- published: 26 Sep 2015
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Mili Avital (Hebrew: מילי אביטל; born 30 March 1972) is an Israeli actress. Avital built a successful stage and film career in Israel, winning the Israeli Academy Award for Best Supporting Actress in 1992 and nominated for Best Actress in 1994.
Avital was born in Jerusalem, the daughter of graphic designers Noni and Iko Avital. She was raised in Tel Aviv and Ra'anana. She attended the Thelma Yellin High School of Arts in Giv'atayim. She moved to New York in 1994, and later dated David Schwimmer in the early 2000s. Avital continues to reside in New York City with her husband, screenwriter Charles Randolph (The Life of David Gale, and their son and daughter.
As one of the most highly regarded actresses in her native Israel, Avital has created international success with her diverse starring roles in film, television and theater. She began her professional career during her senior year in high school, in the play Dangerous Liaisons at the Cameri Theater in Tel Aviv.
In 1993 she arrived in New York City to study acting at the "Circle in the Square Theatre School". The following year, discovered by an agent while working as a waitress, she was immediately cast as the female lead in Stargate, 1994, for which she received a Sci-fi Universe award. She has appeared in films such as Jim Jarmusch's Dead Man opposite Johnny Depp, Doug Ellin's Kissing a Fool, Polish Wedding, Robert Benton's The Human Stain and When Do We Eat? Her television work includes portraying Scheherazade in the Emmy-nominated ABC miniseries Arabian Nights to rave reviews, Jon Avnet’s Uprising and After the Storm . In 2009-2010 Avital has appeared in the FX TV show Damages, in a recurring role as the mistress to the husband of Patty Hewes (Glenn Close).
Asi Cohen (Hebrew: אסי כהן, also 'Assi'; born October 10, 1974) is an Israeli comedian and actor. He is best known for his appearances in the feature film Colombian Love (alongside Mili Avital), as well as for television performances in Love Hurts (alongside Dana Modan), "Rak BeYsrael" with his comedy duo of "Asi and Guri", his role in Mesudarim (US title Loaded), and for his part in Eretz Nehederet, where he has impersonated Avigdor Lieberman, Raleb Majadele, and Uri Geller among others.
In a Ynet poll conducted in May 2008, Asi Cohen was selected by respondents as the funniest Israeli for the second year in a row. He currently resides in Tel Aviv and is married with two daughters.
Cohen was raised and educated in the coastal city of Ashdod. During his military service he was an actor for the Israel Defense Forces' theatre, members of which are soldiers on active duty. Following his military service he worked as a stand up comic at the Domino Gross club in Tel Aviv, where he partnered with fellow comedian Guri Alfi to create the comedy duo of "Asi and Guri".
Adi Ezroni (Hebrew: עדי עזרוני, born November 16, 1978), is an Israeli actress, model, producer, and TV presenter.
Two weeks after she was discharged from the IDF, Ezroni joined the Israeli kids channel, Arutz HaYeladim, where she worked until 2005. She played in "Zbeng!" as Sivan, "Hapijamot" as a Guest Star and in the movie "Wild" as Rananit. She also modeled for "Lord Kitsch".
Ezroni has appeared in Israeli commercials for Bezek, Elite and Spring, and appeared alongside many other participants in "Festigal 2001", where she sang "Riding on Dragons".
On Channel 10, Ezroni appeared as Shira in the drama "Matay Nitnashek", with Lior Ashkenazi.
In 2010, Ezroni produced the film "Holly". In that year she start to play in the drama "Hahatufim" ("Hostages") as Yael Ben-Hurin.
Prisoners of War captures the inspiring spirits of two Holocaust survivors who went on to build their lives in America post World War II. Sol Berger and Tibor Rubin are heroic and courageous spirits who cannot be contained by aging bodies, and their tortured and beautiful souls cannot be held captive by the evils of this world. Their stories will inspire you to live in greatness, and to celebrate life and all the little joys.
Keywords:
I stand here before the forces of evil with a style
The poetically God-gifted child
Bringin' forth the story of a lyrical soldier
Blessed to manifest in the eyes of the beholder
Words of wisdom never abuse the lines
They increase as I release a phrase like a Uzi 9
From the larynx, shot in repetition, words never heard before
But still the rendition of rap will enable me to attack
From dawn to dusk for liberation
Driven, I will never give in to interrogation
The rank given to me, the Pharoahe
'Cause every bro flows like a crossbow
Equipped to pierce your soul with a poison-tip arrow
Any man wearing a blindfold can be misled
But wise are the ones with the eyes in the backs of the head
Here's the key to unlock the door
Imagine a poet without poetical form
Rhymes are for sure as an attack
'Cause they adapt to combat
For the prisoners of war
I drop, smash and causin' damage equivalent
To a hydrogen bomb, raidin' villages like
A poetical soldier in Vietnam, poetry
Releasin' deadly gasses, bodies deteriorating
As they stalk past the fatal acid
As a rebel of rap, I stop, load the Luger
As I maneuver with the caution as I verbally counter attack
Striking like a mad sniper 'cause I'm the type of
Hyperactive viper to wipe away the enemy with no remedy
'Cause I'm the epitome so don't try to get rid of me
You, little itty-bitty, twenty-five automatic, you're killin' me
'Cause I'm a glock 9 that will rock your mind
Distortin' it, shorten your brainwaves
As the rhyme intertwine with the sign of the times
Don't sleep 'cause I creep attackin' from the side
That is blind, therefore I gotta be hard to the core
And I walk as a prisoner of war
Wake up to the mathematics of an erratic rap
Rejuvenator of rhyme, that sort of come automatic
Poetical medical medicine for the cerebellum
I divert 'em and flirt 'em, insert 'em then I repel 'em
A breakdown, poetical shakedown
Fifty-two, pick-up a stick-up so get on the floor facedown
The ammo to keep the people steppin'
Breakin' open the vault because I'm like a verbal assault weapon
I'm mathematical, acrobatical
Attack the wack, take rap to the maximum
You're strung out, you're hung out when you heard the style
That I brung out of faint, air must come out my mouth
Where I stick my tongue out in the atmosphere
Take a good look at what's happening here
On the microphone, I'm rappin'
Pickin' 'em, stickin' 'em up, breakin' 'em, shakin' 'em up and bashin'
The lyric dictator, the aviator of antonym
All beware to prepare for the guillotine
Rhymes go express, expert, extreme
Be up to par with wisdom and intellect
Detaching one's head directly from one's neck
Still I've been illing and drilling your brain
Like a villain I came in the darkness to spark the literature for sure
When I rhyme for the prisoners of war
There is strength in my mentalbolism, brains to spare
Upon info, knowledge, data, greater aspects
Affects my future environment, so in the event
I drop science to suit ya, uproot ya, hunt ya down
Verbally attackin' from the ground up to intellectually shoot ya
Lurkin' through the shadows of darkness, shots fired
The spark hits the trees releasin' lyrical ammo
While I camoflouge in the flash of my stature
Mentally cease MC's, that be surrounded I capture
And enemy lines are crushed, bumrushed
And plus your government officials are corrupted
'Cause they're down with us, poetical rebels on a rampage
Of wrecked dialects, blown lyric projects
Heat is scopin' you through my infrared twenty-twenty
Scope lens steppin' upon base that's when the
Organized Konfusion massacre begins with a blast
Never will an intruder approach
'Cause they will never ever last
'Cause the task is total termination