- published: 18 Jan 2011
- views: 80873
Create your page here
-
remove the playlist1933 In Jazz
-
remove the playlistLatest Videos
- remove the playlist1933 In Jazz
- remove the playlistLatest Videos
back to playlist
Dinah Armstrong 1933
This is part of a few tunes that were filmed in 1933 in Denmark with his touring
band. I believe it is one of the first sound movies with Louis' playing and singing.
Amazing how captivating his performance come through. Of course that is the unbelievable talent of Louis Armstrong and made him the top jazz musician the world has known.
I NEVER KNEW by The Chocolate Dandies, recorded in New York on October 10, 1933. This was a Benny Carter group which included: Benny Carter-trumpet/alto sax, Max Kaminsky-trumpet, Floyd O'Brien-trombone, Chu Berry-tenor sax, Teddy Wilson-piano, Lawrence Lucie-guitar, Ernest Hill-bass, and Sid Catlett-drums. Pretty cool group, here released on an Australian PARLOPHONE label 78 rpm record. Enjoy!
- published: 28 Jan 2012
- views: 4215
A great version of the record made famous by the Casa Loma Orchestra.Lew Stone's Band,by no means large,play in a tight,swinging manner which belies their size.Stanley Black provides the neat arrangement.Lew Stone joined the Savoy Havana Band that toured South Africa,then moved to be chief arranger for Ambrose,after which he became pianist/arranger for Roy Fox and eventually became leader of this band.Of all the British band leaders,Stone probably had the most individual talent.His relaxed leadership style made him popular with his musicians. In spite of no Al Bowlly,this wonderful bit of music shows off Stone's band at their very finest and their hottest.
- published: 31 Dec 2009
- views: 5815
The little brother of "White Jazz". Good arrangement, but lacks a little bit of drive at the end.
- published: 05 Nov 2013
- views: 771
Billie Holiday (April 7, 1915 - July 17, 1959) was an american jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Billie Holiday had a seminal influence on jazz and pop singing.
- published: 14 May 2014
- views: 7606
Recorded for Victor in 1933, not released until 1939. For more information about this wonderful record, check out Ricky Riccardi's amazing Louis Armstrong blog entry: http://dippermouth.blogspot.com/2013/02/swing-you-cats-80-years-of-louiss.html. For a personal story about how this copy came into my hands, read my entry on JAZZ LIVES: "JULY 6, 2013. LOUIS LIVES. AND WE FEEL IT DEEPLY". This video was created by Michael Steinman for JAZZ LIVES (http://www.jazzlives.wordpress.com).
- published: 10 Jul 2013
- views: 761
A red hot recording from the Mills Blue Rhythm Band
Jazz Martini, 1933
Enjoy!
- published: 29 Dec 2012
- views: 1681
The Jazz Me Blues by Joe Venuti's Blue Six, featuring some of the more adventurous from Paul Whiteman's Orchestra, including Benny Goodman, Adrian Rollini, Bud Freeman, Joe Sullivan, and Dick McDonough. Recorded in 1933.
- published: 07 Jun 2011
- views: 664
Accompagnement Band in a box, j'improvise sur 32 mesures après le solo de guitare, et sur le thème principal j'ai ajouté quelques fioritures par rapport à la partition d'origine.
Clarinette Buffet Crampon RC Green Line, bec 5JB anche Lavoz medium soft
- published: 18 Mar 2013
- views: 3472
1933 in jazz
In 1933 in jazz:
Standards
Deaths
Births
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/1933_in_jazz
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Louis Armstrong
HIDDEN ERROR: Usage of "Spouse" is not recognized
Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter, composer and singer who became one of the pivotal and most influential figures in jazz music. His career spanned from the 1920s to the 1960s, covering many different eras of jazz.
Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era.
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/Louis_Armstrong
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Gene Gifford
H. Eugene "Gene" Gifford (May 31, 1908 – November 12, 1970) was an American jazz banjoist, guitarist, and arranger.
Gifford was raised in Memphis, Tennessee, and played banjo in high school; following this he played in territory bands, including Watson's Bell Hops and the bands of Bob Foster and Lloyd Williams. He formed his own group to tour Texas, and then switched to guitar to play with Blue Steele and Henry Cato's Vanities Orchestra in 1928.
In 1929 he arranged for Jean Goldkette, and that same year he joined the Casa Loma Orchestra, where he became the group's chief arranger. He played guitar and banjo in the ensemble but quit in 1933 to concentrate on arrangements for the group. He remained with Casa Loma until 1939 when he was bought out of his contract due to alcohol-related infractions of the band's strict rules, but returned to play with them in 1948-49. He worked as a freelance arranger in the 1940s and did much work arranging for radio. In the 1950s and 1960s he went into semiretirement from music, working in radio engineering.
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/Gene_Gifford
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
- Loading...
-
2:42Dinah - Louis Armstrong 1933
Dinah - Louis Armstrong 1933Dinah - Louis Armstrong 1933
Dinah Armstrong 1933 This is part of a few tunes that were filmed in 1933 in Denmark with his touring band. I believe it is one of the first sound movies with Louis' playing and singing. Amazing how captivating his performance come through. Of course that is the unbelievable talent of Louis Armstrong and made him the top jazz musician the world has known. -
3:03I NEVER KNEW by The Chocolate Dandies (Benny Carter) 1933 JAZZ
I NEVER KNEW by The Chocolate Dandies (Benny Carter) 1933 JAZZI NEVER KNEW by The Chocolate Dandies (Benny Carter) 1933 JAZZ
I NEVER KNEW by The Chocolate Dandies, recorded in New York on October 10, 1933. This was a Benny Carter group which included: Benny Carter-trumpet/alto sax, Max Kaminsky-trumpet, Floyd O'Brien-trombone, Chu Berry-tenor sax, Teddy Wilson-piano, Lawrence Lucie-guitar, Ernest Hill-bass, and Sid Catlett-drums. Pretty cool group, here released on an Australian PARLOPHONE label 78 rpm record. Enjoy! -
3:10Lew Stone and his Orchestra.....White Jazz....1933
Lew Stone and his Orchestra.....White Jazz....1933Lew Stone and his Orchestra.....White Jazz....1933
A great version of the record made famous by the Casa Loma Orchestra.Lew Stone's Band,by no means large,play in a tight,swinging manner which belies their size.Stanley Black provides the neat arrangement.Lew Stone joined the Savoy Havana Band that toured South Africa,then moved to be chief arranger for Ambrose,after which he became pianist/arranger for Roy Fox and eventually became leader of this band.Of all the British band leaders,Stone probably had the most individual talent.His relaxed leadership style made him popular with his musicians. In spite of no Al Bowlly,this wonderful bit of music shows off Stone's band at their very finest and their hottest. -
2:57Lew Stone and his Band "Blue Jazz" 1933
Lew Stone and his Band "Blue Jazz" 1933Lew Stone and his Band "Blue Jazz" 1933
The little brother of "White Jazz". Good arrangement, but lacks a little bit of drive at the end. -
2:46Billie Holiday - Your Mother's Son In Law (1933)
Billie Holiday - Your Mother's Son In Law (1933)Billie Holiday - Your Mother's Son In Law (1933)
Billie Holiday (April 7, 1915 - July 17, 1959) was an american jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Billie Holiday had a seminal influence on jazz and pop singing. -
2:45LOUIS ARMSTRONG, "SWING YOU CATS" (1933): THE "JAZZ LIVES" DANCE PARTY, Number One
LOUIS ARMSTRONG, "SWING YOU CATS" (1933): THE "JAZZ LIVES" DANCE PARTY, Number OneLOUIS ARMSTRONG, "SWING YOU CATS" (1933): THE "JAZZ LIVES" DANCE PARTY, Number One
Recorded for Victor in 1933, not released until 1939. For more information about this wonderful record, check out Ricky Riccardi's amazing Louis Armstrong blog entry: http://dippermouth.blogspot.com/2013/02/swing-you-cats-80-years-of-louiss.html. For a personal story about how this copy came into my hands, read my entry on JAZZ LIVES: "JULY 6, 2013. LOUIS LIVES. AND WE FEEL IT DEEPLY". This video was created by Michael Steinman for JAZZ LIVES (http://www.jazzlives.wordpress.com). -
2:21Black Jazz by Gene Gifford (1933, Novelty piano solo)
Black Jazz by Gene Gifford (1933, Novelty piano solo) -
3:04Mills Blue Rhythm Band - Jazz Martini - 1933 - HOT!!!
Mills Blue Rhythm Band - Jazz Martini - 1933 - HOT!!!Mills Blue Rhythm Band - Jazz Martini - 1933 - HOT!!!
A red hot recording from the Mills Blue Rhythm Band Jazz Martini, 1933 Enjoy! -
3:07THE JAZZ ME BLUES by Joe Venuti and his Blue Six 1933
THE JAZZ ME BLUES by Joe Venuti and his Blue Six 1933THE JAZZ ME BLUES by Joe Venuti and his Blue Six 1933
The Jazz Me Blues by Joe Venuti's Blue Six, featuring some of the more adventurous from Paul Whiteman's Orchestra, including Benny Goodman, Adrian Rollini, Bud Freeman, Joe Sullivan, and Dick McDonough. Recorded in 1933. -
3:28Deep Purple Peter de Rose Clarinet Jazz (1933)
Deep Purple Peter de Rose Clarinet Jazz (1933)Deep Purple Peter de Rose Clarinet Jazz (1933)
Accompagnement Band in a box, j'improvise sur 32 mesures après le solo de guitare, et sur le thème principal j'ai ajouté quelques fioritures par rapport à la partition d'origine. Clarinette Buffet Crampon RC Green Line, bec 5JB anche Lavoz medium soft
-
Dinah - Louis Armstrong 1933
Dinah Armstrong 1933 This is part of a few tunes that were filmed in 1933 in Denmark with his touring band. I believe it is one of the first sound movies with Louis' playing and singing. Amazing how captivating his performance come through. Of course that is the unbelievable talent of Louis Armstrong and made him the top jazz musician the world has known. -
I NEVER KNEW by The Chocolate Dandies (Benny Carter) 1933 JAZZ
I NEVER KNEW by The Chocolate Dandies, recorded in New York on October 10, 1933. This was a Benny Carter group which included: Benny Carter-trumpet/alto sax, Max Kaminsky-trumpet, Floyd O'Brien-trombone, Chu Berry-tenor sax, Teddy Wilson-piano, Lawrence Lucie-guitar, Ernest Hill-bass, and Sid Catlett-drums. Pretty cool group, here released on an Australian PARLOPHONE label 78 rpm record. Enjoy! -
Lew Stone and his Orchestra.....White Jazz....1933
A great version of the record made famous by the Casa Loma Orchestra.Lew Stone's Band,by no means large,play in a tight,swinging manner which belies their size.Stanley Black provides the neat arrangement.Lew Stone joined the Savoy Havana Band that toured South Africa,then moved to be chief arranger for Ambrose,after which he became pianist/arranger for Roy Fox and eventually became leader of this band.Of all the British band leaders,Stone probably had the most individual talent.His relaxed leadership style made him popular with his musicians. In spite of no Al Bowlly,this wonderful bit of music shows off Stone's band at their very finest and their hottest. -
Lew Stone and his Band "Blue Jazz" 1933
The little brother of "White Jazz". Good arrangement, but lacks a little bit of drive at the end. -
Billie Holiday - Your Mother's Son In Law (1933)
Billie Holiday (April 7, 1915 - July 17, 1959) was an american jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Billie Holiday had a seminal influence on jazz and pop singing. -
LOUIS ARMSTRONG, "SWING YOU CATS" (1933): THE "JAZZ LIVES" DANCE PARTY, Number One
Recorded for Victor in 1933, not released until 1939. For more information about this wonderful record, check out Ricky Riccardi's amazing Louis Armstrong blog entry: http://dippermouth.blogspot.com/2013/02/swing-you-cats-80-years-of-louiss.html. For a personal story about how this copy came into my hands, read my entry on JAZZ LIVES: "JULY 6, 2013. LOUIS LIVES. AND WE FEEL IT DEEPLY". This video was created by Michael Steinman for JAZZ LIVES (http://www.jazzlives.wordpress.com). -
-
Mills Blue Rhythm Band - Jazz Martini - 1933 - HOT!!!
A red hot recording from the Mills Blue Rhythm Band Jazz Martini, 1933 Enjoy! -
THE JAZZ ME BLUES by Joe Venuti and his Blue Six 1933
The Jazz Me Blues by Joe Venuti's Blue Six, featuring some of the more adventurous from Paul Whiteman's Orchestra, including Benny Goodman, Adrian Rollini, Bud Freeman, Joe Sullivan, and Dick McDonough. Recorded in 1933. -
Deep Purple Peter de Rose Clarinet Jazz (1933)
Accompagnement Band in a box, j'improvise sur 32 mesures après le solo de guitare, et sur le thème principal j'ai ajouté quelques fioritures par rapport à la partition d'origine. Clarinette Buffet Crampon RC Green Line, bec 5JB anche Lavoz medium soft
Dinah - Louis Armstrong 1933
- Order: Reorder
- Duration: 2:42
- Updated: 18 Jan 2011
- views: 80873
Dinah Armstrong 1933
This is part of a few tunes that were filmed in 1933 in Denmark with his touring
band. I believe it is one of the first sound movies wit...
Dinah Armstrong 1933
This is part of a few tunes that were filmed in 1933 in Denmark with his touring
band. I believe it is one of the first sound movies with Louis' playing and singing.
Amazing how captivating his performance come through. Of course that is the unbelievable talent of Louis Armstrong and made him the top jazz musician the world has known.
wn.com/Dinah Louis Armstrong 1933
Dinah Armstrong 1933
This is part of a few tunes that were filmed in 1933 in Denmark with his touring
band. I believe it is one of the first sound movies with Louis' playing and singing.
Amazing how captivating his performance come through. Of course that is the unbelievable talent of Louis Armstrong and made him the top jazz musician the world has known.
- published: 18 Jan 2011
- views: 80873
I NEVER KNEW by The Chocolate Dandies (Benny Carter) 1933 JAZZ
- Order: Reorder
- Duration: 3:03
- Updated: 28 Jan 2012
- views: 4215
I NEVER KNEW by The Chocolate Dandies, recorded in New York on October 10, 1933. This was a Benny Carter group which included: Benny Carter-trumpet/alto sax, M...
I NEVER KNEW by The Chocolate Dandies, recorded in New York on October 10, 1933. This was a Benny Carter group which included: Benny Carter-trumpet/alto sax, Max Kaminsky-trumpet, Floyd O'Brien-trombone, Chu Berry-tenor sax, Teddy Wilson-piano, Lawrence Lucie-guitar, Ernest Hill-bass, and Sid Catlett-drums. Pretty cool group, here released on an Australian PARLOPHONE label 78 rpm record. Enjoy!
wn.com/I Never Knew By The Chocolate Dandies (Benny Carter) 1933 Jazz
I NEVER KNEW by The Chocolate Dandies, recorded in New York on October 10, 1933. This was a Benny Carter group which included: Benny Carter-trumpet/alto sax, Max Kaminsky-trumpet, Floyd O'Brien-trombone, Chu Berry-tenor sax, Teddy Wilson-piano, Lawrence Lucie-guitar, Ernest Hill-bass, and Sid Catlett-drums. Pretty cool group, here released on an Australian PARLOPHONE label 78 rpm record. Enjoy!
- published: 28 Jan 2012
- views: 4215
Lew Stone and his Orchestra.....White Jazz....1933
- Order: Reorder
- Duration: 3:10
- Updated: 31 Dec 2009
- views: 5815
A great version of the record made famous by the Casa Loma Orchestra.Lew Stone's Band,by no means large,play in a tight,swinging manner which belies their size....
A great version of the record made famous by the Casa Loma Orchestra.Lew Stone's Band,by no means large,play in a tight,swinging manner which belies their size.Stanley Black provides the neat arrangement.Lew Stone joined the Savoy Havana Band that toured South Africa,then moved to be chief arranger for Ambrose,after which he became pianist/arranger for Roy Fox and eventually became leader of this band.Of all the British band leaders,Stone probably had the most individual talent.His relaxed leadership style made him popular with his musicians. In spite of no Al Bowlly,this wonderful bit of music shows off Stone's band at their very finest and their hottest.
wn.com/Lew Stone And His Orchestra.....White Jazz....1933
A great version of the record made famous by the Casa Loma Orchestra.Lew Stone's Band,by no means large,play in a tight,swinging manner which belies their size.Stanley Black provides the neat arrangement.Lew Stone joined the Savoy Havana Band that toured South Africa,then moved to be chief arranger for Ambrose,after which he became pianist/arranger for Roy Fox and eventually became leader of this band.Of all the British band leaders,Stone probably had the most individual talent.His relaxed leadership style made him popular with his musicians. In spite of no Al Bowlly,this wonderful bit of music shows off Stone's band at their very finest and their hottest.
- published: 31 Dec 2009
- views: 5815
Lew Stone and his Band "Blue Jazz" 1933
- Order: Reorder
- Duration: 2:57
- Updated: 05 Nov 2013
- views: 771
The little brother of "White Jazz". Good arrangement, but lacks a little bit of drive at the end.
The little brother of "White Jazz". Good arrangement, but lacks a little bit of drive at the end.
wn.com/Lew Stone And His Band Blue Jazz 1933
The little brother of "White Jazz". Good arrangement, but lacks a little bit of drive at the end.
- published: 05 Nov 2013
- views: 771
Billie Holiday - Your Mother's Son In Law (1933)
- Order: Reorder
- Duration: 2:46
- Updated: 14 May 2014
- views: 7606
Billie Holiday (April 7, 1915 - July 17, 1959) was an american jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, ...
Billie Holiday (April 7, 1915 - July 17, 1959) was an american jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Billie Holiday had a seminal influence on jazz and pop singing.
wn.com/Billie Holiday Your Mother's Son In Law (1933)
Billie Holiday (April 7, 1915 - July 17, 1959) was an american jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Billie Holiday had a seminal influence on jazz and pop singing.
- published: 14 May 2014
- views: 7606
LOUIS ARMSTRONG, "SWING YOU CATS" (1933): THE "JAZZ LIVES" DANCE PARTY, Number One
- Order: Reorder
- Duration: 2:45
- Updated: 10 Jul 2013
- views: 761
Recorded for Victor in 1933, not released until 1939. For more information about this wonderful record, check out Ricky Riccardi's amazing Louis Armstrong blog...
Recorded for Victor in 1933, not released until 1939. For more information about this wonderful record, check out Ricky Riccardi's amazing Louis Armstrong blog entry: http://dippermouth.blogspot.com/2013/02/swing-you-cats-80-years-of-louiss.html. For a personal story about how this copy came into my hands, read my entry on JAZZ LIVES: "JULY 6, 2013. LOUIS LIVES. AND WE FEEL IT DEEPLY". This video was created by Michael Steinman for JAZZ LIVES (http://www.jazzlives.wordpress.com).
wn.com/Louis Armstrong, Swing You Cats (1933) The Jazz Lives Dance Party, Number One
Recorded for Victor in 1933, not released until 1939. For more information about this wonderful record, check out Ricky Riccardi's amazing Louis Armstrong blog entry: http://dippermouth.blogspot.com/2013/02/swing-you-cats-80-years-of-louiss.html. For a personal story about how this copy came into my hands, read my entry on JAZZ LIVES: "JULY 6, 2013. LOUIS LIVES. AND WE FEEL IT DEEPLY". This video was created by Michael Steinman for JAZZ LIVES (http://www.jazzlives.wordpress.com).
- published: 10 Jul 2013
- views: 761
Black Jazz by Gene Gifford (1933, Novelty piano solo)
- Order: Reorder
- Duration: 2:21
- Updated: 26 May 2013
- views: 2701
Mills Blue Rhythm Band - Jazz Martini - 1933 - HOT!!!
- Order: Reorder
- Duration: 3:04
- Updated: 29 Dec 2012
- views: 1681
A red hot recording from the Mills Blue Rhythm Band
Jazz Martini, 1933
Enjoy!
- published: 29 Dec 2012
- views: 1681
THE JAZZ ME BLUES by Joe Venuti and his Blue Six 1933
- Order: Reorder
- Duration: 3:07
- Updated: 07 Jun 2011
- views: 664
The Jazz Me Blues by Joe Venuti's Blue Six, featuring some of the more adventurous from Paul Whiteman's Orchestra, including Benny Goodman, Adrian Rollini, Bud ...
The Jazz Me Blues by Joe Venuti's Blue Six, featuring some of the more adventurous from Paul Whiteman's Orchestra, including Benny Goodman, Adrian Rollini, Bud Freeman, Joe Sullivan, and Dick McDonough. Recorded in 1933.
wn.com/The Jazz Me Blues By Joe Venuti And His Blue Six 1933
The Jazz Me Blues by Joe Venuti's Blue Six, featuring some of the more adventurous from Paul Whiteman's Orchestra, including Benny Goodman, Adrian Rollini, Bud Freeman, Joe Sullivan, and Dick McDonough. Recorded in 1933.
- published: 07 Jun 2011
- views: 664
Deep Purple Peter de Rose Clarinet Jazz (1933)
- Order: Reorder
- Duration: 3:28
- Updated: 18 Mar 2013
- views: 3472
Accompagnement Band in a box, j'improvise sur 32 mesures après le solo de guitare, et sur le thème principal j'ai ajouté quelques fioritures par rapport à la pa...
Accompagnement Band in a box, j'improvise sur 32 mesures après le solo de guitare, et sur le thème principal j'ai ajouté quelques fioritures par rapport à la partition d'origine.
Clarinette Buffet Crampon RC Green Line, bec 5JB anche Lavoz medium soft
wn.com/Deep Purple Peter De Rose Clarinet Jazz (1933)
Accompagnement Band in a box, j'improvise sur 32 mesures après le solo de guitare, et sur le thème principal j'ai ajouté quelques fioritures par rapport à la partition d'origine.
Clarinette Buffet Crampon RC Green Line, bec 5JB anche Lavoz medium soft
- published: 18 Mar 2013
- views: 3472
-
Jazz & Jazz Dance 1933 (Duke Ellington)
From the short: A BUNDLE OF BLUES 1933 Duke Ellington provides the music and Cotton Club veterans Bessie Dudley and Florence Hill, in the black, provide the dance. -
Jack Teagarden and his Orchestra - Love Me (1933)
Weldon Leo 'Jack' Teagarden (Aug.20,1905 - Jan.15,1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vocalist, regarded as the "Father of Jazz Trombone" Born in Vernon, Texas, his brothers Charlie and Clois "Cub" and his sister Norma also became noted professional musicians. Teagarden's father was an amateur brass band trumpeter and started young Jack on baritone horn; by age seven he had switched to trombone. His first public performances were in movie theaters, where he accompanied his mother, a pianist. Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. He is usually considered the most innovative jazz trombone stylist of the pre-be... -
Louis Armstrong, in "Dinah", Film, 1933.
Jazz at its best. -
Jack Teagarden and his Orchestra - Texas Tea Party (1933)
Weldon Leo 'Jack' Teagarden (Aug.20,1905 - Jan.15,1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vocalist, regarded as the "Father of Jazz Trombone" Born in Vernon, Texas, his brothers Charlie and Clois "Cub" and his sister Norma also became noted professional musicians. Teagarden's father was an amateur brass band trumpeter and started young Jack on baritone horn; by age seven he had switched to trombone. His first public performances were in movie theaters, where he accompanied his mother, a pianist. Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. He is usually considered the most innovative jazz trombone stylist of the pre-be... -
"Mad" Asta Kordt akkompagneret af Kjeld Nørregard og vokal trio 1933
"Bøf med løg" fra Jazz Oratoriet "24 timer" Komponeret af Bernhard Christensen og Sven Møller kristensen HIS MASTERS VOICE X 4285 - 1933 -
Ted Lewis and his Band - Buy American ! (1933)
Theodore Leopold Friedman, better known as Ted Lewis (June 6,1892 - Aug.25,1971), was an American entertainer, bandleader, singer, and musician. He led a band presenting a combination of jazz, hokey comedy, and schmaltzy sentimentality that was a hit with the American public. He was known by the moniker "Mr. Entertainment" Born in Circleville, Ohio, Lewis was one of the first Northern musicians to start imitating the New Orleans jazz musicians who came up to New York in the teens. He first recorded in 1917 with Earl Fuller's Jass Band, who were making an energetic if somewhat clumsy attempt to copy the sound of the city's newest sensation, the Original Dixieland Jass Band. At the time, Lewis didn't seem to be able to do much on the clarinet other than trill. (Promoting one recording the V... -
Oswando Jazz Quartet - Le grand Navire (Gare maritime Cherbourg 1933)
A Cherbourg, dès neuf heures des curieux s'étaient hasardés sur le quai des transatlantiques du nouveau port, anxieux d'assister à l’accostage du grand Navire tant attendu. Soudain la foule tout au tour de la Rade admire ce magnifique paquebot, "De Grasse" accoste sur le quai avec une parfaite aisance ... A bord, il y'avait déjà des nombreux voyageurs accoudés aux bastingages impatiens de découvrir New York. à cette instant Sylwia et Boguslaw, quittent Isaac dans la salle des pas perdus de la gare maritime et se dirigent vers ce grand navire arrivant du Havre. Apaisé de pouvoir éviter l’île tant redouté, le couple a pris place en première classe. Grace à la passerelle à l’arrière du Navire de la frensh ligne, le Pila Bolonza comme le surnommait certains émigrants italiens, avale passagers ... -
Paul Whiteman Orchestra - Smoke Gets In Your Eyes (1933)
Paul Samuel Whiteman (March 28, 1890 -- December 29, 1967) was an American bandleader and orchestral director. Leader of the most popular dance bands in the United States during the 1920s, Whiteman's recordings were immensely successful, and press notices often referred to him as the "King of Jazz." Using a large ensemble and exploring many styles of music, Whiteman is perhaps best known for his blending of symphonic music and jazz, as typified by his 1924 commissioning and debut of George Gershwin's jazz-influenced "Rhapsody In Blue". Whiteman recorded many jazz and pop standards during his career, including "Wang Wang Blues", "Mississippi Mud", "Rhapsody in Blue", "Wonderful One", "Hot Lips", "Mississippi Suite", and "Grand Canyon Suite". His popularity faded in the swing music era of t... -
Jack Teagarden ans his Orchestra - Blue River (1933)
Weldon Leo 'Jack' Teagarden (Aug.20,1905 – Jan.15,1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vocalist, regarded as the "Father of Jazz Trombone" Born in Vernon, Texas, his brothers Charlie and Clois "Cub" and his sister Norma also became noted professional musicians. Teagarden's father was an amateur brass band trumpeter and started young Jack on baritone horn; by age seven he had switched to trombone. His first public performances were in movie theaters, where he accompanied his mother, a pianist. Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. He is usually considered the most innovative jazz trombone stylist of the pre-be... -
Jazz Trio - "Stormy Weather" by Harold Arlen and Ted Koehler (1933)
Jazz Trio - "Stormy Weather" by Harold Arlen and Ted Koehler (1933) An instrumental arrangement based on a recorded or transcribed midi sequence by Doug McKenzie. http://www.bushgrafts.com/jazz/DVDbuy.htm Notes: I'm pretty sure this is a Doug McKenzie sequence, though no meta data was available. His style is unmistakeable. Notes: This is version II. Better instruments and some articulations thrown in. Notes: "Stormy Weather" is a 1933 song written by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 and recorded it that year, and in the same year it was sung in London by Elisabeth Welch and recorded by Frances Langford. It has since been performed by artists as diverse as Frank Sinatra, Clodagh Rodgers, and Reigning Sound and ...
Jazz & Jazz Dance 1933 (Duke Ellington)
- Order: Reorder
- Duration: 1:55
- Updated: 25 Jul 2016
- views: 28
From the short: A BUNDLE OF BLUES 1933
Duke Ellington provides the music and Cotton Club veterans Bessie Dudley and Florence Hill, in the black, provide the d...
From the short: A BUNDLE OF BLUES 1933
Duke Ellington provides the music and Cotton Club veterans Bessie Dudley and Florence Hill, in the black, provide the dance.
wn.com/Jazz Jazz Dance 1933 (Duke Ellington)
From the short: A BUNDLE OF BLUES 1933
Duke Ellington provides the music and Cotton Club veterans Bessie Dudley and Florence Hill, in the black, provide the dance.
- published: 25 Jul 2016
- views: 28
Jack Teagarden and his Orchestra - Love Me (1933)
- Order: Reorder
- Duration: 3:00
- Updated: 07 Apr 2016
- views: 281
Weldon Leo 'Jack' Teagarden (Aug.20,1905 - Jan.15,1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vo...
Weldon Leo 'Jack' Teagarden (Aug.20,1905 - Jan.15,1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vocalist, regarded as the "Father of Jazz Trombone"
Born in Vernon, Texas, his brothers Charlie and Clois "Cub" and his sister Norma also became noted professional musicians. Teagarden's father was an amateur brass band trumpeter and started young Jack on baritone horn; by age seven he had switched to trombone. His first public performances were in movie theaters, where he accompanied his mother, a pianist.
Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. He is usually considered the most innovative jazz trombone stylist of the pre-bebop era – Pee Wee Russell once called him "the best trombone player in the world" and did much to expand the role of the instrument beyond the old tailgate style role of the early New Orleans brass bands. Chief among his contributions to the language of jazz trombonists was his ability to interject the blues or merely a "blue feeling" into virtually any piece of music.
By 1920 Teagarden was playing professionally in San Antonio, including with the band of pianist Peck Kelley. In the mid-1920s he started traveling widely around the United States in a quick succession of different bands. In 1927, he went to New York City where he worked with several bands. By 1928 he played for the Ben Pollack band.
Within a year of the commencement of his recording career, he became a regular vocalist, first doing blues material ("Beale Street Blues", for example), and later doing popular songs. He is often mentioned as one of the best jazz vocalists of the era; his singing style is quite like his trombone playing, in terms of improvisation (in the same way that Louis Armstrong sang quite like he played trumpet). His singing is best remembered for duets with Louis Armstrong and Johnny Mercer.
In the late 1920s he recorded with such notable bandleaders and sidemen as Louis Armstrong, Benny Goodman, Bix Beiderbecke, Red Nichols, Jimmy McPartland, Mezz Mezzrow, Glenn Miller, and Eddie Condon. Glenn Miller and Teagarden collaborated to provide lyrics and a verse to Spencer Williams' Basin Street Blues, which in that amended form became one of the numbers that Teagarden played until the end of his days.
In the early 1930s Teagarden was based in Chicago, for some time playing with the band of Wingy Manone. He played at the Century of Progress exposition in Chicago. Teagarden sought financial security during the Great Depression and signed an exclusive contract to play for the Paul Whiteman Orchestra from 1933 through 1938. The contract with Whiteman's band provided him with financial security but prevented him from playing an active part in the musical advances of the mid-thirties swing era (although he and Frank Trumbauer recorded a number of small group swing classics throughout his tenture with Whiteman on Brunswick).
Teagarden then started leading his own big band. Glenn Miller wrote the song "I Swung the Election" for him and his band in 1939. In spite of Teagarden's best efforts, the band was not a commercial success, and he was brought to the brink of bankruptcy.
In 1946 Teagarden joined Louis Armstrong's All Stars. Armstrong and Teagarden's work together shows a wonderful rapport, in particular their duet on "Rockin' Chair". In late 1951 Teagarden left to again lead his own band, then co-led a band with Earl Hines, then again with a group under his own name with whom he toured Japan in 1958 and 1959.
Teagarden appeared in the movies Birth of the Blues (1941), The Strip (1951), The Glass Wall (1953), and Jazz on a Summer's Day (1960), the latter a documentary film of the 1958 Newport Jazz Festival. He was an admired recording artist, featured on RCA Victor, Columbia, Decca, Capitol, and MGM Records discs. As a jazz artist he won the 1944 Esquire magazine Gold Award, was highly rated in the Metronome polls of 1937-42 and 1945, and was selected for the Playboy magazine All Star Band, 1957-60.
Teagarden was the featured performer at the Newport Jazz Festival of 1957. Saturday Review wrote in 1964 that he "walked with artistic dignity all his life," and the same year Newsweek praised his "mature approach to trombone jazz."
"Jack Teagarden died, alone, of a heart attack complicated by bronchial pneumonia in his room at the Prince Conti Hotel in the French Quarter of New Orleans on January 15, 1964. He was only 58.
Jack Teagarden and his Orchestra - Love Me (1933)
wn.com/Jack Teagarden And His Orchestra Love Me (1933)
Weldon Leo 'Jack' Teagarden (Aug.20,1905 - Jan.15,1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vocalist, regarded as the "Father of Jazz Trombone"
Born in Vernon, Texas, his brothers Charlie and Clois "Cub" and his sister Norma also became noted professional musicians. Teagarden's father was an amateur brass band trumpeter and started young Jack on baritone horn; by age seven he had switched to trombone. His first public performances were in movie theaters, where he accompanied his mother, a pianist.
Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. He is usually considered the most innovative jazz trombone stylist of the pre-bebop era – Pee Wee Russell once called him "the best trombone player in the world" and did much to expand the role of the instrument beyond the old tailgate style role of the early New Orleans brass bands. Chief among his contributions to the language of jazz trombonists was his ability to interject the blues or merely a "blue feeling" into virtually any piece of music.
By 1920 Teagarden was playing professionally in San Antonio, including with the band of pianist Peck Kelley. In the mid-1920s he started traveling widely around the United States in a quick succession of different bands. In 1927, he went to New York City where he worked with several bands. By 1928 he played for the Ben Pollack band.
Within a year of the commencement of his recording career, he became a regular vocalist, first doing blues material ("Beale Street Blues", for example), and later doing popular songs. He is often mentioned as one of the best jazz vocalists of the era; his singing style is quite like his trombone playing, in terms of improvisation (in the same way that Louis Armstrong sang quite like he played trumpet). His singing is best remembered for duets with Louis Armstrong and Johnny Mercer.
In the late 1920s he recorded with such notable bandleaders and sidemen as Louis Armstrong, Benny Goodman, Bix Beiderbecke, Red Nichols, Jimmy McPartland, Mezz Mezzrow, Glenn Miller, and Eddie Condon. Glenn Miller and Teagarden collaborated to provide lyrics and a verse to Spencer Williams' Basin Street Blues, which in that amended form became one of the numbers that Teagarden played until the end of his days.
In the early 1930s Teagarden was based in Chicago, for some time playing with the band of Wingy Manone. He played at the Century of Progress exposition in Chicago. Teagarden sought financial security during the Great Depression and signed an exclusive contract to play for the Paul Whiteman Orchestra from 1933 through 1938. The contract with Whiteman's band provided him with financial security but prevented him from playing an active part in the musical advances of the mid-thirties swing era (although he and Frank Trumbauer recorded a number of small group swing classics throughout his tenture with Whiteman on Brunswick).
Teagarden then started leading his own big band. Glenn Miller wrote the song "I Swung the Election" for him and his band in 1939. In spite of Teagarden's best efforts, the band was not a commercial success, and he was brought to the brink of bankruptcy.
In 1946 Teagarden joined Louis Armstrong's All Stars. Armstrong and Teagarden's work together shows a wonderful rapport, in particular their duet on "Rockin' Chair". In late 1951 Teagarden left to again lead his own band, then co-led a band with Earl Hines, then again with a group under his own name with whom he toured Japan in 1958 and 1959.
Teagarden appeared in the movies Birth of the Blues (1941), The Strip (1951), The Glass Wall (1953), and Jazz on a Summer's Day (1960), the latter a documentary film of the 1958 Newport Jazz Festival. He was an admired recording artist, featured on RCA Victor, Columbia, Decca, Capitol, and MGM Records discs. As a jazz artist he won the 1944 Esquire magazine Gold Award, was highly rated in the Metronome polls of 1937-42 and 1945, and was selected for the Playboy magazine All Star Band, 1957-60.
Teagarden was the featured performer at the Newport Jazz Festival of 1957. Saturday Review wrote in 1964 that he "walked with artistic dignity all his life," and the same year Newsweek praised his "mature approach to trombone jazz."
"Jack Teagarden died, alone, of a heart attack complicated by bronchial pneumonia in his room at the Prince Conti Hotel in the French Quarter of New Orleans on January 15, 1964. He was only 58.
Jack Teagarden and his Orchestra - Love Me (1933)
- published: 07 Apr 2016
- views: 281
Louis Armstrong, in "Dinah", Film, 1933.
- Order: Reorder
- Duration: 2:42
- Updated: 03 Feb 2016
- views: 25
Jazz at its best.
Jazz at its best.
wn.com/Louis Armstrong, In Dinah , Film, 1933.
Jack Teagarden and his Orchestra - Texas Tea Party (1933)
- Order: Reorder
- Duration: 3:20
- Updated: 18 Jan 2016
- views: 320
Weldon Leo 'Jack' Teagarden (Aug.20,1905 - Jan.15,1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vo...
Weldon Leo 'Jack' Teagarden (Aug.20,1905 - Jan.15,1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vocalist, regarded as the "Father of Jazz Trombone"
Born in Vernon, Texas, his brothers Charlie and Clois "Cub" and his sister Norma also became noted professional musicians. Teagarden's father was an amateur brass band trumpeter and started young Jack on baritone horn; by age seven he had switched to trombone. His first public performances were in movie theaters, where he accompanied his mother, a pianist.
Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. He is usually considered the most innovative jazz trombone stylist of the pre-bebop era – Pee Wee Russell once called him "the best trombone player in the world" and did much to expand the role of the instrument beyond the old tailgate style role of the early New Orleans brass bands. Chief among his contributions to the language of jazz trombonists was his ability to interject the blues or merely a "blue feeling" into virtually any piece of music.
By 1920 Teagarden was playing professionally in San Antonio, including with the band of pianist Peck Kelley. In the mid-1920s he started traveling widely around the United States in a quick succession of different bands. In 1927, he went to New York City where he worked with several bands. By 1928 he played for the Ben Pollack band.
Within a year of the commencement of his recording career, he became a regular vocalist, first doing blues material ("Beale Street Blues", for example), and later doing popular songs. He is often mentioned as one of the best jazz vocalists of the era; his singing style is quite like his trombone playing, in terms of improvisation (in the same way that Louis Armstrong sang quite like he played trumpet). His singing is best remembered for duets with Louis Armstrong and Johnny Mercer.
In the late 1920s he recorded with such notable bandleaders and sidemen as Louis Armstrong, Benny Goodman, Bix Beiderbecke, Red Nichols, Jimmy McPartland, Mezz Mezzrow, Glenn Miller, and Eddie Condon. Glenn Miller and Teagarden collaborated to provide lyrics and a verse to Spencer Williams' Basin Street Blues, which in that amended form became one of the numbers that Teagarden played until the end of his days.
In the early 1930s Teagarden was based in Chicago, for some time playing with the band of Wingy Manone. He played at the Century of Progress exposition in Chicago. Teagarden sought financial security during the Great Depression and signed an exclusive contract to play for the Paul Whiteman Orchestra from 1933 through 1938. The contract with Whiteman's band provided him with financial security but prevented him from playing an active part in the musical advances of the mid-thirties swing era (although he and Frank Trumbauer recorded a number of small group swing classics throughout his tenture with Whiteman on Brunswick).
Teagarden then started leading his own big band. Glenn Miller wrote the song "I Swung the Election" for him and his band in 1939. In spite of Teagarden's best efforts, the band was not a commercial success, and he was brought to the brink of bankruptcy.
In 1946 Teagarden joined Louis Armstrong's All Stars. Armstrong and Teagarden's work together shows a wonderful rapport, in particular their duet on "Rockin' Chair". In late 1951 Teagarden left to again lead his own band, then co-led a band with Earl Hines, then again with a group under his own name with whom he toured Japan in 1958 and 1959.
Teagarden appeared in the movies Birth of the Blues (1941), The Strip (1951), The Glass Wall (1953), and Jazz on a Summer's Day (1960), the latter a documentary film of the 1958 Newport Jazz Festival. He was an admired recording artist, featured on RCA Victor, Columbia, Decca, Capitol, and MGM Records discs. As a jazz artist he won the 1944 Esquire magazine Gold Award, was highly rated in the Metronome polls of 1937-42 and 1945, and was selected for the Playboy magazine All Star Band, 1957-60.
Teagarden was the featured performer at the Newport Jazz Festival of 1957. Saturday Review wrote in 1964 that he "walked with artistic dignity all his life," and the same year Newsweek praised his "mature approach to trombone jazz."
"Jack Teagarden died, alone, of a heart attack complicated by bronchial pneumonia in his room at the Prince Conti Hotel in the French Quarter of New Orleans on January 15, 1964. He was only 58.
Jack Teagarden and his Orchestra - Texas Tea Party (1933)
wn.com/Jack Teagarden And His Orchestra Texas Tea Party (1933)
Weldon Leo 'Jack' Teagarden (Aug.20,1905 - Jan.15,1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vocalist, regarded as the "Father of Jazz Trombone"
Born in Vernon, Texas, his brothers Charlie and Clois "Cub" and his sister Norma also became noted professional musicians. Teagarden's father was an amateur brass band trumpeter and started young Jack on baritone horn; by age seven he had switched to trombone. His first public performances were in movie theaters, where he accompanied his mother, a pianist.
Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. He is usually considered the most innovative jazz trombone stylist of the pre-bebop era – Pee Wee Russell once called him "the best trombone player in the world" and did much to expand the role of the instrument beyond the old tailgate style role of the early New Orleans brass bands. Chief among his contributions to the language of jazz trombonists was his ability to interject the blues or merely a "blue feeling" into virtually any piece of music.
By 1920 Teagarden was playing professionally in San Antonio, including with the band of pianist Peck Kelley. In the mid-1920s he started traveling widely around the United States in a quick succession of different bands. In 1927, he went to New York City where he worked with several bands. By 1928 he played for the Ben Pollack band.
Within a year of the commencement of his recording career, he became a regular vocalist, first doing blues material ("Beale Street Blues", for example), and later doing popular songs. He is often mentioned as one of the best jazz vocalists of the era; his singing style is quite like his trombone playing, in terms of improvisation (in the same way that Louis Armstrong sang quite like he played trumpet). His singing is best remembered for duets with Louis Armstrong and Johnny Mercer.
In the late 1920s he recorded with such notable bandleaders and sidemen as Louis Armstrong, Benny Goodman, Bix Beiderbecke, Red Nichols, Jimmy McPartland, Mezz Mezzrow, Glenn Miller, and Eddie Condon. Glenn Miller and Teagarden collaborated to provide lyrics and a verse to Spencer Williams' Basin Street Blues, which in that amended form became one of the numbers that Teagarden played until the end of his days.
In the early 1930s Teagarden was based in Chicago, for some time playing with the band of Wingy Manone. He played at the Century of Progress exposition in Chicago. Teagarden sought financial security during the Great Depression and signed an exclusive contract to play for the Paul Whiteman Orchestra from 1933 through 1938. The contract with Whiteman's band provided him with financial security but prevented him from playing an active part in the musical advances of the mid-thirties swing era (although he and Frank Trumbauer recorded a number of small group swing classics throughout his tenture with Whiteman on Brunswick).
Teagarden then started leading his own big band. Glenn Miller wrote the song "I Swung the Election" for him and his band in 1939. In spite of Teagarden's best efforts, the band was not a commercial success, and he was brought to the brink of bankruptcy.
In 1946 Teagarden joined Louis Armstrong's All Stars. Armstrong and Teagarden's work together shows a wonderful rapport, in particular their duet on "Rockin' Chair". In late 1951 Teagarden left to again lead his own band, then co-led a band with Earl Hines, then again with a group under his own name with whom he toured Japan in 1958 and 1959.
Teagarden appeared in the movies Birth of the Blues (1941), The Strip (1951), The Glass Wall (1953), and Jazz on a Summer's Day (1960), the latter a documentary film of the 1958 Newport Jazz Festival. He was an admired recording artist, featured on RCA Victor, Columbia, Decca, Capitol, and MGM Records discs. As a jazz artist he won the 1944 Esquire magazine Gold Award, was highly rated in the Metronome polls of 1937-42 and 1945, and was selected for the Playboy magazine All Star Band, 1957-60.
Teagarden was the featured performer at the Newport Jazz Festival of 1957. Saturday Review wrote in 1964 that he "walked with artistic dignity all his life," and the same year Newsweek praised his "mature approach to trombone jazz."
"Jack Teagarden died, alone, of a heart attack complicated by bronchial pneumonia in his room at the Prince Conti Hotel in the French Quarter of New Orleans on January 15, 1964. He was only 58.
Jack Teagarden and his Orchestra - Texas Tea Party (1933)
- published: 18 Jan 2016
- views: 320
"Mad" Asta Kordt akkompagneret af Kjeld Nørregard og vokal trio 1933
- Order: Reorder
- Duration: 2:27
- Updated: 23 Aug 2015
- views: 338
"Bøf med løg" fra Jazz Oratoriet "24 timer"
Komponeret af Bernhard Christensen og Sven Møller kristensen
HIS MASTERS VOICE X 4285 - 1933
"Bøf med løg" fra Jazz Oratoriet "24 timer"
Komponeret af Bernhard Christensen og Sven Møller kristensen
HIS MASTERS VOICE X 4285 - 1933
wn.com/Mad Asta Kordt Akkompagneret Af Kjeld Nørregard Og Vokal Trio 1933
"Bøf med løg" fra Jazz Oratoriet "24 timer"
Komponeret af Bernhard Christensen og Sven Møller kristensen
HIS MASTERS VOICE X 4285 - 1933
- published: 23 Aug 2015
- views: 338
Ted Lewis and his Band - Buy American ! (1933)
- Order: Reorder
- Duration: 3:03
- Updated: 21 Aug 2015
- views: 269
Theodore Leopold Friedman, better known as Ted Lewis (June 6,1892 - Aug.25,1971), was an American entertainer, bandleader, singer, and musician. He led a band p...
Theodore Leopold Friedman, better known as Ted Lewis (June 6,1892 - Aug.25,1971), was an American entertainer, bandleader, singer, and musician. He led a band presenting a combination of jazz, hokey comedy, and schmaltzy sentimentality that was a hit with the American public. He was known by the moniker "Mr. Entertainment"
Born in Circleville, Ohio, Lewis was one of the first Northern musicians to start imitating the New Orleans jazz musicians who came up to New York in the teens. He first recorded in 1917 with Earl Fuller's Jass Band, who were making an energetic if somewhat clumsy attempt to copy the sound of the city's newest sensation, the Original Dixieland Jass Band. At the time, Lewis didn't seem to be able to do much on the clarinet other than trill. (Promoting one recording the Victor catalog stated:"The sounds as of a dog in his dying anguish are from Ted Lewis' clarinet"). He improved a bit later, forming his style from the influences of the first New Orleans clarinetists to reside in New York, Larry Shields, Alcide Nunez, and Achille Baquet.
By 1919 Lewis was leading his own band, and had a recording contract with Columbia Records, which marketed him as their answer to the Original Dixieland Jass Band who recorded for Victor records. At the start of the 1920s he was considered by many people without previous knowledge of jazz (that is to say, most of America) to be one of the leading lights of hot jazz. Lewis's clarinet playing never evolved beyond his style of 1919 which in later years would sound increasingly corny, but Lewis certainly knew what good clarinet playing sounded like, for he hired musicians like Benny Goodman, Jimmy Dorsey, and the wonderful (and, unfortunately, largely forgotten) Don Murray to play clarinet in his band. For years his band also included jazz greats Muggsy Spanier on trumpet and George Brunis on trombone. Ted Lewis's band was second only to the Paul Whiteman in popularity during the 1920s, and arguably played more real jazz with less pretension than Whiteman, especially in his recordings of the late 1920s.
Lewis's band got cornier and schmaltzier as the Great Depression wore on, but this seemed to match the general public's taste, as he kept commercially successful during an era when many bands broke up. Through it all he retained his famous catch-phrase "Is everybody happy?". Lewis adopted a battered top hat for sentimental, hard-luck tunes (he called himself "the high-hatted tragedian of song"). Frequently he would stray from song lyrics, improvising chatter around them. This gave the effect of Lewis "speaking" the song spontaneously: "When ma' baby... when ma' baby smiles at me... gee, what a wonderful, wonderful light that comes to her eyes... look at that light, folks..."
Ted Lewis and his Band - Buy American! and good times will come thru' (1933)
wn.com/Ted Lewis And His Band Buy American (1933)
Theodore Leopold Friedman, better known as Ted Lewis (June 6,1892 - Aug.25,1971), was an American entertainer, bandleader, singer, and musician. He led a band presenting a combination of jazz, hokey comedy, and schmaltzy sentimentality that was a hit with the American public. He was known by the moniker "Mr. Entertainment"
Born in Circleville, Ohio, Lewis was one of the first Northern musicians to start imitating the New Orleans jazz musicians who came up to New York in the teens. He first recorded in 1917 with Earl Fuller's Jass Band, who were making an energetic if somewhat clumsy attempt to copy the sound of the city's newest sensation, the Original Dixieland Jass Band. At the time, Lewis didn't seem to be able to do much on the clarinet other than trill. (Promoting one recording the Victor catalog stated:"The sounds as of a dog in his dying anguish are from Ted Lewis' clarinet"). He improved a bit later, forming his style from the influences of the first New Orleans clarinetists to reside in New York, Larry Shields, Alcide Nunez, and Achille Baquet.
By 1919 Lewis was leading his own band, and had a recording contract with Columbia Records, which marketed him as their answer to the Original Dixieland Jass Band who recorded for Victor records. At the start of the 1920s he was considered by many people without previous knowledge of jazz (that is to say, most of America) to be one of the leading lights of hot jazz. Lewis's clarinet playing never evolved beyond his style of 1919 which in later years would sound increasingly corny, but Lewis certainly knew what good clarinet playing sounded like, for he hired musicians like Benny Goodman, Jimmy Dorsey, and the wonderful (and, unfortunately, largely forgotten) Don Murray to play clarinet in his band. For years his band also included jazz greats Muggsy Spanier on trumpet and George Brunis on trombone. Ted Lewis's band was second only to the Paul Whiteman in popularity during the 1920s, and arguably played more real jazz with less pretension than Whiteman, especially in his recordings of the late 1920s.
Lewis's band got cornier and schmaltzier as the Great Depression wore on, but this seemed to match the general public's taste, as he kept commercially successful during an era when many bands broke up. Through it all he retained his famous catch-phrase "Is everybody happy?". Lewis adopted a battered top hat for sentimental, hard-luck tunes (he called himself "the high-hatted tragedian of song"). Frequently he would stray from song lyrics, improvising chatter around them. This gave the effect of Lewis "speaking" the song spontaneously: "When ma' baby... when ma' baby smiles at me... gee, what a wonderful, wonderful light that comes to her eyes... look at that light, folks..."
Ted Lewis and his Band - Buy American! and good times will come thru' (1933)
- published: 21 Aug 2015
- views: 269
Oswando Jazz Quartet - Le grand Navire (Gare maritime Cherbourg 1933)
- Order: Reorder
- Duration: 4:40
- Updated: 18 Aug 2015
- views: 60
A Cherbourg, dès neuf heures des curieux s'étaient hasardés sur le quai des transatlantiques du nouveau port, anxieux d'assister à l’accostage du grand Navire t...
A Cherbourg, dès neuf heures des curieux s'étaient hasardés sur le quai des transatlantiques du nouveau port, anxieux d'assister à l’accostage du grand Navire tant attendu. Soudain la foule tout au tour de la Rade admire ce magnifique paquebot, "De Grasse" accoste sur le quai avec une parfaite aisance ... A bord, il y'avait déjà des nombreux voyageurs accoudés aux bastingages impatiens de découvrir New York. à cette instant Sylwia et Boguslaw, quittent Isaac dans la salle des pas perdus de la gare maritime et se dirigent vers ce grand navire arrivant du Havre. Apaisé de pouvoir éviter l’île tant redouté, le couple a pris place en première classe. Grace à la passerelle à l’arrière du Navire de la frensh ligne, le Pila Bolonza comme le surnommait certains émigrants italiens, avale passagers et bagages au milieu d’une allégresse bruyante...
Musique : Oswando Jazz Quartet
Oswando - vocal
Hiroshi Murayama - piano
David Georgelet - batterie
Oliver Degabriele - contre basse
Production : Nitu Ndombasi Oscar (Bloom Onction)
Distribution : Plaza Mayor Company, Ltd
Auteurs tu texte t de l'histoire : Nitu Ndombasi Oscar
Correction et mise en forme : Pierre Vincent Robin
Acteurs :
Sylwia Jurkowski : Fanny Philippe
Boguslaw Jurkowski : Franck Milin
Isaac Brooks : Oswando
Coifeuse-maquilleuse : Yamina Zitouni
Costumières : Magali Frappé et Dorothée Trehard
Réalisation Mike : Chevreuil
http://www.ojq.fr/
https://www.facebook.com/ojq.jazz
https://www.facebook.com/CherbourgEll...
wn.com/Oswando Jazz Quartet Le Grand Navire (Gare Maritime Cherbourg 1933)
A Cherbourg, dès neuf heures des curieux s'étaient hasardés sur le quai des transatlantiques du nouveau port, anxieux d'assister à l’accostage du grand Navire tant attendu. Soudain la foule tout au tour de la Rade admire ce magnifique paquebot, "De Grasse" accoste sur le quai avec une parfaite aisance ... A bord, il y'avait déjà des nombreux voyageurs accoudés aux bastingages impatiens de découvrir New York. à cette instant Sylwia et Boguslaw, quittent Isaac dans la salle des pas perdus de la gare maritime et se dirigent vers ce grand navire arrivant du Havre. Apaisé de pouvoir éviter l’île tant redouté, le couple a pris place en première classe. Grace à la passerelle à l’arrière du Navire de la frensh ligne, le Pila Bolonza comme le surnommait certains émigrants italiens, avale passagers et bagages au milieu d’une allégresse bruyante...
Musique : Oswando Jazz Quartet
Oswando - vocal
Hiroshi Murayama - piano
David Georgelet - batterie
Oliver Degabriele - contre basse
Production : Nitu Ndombasi Oscar (Bloom Onction)
Distribution : Plaza Mayor Company, Ltd
Auteurs tu texte t de l'histoire : Nitu Ndombasi Oscar
Correction et mise en forme : Pierre Vincent Robin
Acteurs :
Sylwia Jurkowski : Fanny Philippe
Boguslaw Jurkowski : Franck Milin
Isaac Brooks : Oswando
Coifeuse-maquilleuse : Yamina Zitouni
Costumières : Magali Frappé et Dorothée Trehard
Réalisation Mike : Chevreuil
http://www.ojq.fr/
https://www.facebook.com/ojq.jazz
https://www.facebook.com/CherbourgEll...
- published: 18 Aug 2015
- views: 60
Paul Whiteman Orchestra - Smoke Gets In Your Eyes (1933)
- Order: Reorder
- Duration: 3:26
- Updated: 18 May 2015
- views: 1180
Paul Samuel Whiteman (March 28, 1890 -- December 29, 1967) was an American bandleader and orchestral director.
Leader of the most popular dance bands in the Un...
Paul Samuel Whiteman (March 28, 1890 -- December 29, 1967) was an American bandleader and orchestral director.
Leader of the most popular dance bands in the United States during the 1920s, Whiteman's recordings were immensely successful, and press notices often referred to him as the "King of Jazz." Using a large ensemble and exploring many styles of music, Whiteman is perhaps best known for his blending of symphonic music and jazz, as typified by his 1924 commissioning and debut of George Gershwin's jazz-influenced "Rhapsody In Blue". Whiteman recorded many jazz and pop standards during his career, including "Wang Wang Blues", "Mississippi Mud", "Rhapsody in Blue", "Wonderful One", "Hot Lips", "Mississippi Suite", and "Grand Canyon Suite". His popularity faded in the swing music era of the 1930s, and by the 1940s Whiteman was semi-retired from music.
Whiteman was born in Denver, Colorado. After a start as a classical violinist and violist, he led a jazz-influenced dance band, which became popular locally in San Francisco, California in 1918. In 1920 he moved with his band to New York City where they started making recordings for Victor Records which made the Paul Whiteman Orchestra famous nationally.
Whiteman became the most popular band director of the decade. In a time when most dance bands consisted of six to 10 men, Whiteman directed a much larger and more imposing group of up to 35 musicians.
In the 1920s the media referred to Whiteman as "The King of Jazz". Whiteman emphasized the way he had approached the already well-established style of music, while also organizing its composition and style in his own fashion. While most jazz musicians and fans consider improvisation to be essential to the musical style, Whiteman thought the genre could be improved by orchestrating the best of it, with formal written arrangements. Whiteman's recordings were popular critically and successful commercially, and his style of jazz music was often the first jazz of any form that many Americans heard during the era.
For more than 30 years Whiteman, referred to as "Pops", sought and encouraged musicians, vocalists, composers, arrangers, and entertainers who looked promising.
Whiteman hired many of the best jazz musicians for his band, including Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, Eddie Lang, Steve Brown, Mike Pingitore, Gussie Mueller, Wilbur Hall, Jack Teagarden, and Bunny Berigan. He also encouraged upcoming African American musical talents, and initially planned on hiring black musicians, but Whiteman's management eventually persuaded him that doing would be career suicide due to racial tension and America's segregation of that time. However, Whiteman crossed racial lines behind-the-scenes, hiring black arrangers like Fletcher Henderson and engaging in mutually-beneficial efforts with recording sessions and scheduling of tours.
In late 1926 Whiteman signed three candidates for his orchestra: Bing Crosby, Al Rinker, and Harry Barris. Whiteman billed the singing trio as The Rhythm Boys. Crosby's prominence in the Rhythm Boys helped launch his career as one of the most successful singers of the 20th century. Paul Robeson (1928) and Billie Holiday (1942) also recorded with the Paul Whiteman Orchestra.
Whiteman had 28 number one records during the 1920s and 32 during his career. At the height of his popularity, eight out of the top ten sheet music sales slots were by the Paul Whiteman Orchestra.
Paul Whiteman and his Orchestra, Bob Lawrence vocal - Smoke Gets In Your Eyes (1933)
wn.com/Paul Whiteman Orchestra Smoke Gets In Your Eyes (1933)
Paul Samuel Whiteman (March 28, 1890 -- December 29, 1967) was an American bandleader and orchestral director.
Leader of the most popular dance bands in the United States during the 1920s, Whiteman's recordings were immensely successful, and press notices often referred to him as the "King of Jazz." Using a large ensemble and exploring many styles of music, Whiteman is perhaps best known for his blending of symphonic music and jazz, as typified by his 1924 commissioning and debut of George Gershwin's jazz-influenced "Rhapsody In Blue". Whiteman recorded many jazz and pop standards during his career, including "Wang Wang Blues", "Mississippi Mud", "Rhapsody in Blue", "Wonderful One", "Hot Lips", "Mississippi Suite", and "Grand Canyon Suite". His popularity faded in the swing music era of the 1930s, and by the 1940s Whiteman was semi-retired from music.
Whiteman was born in Denver, Colorado. After a start as a classical violinist and violist, he led a jazz-influenced dance band, which became popular locally in San Francisco, California in 1918. In 1920 he moved with his band to New York City where they started making recordings for Victor Records which made the Paul Whiteman Orchestra famous nationally.
Whiteman became the most popular band director of the decade. In a time when most dance bands consisted of six to 10 men, Whiteman directed a much larger and more imposing group of up to 35 musicians.
In the 1920s the media referred to Whiteman as "The King of Jazz". Whiteman emphasized the way he had approached the already well-established style of music, while also organizing its composition and style in his own fashion. While most jazz musicians and fans consider improvisation to be essential to the musical style, Whiteman thought the genre could be improved by orchestrating the best of it, with formal written arrangements. Whiteman's recordings were popular critically and successful commercially, and his style of jazz music was often the first jazz of any form that many Americans heard during the era.
For more than 30 years Whiteman, referred to as "Pops", sought and encouraged musicians, vocalists, composers, arrangers, and entertainers who looked promising.
Whiteman hired many of the best jazz musicians for his band, including Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, Eddie Lang, Steve Brown, Mike Pingitore, Gussie Mueller, Wilbur Hall, Jack Teagarden, and Bunny Berigan. He also encouraged upcoming African American musical talents, and initially planned on hiring black musicians, but Whiteman's management eventually persuaded him that doing would be career suicide due to racial tension and America's segregation of that time. However, Whiteman crossed racial lines behind-the-scenes, hiring black arrangers like Fletcher Henderson and engaging in mutually-beneficial efforts with recording sessions and scheduling of tours.
In late 1926 Whiteman signed three candidates for his orchestra: Bing Crosby, Al Rinker, and Harry Barris. Whiteman billed the singing trio as The Rhythm Boys. Crosby's prominence in the Rhythm Boys helped launch his career as one of the most successful singers of the 20th century. Paul Robeson (1928) and Billie Holiday (1942) also recorded with the Paul Whiteman Orchestra.
Whiteman had 28 number one records during the 1920s and 32 during his career. At the height of his popularity, eight out of the top ten sheet music sales slots were by the Paul Whiteman Orchestra.
Paul Whiteman and his Orchestra, Bob Lawrence vocal - Smoke Gets In Your Eyes (1933)
- published: 18 May 2015
- views: 1180
Jack Teagarden ans his Orchestra - Blue River (1933)
- Order: Reorder
- Duration: 2:55
- Updated: 12 Mar 2015
- views: 974
Weldon Leo 'Jack' Teagarden (Aug.20,1905 – Jan.15,1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vo...
Weldon Leo 'Jack' Teagarden (Aug.20,1905 – Jan.15,1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vocalist, regarded as the "Father of Jazz Trombone"
Born in Vernon, Texas, his brothers Charlie and Clois "Cub" and his sister Norma also became noted professional musicians. Teagarden's father was an amateur brass band trumpeter and started young Jack on baritone horn; by age seven he had switched to trombone. His first public performances were in movie theaters, where he accompanied his mother, a pianist.
Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. He is usually considered the most innovative jazz trombone stylist of the pre-bebop era – Pee Wee Russell once called him "the best trombone player in the world" and did much to expand the role of the instrument beyond the old tailgate style role of the early New Orleans brass bands. Chief among his contributions to the language of jazz trombonists was his ability to interject the blues or merely a "blue feeling" into virtually any piece of music.
By 1920 Teagarden was playing professionally in San Antonio, including with the band of pianist Peck Kelley. In the mid-1920s he started traveling widely around the United States in a quick succession of different bands. In 1927, he went to New York City where he worked with several bands. By 1928 he played for the Ben Pollack band.
Within a year of the commencement of his recording career, he became a regular vocalist, first doing blues material ("Beale Street Blues", for example), and later doing popular songs. He is often mentioned as one of the best jazz vocalists of the era; his singing style is quite like his trombone playing, in terms of improvisation (in the same way that Louis Armstrong sang quite like he played trumpet). His singing is best remembered for duets with Louis Armstrong and Johnny Mercer.
In the late 1920s he recorded with such notable bandleaders and sidemen as Louis Armstrong, Benny Goodman, Bix Beiderbecke, Red Nichols, Jimmy McPartland, Mezz Mezzrow, Glenn Miller, and Eddie Condon. Glenn Miller and Teagarden collaborated to provide lyrics and a verse to Spencer Williams' Basin Street Blues, which in that amended form became one of the numbers that Teagarden played until the end of his days.
In the early 1930s Teagarden was based in Chicago, for some time playing with the band of Wingy Manone. He played at the Century of Progress exposition in Chicago. Teagarden sought financial security during the Great Depression and signed an exclusive contract to play for the Paul Whiteman Orchestra from 1933 through 1938. The contract with Whiteman's band provided him with financial security but prevented him from playing an active part in the musical advances of the mid-thirties swing era (although he and Frank Trumbauer recorded a number of small group swing classics throughout his tenture with Whiteman on Brunswick).
Teagarden then started leading his own big band. Glenn Miller wrote the song "I Swung the Election" for him and his band in 1939. In spite of Teagarden's best efforts, the band was not a commercial success, and he was brought to the brink of bankruptcy.
In 1946 Teagarden joined Louis Armstrong's All Stars. Armstrong and Teagarden's work together shows a wonderful rapport, in particular their duet on "Rockin' Chair". In late 1951 Teagarden left to again lead his own band, then co-led a band with Earl Hines, then again with a group under his own name with whom he toured Japan in 1958 and 1959.
Teagarden appeared in the movies Birth of the Blues (1941), The Strip (1951), The Glass Wall (1953), and Jazz on a Summer's Day (1960), the latter a documentary film of the 1958 Newport Jazz Festival. He was an admired recording artist, featured on RCA Victor, Columbia, Decca, Capitol, and MGM Records discs. As a jazz artist he won the 1944 Esquire magazine Gold Award, was highly rated in the Metronome polls of 1937-42 and 1945, and was selected for the Playboy magazine All Star Band, 1957-60.
Teagarden was the featured performer at the Newport Jazz Festival of 1957. Saturday Review wrote in 1964 that he "walked with artistic dignity all his life," and the same year Newsweek praised his "mature approach to trombone jazz."
"Jack Teagarden died, alone, of a heart attack complicated by bronchial pneumonia in his room at the Prince Conti Hotel in the French Quarter of New Orleans on January 15, 1964. He was only 58.
Jack Teagarden and his Orchestra, Jack Teagarden vocal - Blue River (1933)
wn.com/Jack Teagarden Ans His Orchestra Blue River (1933)
Weldon Leo 'Jack' Teagarden (Aug.20,1905 – Jan.15,1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vocalist, regarded as the "Father of Jazz Trombone"
Born in Vernon, Texas, his brothers Charlie and Clois "Cub" and his sister Norma also became noted professional musicians. Teagarden's father was an amateur brass band trumpeter and started young Jack on baritone horn; by age seven he had switched to trombone. His first public performances were in movie theaters, where he accompanied his mother, a pianist.
Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. He is usually considered the most innovative jazz trombone stylist of the pre-bebop era – Pee Wee Russell once called him "the best trombone player in the world" and did much to expand the role of the instrument beyond the old tailgate style role of the early New Orleans brass bands. Chief among his contributions to the language of jazz trombonists was his ability to interject the blues or merely a "blue feeling" into virtually any piece of music.
By 1920 Teagarden was playing professionally in San Antonio, including with the band of pianist Peck Kelley. In the mid-1920s he started traveling widely around the United States in a quick succession of different bands. In 1927, he went to New York City where he worked with several bands. By 1928 he played for the Ben Pollack band.
Within a year of the commencement of his recording career, he became a regular vocalist, first doing blues material ("Beale Street Blues", for example), and later doing popular songs. He is often mentioned as one of the best jazz vocalists of the era; his singing style is quite like his trombone playing, in terms of improvisation (in the same way that Louis Armstrong sang quite like he played trumpet). His singing is best remembered for duets with Louis Armstrong and Johnny Mercer.
In the late 1920s he recorded with such notable bandleaders and sidemen as Louis Armstrong, Benny Goodman, Bix Beiderbecke, Red Nichols, Jimmy McPartland, Mezz Mezzrow, Glenn Miller, and Eddie Condon. Glenn Miller and Teagarden collaborated to provide lyrics and a verse to Spencer Williams' Basin Street Blues, which in that amended form became one of the numbers that Teagarden played until the end of his days.
In the early 1930s Teagarden was based in Chicago, for some time playing with the band of Wingy Manone. He played at the Century of Progress exposition in Chicago. Teagarden sought financial security during the Great Depression and signed an exclusive contract to play for the Paul Whiteman Orchestra from 1933 through 1938. The contract with Whiteman's band provided him with financial security but prevented him from playing an active part in the musical advances of the mid-thirties swing era (although he and Frank Trumbauer recorded a number of small group swing classics throughout his tenture with Whiteman on Brunswick).
Teagarden then started leading his own big band. Glenn Miller wrote the song "I Swung the Election" for him and his band in 1939. In spite of Teagarden's best efforts, the band was not a commercial success, and he was brought to the brink of bankruptcy.
In 1946 Teagarden joined Louis Armstrong's All Stars. Armstrong and Teagarden's work together shows a wonderful rapport, in particular their duet on "Rockin' Chair". In late 1951 Teagarden left to again lead his own band, then co-led a band with Earl Hines, then again with a group under his own name with whom he toured Japan in 1958 and 1959.
Teagarden appeared in the movies Birth of the Blues (1941), The Strip (1951), The Glass Wall (1953), and Jazz on a Summer's Day (1960), the latter a documentary film of the 1958 Newport Jazz Festival. He was an admired recording artist, featured on RCA Victor, Columbia, Decca, Capitol, and MGM Records discs. As a jazz artist he won the 1944 Esquire magazine Gold Award, was highly rated in the Metronome polls of 1937-42 and 1945, and was selected for the Playboy magazine All Star Band, 1957-60.
Teagarden was the featured performer at the Newport Jazz Festival of 1957. Saturday Review wrote in 1964 that he "walked with artistic dignity all his life," and the same year Newsweek praised his "mature approach to trombone jazz."
"Jack Teagarden died, alone, of a heart attack complicated by bronchial pneumonia in his room at the Prince Conti Hotel in the French Quarter of New Orleans on January 15, 1964. He was only 58.
Jack Teagarden and his Orchestra, Jack Teagarden vocal - Blue River (1933)
- published: 12 Mar 2015
- views: 974
Jazz Trio - "Stormy Weather" by Harold Arlen and Ted Koehler (1933)
- Order: Reorder
- Duration: 5:29
- Updated: 15 Jun 2014
- views: 3216
Jazz Trio - "Stormy Weather" by Harold Arlen and Ted Koehler (1933)
An instrumental arrangement based on a recorded or transcribed midi sequence by Doug McKenz...
Jazz Trio - "Stormy Weather" by Harold Arlen and Ted Koehler (1933)
An instrumental arrangement based on a recorded or transcribed midi sequence by Doug McKenzie. http://www.bushgrafts.com/jazz/DVDbuy.htm
Notes: I'm pretty sure this is a Doug McKenzie sequence, though no meta data was available. His style is unmistakeable.
Notes: This is version II. Better instruments and some articulations thrown in.
Notes: "Stormy Weather" is a 1933 song written by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 and recorded it that year, and in the same year it was sung in London by Elisabeth Welch and recorded by Frances Langford. It has since been performed by artists as diverse as Frank Sinatra, Clodagh Rodgers, and Reigning Sound and most famously by Lena Horne and Billie Holiday. Leo Reisman's orchestra version had the biggest hit on records (with Arlen himself as vocalist), although Ethel Waters's recorded version also sold well.[citation needed] "Stormy Weather" was featured in the 1943 movie of the same name.
The song tells of disappointment, as the lyrics, "Don't know why there's no sun up in the sky", show someone pining for her man to return. The weather is a metaphor for the feelings of the singer: "stormy weather since my man and I ain't together, keeps raining all the time."
Source......WIKIPEDIA
Tech Notes: Please listen in HD 720P or 1080P mode for the best audio experience.
---------TRACK / ARRANGEMENT INFORMATION----------
TRACKS:
1. Grand Piano - Grand Piano Equal Production, AER for MXSRack
2. Fretless - IR Alchemy Upright Bass, AER for MXSRack
3. Drums - Kit ClubSizzleLite-Brush 2, AER for MXSRack
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
All tracks using FluxSTTools for Pan and Width, BX-Meter for level
Sends/Returns:
1. CRV: Real Places - Club Small 10% - 50%
2.
3.
Master Track: UT EQ8 CR LM CRV FluxSTT BX-Meter
Starting BPM: 100 +20/- 40
Copyrights, Attributions, and other stuff:
Photo or Image source: http://www.wallchan.com/images/wallpapers/1261-stormy-night-on-fishing-pier-wallpaper-wallchan-1680x1050.jpg
Midi composition source: Unknown
Sequencer or Performer: Doug McKenzie
----------------SUPPORT INFORMATION-------------------------
HARDWARE/SOFTWARE:
Sennheiser HD280 Pro
Audio Technica - ATH-M50S
Audio App: Ableton Live 9 Suite V9.0
VST: Alchemy Player, Zebralettte, Autogun, Podolski, Synth 1, LFX-1310, Triple Cheese, Flux STTools, Stereo Tools 7.1
MaxforLive V6.1
Yamaha Motif XS Rack Sound Module
Melodyne Essential
MIDI Control Surface: Maudio Axiom 49 Gen 2
Drum Pad: Alesis Control Pad
Audio Interface: Focusrite Saffire 6 USB
Sweet Midi Player V2.5.5
NCH Wavepad Sound Editor V5.33
Notation Player V2.6.3
MixMeister BPM Analyser
GNMIDI Midi Utility V 2.56
JASC Paint Shop Pro 9
NCH VideoPad Video Editor 3.02
Ignite by AIR V1.1
Vocaloid 3
Plugin Alliance: Bx Meter
CODE -----DESCRIPTION
AE -----AUDIO EFFECT
AF-----AUTOFILTER
AMP----AMPLIFIER
AP-----AUTOPAN
CB-----CABINET
CH-----CHORUS EFFECT
CR-----COMPRESSOR
ER-----EROSION
EQ X---EQUALIZATION X
FD-----FILTER DELAY
FG-----FLANGER
FS-----FREQ SHIFTER
GT-----GATE
GD-----GRAIN DELAY
LM-----LIMITER
MD-----MULTIBAND DYNAMICS
OD-----OVERDRIVE
PH-----PHASER
PP-----PING PONG
RN-----RESONATORS
RV-----REVERB
RX-----REDUX
SA-----SPECTRUM ANALYSER
SD-----SIMPLE DELAY
ST-----SATURATOR
UT-----UTILITY
VD-----VINYL DISTORTAION
VO-----VOCODER
ME ----MIDI AFFECT
AR-----ARPEGGIATOR
NL-----NOTE LENGTH
PT-----PITCH
RD-----RANDOM
SC-----SCALE
VE-----VELOCITY
AL9----AUDIO EFFECTS
GC-----GLUE COMPRESSOR
M4L---AUDIO AFFECTS
CRV---CONVOLUTION REVERB (Based on real world locations)
M4L-LFO----Max for Live: LOW FREQUENCY OSCILLATOR
M4L-DL------Max for Live: DELAY LINE L/R
M4L-EF------Max for Live: Envelope Follower
M4L-XLFO---Max for Live: LFO on Steroids
AT-----AUTOMATION
CN-----CENTER
DL XX--DELAY IN MS
DR-----DRUM RACK
DT XX--DETUNE XX IN CNTS
LXX-----LEFT 00- 50
RXX-----RIGHT 00- 50
ER-----EFFECTS RACK
IR-----INSTRUMENT RACK
PB-----PITCH BEND
VST----INSTRUMENT PLUGIN
XF-----CROSS FADER
BXM---BX Meter
AER Basic -- Audio Effects Rack with AF AP RV UT
All tracks using FluxSTTools
------------------------OTHER COMMENTS----------------------------
Tempo and Master volume automation.
Utility, EQ, Compressor and Limiter in master track.
Audio file is uncompressed wav file, sample rate 44100, Bit Depth 24.
Best if you listen to the audio with quality monitor headphones.
Your comments on technique, sound quality, or content are always welcome.
wn.com/Jazz Trio Stormy Weather By Harold Arlen And Ted Koehler (1933)
Jazz Trio - "Stormy Weather" by Harold Arlen and Ted Koehler (1933)
An instrumental arrangement based on a recorded or transcribed midi sequence by Doug McKenzie. http://www.bushgrafts.com/jazz/DVDbuy.htm
Notes: I'm pretty sure this is a Doug McKenzie sequence, though no meta data was available. His style is unmistakeable.
Notes: This is version II. Better instruments and some articulations thrown in.
Notes: "Stormy Weather" is a 1933 song written by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 and recorded it that year, and in the same year it was sung in London by Elisabeth Welch and recorded by Frances Langford. It has since been performed by artists as diverse as Frank Sinatra, Clodagh Rodgers, and Reigning Sound and most famously by Lena Horne and Billie Holiday. Leo Reisman's orchestra version had the biggest hit on records (with Arlen himself as vocalist), although Ethel Waters's recorded version also sold well.[citation needed] "Stormy Weather" was featured in the 1943 movie of the same name.
The song tells of disappointment, as the lyrics, "Don't know why there's no sun up in the sky", show someone pining for her man to return. The weather is a metaphor for the feelings of the singer: "stormy weather since my man and I ain't together, keeps raining all the time."
Source......WIKIPEDIA
Tech Notes: Please listen in HD 720P or 1080P mode for the best audio experience.
---------TRACK / ARRANGEMENT INFORMATION----------
TRACKS:
1. Grand Piano - Grand Piano Equal Production, AER for MXSRack
2. Fretless - IR Alchemy Upright Bass, AER for MXSRack
3. Drums - Kit ClubSizzleLite-Brush 2, AER for MXSRack
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
All tracks using FluxSTTools for Pan and Width, BX-Meter for level
Sends/Returns:
1. CRV: Real Places - Club Small 10% - 50%
2.
3.
Master Track: UT EQ8 CR LM CRV FluxSTT BX-Meter
Starting BPM: 100 +20/- 40
Copyrights, Attributions, and other stuff:
Photo or Image source: http://www.wallchan.com/images/wallpapers/1261-stormy-night-on-fishing-pier-wallpaper-wallchan-1680x1050.jpg
Midi composition source: Unknown
Sequencer or Performer: Doug McKenzie
----------------SUPPORT INFORMATION-------------------------
HARDWARE/SOFTWARE:
Sennheiser HD280 Pro
Audio Technica - ATH-M50S
Audio App: Ableton Live 9 Suite V9.0
VST: Alchemy Player, Zebralettte, Autogun, Podolski, Synth 1, LFX-1310, Triple Cheese, Flux STTools, Stereo Tools 7.1
MaxforLive V6.1
Yamaha Motif XS Rack Sound Module
Melodyne Essential
MIDI Control Surface: Maudio Axiom 49 Gen 2
Drum Pad: Alesis Control Pad
Audio Interface: Focusrite Saffire 6 USB
Sweet Midi Player V2.5.5
NCH Wavepad Sound Editor V5.33
Notation Player V2.6.3
MixMeister BPM Analyser
GNMIDI Midi Utility V 2.56
JASC Paint Shop Pro 9
NCH VideoPad Video Editor 3.02
Ignite by AIR V1.1
Vocaloid 3
Plugin Alliance: Bx Meter
CODE -----DESCRIPTION
AE -----AUDIO EFFECT
AF-----AUTOFILTER
AMP----AMPLIFIER
AP-----AUTOPAN
CB-----CABINET
CH-----CHORUS EFFECT
CR-----COMPRESSOR
ER-----EROSION
EQ X---EQUALIZATION X
FD-----FILTER DELAY
FG-----FLANGER
FS-----FREQ SHIFTER
GT-----GATE
GD-----GRAIN DELAY
LM-----LIMITER
MD-----MULTIBAND DYNAMICS
OD-----OVERDRIVE
PH-----PHASER
PP-----PING PONG
RN-----RESONATORS
RV-----REVERB
RX-----REDUX
SA-----SPECTRUM ANALYSER
SD-----SIMPLE DELAY
ST-----SATURATOR
UT-----UTILITY
VD-----VINYL DISTORTAION
VO-----VOCODER
ME ----MIDI AFFECT
AR-----ARPEGGIATOR
NL-----NOTE LENGTH
PT-----PITCH
RD-----RANDOM
SC-----SCALE
VE-----VELOCITY
AL9----AUDIO EFFECTS
GC-----GLUE COMPRESSOR
M4L---AUDIO AFFECTS
CRV---CONVOLUTION REVERB (Based on real world locations)
M4L-LFO----Max for Live: LOW FREQUENCY OSCILLATOR
M4L-DL------Max for Live: DELAY LINE L/R
M4L-EF------Max for Live: Envelope Follower
M4L-XLFO---Max for Live: LFO on Steroids
AT-----AUTOMATION
CN-----CENTER
DL XX--DELAY IN MS
DR-----DRUM RACK
DT XX--DETUNE XX IN CNTS
LXX-----LEFT 00- 50
RXX-----RIGHT 00- 50
ER-----EFFECTS RACK
IR-----INSTRUMENT RACK
PB-----PITCH BEND
VST----INSTRUMENT PLUGIN
XF-----CROSS FADER
BXM---BX Meter
AER Basic -- Audio Effects Rack with AF AP RV UT
All tracks using FluxSTTools
------------------------OTHER COMMENTS----------------------------
Tempo and Master volume automation.
Utility, EQ, Compressor and Limiter in master track.
Audio file is uncompressed wav file, sample rate 44100, Bit Depth 24.
Best if you listen to the audio with quality monitor headphones.
Your comments on technique, sound quality, or content are always welcome.
- published: 15 Jun 2014
- views: 3216
close fullscreen
- Playlist
- Chat
close fullscreen
- Playlist
- Chat
2:42
Dinah - Louis Armstrong 1933
Dinah Armstrong 1933
This is part of a few tunes that were filmed in 1933 in Denmark wit...
published: 18 Jan 2011
Dinah - Louis Armstrong 1933
Dinah - Louis Armstrong 1933
- Report rights infringement
- published: 18 Jan 2011
- views: 80873
3:03
I NEVER KNEW by The Chocolate Dandies (Benny Carter) 1933 JAZZ
I NEVER KNEW by The Chocolate Dandies, recorded in New York on October 10, 1933. This was...
published: 28 Jan 2012
I NEVER KNEW by The Chocolate Dandies (Benny Carter) 1933 JAZZ
I NEVER KNEW by The Chocolate Dandies (Benny Carter) 1933 JAZZ
- Report rights infringement
- published: 28 Jan 2012
- views: 4215
3:10
Lew Stone and his Orchestra.....White Jazz....1933
A great version of the record made famous by the Casa Loma Orchestra.Lew Stone's Band,by n...
published: 31 Dec 2009
Lew Stone and his Orchestra.....White Jazz....1933
Lew Stone and his Orchestra.....White Jazz....1933
- Report rights infringement
- published: 31 Dec 2009
- views: 5815
2:57
Lew Stone and his Band "Blue Jazz" 1933
The little brother of "White Jazz". Good arrangement, but lacks a little bit of drive at t...
published: 05 Nov 2013
Lew Stone and his Band "Blue Jazz" 1933
Lew Stone and his Band "Blue Jazz" 1933
- Report rights infringement
- published: 05 Nov 2013
- views: 771
2:46
Billie Holiday - Your Mother's Son In Law (1933)
Billie Holiday (April 7, 1915 - July 17, 1959) was an american jazz singer and songwriter....
published: 14 May 2014
Billie Holiday - Your Mother's Son In Law (1933)
Billie Holiday - Your Mother's Son In Law (1933)
- Report rights infringement
- published: 14 May 2014
- views: 7606
2:45
LOUIS ARMSTRONG, "SWING YOU CATS" (1933): THE "JAZZ LIVES" DANCE PARTY, Number One
Recorded for Victor in 1933, not released until 1939. For more information about this won...
published: 10 Jul 2013
LOUIS ARMSTRONG, "SWING YOU CATS" (1933): THE "JAZZ LIVES" DANCE PARTY, Number One
LOUIS ARMSTRONG, "SWING YOU CATS" (1933): THE "JAZZ LIVES" DANCE PARTY, Number One
- Report rights infringement
- published: 10 Jul 2013
- views: 761
2:21
Black Jazz by Gene Gifford (1933, Novelty piano solo)
http://ragtimeguitare.com/2.html : Complete Ragtime & Blues repertoire
"Black Jazz - 1933"...
published: 26 May 2013
Black Jazz by Gene Gifford (1933, Novelty piano solo)
Black Jazz by Gene Gifford (1933, Novelty piano solo)
- Report rights infringement
- published: 26 May 2013
- views: 2701
3:04
Mills Blue Rhythm Band - Jazz Martini - 1933 - HOT!!!
A red hot recording from the Mills Blue Rhythm Band
Jazz Martini, 1933
Enjoy!
published: 29 Dec 2012
Mills Blue Rhythm Band - Jazz Martini - 1933 - HOT!!!
Mills Blue Rhythm Band - Jazz Martini - 1933 - HOT!!!
- Report rights infringement
- published: 29 Dec 2012
- views: 1681
3:07
THE JAZZ ME BLUES by Joe Venuti and his Blue Six 1933
The Jazz Me Blues by Joe Venuti's Blue Six, featuring some of the more adventurous from Pa...
published: 07 Jun 2011
THE JAZZ ME BLUES by Joe Venuti and his Blue Six 1933
THE JAZZ ME BLUES by Joe Venuti and his Blue Six 1933
- Report rights infringement
- published: 07 Jun 2011
- views: 664
3:28
Deep Purple Peter de Rose Clarinet Jazz (1933)
Accompagnement Band in a box, j'improvise sur 32 mesures après le solo de guitare, et sur ...
published: 18 Mar 2013
Deep Purple Peter de Rose Clarinet Jazz (1933)
Deep Purple Peter de Rose Clarinet Jazz (1933)
- Report rights infringement
- published: 18 Mar 2013
- views: 3472
close fullscreen
- Playlist
- Chat
1:55
Jazz & Jazz Dance 1933 (Duke Ellington)
From the short: A BUNDLE OF BLUES 1933
Duke Ellington provides the music and Cotton Club ...
published: 25 Jul 2016
Jazz & Jazz Dance 1933 (Duke Ellington)
Jazz & Jazz Dance 1933 (Duke Ellington)
- Report rights infringement
- published: 25 Jul 2016
- views: 28
3:00
Jack Teagarden and his Orchestra - Love Me (1933)
Weldon Leo 'Jack' Teagarden (Aug.20,1905 - Jan.15,1964), known as "Big T" and "The Swingin...
published: 07 Apr 2016
Jack Teagarden and his Orchestra - Love Me (1933)
Jack Teagarden and his Orchestra - Love Me (1933)
- Report rights infringement
- published: 07 Apr 2016
- views: 281
2:42
Louis Armstrong, in "Dinah", Film, 1933.
Jazz at its best.
published: 03 Feb 2016
Louis Armstrong, in "Dinah", Film, 1933.
Louis Armstrong, in "Dinah", Film, 1933.
- Report rights infringement
- published: 03 Feb 2016
- views: 25
3:20
Jack Teagarden and his Orchestra - Texas Tea Party (1933)
Weldon Leo 'Jack' Teagarden (Aug.20,1905 - Jan.15,1964), known as "Big T" and "The Swingin...
published: 18 Jan 2016
Jack Teagarden and his Orchestra - Texas Tea Party (1933)
Jack Teagarden and his Orchestra - Texas Tea Party (1933)
- Report rights infringement
- published: 18 Jan 2016
- views: 320
2:27
"Mad" Asta Kordt akkompagneret af Kjeld Nørregard og vokal trio 1933
"Bøf med løg" fra Jazz Oratoriet "24 timer"
Komponeret af Bernhard Christensen og Sven ...
published: 23 Aug 2015
"Mad" Asta Kordt akkompagneret af Kjeld Nørregard og vokal trio 1933
"Mad" Asta Kordt akkompagneret af Kjeld Nørregard og vokal trio 1933
- Report rights infringement
- published: 23 Aug 2015
- views: 338
3:03
Ted Lewis and his Band - Buy American ! (1933)
Theodore Leopold Friedman, better known as Ted Lewis (June 6,1892 - Aug.25,1971), was an A...
published: 21 Aug 2015
Ted Lewis and his Band - Buy American ! (1933)
Ted Lewis and his Band - Buy American ! (1933)
- Report rights infringement
- published: 21 Aug 2015
- views: 269
4:40
Oswando Jazz Quartet - Le grand Navire (Gare maritime Cherbourg 1933)
A Cherbourg, dès neuf heures des curieux s'étaient hasardés sur le quai des transatlantiqu...
published: 18 Aug 2015
Oswando Jazz Quartet - Le grand Navire (Gare maritime Cherbourg 1933)
Oswando Jazz Quartet - Le grand Navire (Gare maritime Cherbourg 1933)
- Report rights infringement
- published: 18 Aug 2015
- views: 60
3:26
Paul Whiteman Orchestra - Smoke Gets In Your Eyes (1933)
Paul Samuel Whiteman (March 28, 1890 -- December 29, 1967) was an American bandleader and ...
published: 18 May 2015
Paul Whiteman Orchestra - Smoke Gets In Your Eyes (1933)
Paul Whiteman Orchestra - Smoke Gets In Your Eyes (1933)
- Report rights infringement
- published: 18 May 2015
- views: 1180
2:55
Jack Teagarden ans his Orchestra - Blue River (1933)
Weldon Leo 'Jack' Teagarden (Aug.20,1905 – Jan.15,1964), known as "Big T" and "The Swingin...
published: 12 Mar 2015
Jack Teagarden ans his Orchestra - Blue River (1933)
Jack Teagarden ans his Orchestra - Blue River (1933)
- Report rights infringement
- published: 12 Mar 2015
- views: 974
5:29
Jazz Trio - "Stormy Weather" by Harold Arlen and Ted Koehler (1933)
Jazz Trio - "Stormy Weather" by Harold Arlen and Ted Koehler (1933)
An instrumental arran...
published: 15 Jun 2014
Jazz Trio - "Stormy Weather" by Harold Arlen and Ted Koehler (1933)
Jazz Trio - "Stormy Weather" by Harold Arlen and Ted Koehler (1933)
- Report rights infringement
- published: 15 Jun 2014
- views: 3216
Jazz & Jazz Dance 1933 (Duke Ellington)...
Jack Teagarden and his Orchestra - Love Me (1933)...
Louis Armstrong, in "Dinah", Film, 1933....
Jack Teagarden and his Orchestra - Texas Tea Party...
"Mad" Asta Kordt akkompagneret af Kjeld Nørregard ...
Ted Lewis and his Band - Buy American ! (1933)...
Oswando Jazz Quartet - Le grand Navire (Gare mari...
Paul Whiteman Orchestra - Smoke Gets In Your Eyes ...
Jack Teagarden ans his Orchestra - Blue River (193...
Jazz Trio - "Stormy Weather" by Harold Arlen and T...
photo: WN / Periasamy
Hot air balloon carrying at least 16 people crashes in Texas
Edit San Francisco Chronicle 30 Jul 2016
LOCKHART, Texas (AP) — Federal officials say a hot air balloon carrying at least 16 people caught on fire and crashed in Central Texas, and it is unclear whether there are injuries or deaths. Lynn Lunsford with the Federal Aviation Administration said in a statement that the accident happened about 8.40 a.m. Saturday near Lockhart, Texas, when the hot air balloon crashed into a pasture ... Lockhart is about 30 miles south of Austin ... ....
photo: Creative Commons / Gage Skidmore
Convention over, Clinton faces hacking, Trump criticism
Edit The Virginian-Pilot 30 Jul 2016
HARRISBURG, Pa. (AP) — A giddy if exhausted Hillary Clinton embarked on a post-convention Rust Belt bus tour just hours after becoming the first female presidential nominee of a major political party ... ....
photo: Public Domain / Avibliz
Stephen Hawking Issues Warning For What Brexit Could Mean For The Human Species
Edit WorldNews.com 29 Jul 2016
Stephen Hawking has penned a thoughtful appeal for post-Brexit Britain to reconsider the role that wealth plays in society, warning that isolationism and envy could even lead to the end of the human species, Mashable reports. In a Guardian essay, the world-renowned physicist made the case for a more comprehensive and generous definition of wealth "to include knowledge, natural resources and human capacity."...
photo: WN / jamal
Fighting between Turkish forces, Kurdish rebels kills 43
Edit The Roanoke Times 30 Jul 2016
ISTANBUL (AP) — Authorities say fighting between Turkish forces and Kurdish rebels in the restive southeast of the country has killed eight Turkish soldiers and 35 Kurdish fighters ... Security forces have begun an operation in the area to apprehend those responsible....
photo: Creative Commons / Salkin0122
Air France strike grounds 20 pct of flights
Edit Daily Star Lebanon 30 Jul 2016
Air France Saturday cancelled around 20 percent of its flights on the fourth day of a strike by flight attendants during the peak summer travel season, the airline said ... ....
« back to news headlines
Mount Bromo jazz music festival to return in August
Edit The Jakarta Post 30 Jul 2016
Jazz Gunung Bromo is slated to ... The event is set to take place at Jiwa Jawa Resort Bromo, Wonotoro village in East Java, with jazz performances by renowned Indonesian and international musicians, with Mount Bromo in the background ... Their vision is to increase appreciation of ethnic jazz music, adding value to tourism in Mt....
Gregory Porter shows soulful range at Newport Jazz Fest
Edit The Providence Journal 30 Jul 2016
— Jazz singer Gregory Porter and pianist Chick Corea brought memorable jazz to the traditional Friday evening concert the Newport Jazz Festival holds at the International Tennis Hall of Fame.I had been under the impression that Corea was headlining the concert ... of grit, and although he’s decidedly a jazz singer, there are [...]> ......
Dana Ali and her Band live at Smokestack
Edit Skiddle 30 Jul 2016
Smokestack in Leeds ... Brown Sugar Sessions Live music every Wednesday Electric Blues, Funk, Soul, Reggae and Jazz Free Entry Doors 9.30pm Band 10pm ... #funk #soul #jazz #blues #reggae #jazz #leeds #lds #livemusic #live #cocktails #craftbeer #smokestackleeds....
Annual festivals converge in downtown Syracuse (photos)
Edit Syracuse 30 Jul 2016
"Northeast Jazz and Wine Festival. Sip on a selection of wines and dance along with two days of free live music at the Northeast Jazz & Wine Festival, now in its ninth year ... conservation into the largest festival of its kind in the Northeast....
Gordon Hayward tops The Tribune's annual list of Most Influential People in Utah Sports
Edit The Salt Lake Tribune 30 Jul 2016
He’s also the Most Influential Person in Utah Sports for 2016. Hayward is the first athlete to earn that designation in the 12 years of The Salt Lake Tribune’s rankings. What he has done to deserve it? His selection has as much to do with what’s ahead for him and the Jazz as any of his accomplishments to date, although he has made a big impact in six years in Utah. Hayward contributed significantly in the Jazz’s im... ....
Trumpets steal the show at Jazz Port Townsend’s opening night
Edit The Seattle Times 30 Jul 2016
The opening night of Jazz Port Townsend wasn’t without hiccups, but one thing is for sure. jazz appears to be in good hands with the next generation ... ....
Prism Announces the Grant of Options to Directors & Officers and the Appointment of Dr. ...
Edit Stockhouse 30 Jul 2016
The Options are exercisable for a period of three years ending July 29, 2019 and have been granted in accordance with the terms of the Company's stock option plan. . In addition, the Company is pleased to announce the appointment of Dr ... Securities Act of 1933, as amended, and may not be offered or sold in the United States absent registration or an applicable exemption from the registration requirements....
FRED WESLEY & THE NEW JBs tickets
Edit Skiddle 30 Jul 2016
Under The Bridge in ... Fred Wesley is an American jazz and funk trombonist, best known for his work with James Brown in the 1960s and 1970s, as well as Parliament-Funkadelic in the second half of the 1970s. In 2015, Wesley was inducted into the Alabama Jazz Hall of Fame....
- 1
- 2
- 3
- 4
- 5
- Next page »
