Mayabazar

Mayabazar (English: Market of Illusions) is a 1957 Indian bilingual epic fantasy film directed by Kadiri Venkata Reddy. It was produced by B. Nagi Reddy and Aluri Chakrapani under their banner, Vijaya Vauhini Studios. The film was shot in both Telugu and Tamil with the same title, but with a few differences in the cast. The story is an adaptation of the folk tale Sasirekha Parinayam, which in turn is based on the epic Mahabharata. It revolves around the roles of Krishna (N. T. Rama Rao) and Ghatotkacha (S. V. Ranga Rao), as they try to reunite Arjuna's son, Abhimanyu (Telugu: Akkineni Nageswara Rao, Tamil: Gemini Ganesan), with his love, Balarama's daughter (Savitri). The Telugu version features Gummadi Venkateswara Rao, Mukkamala, Ramana Reddy, and Relangi Venkata Ramaiah in supporting roles, with D. Balasubramaniam, R. Balasubramaniam, V. M. Ezhumalai, and K. A. Thangavelu playing those parts in the Tamil version.

The first mythological film produced by their studio, Mayabazar marked a milestone for Nagi Reddy and Chakrapani. In addition to the technical crew, 400 studio workers – including light men, carpenters, and painters – participated in the development of the film. Director Reddy was meticulous with the pre-production and casting phases, which took nearly a year to complete. Though Rama Rao was initially reluctant to play the lead role, his portrayal of Krishna received acclaim and yielded more offers to reprise the same role in several unrelated films. The soundtrack features twelve songs, with most of the musical score composed by Ghantasala. Telugu lyrics were written by Pingali Nagendrarao and Tamil lyrics were written by Thanjai N. Ramaiah Dass. Four of the songs were composed by S. Rajeswara Rao prior to his unexplained departure from the project. One of them was accompanied by the first illusion of moonlight in Indian cinema, shot by cinematographer Marcus Bartley.

Maya

Maya may refer to:

Civilizations

Babubhai Mistry

Babubhai Mistry (1919 – December 20, 2010) was an Indian film director and special effects pioneer who is best known for his films based on Hindu mythology, such as Sampoorna Ramayana (1961), Mahabharat (1965), and Parasmani (1963).

In 1999, Mistry received the Lifetime Achievement Award at the Zee Cine Awards. In 2009, he was honored "for his contribution to Bollywood as the master of special effects" at an event, "Immortal Memories," held to honor the "living legends" of the Hindi film industry.

Early life and education

Babubhai was born in Surat, Gujarat and studied until class four.

Career

Babubhai was a regular art director for various movies produced Wadia Movietone owned by JBH and Homi Wadia brothers along with Fearless Nadia. Here he discovered his penchant for handling camera and trick photography. He trained with Vijay Bhatt at Basant Pictures as a special effects director from 1933 to 1937. Khwab Ki Duniya (1937) came to him after Vijay Bhatt asked him to go and watch American film The Invisible Man (1933) and later asked whether he would be able to replicate them for a film, thus started his career in special effects. In fact his special effects in the film earned him the nickname Kala Dhaga (black thread) for the black threads he used in the film for performing various tricks. Thus Khwab Ki Duniya was the first film in which he was credited as "trick photographer". In the coming years, he also received acclaim for his effects in Basant Pictures' Hatimtai (1956) directed by Homi Wadia and Ellis Duncan's Meera (1954).

Bazaar

A bazaar is a permanently enclosed marketplace, or street where goods and services are exchanged or sold. The term originates from the Persian word bāzār, from Middle Persian wāzār, from Old Persian vāčar, from Proto-Indo-Iranian *wahā-čarana.Souq is another word used in the Middle East for an open-air marketplace or commercial quarter. The term bazaar is sometimes also used to refer to the "network of merchants, bankers, and craftsmen" who work in that area. Although the current meaning of the word is believed to have originated in native Zoroastrian Persia, its use has spread and now has been accepted into the vernacular in countries around the world. The rise of large bazaars and stock trading centers in the Muslim World allowed the creation of new capitals and eventually new empires. New and wealthy cities such as Isfahan, Golconda, Samarkand, Cairo, Baghdad, and Timbuktu were founded along trade routes and bazaars. Street markets is the European and North American equivalents.

Jayshree Gadkar

Jayshree Gadkar (21 February 1942 – 29 August 2008) was a noted Marathi and Hindi movie actress and a star of Marathi cinema from the 1950s up to the 1980s.

Personal life

Jayashree was born into a Konkani-speaking family at Kanasgiri (Sadashivgad) near Karwar in the Uttara Kannada district of Karnataka, India. She got married to Bal Dhuri, a theatre actor best known for his portrayal of Dasharatha in Ramanand Sagar's TV serial, Ramayana (where Jayashree herself played his wife, Kaushalya). She also published an autobiography, Ashi Mi Jayshri.

Career

She began her career as a child dance artist. She entered films as a tamasha dancer in movies. Her first role was that of a group dancer in V. Shantaram's Jhanak Jhanak Payal Baaje in 1955 which featured Sandhya as the leading lady. Later, well known Marathi film Director Dinkar D patil cast her in a small role with dance in his Marathi film "Disat Tasa Nasat" opposite Raja Gosavi. This was followed by Sangtye Aika, a tamasha-based movie which was the first in which she played a leading role. This helped her gain fame and recognition and she started doing heroine roles. She eventually became one of the most successful and prolific heriones in the history of the Marathi film industry.