- published: 28 Oct 2013
- views: 16033
Trousers (pants in North America) are an item of clothing worn from the waist to the ankles, covering both legs separately (rather than with cloth extending across both legs as in robes, skirts, and dresses).
In the UK the word "pants" generally means underwear and not trousers.Shorts are similar to trousers, but with legs that come down only to around the area of the knee, higher or lower depending on the style of the garment. To distinguish them from shorts, trousers may be called "long trousers" in certain contexts such as school uniform, where tailored shorts may be called "short trousers", especially in the UK.
In most of the Western world, trousers have been worn since ancient times and throughout the Medieval period, becoming the most common form of lower-body clothing for adult males in the modern world, although shorts are also widely worn, and kilts and other garments may be worn in various regions and cultures. Breeches were worn instead of trousers in early modern Europe by some men in higher classes of society. Since the mid-20th century, trousers have increasingly been worn by women as well. Jeans, made of denim, are a form of trousers for casual wear, now widely worn all over the world by both sexes. Shorts are often preferred in hot weather or for some sports and also often by children and teenagers. Trousers are worn on the hips or waist and may be held up by their own fastenings, a belt or suspenders (braces). Leggings are form-fitting trousers, of a clingy material, often knitted cotton and spandex (elastane).
The Anglo-Saxons were a people who inhabited Great Britain from the 5th century. They comprised people from Germanic tribes who migrated to the island from continental Europe, their descendants, and indigenous British groups who adopted some aspects of Anglo-Saxon culture and language. The Anglo-Saxon period denotes the period of British history between about 450 and 1066, after their initial settlement, and up until the Norman conquest.
The Anglo-Saxon period includes the creation of an English nation, with many of the aspects that survive today including regional government of shires and hundreds; the re-establishment of Christianity; a flowering in literature and language; and the establishment of charters and law. The term Anglo-Saxon is also popularly used for the language, in scholarly use more usually called Old English, that was spoken and written by the Anglo-Saxons in England and eastern Scotland between at least the mid-5th century and the mid-12th century.
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of a large Anglo-Saxon nation-state whose sophisticated art was influential in much of northern Europe. The two periods of outstanding achievement were the 7th and 8th centuries, with the metalwork and jewellery from Sutton Hoo and a series of magnificent illuminated manuscripts, and the final period after about 950, when there was a revival of English culture after the end of the Viking invasions. By the time of the Conquest the move to the Romanesque style is nearly complete. The important artistic centres, in so far as these can be established, were concentrated in the extremities of England, in Northumbria, especially in the early period, and Wessex and Kent near the south coast.
Anglo-Saxon art survives mostly in illuminated manuscripts, Anglo-Saxon architecture, a number of very fine ivory carvings, and some works in metal and other materials. Opus Anglicanum ("English work") was already recognised as the finest embroidery in Europe, although only a few pieces from the Anglo-Saxon period remain – the Bayeux Tapestry is a rather different sort of embroidery, on a far larger scale. As in most of Europe at the time, metalwork was the most highly regarded form of art by the Anglo-Saxons, but hardly any survives – there was enormous plundering of Anglo-Saxon churches, monasteries and the possessions of the dispossessed nobility by the new Norman rulers in their first decades, as well as the Norsemen before them, and the English Reformation after them, and most survivals were once on the continent. Anglo-Saxon taste favoured brightness and colour, and an effort of the imagination is often needed to see the excavated and worn remains that survive as they once were.
The Norman conquest of England was the 11th century invasion and occupation of England by an army of Norman, Breton, and French soldiers led by Duke William II of Normandy, later styled as William the Conqueror.
William's claim to the English throne derived from his familial relationship with the childless Anglo-Saxon King Edward the Confessor, who may have encouraged William's hopes for the throne. Edward died in January 1066 and was succeeded by his brother-in-law Harold Godwinson. The Norwegian king Harald Hardrada invaded northern England in September 1066 and was victorious at the Battle of Fulford, but Harold defeated and killed him at the Battle of Stamford Bridge on 25 September 1066. Within days, William landed in southern England. Harold marched south to confront him, leaving a significant portion of his army in the north. Harold's army confronted William's invaders on 14 October at the Battle of Hastings; William's force defeated Harold, who was killed in the engagement.
First broadcast: 10 Aug 2010. Art historian Dr Nina Ramirez reveals the codes and messages hidden in Anglo-Saxon art. From the beautiful jewellery that adorned the first violent pagan invaders through to the stunning Christian manuscripts they would become famous for, she explores the beliefs and ideas that shaped Anglo-Saxon art. Examining many of the greatest Anglo-Saxon treasures - such as the Sutton Hoo Treasures, the Staffordshire Hoard, the Franks Casket and the Lindisfarne Gospels - Dr Ramirez charts 600 years of artistic development which was stopped dead in its tracks by the Norman Conquest.
First broadcast: 10 Aug 2010. Art historian Dr Nina Ramirez reveals the codes and messages hidden in Anglo-Saxon art. From the beautiful jewellery that adorned the first violent pagan invaders through to the stunning Christian manuscripts they would become famous for, she explores the beliefs and ideas that shaped Anglo-Saxon art. Examining many of the greatest Anglo-Saxon treasures - such as the Sutton Hoo Treasures, the Staffordshire Hoard, the Franks Casket and the Lindisfarne Gospels - Dr Ramirez charts 600 years of artistic development which was stopped dead in its tracks by the Norman Conquest.
First broadcast: 10 Aug 2010. Art historian Dr Nina Ramirez reveals the codes and messages hidden in Anglo-Saxon art. From the beautiful jewellery that adorned the first violent pagan invaders through to the stunning Christian manuscripts they would become famous for, she explores the beliefs and ideas that shaped Anglo-Saxon art. Examining many of the greatest Anglo-Saxon treasures - such as the Sutton Hoo Treasures, the Staffordshire Hoard, the Franks Casket and the Lindisfarne Gospels - Dr Ramirez charts 600 years of artistic development which was stopped dead in its tracks by the Norman Conquest.
Anglo Saxon Art is a brief look at Anglo Saxon movies (sure, there are a lot of them now), and Anglo Saxon literature (like Anglo Saxon music, they just don't write them like that much anymore). But the highlight is 20-some 'classic' Anglo Saxon paintings (with a little trivia thrown in, too). Take notes, learn, and most of all -- ENJOY!
Anglo-Saxon art =======Image-Copyright-Info======== License: Creative Commons Attribution-Share Alike 2.5 (CC BY-SA 2.5) LicenseLink: http://creativecommons.org/licenses/by-sa/2.5 Image Source: https://en.wikipedia.org/wiki/File:Sutton.Hoo.ShoulderClasp2.RobRoy.jpg =======Image-Copyright-Info======== -Video is targeted to blind users Attribution: Article text available under CC-BY-SA image source in video
Medieval drawings are frequently viewed as the poor cousins of fully-painted miniatures. But in England, an appreciation of drawing persisted throughout the Middle Ages. Based within the late 10th and early 11th centuries, this lecture proves that drawing was more than an expedient alternative to full paint. The transcript and downloadable versions of the lecture are available from the Gresham College website: http://www.gresham.ac.uk/lectures-and-events/drawings-in-anglo-saxon-manuscripts Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. http://www.gresham.ac.uk
Every generation is a reflection of the previous one but one period of our history that still holds many secrets is that of the Anglo Saxons, sometimes referred to as the 'Dark Ages' these people still remain largely a mystery in British history and archaeology !!! Out of all of the periods of British history it is the Saxon Period that seems to evoke great emotion amongst archaeologists and Historians alike ..... is this because we still know so little about Saxon Life in Britain due to the scarce amount of evidence that remains in the soils of Britain ?? Here is a flavour of the Saxons !!
Faces of early Medieval Europe - Irish, Anglo-Saxon, Carolingian, and Ottonian Hiberno-Saxon Manuscript Illumination Carolingian Culture Carolingian Architecture Carolingian Manuscript Illumination Carolingian Sculpture and Metalwork Art Around the Year 1000 Ottonian Architecture Ottonian Painting Ottonian Sculpture and Metalwork Spanish Apocalypses Anglo-Saxon Illumination
http://www.ArtPursuitsUK.com. Buckingham is an Anglo-Saxon town, founded before the Norman Conquest - so long ago that it is easy to think that the art of the time must have been crude and primitive. This course aims to challenge that assumption. Bookings: ArtPursuitsUK.com
Just visit : http://bit.ly/1U5qjk6 80n54y-2016
Arte documentaire (2016) reportage découverte actualité france
Celtic and Anglo-Saxon art British Isles 600-800 Music: Hypnothis by Kevin MacLeod
Anglo-Saxon art =======Image-Copyright-Info======== License: Creative Commons Attribution-Share Alike 2.5 (CC BY-SA 2.5) LicenseLink: http://creativecommons.org/licenses/by-sa/2.5 Image Source: https://en.wikipedia.org/wiki/File:Sutton.Hoo.ShoulderClasp2.RobRoy.jpg =======Image-Copyright-Info======== -Video is targeted to blind users Attribution: Article text available under CC-BY-SA image source in video
First broadcast: 10 Aug 2010. Art historian Dr Nina Ramirez reveals the codes and messages hidden in Anglo-Saxon art. From the beautiful jewellery that adorned the first violent pagan invaders through to the stunning Christian manuscripts they would become famous for, she explores the beliefs and ideas that shaped Anglo-Saxon art. Examining many of the greatest Anglo-Saxon treasures - such as the Sutton Hoo Treasures, the Staffordshire Hoard, the Franks Casket and the Lindisfarne Gospels - Dr Ramirez charts 600 years of artistic development which was stopped dead in its tracks by the Norman Conquest.
Arte documentaire (2016) reportage découverte actualité france. Le terme d'Anglo-Saxons désigne a posteriori les peuples germaniques (Jutes, Saxons, Angles) qui s'installent dans l'île de Bretagne à partir du début du ve .
Use https://www.proxfree.com/youtube-proxy.php if you've got copyright problems (any USA server will do). (AD 43-1066) - For a thousand years, from Emperor Claudius to William the Conqueror, the British Isles were defined by invasion, each successive wave bringing something new to the mix. The Romans brought figurative art, the Anglo-Saxons epic poetry, the Normans monumental architecture. David Dimbleby travels throughout Britain and beyond - to France, Italy and Turkey - in search of the greatest creations of the age. No copyright infringement has been intended by the uploading of this video; I am simply trying to share this amazingly interesting series.
The futility and madness of the First World War was the spur for some of the greatest, most moving poetry ever written. The young men who brought the voice of reason to the slaughter of the Great War were themselves part of a long tradition of war poetry stretching back to the very dawn of time. Introduced and narrated by Brian Blessed, "The War Poets" traces the development of the art of war poetry from Anglo Saxon times to the nightmare of the trenches. Using extensive film footage and dozens of contemporary images, this DVD Region 2 brings new vitality to the chequered tales of heroism, cowardice, luck, valour and misery which together form the experiences of war over the centuries. The programme also features critique and analysis from Jon Stallworthy, reader of English Literature at O...
Mejores Películas de acción 2014 subtítulos en inglés - Las mejores películas de acción completo HD - Mejores Artes Marciales Full HD - Cine o la lucha contr. Beowulf & Grendel is a 2005 film loosely based on the Anglo-Saxon epic poem Beowulf. Filmed in Iceland and directed by Sturla Gunnarsson, it stars Gerard But. La acción se sitúa en el norte de África durante la Segunda Guerra Mundial. La importante ciudad libia de Tobruk acaba de caer. El sargento Joe Gunn (James B. Detalles: Dirige Andrew C. Erin Protagonizada por Brooke Burns, George Stults, David Moscow y Catherine Hicks Para hoy un thriller dramático basado en hechos.
Kevin Cole joins the "Our Interesting Times" podcast with Timothy Kelly to discuss his paper "Carroll Quigley and the Article that Said Too Little: Reclaiming History from Omission and Partisan Straw Men" and the historical importance of Quigley's magnum opus Tragedy and Hope: A History of the World In Our Time. We also talk about Cecil Rhodes and how his plan to reclaim America for the British Empire was largely achieved in the 20th century via the creation of an elite international polity. Kevin is a historian, writer and researcher. He has also assisted in the production of several documentaries including State of Mind: The Psychology of Control and The Ultimate History Lesson: A Weekend with John Taylor Gatto. (Recorded 8.23.2015) PDF: "Professor Carroll Quigley and the Article that...
Le style Art déco est né en France et en Belgique en 1907. Il se répend ensuite dans les pays anglo-saxons (Royaume uni, Etats unis, Canada, Australie, Nouvelle Zélande, Inde, Philippines ). Il tire sonnom de l'exposition universelle des arts décoratifs de Paris. Il disparait en 1939 pour être remplacé par le modernisme. Le sculpteur Alfred Janniot (Palais de Tokyo et palais de la porte dorée) éxécute également la devanture de l'immeuble Rockefeller de New York
Author and Reader in Law Maria Drakopoulou and artist-theorist Zach Blas open ‘The Challenges of Italian Feminisms’ panel discussion at the Now You Can Go seminar, running Saturday December 12. They are joined by Professor in Art History Giovanna Zapperi and Fulvia Carnevale of Paris-based artist collective Claire Fontaine to discuss the paradigms, parallels and differences between Greek, Italian and Anglo-Saxon Feminisms and intersectionality. The panel is introduced by art historian Francesco Ventrella. Filmed by Video in Common, the Now You Can seminar concludes a 13 day programme of events, discussions and screenings taking place across London venues The Showroom, the ICA, Space Studios and Raven Row between December 1 to 13. It is inspired by the work of Carla Lonzi, and draws on th...
Les fondamentaux : histoire technique et culturelle de la céramique Depuis les origines, la terre nous accompagne au quotidien à travers des objets en céramique dont les formes emblématiques sont demeurées quasi inchangées, qu’il s’agisse du bol, de la coupe, du vase, de la brique… Pour engager ce semestre de conférences, cette première matinale de l’Académie des savoir-faire nous propose d’aborder l’histoire culturelle, technique et artistique de la céramique, de l’Antiquité à nos jours. - Troisième partie de la Matinale 1 de l'Académie des savoir-faire 2 - « La céramique moderne et contemporaine : un point de vue anglo-saxon » Intervention de : Emmanuel Boos, céramiste, docteur en céramique (Royal College of Art, Londres)
The Dark Ages are traditionally seen as nasty, brutish and short - a cultural and intellectual waste land, with virtually nothing worthy of art historical consideration. But Janina argues this is far from the truth - by exploring the imaginative world of the Anglo-Saxons, and thinking ourselves into the rich fabric of visual and verbal riddles, we can unravel some of the most enigmatic works of art this nation has produced - from the spectacular Lindisfarne Gospels to the complex Ruthwell Cross. Come and learn some techniques for revealing the profound beauty of this overlooked period. Art historian Dr Janina Ramirez is our Course Director for the Certificate in History of Art, and is well known as a BBC4 documentarian and presenter