Georges Prêtre

Georges Prêtre (French pronunciation: ​[ʒɔʁʒ pʁɛːtʁ]; born 14 August 1924) is a French orchestral and opera conductor.

Biography

He was born in Waziers (Nord), and attended the Douai Conservatory and then studied harmony under Maurice Duruflé and conducting under André Cluytens among others at the Conservatoire de Paris. Amongst his early musical interests were jazz and trumpet. After graduating, he conducted in a number of small French opera houses sometimes under the pseudonym Georges Dherain. His conducting debut was at the Opéra de Marseille in 1946. He also conducted at the opera houses in Lille and Toulouse. His Paris debut was at the Opéra-Comique in Richard Strauss's Capriccio. He was director of the Opéra-Comique 1955–1959. He conducted at the Lyric Opera of Chicago 1959–1971. He was conductor, 1959, and music director 1970–1971, at the Paris Opéra. He was principal conductor of the Vienna Symphony 1986–1991.

His Royal Opera House, Covent Garden, debut came in 1961, with first appearances at the Metropolitan Opera, New York City, and La Scala, Milan, later in the 1960s. He worked with Maria Callas on a number of occasions, and made recordings of Carmen and Tosca with her.

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Maria Callas

Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.

Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."

Vienna Symphony

The Vienna Symphony (German: Wiener Symphoniker) is an orchestra in Vienna, Austria.

History

In 1900, Ferdinand Löwe founded the orchestra as the Wiener Concertverein (Vienna Concert Society). In 1913 it moved into the Konzerthaus, Vienna. In 1919 it merged with the Tonkünstler Orchestra. In 1933 it acquired its current name. Despite a lull in concert attendance after the introduction of radio during the 1920s, the orchestra survived until the invasion of Austria in 1938 and became incorporated into the German Culture Orchestras. As such, they were used for purposes of propaganda until, depleted by assignments to work in munitions factories, the orchestra closed down on September 1, 1944.

Their first post-war concert occurred on September 16, 1945, performing Gustav Mahler's Symphony No. 3. Under the direction of Josef Krips, they quickly rebuilt a modern repertoire after ten years of isolation, and travelled to the Bregenz Festival for the first time in the summer of 1946.

La Fenice

Teatro La Fenice (pronounced [la feˈniːtʃe], "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre", and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers—Rossini, Bellini, Donizetti, and Verdi were performed.

Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004.

History

First theatre

In 1774, the San Benedetto Theatre, which had been Venice's leading opera house for more than forty years, burned to the ground. By 1789, with interest from a number of wealthy opera lovers who wanted a spectacular new house, "a carefully defined competition" was organised to find a suitable architect. It was won by Gianantonio Selva who proposed a neoclassical style building with 170 identical boxes in tiers in a traditional horseshoe shaped auditorium, which had been the favoured style since it was introduced as early as 1642 in Venice. The house would face on one side a campo, or small plaza, and on the other a canal, with an entrance which gave direct access backstage and into the theatre.