- published: 03 Dec 2010
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Antonio Sparbaro, better known as Tony Sbarbaro or Tony Spargo (June 27, 1897 – October 30, 1969) was an American jazz drummer associated with New Orleans jazz. He was the drummer of the Original Dixieland Jazz Band for over 50 years.
Sbarbaro was born in New Orleans to an immigrant Sicilian family. Early in his career he played with the Frayle Brothers Band (possibly as early as 1911) and the Reliance Band of Papa Jack Laine. He did side work with Merritt Brunies and Carl Randall. He joined the Original Dixieland Jazz Band for their initial recordings in 1917; he became its leader in the 1940s and remained a member of the ensemble until its dissolution in the 1960s. Indeed, he was the only founding member still in the group at that time. Sbarbaro also composed for the group, writing the tune "Mourning Blues" among others. He remained a fixture of Dixieland jazz performance for most of his life, playing later in life in New Orleans with Miff Mole, Big Chief Moore, Pee Wee Erwin, and Eddie Condon. He played at the New York World's Fair in 1941 and with Connee Boswell in the 1950s. He quit music in the 1960s due to the popularity of rock & roll, and died in 1969.
Lawrence James "Larry" Shields (September 13, 1893 - November 21, 1953) was an early American dixieland jazz clarinetist. He was a member of the Original Dixieland Jazz Band, the first jazz band to record commercially.
Shields was born into an Irish-American family in Uptown New Orleans, on the same block where jazz pioneer Buddy Bolden lived. Shields' family were musical; his brothers Harry, Pat (guitar), and Eddie (piano) all played music professionally.
Shields started playing clarinet when he was 14 and played with Papa Jack Laine's bands. He was one of the early New Orleans musicians to go to Chicago, first heading north in the summer of 1915 to join Bert Kelly's band, then with Tom Brown's band, before joining the Original Dixieland Jass Band (ODJB) in November 1916. The following year that band made the first jazz phonograph records, propelling Shield's playing to national prominence. Around this time, he also played occasionally with King Watzke's band.
After leaving the ODJB in 1921, he played with various bands in New York City (including briefly with Paul Whiteman) before moving to Los Angeles, California where he remained throughout the 1920s, leading his own band and appearing briefly in some Hollywood films.
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The Original Dixieland Jass Band (ODJB) were a New Orleans, Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz single ever issued. The group made the first recordings, and claimed authorship, of many jazz standards, the most famous being "Tiger Rag". In late 1917 the spelling of the band's name was changed to Original Dixieland Jazz Band.
The band consisted of five musicians who previously had played in the Papa Jack Laine bands, a diverse and racially integrated group of musicians who played for parades, dances, and advertising in New Orleans.
ODJB billed itself as the Creators of Jazz; it was the first band to record jazz commercially and to have hit recordings in the new genre. Band leader and trumpeter Nick LaRocca argued that ODJB deserved recognition as the first band to record jazz commercially and the first band to establish jazz as a musical idiom or genre.
Dixieland Jazz was a Canadian music television series which aired on CBC Television in 1954.
The series host was Trump Davidson, a cornet player. He also hosted a radio music series on CBC's Trans-Canada Network.
This half-hour series was broadcast at various days and times from 21 April 1954 to 6 September 1954.
"Tiger Rag" is a jazz standard, originally recorded and copyrighted by the Original Dixieland Jass Band in 1917. It is one of the most recorded jazz compositions of all time. In 2003, the 1918 ODJB recording of "Tiger Rag" was placed on the U.S. Library of Congress National Recording Registry.
The tune was first recorded on 17 August 1917 by the Original Dixieland Jass Band for Aeolian-Vocalion Records (the band did not use the Jazz spelling until later in 1917) and released as B1206, "Tiger Rag One-Step Written and Played by Original Dixieland Jass Band", backed with "Ostrich Walk". The Aeolian Vocalion sides did not sell well, as they were recorded in a vertical format becoming obsolete at the time which could not be played successfully on most contemporary phonographs.
Their second recording of the tune on 25 March 1918 for Victor Records, 18472-B, backed with "Skeleton Jangle" as the A side, on the other hand, was a smash national hit and established the tune as a jazz standard. The song was copyrighted, published, and credited to bandmembers Nick LaRocca, Eddie Edwards, Henry Ragas, Tony Sbarbaro, and Larry Shields in 1917. Harry DaCosta later wrote lyrics to the instrumental when it became a million-seller and a No. 1 national hit for The Mills Brothers in 1931.
The Amazing Tony Sbarbaro (Spargo) with the ODJB
Original Dixieland Jass Band - Tiger Rag
History of the Drumset - Part 5, 1917 - New Orleans Style Drumming
Dear to me
Original Dixieland Jazz Band - Mournin' Blues (1918).
KATICA & CSABA ILLÉNYI -Tiger Rag
Tiger Rag - Dave Majchrzak
Vic Firth: история барабанов. Часть 5/16. 1917, Новоорлеанский стиль.
100 dreams
Original Dixieland Jazz Band "AT THE JAZZ BAND BALL" (1918)
From 'I've Got A Secret', the clip show rare footage of a re-constituted Original Dixieland Jazz Band in the '50s? Tony Sbarbaro was one of the great jazz drummers. Also seen are eddie Edwards, trombone, J Russell Robinson,piano, Phil Napolean, trumpet and Tony Parenti, clarinet the video and audio quality are very poor.I'd love to get a better copy of this. www.traditional-jazz.com
Recorded in New York City on August 17th 1917 featuring Nick LaRocca cornet, Eddie Edwards trombone, Larry Shields clarinet, Henry Ragas piano, and Tony Sbarbaro drums. *"Tiger Rag" was composed by Nick LaRocca.
The New Orleans-based Original Dixieland Jass Band (with drummer Tony Sbarbaro) makes the first official "jazz" recordings in New York City. Around the same time, other Crescent City musicians - including drummers Baby Dodds and Zutty Singleton - relocate to Chicago, where the New Orleans jazz style becomes very influential. In this 15-part series, Vic Firth and Daniel Glass will be looking at 100 years of drumming evolution. Learn about the key events and advancements that shaped the drumset we know and love today! www.vicfirth.com/drumset-history Visit the Vic Firth website today for an interactive timeline and hundreds of great photos cataloging the history of our instrument the drumset! Start from the beginning! http://www.youtube.com/watch?v=K5-C4S0keC0&index;=2&list;=PLpKMeH_MXcaSL...
Video by Tony Sbarbaro http://www.alessandracelletti.com/it/musica/albums/106-way-out listen the album on spotify: the album is also on spotify: https://open.spotify.com/album/0qwKYaNYbP1DGrnemvmkrr
(Composed by Tony Sbarbaro). Issued On Victor 18513 A. First Recorded 25 June 1918 Unissued Also Shown as "Mornin' Blues" on some releases Recorded 17 July 1918 Victor Studio,46 West 38th.St.,NYC - Nick LaRocca (cornet/director) Eddie Edwards (trombone) Larry Shields (clarinet) Henry Ragas (piano) Tony Sbarbaro (drums)
Katica Illényi, violin Csaba Illényi, violin Tiger Rag Written by Nick LaRocca, Eddie Edwards, Henry Ragas, Tony Sbarbaro, Larry Shields/ Harry DaCosta Recorded at Palace of Arts, 7 February 2006. www.katicaillenyi.com https://www.facebook.com/katicaillenyiofficial
Tiger Rag composed by Eddie Edwards, Henry Ragas, Larry Shields, Nick LaRocca, Tony Sbarbaro (1917), aka The Original Dixieland Jass Band, performed here by Dave Majchrzak on a 1913 Baldwin 9-foot grand based on the Jelly Roll Morton piano arrangement at the Cape Cod Ragtime Festival
(Перевод от ExpMus) Группа из Нового Орлеана под названием Original Dixieland Jass Band (с барабанщиком Tony Sbarbaro) сделала первую официальную "джазовую" запись в Нью-Йорке. Примерно в это же время, Музыканты из Кресент-Сити – вместе с барабанщиками Baby Dodds и Zutty Singleton – переместились в Чикаго, где новоорлеанский стиль стал очень влиятельным. Перевел и озвучил Никита Красник (https://vk.com/xenongattz). Ссылка на видео-источник: http://www.youtube.com/watch?v=MaXeN8OlSbs === Кошельки для помощи проекту: WebMoney - R401045215046 Яндекс.Деньги - 410012711169084 QIWI - 89859295114 === YouTube-канал: http://youtube.com/c/expmus Паблик ВКонтакте: https://vk.com/expmus Страница на Facebook: https://www.facebook.com/xpmus Страница на Google+: https://plus.google.com/u/1/+ExpMus
video by Tony Sbarbaro music by Alessandra Celletti from WAY OUT http://www.alessandracelletti.com the album is also on spotify: https://open.spotify.com/album/0qwKYaNYbP1DGrnemvmkrr
"At the Jazz Band Ball" Words and Music - Edwin B. Edwards, James La Rocca, Tony Sbarbaro and Larry Shields Performed by The Original Dixieland Jazz Band Recorded March 18, 1918, New York Personnel: Nick La Rocca - cornet and director Eddie Edwards -- trombone Larry Shields - clarinet Henry Ragas - piano Tony Sbarbaro - drums Nick La Rocca (April 11, 1889 - Feb 22, 1961) was from New Orleans. He was the organizer-leader, central figure in pioneer jazz group, Original Dixieland Jazz Band. Composer of important jazz numbers that became standards. Beginning about 1905 played locally in combos and led band. Many jobs with Papa Laine 1912-16. On job in Chicago organized Original Dixieland Jazz Band. Charter members were Larry Shields (cl), Eddie Edwards (tb), Henry Ragas (p), ...
From 'I've Got A Secret', the clip show rare footage of a re-constituted Original Dixieland Jazz Band in the '50s? Tony Sbarbaro was one of the great jazz drummers. Also seen are eddie Edwards, trombone, J Russell Robinson,piano, Phil Napolean, trumpet and Tony Parenti, clarinet the video and audio quality are very poor.I'd love to get a better copy of this. www.traditional-jazz.com
Recorded in New York City on August 17th 1917 featuring Nick LaRocca cornet, Eddie Edwards trombone, Larry Shields clarinet, Henry Ragas piano, and Tony Sbarbaro drums. *"Tiger Rag" was composed by Nick LaRocca.
The New Orleans-based Original Dixieland Jass Band (with drummer Tony Sbarbaro) makes the first official "jazz" recordings in New York City. Around the same time, other Crescent City musicians - including drummers Baby Dodds and Zutty Singleton - relocate to Chicago, where the New Orleans jazz style becomes very influential. In this 15-part series, Vic Firth and Daniel Glass will be looking at 100 years of drumming evolution. Learn about the key events and advancements that shaped the drumset we know and love today! www.vicfirth.com/drumset-history Visit the Vic Firth website today for an interactive timeline and hundreds of great photos cataloging the history of our instrument the drumset! Start from the beginning! http://www.youtube.com/watch?v=K5-C4S0keC0&index;=2&list;=PLpKMeH_MXcaSL...
Video by Tony Sbarbaro http://www.alessandracelletti.com/it/musica/albums/106-way-out listen the album on spotify: the album is also on spotify: https://open.spotify.com/album/0qwKYaNYbP1DGrnemvmkrr
(Composed by Tony Sbarbaro). Issued On Victor 18513 A. First Recorded 25 June 1918 Unissued Also Shown as "Mornin' Blues" on some releases Recorded 17 July 1918 Victor Studio,46 West 38th.St.,NYC - Nick LaRocca (cornet/director) Eddie Edwards (trombone) Larry Shields (clarinet) Henry Ragas (piano) Tony Sbarbaro (drums)
Katica Illényi, violin Csaba Illényi, violin Tiger Rag Written by Nick LaRocca, Eddie Edwards, Henry Ragas, Tony Sbarbaro, Larry Shields/ Harry DaCosta Recorded at Palace of Arts, 7 February 2006. www.katicaillenyi.com https://www.facebook.com/katicaillenyiofficial
Tiger Rag composed by Eddie Edwards, Henry Ragas, Larry Shields, Nick LaRocca, Tony Sbarbaro (1917), aka The Original Dixieland Jass Band, performed here by Dave Majchrzak on a 1913 Baldwin 9-foot grand based on the Jelly Roll Morton piano arrangement at the Cape Cod Ragtime Festival
(Перевод от ExpMus) Группа из Нового Орлеана под названием Original Dixieland Jass Band (с барабанщиком Tony Sbarbaro) сделала первую официальную "джазовую" запись в Нью-Йорке. Примерно в это же время, Музыканты из Кресент-Сити – вместе с барабанщиками Baby Dodds и Zutty Singleton – переместились в Чикаго, где новоорлеанский стиль стал очень влиятельным. Перевел и озвучил Никита Красник (https://vk.com/xenongattz). Ссылка на видео-источник: http://www.youtube.com/watch?v=MaXeN8OlSbs === Кошельки для помощи проекту: WebMoney - R401045215046 Яндекс.Деньги - 410012711169084 QIWI - 89859295114 === YouTube-канал: http://youtube.com/c/expmus Паблик ВКонтакте: https://vk.com/expmus Страница на Facebook: https://www.facebook.com/xpmus Страница на Google+: https://plus.google.com/u/1/+ExpMus
video by Tony Sbarbaro music by Alessandra Celletti from WAY OUT http://www.alessandracelletti.com the album is also on spotify: https://open.spotify.com/album/0qwKYaNYbP1DGrnemvmkrr
"At the Jazz Band Ball" Words and Music - Edwin B. Edwards, James La Rocca, Tony Sbarbaro and Larry Shields Performed by The Original Dixieland Jazz Band Recorded March 18, 1918, New York Personnel: Nick La Rocca - cornet and director Eddie Edwards -- trombone Larry Shields - clarinet Henry Ragas - piano Tony Sbarbaro - drums Nick La Rocca (April 11, 1889 - Feb 22, 1961) was from New Orleans. He was the organizer-leader, central figure in pioneer jazz group, Original Dixieland Jazz Band. Composer of important jazz numbers that became standards. Beginning about 1905 played locally in combos and led band. Many jobs with Papa Laine 1912-16. On job in Chicago organized Original Dixieland Jazz Band. Charter members were Larry Shields (cl), Eddie Edwards (tb), Henry Ragas (p), ...
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Copyright Disclaimer under Section 107 of the Copyright Act 1976, allowance is made for "FAIR USE" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. The Original Dixieland Jazz Band, who billed themselves "The Creators of Jazz", have long been been dismissed as the White guys who copied African-American music, and called it their own. There is a lot of truth to that statement, but on the other hand, The Original Dixieland Jazz Band's recordings still hold their own unique charm, over 80 years after their initial release. However unfair and indicative of the racism of the era, the record "Livery Stable Blues", coupled with "Dixie Jass Band One Step" became the...