- published: 03 Sep 2012
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Riot grrrl is an underground feminist hardcore punk movement that originally started in the early 1990s, in Washington, and the greater Pacific Northwest, noticeably in Olympia, Washington. It is a subcultural movement that combines feminist consciousness and punk style and politics. It is often associated with third-wave feminism, which is sometimes seen as its starting point. It has also been described as a musical genre that came out of indie rock, with the punk scene serving as an inspiration for a musical movement in which women could express themselves in the same way men had been doing for the past several years.
Riot grrrl bands often address issues such as rape, domestic abuse, sexuality, racism, patriarchy, and female empowerment. Bands associated with the movement include Bikini Kill, Bratmobile, Heavens to Betsy, Excuse 17, Huggy Bear, Cake Like, Skinned Teen, Emily's Sassy Lime, Sleater-Kinney, and also queercore groups like Team Dresch. In addition to a music scene and genre, riot grrrl is a subculture involving a DIY ethic, zines, art, political action, and activism. The Riot grrrl movement quickly spread well beyond its musical roots to create vibrant “zine” and World Wide Web-based movement, complete with local meetings and grassroots organizing to end ageism, homophobia, racism, sexism and, especially, physical and emotional violence against women and girls. Riot grrrls are known to hold meetings, start chapters, and support and organize women in music.
Bikini Kill was an American punk rock band formed in Olympia, Washington in October 1990. The group consisted of singer and songwriter Kathleen Hanna, guitarist Billy Karren, bassist Kathi Wilcox, and drummer Tobi Vail. The band is widely considered to be the pioneer of the riot grrrl movement, and was notorious for its radical feminist lyrics and fiery performances. Their music is characteristically abrasive and hardcore-influenced. After two full-length albums, several EPs and two compilations, they disbanded in 1997.
While occasionally collaborating with high-profile acts such as Nirvana and Joan Jett, Bikini Kill was well known for shunning major labels and the mainstream rock press.
Bikini Kill formed in Olympia, Washington, in October 1990, by Kathleen Hanna (vocals), Billy Karren (guitar), Kathi Wilcox (bass), and Tobi Vail (drums). Hanna, Vail, and Wilcox met during college at the Evergreen College in Washington. They began working together on a fanzine called Bikini Kill and, with the addition of former Go Team guitarist Billy Karren, formed a band of the same name. The band wrote songs together and encouraged a female-centric environment at their shows, urging women to come to the front of the stage and handing out lyric sheets to them. Hanna would also dive into the crowd to personally remove male hecklers. Such male concertgoers would often verbally and physically assault Hanna during shows when the tickets were still inexpensive and easily procured. However, the band's reach included large male audiences as well as young women.
Riot Grrrl social movement documentary. Documental del movimiento social y cultural de las Riot Grrrl. Subtítulos en español disponibles gracias a Ladyfest Madrid 2013. Ver más acerca de esta comunidad en: http://ladyfestmadrid.wordpress.com https://www.facebook.com/LadyfestMadrid Visitanos en: FB: https://www.facebook.com/GRUNGE1990 TW: https://twitter.com/grunge1990 WEB: http://grunge1990.com.ar/
From IMBD: ""don't need you" is a documentary film that tells the story of the origins of Riot Grrrl in the American independent music scene of the 1990s, and how this feminist movement evolved into a revolutionary underground network of education and self-awareness through music, writing, activism, and women-friendly community. The film gives audiences a chance to meet key figures in the development of Riot Grrrl and see for themselves how these women have changed the history of music and feminism forever. The film features one-on-one interviews interspersed with rare, archival materials, including original Riot Grrrl fanzines, flyers, and photographs, as well as seldom seen footage from pioneering Riot Grrrl bands like Bikini Kill, Heavens to Betsy, and Bratmobile."
This is a viewer request! I talk about the pros and cons of the movement and also about the lasting impact it has to this very day. I could talk about this for ages and there's so much footage I had to cut out so if sometimes not clear, let me know and I'll try to clarify! ADDITIONAL READING/WATCHING aka my bibliography: -Don't Need You: The Herstory of Riot Grrrl (http://www.youtube.com/watch?v=a9G45K6FgaI) -The Riot Grrrl manifesto (http://onewarart.org/riot_grrrl_manifesto.htm) -Was Riot Grrrl transphobic? (http://transactivist.wordpress.com/2012/08/22/trans-grrrl-riot-part-1-was-riot-grrrl-transphobic/) -GirlVirus and Transphobia (http://marandaelizabeth.com/2011/12/18/girlvirus-transphobia-since-youve-been-asking/) -Why I Was Never a Riot Grrrl (http://bitchmagazine.org/post/why-i-w...
video i made for le tigre's riot grrrl song
Watch the full interview here: http://bit.ly/1yIZOY6 Sleater-Kinney's Corin Tucker and Carrie Brownstein describe the Riot Grrrl movement.
See more at http://ybca.org/alien-she Artists and zine publishers describe Riot Grrrl—and zines in particular—as their entry point to different forms of activism and expression in the 1990s. Alien She is the first exhibition to examine the lasting impact of Riot Grrrl, a pioneering punk feminist movement that emerged in the early 1990s in reaction to pervasive and violent sexism, racism, and homophobia in the punk music scene and in the culture at large. Emphasizing female and youth empowerment, collaborative organization, creative resistance, and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations. This exhibition focuses on...
The Riot Grrrl movement and connection between punk rock and feminism is looked at with footage from The Punk Singer, the Kathleen Hanna documentary. Director Sini Anderson talks about Bikini Kill, Bratmobile, and how feminism was a satirical take on pop and punk culture, along with fanzines in this interview clip from BYOD. Watch the full episode here: https://www.youtube.com/watch?v=iywUvDDlXYY&list;=PLjk3H0GXhhGdZbrANmO6kYPy8IQC0GiN_ BYOD Full Episodes Playlist: https://www.youtube.com/watch?v=iywUvDDlXYY&list;=PLjk3H0GXhhGdZbrANmO6kYPy8IQC0GiN_ BYOD Short Clips Playlist: https://www.youtube.com/watch?v=8G4u7GMhCeA&list;=PLjk3H0GXhhGfH8WTTVnr_8vzWUQ6CfSS_ http://www.youtube.com/theliptv https://www.facebook.com/BYODOC?directed_target_id=0 https://www.facebook.com/thelip.tv?ref=hl
With rare access to the NYC chapter of Riot Grrrl in the early 1990s, Abby Moser’s LOVE AND REVOLUTION glimpses how the women in Riot Grrrl organized a movement that revitalized a stagnant alternative rock scene, created safe spaces for women musicians and queer punks, and created a new wave of DIY feminist politics. For more information about this film, please visit http://www.wmm.com/filmcatalog/pages/c828.shtml GRRRL LOVE AND REVOLUTION: RIOT GRRRL NYC A film by Abby Moser Throughout 1992 and 1993, sensationalized accounts of the Riot Grrrl phenomenon appeared in publications all over the country, describing a new subculture that had emerged out of the underground punk scene. Despite the intense media interest in Riot Grrrl, little video documentation of this important facet of femini...
https://negativefunrecords.bandcamp.com/album/the-grey-estates-negative-fun-present-sugar-rush
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8 of our favourite childhood movies that are secretly (not-so-secretly) feminist! We had to cut out a lot of the good stuff here - plus two whole movies - so stay tuned for a blog post out tomorrow containing all of our thoughts! #grrrltalkvids Twitter: @grrrltalkvids Facebook: Grrrl Talk Tumblr: grrrltalkvids.tumblr.com Instagram: @grrrltalkvids
GIL Episode II presents: Soft Lions (SD), Ramonda Hammer (LA), Some Kind Of Lizard (TJ), No Girlfriends (LA), Le Ra (TJ/SD), Wasi (LA) GRRRL Independent Ladies is a hub for women to meet and express themselves creatively using the Tijuana/San Diego border wall as a social infrastructure with the activation of music. By supporting our frontera GRRRL music scene we can begin to blur out the border wall and begin to unite cultural barriers rather than separating them. These documentations are a way to celebrate gender equality and create community. NO BORDERS! SUPPORT YOUR LOCAL GIRL GANG!
Видео посвящено самым ярким и влиятельным riot grrrl или ,если хотите, женским панк рок группам из России. В видео были упомянуты такие группы как: Чертовы Куклы Восьмая Марта Девочки не Хотят (Девочки Хотят) Ураганы (Uragany) Наталья Путина и Ракеты Mokroshelky Kittypants Рванина Pohu! Mirrored Lips