- published: 07 Mar 2016
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Venetian may refer to:
Venetian Snares is the main performing alias of Canadian electronic musician Aaron Funk (born January 11, 1975).
From Winnipeg, Manitoba, Canada, Funk is known for making electronic music often in odd numbered time signatures (mostly 7/4). Up until 2007, he was very prolific, releasing as many as eight recordings a year for such record labels as History of the Future, Isolate/DySLeXiC ResPonSe, Addict, Zod, Distort, Sublight, Low-Res, Planet Mu and Hymen.
Funk debuted on a record label in 1999 with the 12" vinyl EP, Greg Hates Car Culture. Prior to this, he self-released material on cassette tape as early as 1992.
Funk's first release was the EP Greg Hates Car Culture released on History of the Future, followed by Salt on Zhark International and Fuck Canada/Fuck America with Stunt Rock for CLFST. When Mike Paradinas heard Greg Hates Car Culture he immediately signed Funk for Planet Mu. The first Venetian Snares LP on Planet Mu, Making Orange Things (a co-production with Speedranch), was released in early 2001, followed in short order by five more releases, all before the end of 2002. Funk continued producing for a variety of labels, including Hymen Records, Peace Off Records, Addict Records, and Sublight Records. He has also produced albums under the names Last Step and Vsnares, produced singles under the names Last Step, Snares Man! and Snares, appeared on compilations under the names Ventriloquist Snakes, Last Step, Puff, and Senetian Vnares, and did a split with Fanny under the name BeeSnares.
Actors: William Shakespeare (writer), Peter Hall (miscellaneous crew), Arrigo Boito (writer), Jessica Koplos (producer), David Gockley (producer), Frank Zamacona (director), Eric Halfvarson (actor), Francis Crossman (editor), San Francisco Opera Chorus (actor), San Francisco Opera Chorus (actor), San Francisco Opera Chorus (actor), San Francisco Opera Chorus (actor), Beau Gibson (actor), Julien Robbins (actor), Marco Vratogna (actor),
Plot: In Verdi's masterful adaptation of Shakespeare's tragedy, a great warrior discovers the one weapon against which he has no defense-his own jealousy. South African tenor Johan Botha, "endowed with a bright, ringing sound and enough power to project effortlessly even over a full-strength orchestra" (San Francisco Chronicle), sings the title role. Bulgarian soprano Zvetelina Vassileva in her portrayal of Desdemona, the faithful wife who finds facts are no match for manufactured suspicion, "sings with flawless, rich Italianate sound, and graceful phrasing" (San Francisco Classical Voice). Italian baritone Marco Vratogna gives "an arrestingly dark and charismatic" portrait of the villain Iago, with singing that's "beautifully controlled and dramatically on point" (San Francisco Chronicle). Music Director Nicola Luisotti "seems to have been born to conduct Otello. Through the storms, waves of sound, orchestra and chorus joining in raging passages, he maintains flawless momentum and exemplary balance" (San Francisco Examiner). "Red-Hot Otello!" -San Francisco Examiner
Keywords: based-on-play, cyprus, interracial-relationship, italian-opera, jealousy, killing, live-performance, moor, opera, seaport