aus dem Arabischen: VI. Das Paradies
- add to main playlist Play in Full Screen Three Auden Songs, No. 1: In Memoriam L.K.A. 1950-1952
- add to main playlist Play in Full Screen Three Auden Songs, No. 2: Rimbaud
- add to main playlist Play in Full Screen Three Auden Songs, No. 3: Lay Your Sleeping Head, My Love
Œuvres pour violoncelle seul
Released 2000- add to main playlist Play in Full Screen Trois strophes sur le nom de Sacher: I. Un poco indeciso
- add to main playlist Play in Full Screen Trois strophes sur le nom de Sacher: II. Andanta sostenuto
- add to main playlist Play in Full Screen Trois strophes sur le nom de Sacher: III. Vivace
- add to main playlist Play in Full Screen Sérénade: I. Adagio rubato
- add to main playlist Play in Full Screen Sérénade: II. Poco allegretto
- add to main playlist Play in Full Screen Sérénade: III. Pastorale
- add to main playlist Play in Full Screen Sérénade: IV. Andante con moto
- add to main playlist Play in Full Screen Sérénade: V. Vivace
- add to main playlist Play in Full Screen Sérénade: VI. Tango
- add to main playlist Play in Full Screen Sérénade: VII. Allegro marciale
- add to main playlist Play in Full Screen Sérénade: VIII. Allegretto
- add to main playlist Play in Full Screen Sérénade: IX. Menuett
- add to main playlist Play in Full Screen Sonate: I. Fantasia
- add to main playlist Play in Full Screen Sonate: II. Tema pastorale con variazioni
- add to main playlist Play in Full Screen Sonate: III. Toccata
- add to main playlist Play in Full Screen Sonate: I. Dialogo
- add to main playlist Play in Full Screen Sonate: II. Capriccio
- add to main playlist Play in Full Screen Suite no. 4: I. Preludio
- add to main playlist Play in Full Screen Suite no. 4: II. Sonata gioconda
- add to main playlist Play in Full Screen Suite no. 4: III. Intermezzo improvvisato
- add to main playlist Play in Full Screen Suite no. 4: IV. Sonata seria
- add to main playlist Play in Full Screen Suite no. 4: V. Postludio
Undine
Released 1997- add to main playlist Play in Full Screen Undine: Act I. No. 1 Lento - Andante
- add to main playlist Play in Full Screen Undine: Act I. No. 2a Allegretto - Più mosso
- add to main playlist Play in Full Screen Undine: Act I. No. 2b Andante
- add to main playlist Play in Full Screen Undine: Act I. No. 2c Vivace
- add to main playlist Play in Full Screen Undine: Act I. No. 3 Moderato - Adagio
- add to main playlist Play in Full Screen Undine: Act I. No. 4a Moderato - Adagio
- add to main playlist Play in Full Screen Undine: Act I. No. 4b Adagio - Allegro
- add to main playlist Play in Full Screen Undine: Act I. No. 5 Andante con moto - Allegro vivace - Andante con moto - Allegro vivace
- add to main playlist Play in Full Screen Undine: Act I. No. 6a Adagio
- add to main playlist Play in Full Screen Undine: Act I. No. 6b Vivace - Agitato - Meno mosso
- add to main playlist Play in Full Screen Undine: Act I. No. 7 Vivace assai
- add to main playlist Play in Full Screen Undine: Act I. No. 8 Andante
- add to main playlist Play in Full Screen Undine: Act I. No. 9 Allegro assai - Un poco meno mosso
- add to main playlist Play in Full Screen Undine: Act I. No. 10a Vivace - Subito più mosso
- add to main playlist Play in Full Screen Undine: Act I. No. 10b Largo
- add to main playlist Play in Full Screen Undine: Act I. No. 11a Adagio - Allegro - Adagio
- add to main playlist Play in Full Screen Undine: Act I. No. 11b Tranquillo
- add to main playlist Play in Full Screen Undine: Act I. No. 11c Lento
- add to main playlist Play in Full Screen Undine: Act I. No. 11d Finale: Allegro - Vivace
- add to main playlist Play in Full Screen Undine: Act I. No. 11e Tempo = 152
- add to main playlist Play in Full Screen Undine: Act II. No. 1 Moderato - Allegro - Tempo I - Adagio
- add to main playlist Play in Full Screen Undine: Act II. No. 2 Andantino con moto
- add to main playlist Play in Full Screen Undine: Act II. No. 3 Tempo = 80
- add to main playlist Play in Full Screen Undine: Act II. No. 4a Andante molto
- add to main playlist Play in Full Screen Undine: Act II. No. 4b Rocking Dance
- add to main playlist Play in Full Screen Undine: Act II. No. 5a Pas de trois: Ondine, Palemon, Beatrice
- add to main playlist Play in Full Screen Undine: Act II. No. 5b Variation
- add to main playlist Play in Full Screen Undine: Act II. No. 6 Vivace
- add to main playlist Play in Full Screen Undine: Act II. No. 7 Molto mosso
- add to main playlist Play in Full Screen Undine: Act II. No. 8 Finale
Streichquartette 1-5 (Arditti-String-Quartet)
Released 1996- add to main playlist Play in Full Screen Erstes Streichquartett: I. Allegro molto
- add to main playlist Play in Full Screen Erstes Streichquartett: II. Andantino
- add to main playlist Play in Full Screen Erstes Streichquartett: III. Lento, ma non troppo
- add to main playlist Play in Full Screen Erstes Streichquartett: IV. Presto
- add to main playlist Play in Full Screen Zweites Streichquartett: I. Vierte
- add to main playlist Play in Full Screen Zweites Streichquartett: II. Achte
- add to main playlist Play in Full Screen Zweites Streichquartett: III. Achte
- add to main playlist Play in Full Screen Drittes Streichquartett
Der junge Lord (Chor & Orchester der Deutschen Oper Berlin & Schöneberger Sängerknaben feat. conductor: Christoph von Dohnányi)
Released 1996- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 1. Bild. Einleitung "Herr Professor - ich nehme kein Blatt vor den Mund" (Oberjustizrat Hasentreffer)
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 1. Bild. "Ob er uns gefallen wird oder nicht?" (Ida, Luise)
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 1. Bild. "O Ida, liebste Ida. Meine einzige beste Freundin!" (Luise, Ida, Wilhelm)
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 1. Bild. "Zu uns kommt ein Edelmann" (Kinder)
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 1. Bild. "Vivat! vivat! Hoch lebe der reiche, englische edle Herr!" (Kinder, Herren, Damen, Volk)
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 1. Bild. "Hu, kaltes Land - und Leute gaffen" (Begonia)
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 1. Bild. "Er ist es" / "Ist das Sir Edgar?" (Volk, Damen, Herren)
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 1. Bild. Zwischenspiel
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 2. Bild. "Mein liebes Kind" (Baronin)
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 2. Bild. "Frau Baronin, Der Mohr ist da" (Kammermädchen)
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 2. Bild. "Dieser Mensch täuscht sich" (Baronin)
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 2. Bild. Zwischenspiel
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 3. Bild. "Hochverehrtes Publikum!" (Amintore)
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 3. Bild. "Der Engländer ist aus dem Haus" (Feine Leute)
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 3. Bild. "Hochverehrtes Publikum" (Amintore, Wilhelm, Luise)
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 3. Bild. "Im Namen des Gesetzes dieser Stadt" (Buergmeister)
- add to main playlist Play in Full Screen Der junge Lord: I. Akt, 3. Bild. "Wir sind ihm nicht gut genug" (Professor) - Notturno
Elegie für junge Liebende (Orchester der Berliner Kammeroper feat. conductor: Brynmor Llewelyn Jones)
Released 1995- add to main playlist Play in Full Screen Elegie für junge Liebende: I. Akt. (Die Rückkehr des Bräutigams). Vor vierzig Jahren
- add to main playlist Play in Full Screen Elegie für junge Liebende: I. Akt. (Die Rückkehr des Bräutigams). Die Tagesordnung
- add to main playlist Play in Full Screen Elegie für junge Liebende: I. Akt. (Die Rückkehr des Bräutigams). Eine planmäßige Ankunft
- add to main playlist Play in Full Screen Elegie für junge Liebende: I. Akt. (Die Rückkehr des Bräutigams). Erscheinungen und Visionen
- add to main playlist Play in Full Screen Elegie für junge Liebende: I. Akt. (Die Rückkehr des Bräutigams). Alltägliche Angelegenheiten
- add to main playlist Play in Full Screen Elegie für junge Liebende: I. Akt. (Die Rückkehr des Bräutigams). Hilfe
- add to main playlist Play in Full Screen Elegie für junge Liebende: I. Akt. (Die Rückkehr des Bräutigams). Weltschmerz
- add to main playlist Play in Full Screen Elegie für junge Liebende: I. Akt. (Die Rückkehr des Bräutigams). Schönheit im Tode
- add to main playlist Play in Full Screen Elegie für junge Liebende: I. Akt. (Die Rückkehr des Bräutigams). Wer wird es ihr sagen
- add to main playlist Play in Full Screen Elegie für junge Liebende: I. Akt. (Die Rückkehr des Bräutigams). Die Wetterlage
- add to main playlist Play in Full Screen Elegie für junge Liebende: I. Akt. (Die Rückkehr des Bräutigams). Morgen: Schnittpunkt des Wahnsinns
- add to main playlist Play in Full Screen Elegie für junge Liebende: II. Akt. (Das Erscheinen der Braut). Eine Leidenschaft
- add to main playlist Play in Full Screen Elegie für junge Liebende: II. Akt. (Das Erscheinen der Braut). Vernünftige Reden
- add to main playlist Play in Full Screen Elegie für junge Liebende: II. Akt. (Das Erscheinen der Braut). Jeder an seinem Platz
- add to main playlist Play in Full Screen Elegie für junge Liebende: II. Akt. (Das Erscheinen der Braut). Die Stunde des Meisters
- add to main playlist Play in Full Screen Elegie für junge Liebende: II. Akt. (Das Erscheinen der Braut). Persönliche Angelegenheiten
- add to main playlist Play in Full Screen Elegie für junge Liebende: II. Akt. (Das Erscheinen der Braut). Die Sorgen der anderen
- add to main playlist Play in Full Screen Elegie für junge Liebende: II. Akt. (Das Erscheinen der Braut). Was gesagt werden muß
- add to main playlist Play in Full Screen Elegie für junge Liebende: II. Akt. (Das Erscheinen der Braut). Aber nicht jetzt
Symphonie Nr. 7, etc.
Released 1993- add to main playlist Play in Full Screen Barcarola per grande orchestra
- add to main playlist Play in Full Screen Symphonie Nr. 7: I. Tanz - Lebhaft und beseelt
- add to main playlist Play in Full Screen Symphonie Nr. 7: II. Ruhig bewegt
- add to main playlist Play in Full Screen Symphonie Nr. 7: III. Unablässig in Bewegung
- add to main playlist Play in Full Screen Symphonie Nr. 7: IV. Ruhig, verhalten
Compases / Violin Concerto No. 2 / Apollo et Hyazinthus (London Sinfonietta feat. conductor: Hans Werner Henze)
Released 1991- add to main playlist Play in Full Screen Compases para preguntas ensimisades
- add to main playlist Play in Full Screen Violin Concerto No. 2: I. Presentazione
- add to main playlist Play in Full Screen Violin Concerto No. 2: II. Teorema
- add to main playlist Play in Full Screen Violin Concerto No. 2: III. Fantasia 1
- add to main playlist Play in Full Screen Violin Concerto No. 2: IV. Divertimento
- add to main playlist Play in Full Screen Violin Concerto No. 2: V. Fantasia 2
- add to main playlist Play in Full Screen Violin Concerto No. 2: VI. Conclusione
- add to main playlist Play in Full Screen Apollo et Hyazinthus
The Bassarids (RIAS-Kammerchor & Südfunkchor & Radio-Symphonie-Orchester Berlin feat. conductor: Gerd Albrecht)
Released 1991Kammermusik 1958 über die Hymne "In lieblicher Bläue" von Hölderlin für Tenor, Gitarre und acht Soloinstrumente
Released 1988- add to main playlist Play in Full Screen Prefazione (Molto lentoI
- add to main playlist Play in Full Screen In lieblicher Bläue (Tranquillo)
- add to main playlist Play in Full Screen Tento I "Du schönes Bächlein" (Tranquilamente)
- add to main playlist Play in Full Screen Innen aus Verschiedenem entsteht (Allegro)
- add to main playlist Play in Full Screen Tento II "Es findet das Aug' oft"
- add to main playlist Play in Full Screen Gibt es auf Erden
- add to main playlist Play in Full Screen Sonata
- add to main playlist Play in Full Screen Möcht' ich ein Komet sein?
- add to main playlist Play in Full Screen Cadenza (Assai mosso)
- add to main playlist Play in Full Screen Wenn einer in den Spiegel siehet (Calmo)
- add to main playlist Play in Full Screen Tento III "Sohn Laios"
- add to main playlist Play in Full Screen Wie Bäche reißt das Ende
- add to main playlist Play in Full Screen Epilogo (Adagio)
20th Century Guitar
Released 1967- add to main playlist Play in Full Screen El Polifemo de Oro (Four Fragments for Guitar)
- add to main playlist Play in Full Screen Nocturnal Op. 70
- add to main playlist Play in Full Screen Quatre pièces brèves (Prélude, Air, Plainte, Comme une Gigue)
- add to main playlist Play in Full Screen Drei Tentos aus "Kammermusik 1958"
- add to main playlist Play in Full Screen Etude Nr. 5 C-Dur
- add to main playlist Play in Full Screen Etude Nr. 7 E-Dur
Koenig Stag (Orchestra and Chorus of the Württemberg State Opera, Stuttgart feat. conductor: Denis Russell Davies)
Born: 1926-07-01
Died: 2012-10-27
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Hans Werner Henze, Symphony No. 4
Berlin Philharmonic, conducted by the composer (1966). (WARNING: Video contains images of erotic art which might offend sensitive viewers). This was scored in 1955 for large orchestra, intended as Act 2 of an opera "King Stag" (Konig Hirsch). There were evidently some problems with the staging of the production, so Henze decided to rework the vocal parts of Act 2 into an orchestral texture where the vocals are replaced with solos from the orchestra, such as violin, viola, clarinet, oboe, trumpet, and other small groupings. The result is an unbroken span of strange and magical enchantment quite unique to Henze's style. The basic motif is the story of King Stag who lives deep inside a forest. The forest has chased out all the intruders, leaving the stag alone and devoid of companionship. A... -
Hans Werner Henze: Symphony No.8 (1992/1993)
Hans Werner Henze (1926-2012): Sinfonia No.8 (1992/1993). I. Allegro moderato II. Ballabile III. Adagio Gürzenich-Orchester Köln diretta da Markus Stenz. Cover image: Hans Werner Henze nel 1965. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. -
Hans Werner Henze: Symphony No.10 (1997/2000)
Hans Werner Henze (1926-2012): Symphony No.10 (1997/2000). I. Ein Sturm II. Ein Hymnus [10:47] III. Ein Tanz [19:02] IV. Ein Traum [26:41] Orchestre National de Montpellier diretta da Friedemann Layer. Cover image: painting by Gerhard Richter. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. -
Hans Werner Henze Symphony No. 5 for Large Orchestra (1962)
All three movements. -
Hans Werner Henze: Royal Winter Music (Guitar Canon)
Guitarist: Otto Tolonen camera: WILHELMIEN STAM FRANK REIJGERSBERG WIM VAN MUIJEN audio: REIJGER RECORDINGS video edit: WGS DESIGN REIJGERRECS special thanks to: HOTEL RECUERDOS GROEIER BRAVA NL LA GUITARRA BUENA produced by: REIJGER RECORDINGS in association with: Brava HD for Guitar Canon Foundation www.guitarcanon.com ©2015 -
Hans Werner Henze: Variationen für Klavier, Op.13 (1948)
Hans Werner Henze (1926-2012): Variationen für Klavier, Op.13 (1948). Jan Philip Schulze, pianoforte. Cover image: "Silver and Blue" photo/paint by Marilyn Kirsch. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated. -
Hans Werner Henze - Labyrinth
Labyrinth (1951) The London Sinfonietta Hans Werner Henze In 1951, when I was artistic director of a small ballet company attached to the National Theatre of Wiesbaden, I wrote this psycho-chamber-jazz ballet for it. It was never staged because the company dissolved before we could put it on. I conducted the score in a concert on the Darmstadt-Frankfurt a.M. Music Festival on May 29th, 1952. The ballet tells the story of Theseus, Ariadne, and the Minotaur, in a condensed, anagogical and anagrammatical fashion. It is, as a subject, quite similar to Gozzi's "The King Stag" which I composed as an opera three years later. --Hans Werner Henze I. Permanent Menace: Adolescents of Knossos under the threat to be fed to the Minotaur. II. Cantus choralis: Plea to Theseus to kill the monster. lll.... -
Hans Werner Henze: Symphony No. 7 for large orchestra (World Premiere)
Hans Werner Henze (1926-2012): Symphony No. 7 for large orchestra (1983-'84) 4.4.5.4 - 6.4.5.1 - timp, 3 perc, hp, cel, pf - strings I 00:07 Tanz. Lebhaft und beseelt II 10:50 Ruhig bewegt III 27:25 Unablässig in Bewegung IV 33:01 Ruhig, verhalten World Premiere Berliner Philharmoniker, Gianluigi Gelmetti December 1, 1984, Berlin Live concert with Webern (Passacaglia) & Wagner/Henze (Wesendonck-Lieder) https://en.wikipedia.org/wiki/Hans_Werner_Henze http://www.schott-music.com/shop/persons/featured/hans-werner-henze/ http://www.hans-werner-henze-stiftung.de/home/ http://www.schott-music.com/shop/9/show,152552.html http://www.hans-werner-henze-stiftung.de/hans-werner-henze/werkverzeichnis/detail/news/detail/News/symphonie-nr-7/ http://www.amazon.de/Symphonie-Nr-Orchester-Dirigier--Studie... -
Hans Werner Henze: "Kammermusik 1958" - World Premiere!
Here is the world premiere performance of "Kammermusik 1958" -- Henze's setting of "In lieblicher Bläue" by Friedrich Hölderlin. It was commissioned by Rolf Liebermann who was director of Der Norddeutsche Rundfunk. The work was dedicated to Benjamin Britten and premiered 26 November 1958 in Hamburg's Studio 10 (now the Rolf Liebermann Studio). The piece is for tenor, guitar and eight solo instruments. The artists were: Peter Pears, tenor; Julian Bream, guitar; Heinz Mönning, clarinet; Fritz Henker, bassoon; Rolf Lind, horn; Bernard Hamann and Fritz Köhnsen, violins; Fritz Lang, viola; Siegfried Palm, cello; Ernst Hand, double-bass; with the composer conducting. I. Prefazione 0:00 II. In lieblicher Bläue 3:54 III. Tento I, Du schönes Bächlein 8:18 IV. Innen aus Verschiedenem en... -
Hans Werner Henze - El Cimarrón (1969-70)
Hans Werner Henze (1926-2012) El Cimarrón (1969-70) The biography of the runaway slave Esteban Montejo Text: Hans Magnus Enzensberger 1. Die Welt (The World) [0:00] 2. Der Cimarrón [6:50] 3. Die Sklaverei (Slavery) [11:07] 4. Die Flucht (Flight) [15:34] 5. Der Wald (The Forest) [19:58] 6. Die Geister (The Spirits) [28:13] 7. Die Flasche Freiheit (False Freedom) [34:54] 8. Die Frauen (The Women) [38:08] 9. Die Maschinen (The Machines) [41:13] 10. Die Pfarrer (The Clergy) [46:57] 11. Der Aufstand (The Uprising) [51:44] 12. Die Schlacht von Mal Tiempo (The Battle of Mal Tiempo) [55:59] 13. Der schlechte Sieg (The Evil Victory) [1:02:02] 14. Die Freundlichkeit (Friendliness) [1:07:10] 15. Das Messer (The Knife) [1:12:33] William Pearson, baritone Karlheiz Zöller, flute Le...
Hans Werner Henze, Symphony No. 4
- Order: Reorder
- Duration: 27:57
- Updated: 16 Jul 2015
- views: 1147
Berlin Philharmonic, conducted by the composer (1966). (WARNING: Video contains images of erotic art which might offend sensitive viewers). This was scored in ...
Berlin Philharmonic, conducted by the composer (1966). (WARNING: Video contains images of erotic art which might offend sensitive viewers). This was scored in 1955 for large orchestra, intended as Act 2 of an opera "King Stag" (Konig Hirsch). There were evidently some problems with the staging of the production, so Henze decided to rework the vocal parts of Act 2 into an orchestral texture where the vocals are replaced with solos from the orchestra, such as violin, viola, clarinet, oboe, trumpet, and other small groupings. The result is an unbroken span of strange and magical enchantment quite unique to Henze's style.
The basic motif is the story of King Stag who lives deep inside a forest. The forest has chased out all the intruders, leaving the stag alone and devoid of companionship. Although he has the body of a stag, he has the soul of a human, and so longs to go back to the cities and find human relationships. This creates conflict and an unresolved dilemma which he tries to discuss with the trees of the forest.
The unique style of the music lends itself to an erotic interpretation. I first purchased this recording way back in 1969 when I was still a teenager, and I was already enchanted by this strange music, and played it often. There is a strong sense of the Feminine Principle contrasted against elements of harsh sexual debauchery. Henze subsequently produced scores for several cinema art films which featured the passions of human sexuality. (There are some intensely sensual moments in his 7th symphony).
I offer here a copy of the CD re-release of my original LP for Henze fans to enjoy or discover. I have embellished the video with a generous sequence of mysterious pictures which are entirely my own subjective impressions in symbolic form. These must not be taken as any attempt to create a story board. But I suspect that the composer might have enjoyed my general direction.
((This upload replaces my eralier one of September 2013 which I viewed recently and felt inspired to improve the picture editing)).
wn.com/Hans Werner Henze, Symphony No. 4
Berlin Philharmonic, conducted by the composer (1966). (WARNING: Video contains images of erotic art which might offend sensitive viewers). This was scored in 1955 for large orchestra, intended as Act 2 of an opera "King Stag" (Konig Hirsch). There were evidently some problems with the staging of the production, so Henze decided to rework the vocal parts of Act 2 into an orchestral texture where the vocals are replaced with solos from the orchestra, such as violin, viola, clarinet, oboe, trumpet, and other small groupings. The result is an unbroken span of strange and magical enchantment quite unique to Henze's style.
The basic motif is the story of King Stag who lives deep inside a forest. The forest has chased out all the intruders, leaving the stag alone and devoid of companionship. Although he has the body of a stag, he has the soul of a human, and so longs to go back to the cities and find human relationships. This creates conflict and an unresolved dilemma which he tries to discuss with the trees of the forest.
The unique style of the music lends itself to an erotic interpretation. I first purchased this recording way back in 1969 when I was still a teenager, and I was already enchanted by this strange music, and played it often. There is a strong sense of the Feminine Principle contrasted against elements of harsh sexual debauchery. Henze subsequently produced scores for several cinema art films which featured the passions of human sexuality. (There are some intensely sensual moments in his 7th symphony).
I offer here a copy of the CD re-release of my original LP for Henze fans to enjoy or discover. I have embellished the video with a generous sequence of mysterious pictures which are entirely my own subjective impressions in symbolic form. These must not be taken as any attempt to create a story board. But I suspect that the composer might have enjoyed my general direction.
((This upload replaces my eralier one of September 2013 which I viewed recently and felt inspired to improve the picture editing)).
- published: 16 Jul 2015
- views: 1147
Hans Werner Henze: Symphony No.8 (1992/1993)
- Order: Reorder
- Duration: 25:10
- Updated: 05 Nov 2012
- views: 11866
Hans Werner Henze (1926-2012): Sinfonia No.8 (1992/1993).
I. Allegro moderato
II. Ballabile
III. Adagio
Gürzenich-Orchester Köln diretta da Markus Stenz.
Cove...
Hans Werner Henze (1926-2012): Sinfonia No.8 (1992/1993).
I. Allegro moderato
II. Ballabile
III. Adagio
Gürzenich-Orchester Köln diretta da Markus Stenz.
Cover image: Hans Werner Henze nel 1965.
***
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
wn.com/Hans Werner Henze Symphony No.8 (1992 1993)
Hans Werner Henze (1926-2012): Sinfonia No.8 (1992/1993).
I. Allegro moderato
II. Ballabile
III. Adagio
Gürzenich-Orchester Köln diretta da Markus Stenz.
Cover image: Hans Werner Henze nel 1965.
***
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
- published: 05 Nov 2012
- views: 11866
Hans Werner Henze: Symphony No.10 (1997/2000)
- Order: Reorder
- Duration: 38:14
- Updated: 07 Jan 2015
- views: 7325
Hans Werner Henze (1926-2012): Symphony No.10 (1997/2000).
I. Ein Sturm
II. Ein Hymnus [10:47]
III. Ein Tanz [19:02]
IV. Ein Traum [26:41]
Orchestre National ...
Hans Werner Henze (1926-2012): Symphony No.10 (1997/2000).
I. Ein Sturm
II. Ein Hymnus [10:47]
III. Ein Tanz [19:02]
IV. Ein Traum [26:41]
Orchestre National de Montpellier diretta da Friedemann Layer.
Cover image: painting by Gerhard Richter.
***
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
wn.com/Hans Werner Henze Symphony No.10 (1997 2000)
Hans Werner Henze (1926-2012): Symphony No.10 (1997/2000).
I. Ein Sturm
II. Ein Hymnus [10:47]
III. Ein Tanz [19:02]
IV. Ein Traum [26:41]
Orchestre National de Montpellier diretta da Friedemann Layer.
Cover image: painting by Gerhard Richter.
***
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
- published: 07 Jan 2015
- views: 7325
Hans Werner Henze Symphony No. 5 for Large Orchestra (1962)
- Order: Reorder
- Duration: 20:54
- Updated: 29 Jul 2012
- views: 18821
All three movements.
All three movements.
wn.com/Hans Werner Henze Symphony No. 5 For Large Orchestra (1962)
All three movements.
- published: 29 Jul 2012
- views: 18821
Hans Werner Henze: Royal Winter Music (Guitar Canon)
- Order: Reorder
- Duration: 33:37
- Updated: 22 Oct 2015
- views: 2680
Guitarist: Otto Tolonen
camera:
WILHELMIEN STAM
FRANK REIJGERSBERG
WIM VAN MUIJEN
audio:
REIJGER RECORDINGS
video edit:
WGS DESIGN
REIJGERRECS
special thanks t...
Guitarist: Otto Tolonen
camera:
WILHELMIEN STAM
FRANK REIJGERSBERG
WIM VAN MUIJEN
audio:
REIJGER RECORDINGS
video edit:
WGS DESIGN
REIJGERRECS
special thanks to:
HOTEL RECUERDOS
GROEIER
BRAVA NL
LA GUITARRA BUENA
produced by:
REIJGER RECORDINGS
in association with:
Brava HD for
Guitar Canon Foundation
www.guitarcanon.com
©2015
wn.com/Hans Werner Henze Royal Winter Music (Guitar Canon)
Guitarist: Otto Tolonen
camera:
WILHELMIEN STAM
FRANK REIJGERSBERG
WIM VAN MUIJEN
audio:
REIJGER RECORDINGS
video edit:
WGS DESIGN
REIJGERRECS
special thanks to:
HOTEL RECUERDOS
GROEIER
BRAVA NL
LA GUITARRA BUENA
produced by:
REIJGER RECORDINGS
in association with:
Brava HD for
Guitar Canon Foundation
www.guitarcanon.com
©2015
- published: 22 Oct 2015
- views: 2680
Hans Werner Henze: Variationen für Klavier, Op.13 (1948)
- Order: Reorder
- Duration: 11:44
- Updated: 16 Feb 2011
- views: 6216
Hans Werner Henze (1926-2012): Variationen für Klavier, Op.13 (1948).
Jan Philip Schulze, pianoforte.
Cover image: "Silver and Blue" photo/paint by Marilyn Ki...
Hans Werner Henze (1926-2012): Variationen für Klavier, Op.13 (1948).
Jan Philip Schulze, pianoforte.
Cover image: "Silver and Blue" photo/paint by Marilyn Kirsch.
***
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
wn.com/Hans Werner Henze Variationen Für Klavier, Op.13 (1948)
Hans Werner Henze (1926-2012): Variationen für Klavier, Op.13 (1948).
Jan Philip Schulze, pianoforte.
Cover image: "Silver and Blue" photo/paint by Marilyn Kirsch.
***
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
- published: 16 Feb 2011
- views: 6216
Hans Werner Henze - Labyrinth
- Order: Reorder
- Duration: 8:53
- Updated: 14 Oct 2015
- views: 1273
Labyrinth (1951)
The London Sinfonietta
Hans Werner Henze
In 1951, when I was artistic director of a small ballet company attached to the National Theatre of ...
Labyrinth (1951)
The London Sinfonietta
Hans Werner Henze
In 1951, when I was artistic director of a small ballet company attached to the National Theatre of Wiesbaden, I wrote this psycho-chamber-jazz ballet for it. It was never staged because the company dissolved before we could put it on. I conducted the score in a concert on the Darmstadt-Frankfurt a.M. Music Festival on May 29th, 1952.
The ballet tells the story of Theseus, Ariadne, and the Minotaur, in a condensed, anagogical and anagrammatical fashion. It is, as a subject, quite similar to Gozzi's "The King Stag" which I composed as an opera three years later. --Hans Werner Henze
I. Permanent Menace: Adolescents of Knossos under the threat to be fed to the Minotaur.
II. Cantus choralis: Plea to Theseus to kill the monster.
lll. Conflict: Ariadne tries to prevent Theseus from facing the dangers involved by going into the Labyrinth and challenging the Minotaur. But Theseus is adamant.
IV. Variation: She invents the device of the thread stuck to Theseus, made to pull him back out of the Labyrinth in case he would get lost in it.
V. Minotaurus Blues: Theseus in the Labyrinth fights the Minotaur and kills him.
VI. Fantasy in Rose: Theseus and Ariadne happily reunited among the people of Crete who are grateful to be liberated from their nightmare.
Art by Jeffrey Smart
wn.com/Hans Werner Henze Labyrinth
Labyrinth (1951)
The London Sinfonietta
Hans Werner Henze
In 1951, when I was artistic director of a small ballet company attached to the National Theatre of Wiesbaden, I wrote this psycho-chamber-jazz ballet for it. It was never staged because the company dissolved before we could put it on. I conducted the score in a concert on the Darmstadt-Frankfurt a.M. Music Festival on May 29th, 1952.
The ballet tells the story of Theseus, Ariadne, and the Minotaur, in a condensed, anagogical and anagrammatical fashion. It is, as a subject, quite similar to Gozzi's "The King Stag" which I composed as an opera three years later. --Hans Werner Henze
I. Permanent Menace: Adolescents of Knossos under the threat to be fed to the Minotaur.
II. Cantus choralis: Plea to Theseus to kill the monster.
lll. Conflict: Ariadne tries to prevent Theseus from facing the dangers involved by going into the Labyrinth and challenging the Minotaur. But Theseus is adamant.
IV. Variation: She invents the device of the thread stuck to Theseus, made to pull him back out of the Labyrinth in case he would get lost in it.
V. Minotaurus Blues: Theseus in the Labyrinth fights the Minotaur and kills him.
VI. Fantasy in Rose: Theseus and Ariadne happily reunited among the people of Crete who are grateful to be liberated from their nightmare.
Art by Jeffrey Smart
- published: 14 Oct 2015
- views: 1273
Hans Werner Henze: Symphony No. 7 for large orchestra (World Premiere)
- Order: Reorder
- Duration: 43:38
- Updated: 15 Jun 2015
- views: 3577
Hans Werner Henze (1926-2012): Symphony No. 7 for large orchestra (1983-'84)
4.4.5.4 - 6.4.5.1 - timp, 3 perc, hp, cel, pf - strings
I 00:07 Tanz. Lebhaft und ...
Hans Werner Henze (1926-2012): Symphony No. 7 for large orchestra (1983-'84)
4.4.5.4 - 6.4.5.1 - timp, 3 perc, hp, cel, pf - strings
I 00:07 Tanz. Lebhaft und beseelt
II 10:50 Ruhig bewegt
III 27:25 Unablässig in Bewegung
IV 33:01 Ruhig, verhalten
World Premiere
Berliner Philharmoniker, Gianluigi Gelmetti
December 1, 1984, Berlin
Live concert with Webern (Passacaglia) & Wagner/Henze (Wesendonck-Lieder)
https://en.wikipedia.org/wiki/Hans_Werner_Henze
http://www.schott-music.com/shop/persons/featured/hans-werner-henze/
http://www.hans-werner-henze-stiftung.de/home/
http://www.schott-music.com/shop/9/show,152552.html
http://www.hans-werner-henze-stiftung.de/hans-werner-henze/werkverzeichnis/detail/news/detail/News/symphonie-nr-7/
http://www.amazon.de/Symphonie-Nr-Orchester-Dirigier--Studienpartitur/dp/B001FTOQVO/
wn.com/Hans Werner Henze Symphony No. 7 For Large Orchestra (World Premiere)
Hans Werner Henze (1926-2012): Symphony No. 7 for large orchestra (1983-'84)
4.4.5.4 - 6.4.5.1 - timp, 3 perc, hp, cel, pf - strings
I 00:07 Tanz. Lebhaft und beseelt
II 10:50 Ruhig bewegt
III 27:25 Unablässig in Bewegung
IV 33:01 Ruhig, verhalten
World Premiere
Berliner Philharmoniker, Gianluigi Gelmetti
December 1, 1984, Berlin
Live concert with Webern (Passacaglia) & Wagner/Henze (Wesendonck-Lieder)
https://en.wikipedia.org/wiki/Hans_Werner_Henze
http://www.schott-music.com/shop/persons/featured/hans-werner-henze/
http://www.hans-werner-henze-stiftung.de/home/
http://www.schott-music.com/shop/9/show,152552.html
http://www.hans-werner-henze-stiftung.de/hans-werner-henze/werkverzeichnis/detail/news/detail/News/symphonie-nr-7/
http://www.amazon.de/Symphonie-Nr-Orchester-Dirigier--Studienpartitur/dp/B001FTOQVO/
- published: 15 Jun 2015
- views: 3577
Hans Werner Henze: "Kammermusik 1958" - World Premiere!
- Order: Reorder
- Duration: 39:07
- Updated: 27 Jun 2015
- views: 1678
Here is the world premiere performance of "Kammermusik 1958" -- Henze's setting of "In lieblicher Bläue" by Friedrich Hölderlin. It was commissioned by Rolf Li...
Here is the world premiere performance of "Kammermusik 1958" -- Henze's setting of "In lieblicher Bläue" by Friedrich Hölderlin. It was commissioned by Rolf Liebermann who was director of Der Norddeutsche Rundfunk. The work was dedicated to Benjamin Britten and premiered 26 November 1958 in Hamburg's Studio 10 (now the Rolf Liebermann Studio). The piece is for tenor, guitar and eight solo instruments. The artists were: Peter Pears, tenor; Julian Bream, guitar; Heinz Mönning, clarinet; Fritz Henker, bassoon; Rolf Lind, horn; Bernard Hamann and Fritz Köhnsen, violins; Fritz Lang, viola; Siegfried Palm, cello; Ernst Hand, double-bass; with the composer conducting.
I. Prefazione 0:00
II. In lieblicher Bläue 3:54
III. Tento I, Du schönes Bächlein 8:18
IV. Innen aus Verschiedenem entsteht 10:05
V. Tento II, Es findet das Aug' oft 13:16
VI. Gibt es auf Erden ein Maß? 14:49
VII. Sonata 20:05
VIII. Möcht ich ein Komet sein? 23:04
IX. Cadenza 26:39
X. Wenn einer in den Spiegel siehet 28:50
XI. Tento III, Sohn Laios' 31:54
XII. Wie Bäche reißt das Ende von etwas mich dahin 33:56
Link to my Peter Pears playlist:
http://www.youtube.com/playlist?list=PL56BC9315D6954644
The images included are examples from the art movement known as the Northwest School. Two of its better-known artists were Mark Tobey and Morris Graves.
wn.com/Hans Werner Henze Kammermusik 1958 World Premiere
Here is the world premiere performance of "Kammermusik 1958" -- Henze's setting of "In lieblicher Bläue" by Friedrich Hölderlin. It was commissioned by Rolf Liebermann who was director of Der Norddeutsche Rundfunk. The work was dedicated to Benjamin Britten and premiered 26 November 1958 in Hamburg's Studio 10 (now the Rolf Liebermann Studio). The piece is for tenor, guitar and eight solo instruments. The artists were: Peter Pears, tenor; Julian Bream, guitar; Heinz Mönning, clarinet; Fritz Henker, bassoon; Rolf Lind, horn; Bernard Hamann and Fritz Köhnsen, violins; Fritz Lang, viola; Siegfried Palm, cello; Ernst Hand, double-bass; with the composer conducting.
I. Prefazione 0:00
II. In lieblicher Bläue 3:54
III. Tento I, Du schönes Bächlein 8:18
IV. Innen aus Verschiedenem entsteht 10:05
V. Tento II, Es findet das Aug' oft 13:16
VI. Gibt es auf Erden ein Maß? 14:49
VII. Sonata 20:05
VIII. Möcht ich ein Komet sein? 23:04
IX. Cadenza 26:39
X. Wenn einer in den Spiegel siehet 28:50
XI. Tento III, Sohn Laios' 31:54
XII. Wie Bäche reißt das Ende von etwas mich dahin 33:56
Link to my Peter Pears playlist:
http://www.youtube.com/playlist?list=PL56BC9315D6954644
The images included are examples from the art movement known as the Northwest School. Two of its better-known artists were Mark Tobey and Morris Graves.
- published: 27 Jun 2015
- views: 1678
Hans Werner Henze - El Cimarrón (1969-70)
- Order: Reorder
- Duration: 75:32
- Updated: 28 Jan 2015
- views: 1507
Hans Werner Henze (1926-2012)
El Cimarrón (1969-70)
The biography of the runaway slave Esteban Montejo
Text: Hans Magnus Enzensberger
1. Die Welt (The Worl...
Hans Werner Henze (1926-2012)
El Cimarrón (1969-70)
The biography of the runaway slave Esteban Montejo
Text: Hans Magnus Enzensberger
1. Die Welt (The World) [0:00]
2. Der Cimarrón [6:50]
3. Die Sklaverei (Slavery) [11:07]
4. Die Flucht (Flight) [15:34]
5. Der Wald (The Forest) [19:58]
6. Die Geister (The Spirits) [28:13]
7. Die Flasche Freiheit (False Freedom) [34:54]
8. Die Frauen (The Women) [38:08]
9. Die Maschinen (The Machines) [41:13]
10. Die Pfarrer (The Clergy) [46:57]
11. Der Aufstand (The Uprising) [51:44]
12. Die Schlacht von Mal Tiempo (The Battle of Mal Tiempo) [55:59]
13. Der schlechte Sieg (The Evil Victory) [1:02:02]
14. Die Freundlichkeit (Friendliness) [1:07:10]
15. Das Messer (The Knife) [1:12:33]
William Pearson, baritone
Karlheiz Zöller, flute
Leo Brouwer, guitar
Stomu Yamash'ta, percussion
Hans Werner Henze, conductor
In the nineteenth century on Cuba, “cimarrón” was a word used for an escaped slave. The “cimarrón” in Hans Werner Henze’s “Recital for four musicians,” Esteban Montejo, was born in 1860. In February 1970 Henze completed the score at his home in Marino, near Rome. Enzensberger had arranged the libretto into fifteen scenes, some of which reflect subjectively on historical events, other on the personal views of the Cimarrón. Henze had produced a score that included aleatoric components as well as composed “fields” in which pitches and sounds are specified but the tempi and dynamics are determined by the musicians, as well as passages for free improvisation. There are, however, also sections composed in the classic manner, such as the rather quiet, filigreed, and often enchantingly beautiful duets and solos, such as the guitar solo in the postlude to no. I, “The World,” or the flute solo in no. VIII, “Women”. The latter reflects on how the Cimarrón became anxious and afraid when meeting his lover, Ana, who he thought was a witch. At the beginning of no. VII, “The False Freedom,” the piccolo plays together with the vibraphone, supported by the tom-toms. The duet between the singer and guitar in no. XI, “The Rebellion,” includes one of the most beautiful unison passages in contemporary music. Among the delicately fully written out ensembles that depending on the chamber music qualities of the musicians’ performances include the toque a Babalu Ayé in no. V, “The Forest,” a reference to the Lukumi religion on Cuba, or no. VIII, “Women,” in the rhythm of a Cuban son. In no. XIII, “The Bad Victory,” another Cuban folk rhythm, a rumba, introduces the victorious frenzy that followed Cuban independence. The composer also used popular music in a parodistic manner: an habanera in no. II, “The Cimarrón,” alludes to the decadence of the colonial masters; in no. X, “The Priests,” the slightly out-of-tune chorales allude to the falseness of the clergy on Cuba, and in no. XIII, “The Bad Victory,” the harmonica tells the story of how the new members of the “master race” naively and matter-of-factly make themselves at home on the island. A variety of Caribbean and African instruments supplement the folkloristic aspects of the score, such as a Trinidad steel drum, which has its big entry in no. VII, “The False Freedom,” as well as marimbula, log drums, octobans, temple bells, congas, bongos, and other better-known instruments. Several instruments are reserved for specific dramatic effects, such as an iron chain that drops onto wood at one point (no. III, “Slavery”) and onto steel at another (no. IV, “Escape”), or the guiro that the singer in no. IX, “The Machines,” plays and thus becomes even more united with the relenting running of the modern machines in the factories. In no. IV, “Escape,” the flutist plays a Jew’s harp, enables
us to hear the stars the overseer sees when the Cimarrón hurls a rock in his face.
Henze took up certain models and signs from the vocabulary of modernism (e.g., the use of aleatoric procedures, the integration of improvised sections, free, no longer serial tonality, and the predominance of elements of Cuban folklore in the rhythm and shaping of the melodies). There is a narrative gesture that derives from Esteban Montejo’s speaking style, which was captured on tape. And there is the basso continuo, it was derived from and developed on ancient African (Congolese-Cuban) percussion music. That is the often quite but often loud pulse of our Cimarrón.
Written by: Michael Kerstan (English translation by Steven Lindberg) Source: www.elcimarronensemble.com
~~~~~~~~
The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing on this channel violates the copyright, please inform me immediately before you submit a claim to Youtube. In the case of the latter, I will take care to remove the video immediately.
wn.com/Hans Werner Henze El Cimarrón (1969 70)
Hans Werner Henze (1926-2012)
El Cimarrón (1969-70)
The biography of the runaway slave Esteban Montejo
Text: Hans Magnus Enzensberger
1. Die Welt (The World) [0:00]
2. Der Cimarrón [6:50]
3. Die Sklaverei (Slavery) [11:07]
4. Die Flucht (Flight) [15:34]
5. Der Wald (The Forest) [19:58]
6. Die Geister (The Spirits) [28:13]
7. Die Flasche Freiheit (False Freedom) [34:54]
8. Die Frauen (The Women) [38:08]
9. Die Maschinen (The Machines) [41:13]
10. Die Pfarrer (The Clergy) [46:57]
11. Der Aufstand (The Uprising) [51:44]
12. Die Schlacht von Mal Tiempo (The Battle of Mal Tiempo) [55:59]
13. Der schlechte Sieg (The Evil Victory) [1:02:02]
14. Die Freundlichkeit (Friendliness) [1:07:10]
15. Das Messer (The Knife) [1:12:33]
William Pearson, baritone
Karlheiz Zöller, flute
Leo Brouwer, guitar
Stomu Yamash'ta, percussion
Hans Werner Henze, conductor
In the nineteenth century on Cuba, “cimarrón” was a word used for an escaped slave. The “cimarrón” in Hans Werner Henze’s “Recital for four musicians,” Esteban Montejo, was born in 1860. In February 1970 Henze completed the score at his home in Marino, near Rome. Enzensberger had arranged the libretto into fifteen scenes, some of which reflect subjectively on historical events, other on the personal views of the Cimarrón. Henze had produced a score that included aleatoric components as well as composed “fields” in which pitches and sounds are specified but the tempi and dynamics are determined by the musicians, as well as passages for free improvisation. There are, however, also sections composed in the classic manner, such as the rather quiet, filigreed, and often enchantingly beautiful duets and solos, such as the guitar solo in the postlude to no. I, “The World,” or the flute solo in no. VIII, “Women”. The latter reflects on how the Cimarrón became anxious and afraid when meeting his lover, Ana, who he thought was a witch. At the beginning of no. VII, “The False Freedom,” the piccolo plays together with the vibraphone, supported by the tom-toms. The duet between the singer and guitar in no. XI, “The Rebellion,” includes one of the most beautiful unison passages in contemporary music. Among the delicately fully written out ensembles that depending on the chamber music qualities of the musicians’ performances include the toque a Babalu Ayé in no. V, “The Forest,” a reference to the Lukumi religion on Cuba, or no. VIII, “Women,” in the rhythm of a Cuban son. In no. XIII, “The Bad Victory,” another Cuban folk rhythm, a rumba, introduces the victorious frenzy that followed Cuban independence. The composer also used popular music in a parodistic manner: an habanera in no. II, “The Cimarrón,” alludes to the decadence of the colonial masters; in no. X, “The Priests,” the slightly out-of-tune chorales allude to the falseness of the clergy on Cuba, and in no. XIII, “The Bad Victory,” the harmonica tells the story of how the new members of the “master race” naively and matter-of-factly make themselves at home on the island. A variety of Caribbean and African instruments supplement the folkloristic aspects of the score, such as a Trinidad steel drum, which has its big entry in no. VII, “The False Freedom,” as well as marimbula, log drums, octobans, temple bells, congas, bongos, and other better-known instruments. Several instruments are reserved for specific dramatic effects, such as an iron chain that drops onto wood at one point (no. III, “Slavery”) and onto steel at another (no. IV, “Escape”), or the guiro that the singer in no. IX, “The Machines,” plays and thus becomes even more united with the relenting running of the modern machines in the factories. In no. IV, “Escape,” the flutist plays a Jew’s harp, enables
us to hear the stars the overseer sees when the Cimarrón hurls a rock in his face.
Henze took up certain models and signs from the vocabulary of modernism (e.g., the use of aleatoric procedures, the integration of improvised sections, free, no longer serial tonality, and the predominance of elements of Cuban folklore in the rhythm and shaping of the melodies). There is a narrative gesture that derives from Esteban Montejo’s speaking style, which was captured on tape. And there is the basso continuo, it was derived from and developed on ancient African (Congolese-Cuban) percussion music. That is the often quite but often loud pulse of our Cimarrón.
Written by: Michael Kerstan (English translation by Steven Lindberg) Source: www.elcimarronensemble.com
~~~~~~~~
The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing on this channel violates the copyright, please inform me immediately before you submit a claim to Youtube. In the case of the latter, I will take care to remove the video immediately.
- published: 28 Jan 2015
- views: 1507
-
Hans Werner Henze: Der langwierige Weg in die Wohnung der Natascha Ungeheuer (1970)
Hans Werner Henze (1926-2012): Der langwierige Weg in die Wohnung der Natascha Ungeheuer. Show mit 17 (1970) .Testo di Gastón Salvatore. Cover image: photo by Mario Macilau. I. Planimetrie II. Belästigungsversuche [06:17] III. Die verschleierten boten [10:17] IV. Der lustlose aufpasser [16:25] V. Einleitung in die schwierige bourgeoisie [19:21] VI. Die schwierige bourgeoisie: erster rückkehrversuch [24:37] VII. Zweiter rückkehrversuch [29:10] VIII. Dritter rückkehrversuch – deutsches lied [32:19] IX. Vermessungskunde [41:33] X. Sprachübungen [48:52] XI. Metapenthes [52:42] William Pearson, vocalist Fires of London Philip Jones Brass Quintet Gunter Hampel Free Jazz Ensemble Giuseppe Agostini, organo Hammond Stomu Yamash’ta, percussioni e armonica Dieter Schider, Gastón Salvatore, Hans We... -
Hans Werner Henze
Hans Werner Henze Hans Werner Henze war ein deutscher Komponist.Er gehört zu den bedeutendsten deutschen Komponisten des 20.Jahrhunderts. ------------Bild-Copyright-Informationen-------- Urheber Info: Unbekannt Lizenz: Public domain ✪Video ist an blinde Nutzer gerichtet ✪Text verfügbar unter der Lizens CC-BY-SA ✪Bild Quelle im Video -
H.W.Henze~Drei tentos par Grégoire Delforge
Troisième prix du 13ème Concours de Guitare Classique Takashi Iwagami (Niveau : Excellence). Six-Fours-les-plages 22 Mai 2016. Drei tentos de Hans Werner Henze. -
Hans Werner Henze - Symphony No. 2
for orchestra Rundfunk-Sinfonieorchester Berlin Marek Janowski, conductor -
Hans Werner Henze - Symphony No. 7
for orchestra City of Birmingham Symphony Orchestra Simon Rattle, conductor -
Hans Werner Henze - Drei Tentos for Guitar (1958) [Score-Video]
Hans Werner Henze - Drei Tentos for Guitar (1958) -
Hans Werner Henze - Sonatina for Trumpet (1974) [Score-Video]
Hans Werner Henze - Sonatina for Trumpet (1974) I. Toccata (Allegro con brio) II. Canzone III. Segnali -
Incontro con "Pollicino" di Hans Werner Henze
Per la serie Incontri con l'Opera, la musicologa Elena Minetti presenta al pubblico del Teatro Regio "Pollicino" di Hans Werner Henze (http://www.teatroregio.torino.it/node/5272/locandina). Introduce Simone Solinas In collaborazione con la Redazione Web della Città di Torino Potrebbero interessarti anche: Il trailer della Stagione 2016-2017 del Teatro Regio: https://www.youtube.com/watch?v=EdOv0EYsQSw Tutte le conferenze del Teatro Regio: https://www.youtube.com/playlist?list=PLhaJamV0Nxm-TJsSJTURsArR2Ro8rjjid Le Pillole di Passione di Paola Giunti: https://www.youtube.com/playlist?list=PLhaJamV0Nxm-0wfyohPoL_La9X1B8A75C Seguici su (follow us): http://www.teatroregio.torino.it/ https://www.facebook.com/teatroregio https://twitter.com/teatroregio http://www.youtube.com/teatroregioto... -
CORD MEIJERING 06 - TOMBEAU DE HANS WERNER HENZE 2015 - ZEITSTRÖME 2016 Concert 8 06
Cord Meijering - Portrait-Concert on occasion of his 60th birthday at Akademie für Tonkunst Darmstadt, Germany -
Isaac Bovyer, Henze Serenade (1949) for Solo Cello
Serenade (1949) Hans Werner Henze Isaac Bovyer, Cello Senior Recital, April 29, 2016, Ford-Crawford Recital Hall, Jacob's School of Music, Indiana University
Hans Werner Henze: Der langwierige Weg in die Wohnung der Natascha Ungeheuer (1970)
- Order: Reorder
- Duration: 58:12
- Updated: 03 Jul 2016
- views: 136
Hans Werner Henze (1926-2012): Der langwierige Weg in die Wohnung der Natascha Ungeheuer. Show mit 17 (1970) .Testo di Gastón Salvatore.
Cover image: photo by ...
Hans Werner Henze (1926-2012): Der langwierige Weg in die Wohnung der Natascha Ungeheuer. Show mit 17 (1970) .Testo di Gastón Salvatore.
Cover image: photo by Mario Macilau.
I. Planimetrie
II. Belästigungsversuche [06:17]
III. Die verschleierten boten [10:17]
IV. Der lustlose aufpasser [16:25]
V. Einleitung in die schwierige bourgeoisie [19:21]
VI. Die schwierige bourgeoisie: erster rückkehrversuch [24:37]
VII. Zweiter rückkehrversuch [29:10]
VIII. Dritter rückkehrversuch – deutsches lied [32:19]
IX. Vermessungskunde [41:33]
X. Sprachübungen [48:52]
XI. Metapenthes [52:42]
William Pearson, vocalist
Fires of London
Philip Jones Brass Quintet
Gunter Hampel Free Jazz Ensemble
Giuseppe Agostini, organo Hammond
Stomu Yamash’ta, percussioni e armonica
Dieter Schider, Gastón Salvatore, Hans Werner Henze, Elfriede Irral,
voci registrate
Ensemble diretto da Hans Werner Henze.
***
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
wn.com/Hans Werner Henze Der Langwierige Weg In Die Wohnung Der Natascha Ungeheuer (1970)
Hans Werner Henze (1926-2012): Der langwierige Weg in die Wohnung der Natascha Ungeheuer. Show mit 17 (1970) .Testo di Gastón Salvatore.
Cover image: photo by Mario Macilau.
I. Planimetrie
II. Belästigungsversuche [06:17]
III. Die verschleierten boten [10:17]
IV. Der lustlose aufpasser [16:25]
V. Einleitung in die schwierige bourgeoisie [19:21]
VI. Die schwierige bourgeoisie: erster rückkehrversuch [24:37]
VII. Zweiter rückkehrversuch [29:10]
VIII. Dritter rückkehrversuch – deutsches lied [32:19]
IX. Vermessungskunde [41:33]
X. Sprachübungen [48:52]
XI. Metapenthes [52:42]
William Pearson, vocalist
Fires of London
Philip Jones Brass Quintet
Gunter Hampel Free Jazz Ensemble
Giuseppe Agostini, organo Hammond
Stomu Yamash’ta, percussioni e armonica
Dieter Schider, Gastón Salvatore, Hans Werner Henze, Elfriede Irral,
voci registrate
Ensemble diretto da Hans Werner Henze.
***
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
- published: 03 Jul 2016
- views: 136
Hans Werner Henze
- Order: Reorder
- Duration: 15:23
- Updated: 26 Jun 2016
- views: 2
Hans Werner Henze
Hans Werner Henze war ein deutscher Komponist.Er gehört zu den bedeutendsten deutschen Komponisten des 20.Jahrhunderts.
------------Bild-Copy...
Hans Werner Henze
Hans Werner Henze war ein deutscher Komponist.Er gehört zu den bedeutendsten deutschen Komponisten des 20.Jahrhunderts.
------------Bild-Copyright-Informationen--------
Urheber Info: Unbekannt
Lizenz: Public domain
✪Video ist an blinde Nutzer gerichtet
✪Text verfügbar unter der Lizens CC-BY-SA
✪Bild Quelle im Video
wn.com/Hans Werner Henze
Hans Werner Henze
Hans Werner Henze war ein deutscher Komponist.Er gehört zu den bedeutendsten deutschen Komponisten des 20.Jahrhunderts.
------------Bild-Copyright-Informationen--------
Urheber Info: Unbekannt
Lizenz: Public domain
✪Video ist an blinde Nutzer gerichtet
✪Text verfügbar unter der Lizens CC-BY-SA
✪Bild Quelle im Video
- published: 26 Jun 2016
- views: 2
H.W.Henze~Drei tentos par Grégoire Delforge
- Order: Reorder
- Duration: 6:00
- Updated: 31 May 2016
- views: 26
Troisième prix du 13ème Concours de Guitare Classique Takashi Iwagami (Niveau : Excellence). Six-Fours-les-plages 22 Mai 2016.
Drei tentos de Hans Werner Henze....
Troisième prix du 13ème Concours de Guitare Classique Takashi Iwagami (Niveau : Excellence). Six-Fours-les-plages 22 Mai 2016.
Drei tentos de Hans Werner Henze.
wn.com/H.W.Henze~Drei Tentos Par Grégoire Delforge
Troisième prix du 13ème Concours de Guitare Classique Takashi Iwagami (Niveau : Excellence). Six-Fours-les-plages 22 Mai 2016.
Drei tentos de Hans Werner Henze.
- published: 31 May 2016
- views: 26
Hans Werner Henze - Symphony No. 2
- Order: Reorder
- Duration: 18:03
- Updated: 30 May 2016
- views: 47
for orchestra
Rundfunk-Sinfonieorchester Berlin
Marek Janowski, conductor
for orchestra
Rundfunk-Sinfonieorchester Berlin
Marek Janowski, conductor
wn.com/Hans Werner Henze Symphony No. 2
for orchestra
Rundfunk-Sinfonieorchester Berlin
Marek Janowski, conductor
- published: 30 May 2016
- views: 47
Hans Werner Henze - Symphony No. 7
- Order: Reorder
- Duration: 38:23
- Updated: 30 May 2016
- views: 79
for orchestra
City of Birmingham Symphony Orchestra
Simon Rattle, conductor
for orchestra
City of Birmingham Symphony Orchestra
Simon Rattle, conductor
wn.com/Hans Werner Henze Symphony No. 7
for orchestra
City of Birmingham Symphony Orchestra
Simon Rattle, conductor
- published: 30 May 2016
- views: 79
Hans Werner Henze - Drei Tentos for Guitar (1958) [Score-Video]
- Order: Reorder
- Duration: 6:08
- Updated: 30 May 2016
- views: 373
Hans Werner Henze - Sonatina for Trumpet (1974) [Score-Video]
- Order: Reorder
- Duration: 3:52
- Updated: 26 May 2016
- views: 396
Hans Werner Henze - Sonatina for Trumpet (1974)
I. Toccata (Allegro con brio)
II. Canzone
III. Segnali
Hans Werner Henze - Sonatina for Trumpet (1974)
I. Toccata (Allegro con brio)
II. Canzone
III. Segnali
wn.com/Hans Werner Henze Sonatina For Trumpet (1974) Score Video
Hans Werner Henze - Sonatina for Trumpet (1974)
I. Toccata (Allegro con brio)
II. Canzone
III. Segnali
- published: 26 May 2016
- views: 396
Incontro con "Pollicino" di Hans Werner Henze
- Order: Reorder
- Duration: 75:14
- Updated: 26 May 2016
- views: 806
Per la serie Incontri con l'Opera, la musicologa Elena Minetti presenta al pubblico del Teatro Regio "Pollicino" di Hans Werner Henze (http://www.teatroregio.to...
Per la serie Incontri con l'Opera, la musicologa Elena Minetti presenta al pubblico del Teatro Regio "Pollicino" di Hans Werner Henze (http://www.teatroregio.torino.it/node/5272/locandina).
Introduce Simone Solinas
In collaborazione con la Redazione Web della Città di Torino
Potrebbero interessarti anche:
Il trailer della Stagione 2016-2017 del Teatro Regio:
https://www.youtube.com/watch?v=EdOv0EYsQSw
Tutte le conferenze del Teatro Regio: https://www.youtube.com/playlist?list=PLhaJamV0Nxm-TJsSJTURsArR2Ro8rjjid
Le Pillole di Passione di Paola Giunti:
https://www.youtube.com/playlist?list=PLhaJamV0Nxm-0wfyohPoL_La9X1B8A75C
Seguici su (follow us):
http://www.teatroregio.torino.it/
https://www.facebook.com/teatroregio
https://twitter.com/teatroregio
http://www.youtube.com/teatroregiotorino
http://instagram.com/teatroregiotorino
http://gplus.to/teatroregiotorino
wn.com/Incontro Con Pollicino Di Hans Werner Henze
Per la serie Incontri con l'Opera, la musicologa Elena Minetti presenta al pubblico del Teatro Regio "Pollicino" di Hans Werner Henze (http://www.teatroregio.torino.it/node/5272/locandina).
Introduce Simone Solinas
In collaborazione con la Redazione Web della Città di Torino
Potrebbero interessarti anche:
Il trailer della Stagione 2016-2017 del Teatro Regio:
https://www.youtube.com/watch?v=EdOv0EYsQSw
Tutte le conferenze del Teatro Regio: https://www.youtube.com/playlist?list=PLhaJamV0Nxm-TJsSJTURsArR2Ro8rjjid
Le Pillole di Passione di Paola Giunti:
https://www.youtube.com/playlist?list=PLhaJamV0Nxm-0wfyohPoL_La9X1B8A75C
Seguici su (follow us):
http://www.teatroregio.torino.it/
https://www.facebook.com/teatroregio
https://twitter.com/teatroregio
http://www.youtube.com/teatroregiotorino
http://instagram.com/teatroregiotorino
http://gplus.to/teatroregiotorino
- published: 26 May 2016
- views: 806
CORD MEIJERING 06 - TOMBEAU DE HANS WERNER HENZE 2015 - ZEITSTRÖME 2016 Concert 8 06
- Order: Reorder
- Duration: 13:52
- Updated: 12 May 2016
- views: 63
Cord Meijering - Portrait-Concert on occasion of his 60th birthday at Akademie für Tonkunst Darmstadt, Germany
Cord Meijering - Portrait-Concert on occasion of his 60th birthday at Akademie für Tonkunst Darmstadt, Germany
wn.com/Cord Meijering 06 Tombeau De Hans Werner Henze 2015 Zeitströme 2016 Concert 8 06
Cord Meijering - Portrait-Concert on occasion of his 60th birthday at Akademie für Tonkunst Darmstadt, Germany
- published: 12 May 2016
- views: 63
Isaac Bovyer, Henze Serenade (1949) for Solo Cello
- Order: Reorder
- Duration: 9:16
- Updated: 09 May 2016
- views: 87
Serenade (1949) Hans Werner Henze
Isaac Bovyer, Cello
Senior Recital, April 29, 2016, Ford-Crawford Recital Hall, Jacob's School of Music, Indiana University
Serenade (1949) Hans Werner Henze
Isaac Bovyer, Cello
Senior Recital, April 29, 2016, Ford-Crawford Recital Hall, Jacob's School of Music, Indiana University
wn.com/Isaac Bovyer, Henze Serenade (1949) For Solo Cello
Serenade (1949) Hans Werner Henze
Isaac Bovyer, Cello
Senior Recital, April 29, 2016, Ford-Crawford Recital Hall, Jacob's School of Music, Indiana University
- published: 09 May 2016
- views: 87
close fullscreen
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close fullscreen
- Playlist
- Chat
27:57
Hans Werner Henze, Symphony No. 4
Berlin Philharmonic, conducted by the composer (1966). (WARNING: Video contains images of ...
published: 16 Jul 2015
Hans Werner Henze, Symphony No. 4
Hans Werner Henze, Symphony No. 4
- Report rights infringement
- published: 16 Jul 2015
- views: 1147
25:10
Hans Werner Henze: Symphony No.8 (1992/1993)
Hans Werner Henze (1926-2012): Sinfonia No.8 (1992/1993).
I. Allegro moderato
II. Ballabi...
published: 05 Nov 2012
Hans Werner Henze: Symphony No.8 (1992/1993)
Hans Werner Henze: Symphony No.8 (1992/1993)
- Report rights infringement
- published: 05 Nov 2012
- views: 11866
38:14
Hans Werner Henze: Symphony No.10 (1997/2000)
Hans Werner Henze (1926-2012): Symphony No.10 (1997/2000).
I. Ein Sturm
II. Ein Hymnus [1...
published: 07 Jan 2015
Hans Werner Henze: Symphony No.10 (1997/2000)
Hans Werner Henze: Symphony No.10 (1997/2000)
- Report rights infringement
- published: 07 Jan 2015
- views: 7325
20:54
Hans Werner Henze Symphony No. 5 for Large Orchestra (1962)
All three movements.
published: 29 Jul 2012
Hans Werner Henze Symphony No. 5 for Large Orchestra (1962)
Hans Werner Henze Symphony No. 5 for Large Orchestra (1962)
- Report rights infringement
- published: 29 Jul 2012
- views: 18821
33:37
Hans Werner Henze: Royal Winter Music (Guitar Canon)
Guitarist: Otto Tolonen
camera:
WILHELMIEN STAM
FRANK REIJGERSBERG
WIM VAN MUIJEN
audio:
...
published: 22 Oct 2015
Hans Werner Henze: Royal Winter Music (Guitar Canon)
Hans Werner Henze: Royal Winter Music (Guitar Canon)
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- published: 22 Oct 2015
- views: 2680
11:44
Hans Werner Henze: Variationen für Klavier, Op.13 (1948)
Hans Werner Henze (1926-2012): Variationen für Klavier, Op.13 (1948).
Jan Philip Schulze,...
published: 16 Feb 2011
Hans Werner Henze: Variationen für Klavier, Op.13 (1948)
Hans Werner Henze: Variationen für Klavier, Op.13 (1948)
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- published: 16 Feb 2011
- views: 6216
8:53
Hans Werner Henze - Labyrinth
Labyrinth (1951)
The London Sinfonietta
Hans Werner Henze
In 1951, when I was artistic d...
published: 14 Oct 2015
Hans Werner Henze - Labyrinth
Hans Werner Henze - Labyrinth
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- published: 14 Oct 2015
- views: 1273
43:38
Hans Werner Henze: Symphony No. 7 for large orchestra (World Premiere)
Hans Werner Henze (1926-2012): Symphony No. 7 for large orchestra (1983-'84)
4.4.5.4 - 6.4...
published: 15 Jun 2015
Hans Werner Henze: Symphony No. 7 for large orchestra (World Premiere)
Hans Werner Henze: Symphony No. 7 for large orchestra (World Premiere)
- Report rights infringement
- published: 15 Jun 2015
- views: 3577
39:07
Hans Werner Henze: "Kammermusik 1958" - World Premiere!
Here is the world premiere performance of "Kammermusik 1958" -- Henze's setting of "In lie...
published: 27 Jun 2015
Hans Werner Henze: "Kammermusik 1958" - World Premiere!
Hans Werner Henze: "Kammermusik 1958" - World Premiere!
- Report rights infringement
- published: 27 Jun 2015
- views: 1678
75:32
Hans Werner Henze - El Cimarrón (1969-70)
Hans Werner Henze (1926-2012)
El Cimarrón (1969-70)
The biography of the runaway slave E...
published: 28 Jan 2015
Hans Werner Henze - El Cimarrón (1969-70)
Hans Werner Henze - El Cimarrón (1969-70)
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- published: 28 Jan 2015
- views: 1507
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58:12
Hans Werner Henze: Der langwierige Weg in die Wohnung der Natascha Ungeheuer (1970)
Hans Werner Henze (1926-2012): Der langwierige Weg in die Wohnung der Natascha Ungeheuer. ...
published: 03 Jul 2016
Hans Werner Henze: Der langwierige Weg in die Wohnung der Natascha Ungeheuer (1970)
Hans Werner Henze: Der langwierige Weg in die Wohnung der Natascha Ungeheuer (1970)
- Report rights infringement
- published: 03 Jul 2016
- views: 136
15:23
Hans Werner Henze
Hans Werner Henze
Hans Werner Henze war ein deutscher Komponist.Er gehört zu den bedeutend...
published: 26 Jun 2016
Hans Werner Henze
Hans Werner Henze
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- published: 26 Jun 2016
- views: 2
6:00
H.W.Henze~Drei tentos par Grégoire Delforge
Troisième prix du 13ème Concours de Guitare Classique Takashi Iwagami (Niveau : Excellence...
published: 31 May 2016
H.W.Henze~Drei tentos par Grégoire Delforge
H.W.Henze~Drei tentos par Grégoire Delforge
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- published: 31 May 2016
- views: 26
18:03
Hans Werner Henze - Symphony No. 2
for orchestra
Rundfunk-Sinfonieorchester Berlin
Marek Janowski, conductor
published: 30 May 2016
Hans Werner Henze - Symphony No. 2
Hans Werner Henze - Symphony No. 2
- Report rights infringement
- published: 30 May 2016
- views: 47
38:23
Hans Werner Henze - Symphony No. 7
for orchestra
City of Birmingham Symphony Orchestra
Simon Rattle, conductor
published: 30 May 2016
Hans Werner Henze - Symphony No. 7
Hans Werner Henze - Symphony No. 7
- Report rights infringement
- published: 30 May 2016
- views: 79
6:08
Hans Werner Henze - Drei Tentos for Guitar (1958) [Score-Video]
Hans Werner Henze - Drei Tentos for Guitar (1958)
published: 30 May 2016
Hans Werner Henze - Drei Tentos for Guitar (1958) [Score-Video]
Hans Werner Henze - Drei Tentos for Guitar (1958) [Score-Video]
- Report rights infringement
- published: 30 May 2016
- views: 373
3:52
Hans Werner Henze - Sonatina for Trumpet (1974) [Score-Video]
Hans Werner Henze - Sonatina for Trumpet (1974)
I. Toccata (Allegro con brio)
II. Canzon...
published: 26 May 2016
Hans Werner Henze - Sonatina for Trumpet (1974) [Score-Video]
Hans Werner Henze - Sonatina for Trumpet (1974) [Score-Video]
- Report rights infringement
- published: 26 May 2016
- views: 396
75:14
Incontro con "Pollicino" di Hans Werner Henze
Per la serie Incontri con l'Opera, la musicologa Elena Minetti presenta al pubblico del Te...
published: 26 May 2016
Incontro con "Pollicino" di Hans Werner Henze
Incontro con "Pollicino" di Hans Werner Henze
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- published: 26 May 2016
- views: 806
13:52
CORD MEIJERING 06 - TOMBEAU DE HANS WERNER HENZE 2015 - ZEITSTRÖME 2016 Concert 8 06
Cord Meijering - Portrait-Concert on occasion of his 60th birthday at Akademie für Tonkuns...
published: 12 May 2016
CORD MEIJERING 06 - TOMBEAU DE HANS WERNER HENZE 2015 - ZEITSTRÖME 2016 Concert 8 06
CORD MEIJERING 06 - TOMBEAU DE HANS WERNER HENZE 2015 - ZEITSTRÖME 2016 Concert 8 06
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- published: 12 May 2016
- views: 63
9:16
Isaac Bovyer, Henze Serenade (1949) for Solo Cello
Serenade (1949) Hans Werner Henze
Isaac Bovyer, Cello
Senior Recital, April 29, 2016, For...
published: 09 May 2016
Isaac Bovyer, Henze Serenade (1949) for Solo Cello
Isaac Bovyer, Henze Serenade (1949) for Solo Cello
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- published: 09 May 2016
- views: 87
Hans Werner Henze: Der langwierige Weg in die Wohn...
Hans Werner Henze...
H.W.Henze~Drei tentos par Grégoire Delforge...
Hans Werner Henze - Symphony No. 2...
Hans Werner Henze - Symphony No. 7...
Hans Werner Henze - Drei Tentos for Guitar (1958) ...
Hans Werner Henze - Sonatina for Trumpet (1974) [S...
Incontro con "Pollicino" di Hans Werner Henze...
CORD MEIJERING 06 - TOMBEAU DE HANS WERNER HENZE 2...
Isaac Bovyer, Henze Serenade (1949) for Solo Cello...
photo: AP / M. Jameel
Honor Killing: Pakistani Social Media Star Strangled to Death by brother
Edit Voa News 16 Jul 2016
Hundreds of women are murdered in Pakistan for honor every year. On Friday, Pakistani model and social media celebrity Qandeel Balock was killed by one of her brothers, police said. Balock was spending the Ed holiday with her family and had travelled from Karachi to Muzaffarabad village in central Punjab province. She was asleep, police said, when one of her six brothers strangled Baloch to death in the family’s home ... ....
photo: AP / Ismail Coskun/IHA via AP
What happened in Turkey? Everything we know about military coup attempt to overthrow Erdogan
Edit The Independent 16 Jul 2016
At least 190 people have been killed and more than 1,000 have been wounded in an attempted military coup in Turkey. After a night of chaotic and confusing developments, with tanks appearing on the streets and warplanes circling above the capital Ankara, it appears that President Recep Tayyip Erdogan has regained control – but the situation remains confused and uncertain. Here is what we know so far.. ... ... ... ... ... ... ... ... ... ... ... ... ... .....
photo: AP / Selahattin Sevi, File
Who is Fethullah Gulen, the man blamed for coup attempt in Turkey?
Edit CNN 16 Jul 2016
(CNN)Was a plan to overthrow Turkey's government really hatched behind a gated compound in a small, leafy Pennsylvania town, or is that merely a smoke screen?. In the throes of a military coup attempt, Turkey's embattled president, Recep Tayyip Erdogan, pointed the finger of blame squarely at his bitter rival. Fethullah Gulen ... It's this division that's destabilizing one of America's most important allies in the Middle East ... Read More ... ....
photo: AP Photo/Christian Alminana
Nice Terrorist Attack: At Least 77 Dead, Police Kill Suspect
Edit WorldNews.com 15 Jul 2016
Bastille Day revelers were targeted in what is being called a terrorist attack by a truck carrying hand grenades and other weapons drove onto a sidewalk for more than a mile, killing 77 people before police were able to shoot and kill the driver according to The Associated Press. Some outlets have reported the suspect was a local in Nice who was originally from Tunisia ... I saw bodies flying like bowling pins along its route." ... ....
photo: AP / Emrah Gurel
Live: Turkish army says it has taken power in the country
Edit France24 15 Jul 2016« back to news headlines
Yanga coach Hans Pluijm anticipates tough battle against Ghana's Medeama
Edit Modern Ghana 16 Jul 2016
Young Africans coach Hans Van der Pluijm is anticipating a tough game against Ghana's Medeama in a CAF Confederation Cup clash on Saturday ... And Dutchman Hans van der Pluijm, who coached Medeama in the ......
>Yanga coach Hans Pluijm anticipates tough battle against Ghana's Medeama
Edit Modern Ghana 16 Jul 2016
Young Africans coach Hans Van der Pluijm is anticipating a tough game against Ghana's Medeama in a CAF Confederation Cup clash on Saturday ... And Dutchman Hans van der Pluijm, who coached Medeama in the ......
Reininger was awarded state’s Medal of Valor for actions in Korea
Edit my SA 16 Jul 2016
Werner W. “Ronnie” Reininger, who returned to San Antonio to raise two children and participate in several Marine Corps veteran’s organizations after losing both his legs and 10 fingers in the Battle of Chosin Reservoir while serving in Korea, died July 3 at 87 ... ....
Redondo Beach video store that outlived Blockbuster to close after 25 years
Edit Daily Breeze 16 Jul 2016
Soo Han hurriedly processed transactions behind a turquoise-and-white Formica board countertop, single-handedly working down a long line of customers carrying stacks of DVDs. The patrons weren't impatient, passing the time chit-chatting, reading a marquee above them with the week's new video releases and tapping their toes to The Smashing Pumpkins' "1979" playing over the speaker system ... ....
USATT Super Camp - Day 5 (USATT - USA Table Tennis)
Edit Public Technologies 16 Jul 2016
(Source ... We started the three-hour session with a 35-minute lecture and demo by Han Xiao on serving and then receiving, with Wang Qing 'Leon' Liang assisting ... I had three items I wanted to elaborate on, but when Han finished, I hesitated - and they went out to the tables before I spoke up. Perhaps next week . ... Samson Dubina, Han Xiao, and Wang Qing Liang are all leaving tonight or tomorrow, with Richard McAfee staying until Monday night....
Chandigarh society submits memorandum to Rajnath
Edit The Times of India 16 Jul 2016
After listening the demands of the delegation, Singh gave the assurance to do the needful for implementation of the scheme and he immediately discussed the matter with Minister of State Home Ministry Hans Raj Gangaram Aheer and joint secretary Union Territory Hitesh Kumar S Makwana and Sanjay ......
Bundesliga basics: RB Leipzig (Bundesliga - DFL Deutsche Fußball Liga GmbH)
Edit Public Technologies 16 Jul 2016
(Source. Bundesliga - DFL Deutsche Fußball Liga GmbH). All you need to know about the Bundesliga's youngest club, RB Leipzig ... History. Promoted as 3 ... Guinea midfielder Naby Keita is the latest player to walk the well-trodden path from Salzburg to Leipzig, with promising VfB Stuttgart forward Timo Werner following him into the Red Bull Arena's arrival lounge over the summer. Stadium. Red Bull Arena....
Meet the 10 female athletes who appeared in the Nike ad with Deepika Padukone
Edit Yahoo Daily News 16 Jul 2016
Mandhana’s role in the video is an impressive one where she is seen running with a weight tied to her as she pushes herself to to run faster. #9 Tanvie Hans. Tanvie Hans is literally one of the best football players to have come out of India ... However, the case is different for Tanvie Hans, who became the first Indian ......
Huntersville gymnast Ashton Locklear in Olympics limbo, but still celebrating
Edit The Charlotte Observer 16 Jul 2016
With three weeks to go until the 2016 Summer Olympics, North Carolina gymnast Ashton Locklear finds herself in a state of red, white and blue limbo. On Sunday night in California, at the conclusion of the women’s gymnastics trials for the U.S. team, Locklear was told she didn’t make the five-woman squad ... That means Locklear will go to Rio with the rest of the U.S ... Now comes the uncertainty ... women’s gymnasts and her coach, Qi Han ... [EARLIER....
Polish double victory in Courchevel (FIS - Fédération Internationale de Ski)
Edit Public Technologies 16 Jul 2016
(Source. FIS - Fédération Internationale de Ski). Perfect start for the new Polish ski jumping head coach Stefan Horngacher in the opening event of the FIS Grand Prix 2016 in Courchevel (FRA) ... Austrian Stefan Kraft came in third ... The performances of Andreas Wank (11th), Stephan Leyhe (17th) and Richard Freitag (21st) will probably not have enthused head coach Werner Schuster, whose position in Courchevel was taken by Jens Deimel ... (noodl....
Entry permits to tanker trucks: Private helicopter operators, security officials in standoff
Edit Indian Express 16 Jul 2016
Reasons for the crash are yet to be known. Representational image of a Sikorsky CH-53 helicopter. Reuters. Private helicopter operators have alleged security officials were taking too much time to issue passes and entry permits to fuel tanker trucks at the Airport Authority of India (AAI) entry gate at Juhu airport, leading to a standoff between helicopter operators and security officials ... The other gate caters to Pawan Hans ... 3 }); }); ... ....
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