- published: 24 Sep 2012
- views: 20801
Reality film or reality movie describes a genre of films that have resulted from reality television, such as The Real Cancun, MTV's film version of The Real World, which was originally titled Spring Break: The Reality Movie. In an article in Time Magazine, Joel Stein wrote, "Like reality TV, a reality film is supercheap, and as Jackass proved, there's an audience willing to pay $9 for what it gets free on television." Typically, a pre-determined situation is staged or created, often with the use of non-professional actors, and then the "reality" of what happens is filmed. In an article on reality movies, Variety Magazine pointed out the low budget of reality films in an era of skyrocketing marketing and production costs for traditional films has made them an attractive option for studios, with the selling point being "Tits and ass. Teenage tits and ass, that is."
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The development of film special effects up to the dawn of the computer age. Linwood Dunn, a Hollywood special effects master from the glory days of Hollywood, and Robert Abel, a member of the next generation, each discuss the making of film illusions. Illustrated with film clips. Dunn grew up when the challenge was creating an ape for "King Kong", or making the Eiffel Tower crash down. He shows how the "optical printer" can combine separately recorded images on one strand of film, putting a leopard in a room or a stormy ocean behind a boat. He explains how Welles brought the audience straight through the skylight of the night club in "Citizen Kane", bridging the interior and exterior shots in a flash of lightning. Abel explains how he looks for illusions that don't exist at all in real life, and describes his work as being in the "post 2001" special effects era. His crew has perfected equipment that involves computer driven cameras and printers. One of his demonstrations is of a "7-Up" commercial that starts with one girl and ends with dozens - all printed from the same model.
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