Mausam (Hindi: मौसम; English: Seasons) is a 1975 Indian film directed by Gulzar and loosely based on the story "Weather", from the novel, The Judas Tree, by A.J. Cronin. Sharmila Tagore for her acting received The Silver Lotus Award at the 23rd National Film Festival and the movie was honoured by presenting an award for 2nd Best Feature Film. The movie bagged two of eight nominations at the 24th Filmfare Awards.
Mausam is a dramatic love story of Dr. Amarnath Gill, who falls for Chanda, the daughter of a local healer, Harihar Thapa, when visiting Darjeeling for his medical exams. Amarnath is called back and promises Chanda to return, though he never keeps his promise. Twenty-five years later, he returns as a wealthy man and searches for Chanda and her father. He learns that Harihar has died and that Chanda was married to a crippled old man. She gave birth to a daughter, became insane and died. Finding Chanda's daughter, Kajli, he sees that she closely resembles her mother and later discovers that after having been molested by her mother's brother-in-law, she ended up at a brothel. Amarnath had no choice but to buy her from the brothel and he takes Kajli home and tries to change her into well refined woman to make up for what he did to Chanda. Unaware that Amarnath is indirectly responsible for her mother's death, Kajli begins to fall for him.
Mausam can mean:
The year 1975 in film involved some significant events, with Steven Spielberg's thriller Jaws topping the box office.
(*) After theatrical re-issue(s)
Palme d'Or (Cannes Film Festival):
Golden Bear (Berlin Film Festival):
U.S.A. unless stated
#
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
Y
A film, also called a movie or motion picture, is a series of still or moving images. It is produced by recording photographic images with cameras, or by creating images using animation techniques or visual effects. The process of filmmaking has developed into an art form and industry.
Films are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating – or indoctrinating – citizens. The visual elements of cinema give motion pictures a universal power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue into the language of the viewer.
Films are made up of a series of individual images called frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames due to an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. Viewers perceive motion due to a psychological effect called beta movement.
Sanjeev Kumar (Hindi: संजीव कुमार; 9 July 1938 – 6 November 1985) was one of the most prominent Indian actors in Bollywood.
Sanjeev Kumar was born as Haribhai Jariwala in Gujarat to a Gujarati family. His first home was in Surat and family based in Mumbai. A stint in the film school took him to Bollywood, where he eventually became a movie star. He remained a bachelor all his life and died of a massive heart attack in 1985. He has two younger brothers and a sister.
Sanjeev Kumar made his debut in the film Hum Hindustani in 1960. Sanjeev's first film as a hero was the 1965 Nishan. In 1968, he played opposite the famous actor Dilip Kumar in Sangharsh. In 1970, Khilona made him a star. He went on to star in the hits Seeta Aur Geeta (1972) and Manchali (1973). He started working with the well-known director Gulzar in the early 1970s. He did nine films with Gulzar, including Aandhi (1975), Mausam (1975), Angoor (1981) and Namkeen (1982). Many of his fans believe that these are some of the best films that he did.
You swing your hips and then you wave me over
Your eyes are so blue
I stroke your lips, you call me casanova
Oh honey you
Star in this film every single night and every single matinee
You should be here to bring it all to life
Oh I'm just a phone call away
We lie and listen to the raindrops falling
That's all we do
But the phone rings, and you laugh because it's your husband calling
Oh darling you
Star in this film every single night and every single matinee
You should be here to bring it all to life
Oh I'm just a phone call away
And then you could be who you want to be
As long as you are near
What are you waiting for?
Everything you need is here
Just come and sleep with me
You must know what I mean
You've seen this film before
This is the final scene
Star in this film every single night and every single matinee
You should be here to bring it all to life
You gonna keep this up
Keep on falling, keep on falling
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
Stop position, opposition ain't no competition
Stop position, opposition ain't no competition
Stop position, opposition ain't no competition
Stop pretending propositions full of contradictions
Ain't no love for you haters from the other side
Call the blind when you see in you're easing up my time
For the way that I do it, all wise no, no mind blowing
Your mind taking a stool
Fine showing that God loaded
You to a highway to new force
Dumb nigger why hate? Cause you say no to learning something
Loaded locks I can't, what you say no to learning something
Loaded locks I can't, what you say no to learning something
Putting you to the back I put a point yellow all through this back
You the killer baby know my case
No feeling put the money in the seif
Came a man honest when we posing
Bitch can't tell my I-Ge
Bullshit on the map like you won't eat
Whatever you do nigger keep rowing
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
Whatever you do you know you gotta keep on film me
Keep on film me, keep on film me
Them cameras beaned up, babe keep on film me
What and listen how I'm living in my compositions
Honest missions of beloved straight above the mission
In fact you give it to the bricks that needs a touch
Wait let me get it, put you with my man Lux
Shit they prolly saying in the musty faces
Say shoot that hoe don't trust
And the club hatin we love makin with the shit you prolly won
Fuck nigger why hate? Cause you ain't known to getting money
Caught up in the gang feeling like I joined a gang and did it all for the name
Loyalty's a game but the industry's full of niggers and they all got game
Only for the cameras, only for the cameras
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
Whatever you do you know you gotta keep on film me
Keep on film me, keep on film me
Them cameras beaned up, babe keep on film me
Money talk when I walk in
Broke niggers be crying
I don't drink but yeah 100 pink of that ride
Rose is for cry I'm just swinging low with my sway
Hooligans they flexing
Bad ones on my girls bad and my instagram
No taxi, and yea I'm single like a dollar bill
Curved it all and I'm trying to chill
Count a mill, hide the bill and got time to'
Niggers film me cause your girl is real
Bitches film me say your girl is thrill
Cause I'm bout that, I bounce that
This be money that mouse trap
Yeah we in there, riding round in that gatti
No murder ink when I'm killing shit
And I'm finna capture that body
So back back if I bang the boy
Cause I'm in straight for yo Benjamin
This came up with some new money
That shit ain't no coincidence
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
Whatever you do you know you gotta keep on film me
Keep on film me, keep on film me
Them cameras beaned up, babe keep on film me
You know how I show you respect? By showing you nothin
Get ready, count these millions