- published: 22 May 2016
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St. Louis /seɪnt ˈluːɪs/ (French: Saint-Louis or St-Louis, [sɛ̃ lwi] ( listen)) is an independent city on the eastern border of Missouri, United States, and is the second-largest city in the state. With a population of 318,069 in July 2011, it was the 58th-largest U.S. city at the 2010 U.S. Census. The Metropolitan Statistical Area (MSA) population of 2,812,896 is the 18th-largest in the country. The Greater St. Louis combined statistical area's (CSA) population of 2,878,255 is the 16th-largest CSA in the country, the fourth-largest in the Midwest. The Greater St. Louis area is the largest metropolitan area in Missouri.
The city of St. Louis was founded in 1764 by Pierre Laclède and Auguste Chouteau, and after the Louisiana Purchase, it became a major port on the Mississippi River. Its population expanded after the American Civil War, and it became the fourth-largest city in the United States in the late 19th century. It seceded from St. Louis County in March 1877, allowing it to become an independent city and limiting its political boundaries. In 1904, it hosted the 1904 World's Fair and the 1904 Olympic Games. The city's population peaked in 1950, then began a long decline that reversed only at the beginning of the 21st century.
Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana.
Coming to prominence in the 1920s as an "inventive" cornet and trumpet player, Armstrong was a foundational influence in jazz, shifting the music's focus from collective improvisation to solo performance. With his instantly recognizable deep and distinctive gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also greatly skilled at scat singing (vocalizing using sounds and syllables instead of actual lyrics).
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over," whose skin-color was secondary to his music in an America that was severely racially divided. It allowed him socially acceptable access to the upper echelons of American society that were highly restricted for a black man. While he rarely publicly politicized his race, often to the dismay of fellow African-Americans, he was privately a strong supporter of the Civil Rights movement in America.[citation needed]
I hate to see, that evenin' sun go down!
I hate to see, that evenin' sun go down!
'Cause my baby, gone and left this town!
Feelin' tomorrow, just like I feel today,
If I'm feelin' tomorrow, just like I feel today,
I'll pack my trunk, and make my get-away!
I went to the Gypsy, to get my fortune told,
Yes, I went to the Gypsy, to get my fortune told,
I asked the Gypsy, "What does the future hold?"
Gypsy told me, "Don't you wear no black!"
Hmmm! The Gypsy told me, "Don't you wear no black!" ( No black! )
"Go to St. Louis, and you can win her back!"
St. Louis woman, with her diamond rings,
Pulls this man around by her apron strings,
If it wasn't for powder and for store-bought hair,
That gal I love wouldn't h've gone nowhere, nowhere!
I got the St. Louis Blues, just as blue as I can be,
'Cause that gal's got a heart, like a rock cast in the sea,
Or else she wouldn't have gone so far from me!
I love that gal like a school boy loves his pie,
Like a Kentucky Colonel loves his mint an' his rye,
I love that gal, yes I love that gal,
Yes, I love that gal . . .
Until . . . the day . . . I die!