- published: 02 Mar 2015
- views: 3165
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Richard Price, author of the new novel "The Whites," talks about what goes into the writing of his novels with Jeffrey Brown.
Read the story: http://www.pbs.org/newshour/rundown/writing-process-behind-richard-prices-newest-book/
Richard Price needs no introduction. One of great novelists of our time to capture city life in all its beauty, complications and mess in such masterful best selling novels as The Wanderers, Clockers, and Lush Life. It’s hard to think of another writer today with such a command of language and the vernacular, evidenced in his brilliant television and movie work, a screenplay for The Color of Money and writing for The Wire. Price joined the Crime Fiction Academy for a Master Class in writing and a discussion of his latest work.
- published: 02 Mar 2016
- views: 340
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Yplus
Richard Price, one of America’s most gifted novelists, has always written brilliantly about cops, criminals and New York City. Now, writing as Harry Brandt, he is poised to win a huge following among all those who hunger for first-rate crime fiction. Join him and David Simon (“The Wire”) for a conversation about The Whites.
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- published: 24 Feb 2015
- views: 4794
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homage as much to Melville as it does to today’s urban realities. Billy Graves has barely hung on in the NYPD since he accidentally shot a ten-year-old boy nearly twenty years ago. Stuck on the night shift, Graves suddenly relives the past when a slashing victim turns out to be a suspect in a case from the old days. Soon other elusive criminals—known by their frustrated pursuers as “whites,” after Moby Dick—begin to surface, just as a stalker terrorizes Graves’s family.
Founded by Carla Cohen and Barbara Meade in 1984, Politics & Prose Bookstore is Washington, D.C.'s premier independent bookstore and cultural hub, a gathering place for people interested in reading and discussing books. Politics & Prose offers superior service, unusual book choices, and a haven for book lovers in the store and online. Visit them on the web at http://www.politics-prose.com/
- published: 06 Mar 2015
- views: 1573
By the time he was eleven, Price wanted to be a journalist, though he didn't quite know what that meant.
Question: Did you always know you wanted to be a writer?
Richard Price: Honestly, yes. I found sort of a graduation autograph book from 6th grade. I must've been 11 years old. You give it to all the kids in your class and it's a "Good luck, you loser." There's a page where you fill out your hopes and dreams and for some reason, I wrote down journalist. I didn't even know what a journalist was and I spelled it right. So yeah, I guess I did.No, I started writing in elementary school believe it or not. My grandfather was a factory worker but he also wrote poetry. He's Russian. I would see his poems published on a mimeographed YMHA Journal in Brooklyn. This is in the '50s and I'd see this poem which I didn't understand. Then I'd see his name in print and it kind of blew my mind. From that point on, I said I want to be a writer, too. It could be worse. He could've been a professional wrestler or an opera singer and then I really would've been screwed. I didn't really think about "Why do I want to be a writer; what do I have to say?" until I was in my 20s. I think I just got by on sort of wit and facility with words. I didn't think I had anything-- Who earlier than 20-something has anything substantial to say anyhow, but somehow, I just got sucked into that thing about wanting to be the writer. Every kid, when you're a teenager, you have to have an ace in the hole. This kid, he's the toughest. He's the brain. He's got the best hair. He's the best dancer. He's the writer but it was more gift wrapping than gift. I don't think it was anything in my family. It's a mystery to me. Nobody in my family is like me. My brother's a vice president at Con Edison. He works in environmental affairs. My father is a cab driver. My mother was a bank teller. They're all intelligent people but nobody displayed any kind of particular flair or humor or any affinity for Lenny Bruce or anything. It's your basic, down the middle working-class nuclear family. I don't know what happened to me.
Recorded On: 3/3/08
Question: Did you always know you wanted to be a writer?
Richard Price: Honestly, yes. I found sort of a graduation autograph book from 6th grade. I must've been 11 years old. You give it to all the kids in your class and it's a "Good luck, you loser." There's a page where you fill out your hopes and dreams and for some reason, I wrote down journalist. I didn't even know what a journalist was and I spelled it right. So yeah, I guess I did.No, I started writing in elementary school believe it or not. My grandfather was a factory worker but he also wrote poetry. He's Russian. I would see his poems published on a mimeographed YMHA Journal in Brooklyn. This is in the '50s and I'd see this poem which I didn't understand. Then I'd see his name in print and it kind of blew my mind. From that point on, I said I want to be a writer, too. It could be worse. He could've been a professional wrestler or an opera singer and then I really would've been screwed. I didn't really think about "Why do I want to be a writer; what do I have to say?" until I was in my 20s. I think I just got by on sort of wit and facility with words. I didn't think I had anything-- Who earlier than 20-something has anything substantial to say anyhow, but somehow, I just got sucked into that thing about wanting to be the writer. Every kid, when you're a teenager, you have to have an ace in the hole. This kid, he's the toughest. He's the brain. He's got the best hair. He's the best dancer. He's the writer but it was more gift wrapping than gift. I don't think it was anything in my family. It's a mystery to me. Nobody in my family is like me. My brother's a vice president at Con Edison. He works in environmental affairs. My father is a cab driver. My mother was a bank teller. They're all intelligent people but nobody displayed any kind of particular flair or humor or any affinity for Lenny Bruce or anything. It's your basic, down the middle working-class nuclear family. I don't know what happened to me.
Recorded On: 3/3/08
- published: 24 Apr 2012
- views: 1166
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in his new book, The Whites. Dennis Lehane wrote, "Whether you call it a crime novel or a mystery novel or a giraffe with polka dots is largely irrelevant--The Whites is, simply put, a great American novel." Price, author of Lush Life and Clockers, discusses his new detective story with Henry Chang, author of an acclaimed series of Chinatown-based crime novels.
- published: 22 Mar 2015
- views: 616
Writing dialogue is a knack, Price says. Either you have it, or you don't.
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth.
Recorded On: 3/3/08
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth.
Recorded On: 3/3/08
- published: 24 Apr 2012
- views: 17458
Price says he doesn't feel the pressure of writing for a show with such a cult following.
Question: Is it hard to write for a show with a cult following?
Richard Price: No. It has a cultish following because it's so riveting and I had been watching the show for two years before they approached me. So I was up to speed on every character. In fact, David Simon told me The Wire was based on Clockers. He wrote Homicide: A Year in the Life on the Streets and I wrote Clockers, both in 1992. We had the same editor, John Sterling. John Sterling put us together the night of the Rodney King verdict rioting. He and I had our first play date when we went over to Jersey City to watch the riots. So we've been friends since 1992 and he said Clockers is the book he meant to write so he did The Wire instead. You'll see a lot of Clockers, especially in the first year or two. But he took Clockers. I never sort of rose about the trenches but he went all the way to the State Assembly. He went places I just didn't have the smarts to go. I didn't know enough. The Wire just became so panoramic that in fact, when he finally asked me to write for the show, my first reaction was to say no because I didn't want to disappoint them because everybody thought since I wrote Clockers, I knew this stuff inside out. I emptied my pockets with Clockers. I thought these guys thought I had something special in a backpack. I was tapped but I got involved anyhow. They're going to take what's not working and make it work. That's part of the collaborative medium.
Recorded On: 3/3/08
Question: Is it hard to write for a show with a cult following?
Richard Price: No. It has a cultish following because it's so riveting and I had been watching the show for two years before they approached me. So I was up to speed on every character. In fact, David Simon told me The Wire was based on Clockers. He wrote Homicide: A Year in the Life on the Streets and I wrote Clockers, both in 1992. We had the same editor, John Sterling. John Sterling put us together the night of the Rodney King verdict rioting. He and I had our first play date when we went over to Jersey City to watch the riots. So we've been friends since 1992 and he said Clockers is the book he meant to write so he did The Wire instead. You'll see a lot of Clockers, especially in the first year or two. But he took Clockers. I never sort of rose about the trenches but he went all the way to the State Assembly. He went places I just didn't have the smarts to go. I didn't know enough. The Wire just became so panoramic that in fact, when he finally asked me to write for the show, my first reaction was to say no because I didn't want to disappoint them because everybody thought since I wrote Clockers, I knew this stuff inside out. I emptied my pockets with Clockers. I thought these guys thought I had something special in a backpack. I was tapped but I got involved anyhow. They're going to take what's not working and make it work. That's part of the collaborative medium.
Recorded On: 3/3/08
- published: 24 Apr 2012
- views: 1328
A testimonial film for Valtra with customer Richard Price of Lowther Park Farms in Cumbria. This film formed part of a national promotional campaign by Green Square for Valtra.
- published: 18 Sep 2014
- views: 279
Richard Price (poet)
Richard Price (born 1966 Reading) is a contemporary Scottish poet, novelist, and translator.
Life
He grew up in Renfrewshire. He studied at Napier College, in journalism, and graduated the University of Strathclyde in English and Librarianship, with a joint first. He earned a PhD at University of Strathclyde.
Career
He has worked with artists in sculpture, digital art, artist's books and music. His collaborators include Julie Johnstone, Simon Lewandowski, Karen Bleitz, Caroline Trettine and Ronald King. He is a lyricist and vocalist in the band Mirabeau.
His translations include the Guillaume Apollinaire poems in Eftirs / Afters (with translations of other French modernists by Donny O'Rourke, Au Quai, 1996) and the Louise Labé poems in Lute Variations (Rack Press, 2005).
In the 1990s he co-edited the poetry magazines Gairfish (with W. N. Herbert), Verse (with Robert Crawford, Henry Hart, David Kinloch, and others) and Southfields (with Raymond Friel). At this time he also ran the poetry publisher Vennel Press with Leona Medlin, publishing books by W.N. Herbert, Elizabeth James, David Kinloch, Peter McCarey, Medlin and Price themselves, and others. He was one of the group associated with Informationist poetry, coining the phrase. He introduced Informationist ideas in 1991 in the magazine Interference and, later, in his introduction to the anthology of Informationist poetry Contraflow on the Superhighway, co-edited with Herbert (Gairfish and Southfields, 1994). He currently edits the magazine Painted, spoken.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Richard_Price_(poet)
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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5:21Author Richard Price breaks down his writing process
Author Richard Price breaks down his writing processAuthor Richard Price breaks down his writing process
Richard Price, author of the new novel "The Whites," talks about what goes into the writing of his novels with Jeffrey Brown. Read the story: http://www.pbs.org/newshour/rundown/writing-process-behind-richard-prices-newest-book/ -
49:43CFA Master Class: Richard Price
CFA Master Class: Richard PriceCFA Master Class: Richard Price
Richard Price needs no introduction. One of great novelists of our time to capture city life in all its beauty, complications and mess in such masterful best selling novels as The Wanderers, Clockers, and Lush Life. It’s hard to think of another writer today with such a command of language and the vernacular, evidenced in his brilliant television and movie work, a screenplay for The Color of Money and writing for The Wire. Price joined the Crime Fiction Academy for a Master Class in writing and a discussion of his latest work. -
1:05:11Richard Price Talks with David Simon About His New Novel "The Whites"
Richard Price Talks with David Simon About His New Novel "The Whites"Richard Price Talks with David Simon About His New Novel "The Whites"
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Yplus Richard Price, one of America’s most gifted novelists, has always written brilliantly about cops, criminals and New York City. Now, writing as Harry Brandt, he is poised to win a huge following among all those who hunger for first-rate crime fiction. Join him and David Simon (“The Wire”) for a conversation about The Whites. Follow us on Facebook: http://facebook.com/92ndStreetY Twitter: https://twitter.com/92Y Tumblr: http://92y.tumblr.com/ Instagram: http://Instagram.com/92ndStreetY 92Y.org: http://92Y.org -
2:42Richard Price on Drugs and Writing
Richard Price on Drugs and WritingRichard Price on Drugs and Writing
Richard Price says nobody has ever produced good work on drugs. -
49:39Richard Price, "The Whites"
Richard Price, "The Whites"Richard Price, "The Whites"
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homage as much to Melville as it does to today’s urban realities. Billy Graves has barely hung on in the NYPD since he accidentally shot a ten-year-old boy nearly twenty years ago. Stuck on the night shift, Graves suddenly relives the past when a slashing victim turns out to be a suspect in a case from the old days. Soon other elusive criminals—known by their frustrated pursuers as “whites,” after Moby Dick—begin to surface, just as a stalker terrorizes Graves’s family. Founded by Carla Cohen and Barbara Meade in 1984, Politics & Prose Bookstore is Washington, D.C.'s premier independent bookstore and cultural hub, a gathering place for people interested in reading and discussing books. Politics & Prose offers superior service, unusual book choices, and a haven for book lovers in the store and online. Visit them on the web at http://www.politics-prose.com/ -
2:52Richard Price on Becoming a Writer
Richard Price on Becoming a WriterRichard Price on Becoming a Writer
By the time he was eleven, Price wanted to be a journalist, though he didn't quite know what that meant. Question: Did you always know you wanted to be a writer? Richard Price: Honestly, yes. I found sort of a graduation autograph book from 6th grade. I must've been 11 years old. You give it to all the kids in your class and it's a "Good luck, you loser." There's a page where you fill out your hopes and dreams and for some reason, I wrote down journalist. I didn't even know what a journalist was and I spelled it right. So yeah, I guess I did.No, I started writing in elementary school believe it or not. My grandfather was a factory worker but he also wrote poetry. He's Russian. I would see his poems published on a mimeographed YMHA Journal in Brooklyn. This is in the '50s and I'd see this poem which I didn't understand. Then I'd see his name in print and it kind of blew my mind. From that point on, I said I want to be a writer, too. It could be worse. He could've been a professional wrestler or an opera singer and then I really would've been screwed. I didn't really think about "Why do I want to be a writer; what do I have to say?" until I was in my 20s. I think I just got by on sort of wit and facility with words. I didn't think I had anything-- Who earlier than 20-something has anything substantial to say anyhow, but somehow, I just got sucked into that thing about wanting to be the writer. Every kid, when you're a teenager, you have to have an ace in the hole. This kid, he's the toughest. He's the brain. He's got the best hair. He's the best dancer. He's the writer but it was more gift wrapping than gift. I don't think it was anything in my family. It's a mystery to me. Nobody in my family is like me. My brother's a vice president at Con Edison. He works in environmental affairs. My father is a cab driver. My mother was a bank teller. They're all intelligent people but nobody displayed any kind of particular flair or humor or any affinity for Lenny Bruce or anything. It's your basic, down the middle working-class nuclear family. I don't know what happened to me. Recorded On: 3/3/08 Question: Did you always know you wanted to be a writer? Richard Price: Honestly, yes. I found sort of a graduation autograph book from 6th grade. I must've been 11 years old. You give it to all the kids in your class and it's a "Good luck, you loser." There's a page where you fill out your hopes and dreams and for some reason, I wrote down journalist. I didn't even know what a journalist was and I spelled it right. So yeah, I guess I did.No, I started writing in elementary school believe it or not. My grandfather was a factory worker but he also wrote poetry. He's Russian. I would see his poems published on a mimeographed YMHA Journal in Brooklyn. This is in the '50s and I'd see this poem which I didn't understand. Then I'd see his name in print and it kind of blew my mind. From that point on, I said I want to be a writer, too. It could be worse. He could've been a professional wrestler or an opera singer and then I really would've been screwed. I didn't really think about "Why do I want to be a writer; what do I have to say?" until I was in my 20s. I think I just got by on sort of wit and facility with words. I didn't think I had anything-- Who earlier than 20-something has anything substantial to say anyhow, but somehow, I just got sucked into that thing about wanting to be the writer. Every kid, when you're a teenager, you have to have an ace in the hole. This kid, he's the toughest. He's the brain. He's got the best hair. He's the best dancer. He's the writer but it was more gift wrapping than gift. I don't think it was anything in my family. It's a mystery to me. Nobody in my family is like me. My brother's a vice president at Con Edison. He works in environmental affairs. My father is a cab driver. My mother was a bank teller. They're all intelligent people but nobody displayed any kind of particular flair or humor or any affinity for Lenny Bruce or anything. It's your basic, down the middle working-class nuclear family. I don't know what happened to me. Recorded On: 3/3/08 -
1:17:28Richard Price: Tenement Talk from March, 2015
Richard Price: Tenement Talk from March, 2015Richard Price: Tenement Talk from March, 2015
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in his new book, The Whites. Dennis Lehane wrote, "Whether you call it a crime novel or a mystery novel or a giraffe with polka dots is largely irrelevant--The Whites is, simply put, a great American novel." Price, author of Lush Life and Clockers, discusses his new detective story with Henry Chang, author of an acclaimed series of Chinatown-based crime novels. -
2:10Richard Price on Writing Dialogue
Richard Price on Writing DialogueRichard Price on Writing Dialogue
Writing dialogue is a knack, Price says. Either you have it, or you don't. Question: How do you write dialogue? Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth. Recorded On: 3/3/08 Question: How do you write dialogue? Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth. Recorded On: 3/3/08 -
1:47Richard Price on "The Wire"
Richard Price on "The Wire"Richard Price on "The Wire"
Price says he doesn't feel the pressure of writing for a show with such a cult following. Question: Is it hard to write for a show with a cult following? Richard Price: No. It has a cultish following because it's so riveting and I had been watching the show for two years before they approached me. So I was up to speed on every character. In fact, David Simon told me The Wire was based on Clockers. He wrote Homicide: A Year in the Life on the Streets and I wrote Clockers, both in 1992. We had the same editor, John Sterling. John Sterling put us together the night of the Rodney King verdict rioting. He and I had our first play date when we went over to Jersey City to watch the riots. So we've been friends since 1992 and he said Clockers is the book he meant to write so he did The Wire instead. You'll see a lot of Clockers, especially in the first year or two. But he took Clockers. I never sort of rose about the trenches but he went all the way to the State Assembly. He went places I just didn't have the smarts to go. I didn't know enough. The Wire just became so panoramic that in fact, when he finally asked me to write for the show, my first reaction was to say no because I didn't want to disappoint them because everybody thought since I wrote Clockers, I knew this stuff inside out. I emptied my pockets with Clockers. I thought these guys thought I had something special in a backpack. I was tapped but I got involved anyhow. They're going to take what's not working and make it work. That's part of the collaborative medium. Recorded On: 3/3/08 Question: Is it hard to write for a show with a cult following? Richard Price: No. It has a cultish following because it's so riveting and I had been watching the show for two years before they approached me. So I was up to speed on every character. In fact, David Simon told me The Wire was based on Clockers. He wrote Homicide: A Year in the Life on the Streets and I wrote Clockers, both in 1992. We had the same editor, John Sterling. John Sterling put us together the night of the Rodney King verdict rioting. He and I had our first play date when we went over to Jersey City to watch the riots. So we've been friends since 1992 and he said Clockers is the book he meant to write so he did The Wire instead. You'll see a lot of Clockers, especially in the first year or two. But he took Clockers. I never sort of rose about the trenches but he went all the way to the State Assembly. He went places I just didn't have the smarts to go. I didn't know enough. The Wire just became so panoramic that in fact, when he finally asked me to write for the show, my first reaction was to say no because I didn't want to disappoint them because everybody thought since I wrote Clockers, I knew this stuff inside out. I emptied my pockets with Clockers. I thought these guys thought I had something special in a backpack. I was tapped but I got involved anyhow. They're going to take what's not working and make it work. That's part of the collaborative medium. Recorded On: 3/3/08 -
2:26Valtra customer testimonial Richard Price
Valtra customer testimonial Richard PriceValtra customer testimonial Richard Price
A testimonial film for Valtra with customer Richard Price of Lowther Park Farms in Cumbria. This film formed part of a national promotional campaign by Green Square for Valtra.
Price, Richard Filmography
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2014, role: writer
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2013, role: writer
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2013, role: actor , character name: Himself - Author & Screenwriter
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2012, role: actor , character name: Himself
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2012, role: producer
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2012, role: writer
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2010, role: producer
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2010, role: writer
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2010, role: writer
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2006, role: writer
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2006, role: writer
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2006, role: actor , character name: Brenda's Attorney
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2005, role: actor , character name: Himself
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2002, role: actor , character name: Himself
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2000, role: writer
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1996, role: writer
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1996, role: actor , character name: Detective #1
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1995, role: writer
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1995, role: producer
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1995, role: writer
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1995, role: producer
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1995, role: writer
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1995, role: actor , character name: City Clerk
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1995, role: writer
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1994, role: actor , character name: Himself
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1993, role: writer
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1993, role: actor , character name: Detective in Restaurant
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1993, role: actor , character name: Himself
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1993, role: producer
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1993, role: producer
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1992, role: writer
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1992, role: actor , character name: Doctor
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1989, role: actor , character name: Artist at Opening
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1989, role: writer
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1989, role: writer
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1987, role: writer
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1987, role: actor , character name: The Critic
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1987, role: writer
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1986, role: actor , character name: Guy Who Calls Dud
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1986, role: writer
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1986, role: writer
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1979, role: actor , character name: Bowling Bankroller
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1979, role: writer
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1978, role: writer
Price, Richard Filmography
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2014, role: producer
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2011, role: producer
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2010, role: producer
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2008, role: producer
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2002, role: producer
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1999, role: producer
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1998, role: producer
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1991, role: producer
Price, Richard Filmography
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2010, role: actor , character name: Curly Boffin
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2010, role: actor , character name: Prometheus
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2000, role: actor , character name: Action Movie Fan
Famous quotes by Richard Price:
"I don't need all that much - I just need to know who my characters are and what kind of jam they're going to get into, and I'll write myself out of their jam."
"I have offices all over the place and I avoid work everywhere. I don't like to write - I like to be finished."
"At some point I started wondering what it means to teach for free in an inner-city school - what's in it for me?"
"I can never read this book, just like I can never see a movie that I wrote a screenplay for. I can read it and see it physically, but I can't accurately judge it. I'm too close to it. If I read it ten times I'll have ten different reactions."
"I write because I write - as anyone in the arts does. You're a painter because you feel you have no choice but to paint. You're a writer because this is what you do."
"This book falls under the category of "stuff I know," as opposed to "stuff I need to learn"."
"If you're writing a book that takes place in New York in the moment, you can't not write about 9-11; you can't not integrate it. My main character's view is the Statue of Liberty and the Trade Center. It doesn't have to take over, but it has to be acknowledged."
"If I can tell you the story from beginning to end in five minutes, I'm ready to start writing. Then it's a constant spreading out of that five minutes."
"There's a dangerous thrill - a rush - in goodness. If you don't keep your wits about you, if you don't have a very sober take on what you're doing and who you're doing it too, you can inadvertently set little fires. The very people you are helping can wind up, emotionally, in worse shape than they were before."
"You can point out to people how to make what they do better, but you can't teach somebody how to be a great writer, just like you can't teach somebody how to be a fast runner. You can work on their technique, but either they're fast or they're not; either they can write or they can't."
"You can't take a character anywhere they don't expect the character to go. But within those confines is where creativity lies."
"I'd love to be a saxophonist. I don't know why, but I pretend I'm the saxophonist when I listen to music. I have about as much chance playing the sax as I do learning how to fly."
"Writers spend three years rearranging 26 letters of the alphabet. It's enough to make you lose your mind day by day."
"I started thinking about my relationship with my students; I'm this guy who comes in from book - and movie - land and descends on angel wings into their classroom."
"The kind of event on a conveyor belt that causes a fire occurs in a variety of industrial environments, not uniquely in coal environments."
"I write because I can't imagine not writing."
"I do small cameos here and there but nothing that requires more than a paragraph of talking, because I'm just an amateur. The movie is a whole different reality."
"I think the definition of an artist is not necessarily tied into excellence or talent; an artist is somebody who, if you took away their freedom to make art, would lose their mind."
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Author Richard Price breaks down his writing process
Richard Price, author of the new novel "The Whites," talks about what goes into the writing of his novels with Jeffrey Brown. Read the story: http://www.pbs.org/newshour/rundown/writing-process-behind-richard-prices-newest-book/
published: 02 Mar 2015 -
CFA Master Class: Richard Price
Richard Price needs no introduction. One of great novelists of our time to capture city life in all its beauty, complications and mess in such masterful best selling novels as The Wanderers, Clockers, and Lush Life. It’s hard to think of another writer today with such a command of language and the vernacular, evidenced in his brilliant television and movie work, a screenplay for The Color of Money and writing for The Wire. Price joined the Crime Fiction Academy for a Master Class in writing and a discussion of his latest work.
published: 02 Mar 2016 -
Richard Price Talks with David Simon About His New Novel "The Whites"
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Yplus Richard Price, one of America’s most gifted novelists, has always written brilliantly about cops, criminals and New York City. Now, writing as Harry Brandt, he is poised to win a huge following among all those who hunger for first-rate crime fiction. Join him and David Simon (“The Wire”) for a conversation about The Whites. Follow us on Facebook: http://facebook.com/92ndStreetY Twitter: https://twitter.com/92Y Tumblr: http://92y.tumblr.com/ Instagram: http://Instagram.com/92ndStreetY 92Y.org: http://92Y.org
published: 24 Feb 2015 -
Richard Price on Drugs and Writing
Richard Price says nobody has ever produced good work on drugs.
published: 24 Apr 2012 -
Richard Price, "The Whites"
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homage as much to Melville as it does to today’s urban realities. Billy Graves has barely hung on in the NYPD since he accidentally shot a ten-year-old boy nearly twenty years ago. Stuck on the night shift, Graves suddenly relives the past when a slashing victim turns out to be a suspect in a case from the old days. Soon other elusive criminals—known by their frustrated pursuers as “whites,” after Moby Dick—begin to surface, just as a stalker terrorizes Graves’s family. Founded by Carla Cohen and Barbara Meade in 1984, Politics & Prose Bookstore is Washington, D.C.'s premier independent bookstore and cultural hub, a gathering place for people interested in reading and discussing books. Politics & Prose o...
published: 06 Mar 2015 -
Richard Price on Becoming a Writer
By the time he was eleven, Price wanted to be a journalist, though he didn't quite know what that meant. Question: Did you always know you wanted to be a writer? Richard Price: Honestly, yes. I found sort of a graduation autograph book from 6th grade. I must've been 11 years old. You give it to all the kids in your class and it's a "Good luck, you loser." There's a page where you fill out your hopes and dreams and for some reason, I wrote down journalist. I didn't even know what a journalist was and I spelled it right. So yeah, I guess I did.No, I started writing in elementary school believe it or not. My grandfather was a factory worker but he also wrote poetry. He's Russian. I would see his poems published on a mimeographed YMHA Journal in Brooklyn. This is in the '50s and I'd see this...
published: 24 Apr 2012 -
Richard Price: Tenement Talk from March, 2015
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in his new book, The Whites. Dennis Lehane wrote, "Whether you call it a crime novel or a mystery novel or a giraffe with polka dots is largely irrelevant--The Whites is, simply put, a great American novel." Price, author of Lush Life and Clockers, discusses his new detective story with Henry Chang, author of an acclaimed series of Chinatown-based crime novels.
published: 22 Mar 2015 -
Richard Price on Writing Dialogue
Writing dialogue is a knack, Price says. Either you have it, or you don't. Question: How do you write dialogue? Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a f...
published: 24 Apr 2012 -
Richard Price on "The Wire"
Price says he doesn't feel the pressure of writing for a show with such a cult following. Question: Is it hard to write for a show with a cult following? Richard Price: No. It has a cultish following because it's so riveting and I had been watching the show for two years before they approached me. So I was up to speed on every character. In fact, David Simon told me The Wire was based on Clockers. He wrote Homicide: A Year in the Life on the Streets and I wrote Clockers, both in 1992. We had the same editor, John Sterling. John Sterling put us together the night of the Rodney King verdict rioting. He and I had our first play date when we went over to Jersey City to watch the riots. So we've been friends since 1992 and he said Clockers is the book he meant to write so he did The Wire inst...
published: 24 Apr 2012 -
Valtra customer testimonial Richard Price
A testimonial film for Valtra with customer Richard Price of Lowther Park Farms in Cumbria. This film formed part of a national promotional campaign by Green Square for Valtra.
published: 18 Sep 2014
Author Richard Price breaks down his writing process
- Order: Reorder
- Duration: 5:21
- Updated: 02 Mar 2015
- views: 3165
Richard Price, author of the new novel "The Whites," talks about what goes into the writing of his novels with Jeffrey Brown.
Read the story: http://www.pbs.or...
Richard Price, author of the new novel "The Whites," talks about what goes into the writing of his novels with Jeffrey Brown.
Read the story: http://www.pbs.org/newshour/rundown/writing-process-behind-richard-prices-newest-book/
https://wn.com/Author_Richard_Price_Breaks_Down_His_Writing_Process
Richard Price, author of the new novel "The Whites," talks about what goes into the writing of his novels with Jeffrey Brown.
Read the story: http://www.pbs.org/newshour/rundown/writing-process-behind-richard-prices-newest-book/
- published: 02 Mar 2015
- views: 3165
CFA Master Class: Richard Price
- Order: Reorder
- Duration: 49:43
- Updated: 02 Mar 2016
- views: 340
Richard Price needs no introduction. One of great novelists of our time to capture city life in all its beauty, complications and mess in such masterful best se...
Richard Price needs no introduction. One of great novelists of our time to capture city life in all its beauty, complications and mess in such masterful best selling novels as The Wanderers, Clockers, and Lush Life. It’s hard to think of another writer today with such a command of language and the vernacular, evidenced in his brilliant television and movie work, a screenplay for The Color of Money and writing for The Wire. Price joined the Crime Fiction Academy for a Master Class in writing and a discussion of his latest work.
https://wn.com/Cfa_Master_Class_Richard_Price
Richard Price needs no introduction. One of great novelists of our time to capture city life in all its beauty, complications and mess in such masterful best selling novels as The Wanderers, Clockers, and Lush Life. It’s hard to think of another writer today with such a command of language and the vernacular, evidenced in his brilliant television and movie work, a screenplay for The Color of Money and writing for The Wire. Price joined the Crime Fiction Academy for a Master Class in writing and a discussion of his latest work.
- published: 02 Mar 2016
- views: 340
Richard Price Talks with David Simon About His New Novel "The Whites"
- Order: Reorder
- Duration: 1:05:11
- Updated: 24 Feb 2015
- views: 4794
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Yplus
Richard Price, one of America’s most gifted novelists, has always ...
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Yplus
Richard Price, one of America’s most gifted novelists, has always written brilliantly about cops, criminals and New York City. Now, writing as Harry Brandt, he is poised to win a huge following among all those who hunger for first-rate crime fiction. Join him and David Simon (“The Wire”) for a conversation about The Whites.
Follow us on Facebook: http://facebook.com/92ndStreetY
Twitter: https://twitter.com/92Y
Tumblr: http://92y.tumblr.com/
Instagram: http://Instagram.com/92ndStreetY
92Y.org: http://92Y.org
https://wn.com/Richard_Price_Talks_With_David_Simon_About_His_New_Novel_The_Whites
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Yplus
Richard Price, one of America’s most gifted novelists, has always written brilliantly about cops, criminals and New York City. Now, writing as Harry Brandt, he is poised to win a huge following among all those who hunger for first-rate crime fiction. Join him and David Simon (“The Wire”) for a conversation about The Whites.
Follow us on Facebook: http://facebook.com/92ndStreetY
Twitter: https://twitter.com/92Y
Tumblr: http://92y.tumblr.com/
Instagram: http://Instagram.com/92ndStreetY
92Y.org: http://92Y.org
- published: 24 Feb 2015
- views: 4794
Richard Price on Drugs and Writing
- Order: Reorder
- Duration: 2:42
- Updated: 24 Apr 2012
- views: 4443
Richard Price says nobody has ever produced good work on drugs.
Richard Price says nobody has ever produced good work on drugs.
https://wn.com/Richard_Price_On_Drugs_And_Writing
Richard Price, "The Whites"
- Order: Reorder
- Duration: 49:39
- Updated: 06 Mar 2015
- views: 1573
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homage as much to Melville as it does to today’s urban realities. Billy Gr...
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homage as much to Melville as it does to today’s urban realities. Billy Graves has barely hung on in the NYPD since he accidentally shot a ten-year-old boy nearly twenty years ago. Stuck on the night shift, Graves suddenly relives the past when a slashing victim turns out to be a suspect in a case from the old days. Soon other elusive criminals—known by their frustrated pursuers as “whites,” after Moby Dick—begin to surface, just as a stalker terrorizes Graves’s family.
Founded by Carla Cohen and Barbara Meade in 1984, Politics & Prose Bookstore is Washington, D.C.'s premier independent bookstore and cultural hub, a gathering place for people interested in reading and discussing books. Politics & Prose offers superior service, unusual book choices, and a haven for book lovers in the store and online. Visit them on the web at http://www.politics-prose.com/
https://wn.com/Richard_Price,_The_Whites
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homage as much to Melville as it does to today’s urban realities. Billy Graves has barely hung on in the NYPD since he accidentally shot a ten-year-old boy nearly twenty years ago. Stuck on the night shift, Graves suddenly relives the past when a slashing victim turns out to be a suspect in a case from the old days. Soon other elusive criminals—known by their frustrated pursuers as “whites,” after Moby Dick—begin to surface, just as a stalker terrorizes Graves’s family.
Founded by Carla Cohen and Barbara Meade in 1984, Politics & Prose Bookstore is Washington, D.C.'s premier independent bookstore and cultural hub, a gathering place for people interested in reading and discussing books. Politics & Prose offers superior service, unusual book choices, and a haven for book lovers in the store and online. Visit them on the web at http://www.politics-prose.com/
- published: 06 Mar 2015
- views: 1573
Richard Price on Becoming a Writer
- Order: Reorder
- Duration: 2:52
- Updated: 24 Apr 2012
- views: 1166
By the time he was eleven, Price wanted to be a journalist, though he didn't quite know what that meant.
Question: Did you always know you wanted to be a write...
By the time he was eleven, Price wanted to be a journalist, though he didn't quite know what that meant.
Question: Did you always know you wanted to be a writer?
Richard Price: Honestly, yes. I found sort of a graduation autograph book from 6th grade. I must've been 11 years old. You give it to all the kids in your class and it's a "Good luck, you loser." There's a page where you fill out your hopes and dreams and for some reason, I wrote down journalist. I didn't even know what a journalist was and I spelled it right. So yeah, I guess I did.No, I started writing in elementary school believe it or not. My grandfather was a factory worker but he also wrote poetry. He's Russian. I would see his poems published on a mimeographed YMHA Journal in Brooklyn. This is in the '50s and I'd see this poem which I didn't understand. Then I'd see his name in print and it kind of blew my mind. From that point on, I said I want to be a writer, too. It could be worse. He could've been a professional wrestler or an opera singer and then I really would've been screwed. I didn't really think about "Why do I want to be a writer; what do I have to say?" until I was in my 20s. I think I just got by on sort of wit and facility with words. I didn't think I had anything-- Who earlier than 20-something has anything substantial to say anyhow, but somehow, I just got sucked into that thing about wanting to be the writer. Every kid, when you're a teenager, you have to have an ace in the hole. This kid, he's the toughest. He's the brain. He's got the best hair. He's the best dancer. He's the writer but it was more gift wrapping than gift. I don't think it was anything in my family. It's a mystery to me. Nobody in my family is like me. My brother's a vice president at Con Edison. He works in environmental affairs. My father is a cab driver. My mother was a bank teller. They're all intelligent people but nobody displayed any kind of particular flair or humor or any affinity for Lenny Bruce or anything. It's your basic, down the middle working-class nuclear family. I don't know what happened to me.
Recorded On: 3/3/08
Question: Did you always know you wanted to be a writer?
Richard Price: Honestly, yes. I found sort of a graduation autograph book from 6th grade. I must've been 11 years old. You give it to all the kids in your class and it's a "Good luck, you loser." There's a page where you fill out your hopes and dreams and for some reason, I wrote down journalist. I didn't even know what a journalist was and I spelled it right. So yeah, I guess I did.No, I started writing in elementary school believe it or not. My grandfather was a factory worker but he also wrote poetry. He's Russian. I would see his poems published on a mimeographed YMHA Journal in Brooklyn. This is in the '50s and I'd see this poem which I didn't understand. Then I'd see his name in print and it kind of blew my mind. From that point on, I said I want to be a writer, too. It could be worse. He could've been a professional wrestler or an opera singer and then I really would've been screwed. I didn't really think about "Why do I want to be a writer; what do I have to say?" until I was in my 20s. I think I just got by on sort of wit and facility with words. I didn't think I had anything-- Who earlier than 20-something has anything substantial to say anyhow, but somehow, I just got sucked into that thing about wanting to be the writer. Every kid, when you're a teenager, you have to have an ace in the hole. This kid, he's the toughest. He's the brain. He's got the best hair. He's the best dancer. He's the writer but it was more gift wrapping than gift. I don't think it was anything in my family. It's a mystery to me. Nobody in my family is like me. My brother's a vice president at Con Edison. He works in environmental affairs. My father is a cab driver. My mother was a bank teller. They're all intelligent people but nobody displayed any kind of particular flair or humor or any affinity for Lenny Bruce or anything. It's your basic, down the middle working-class nuclear family. I don't know what happened to me.
Recorded On: 3/3/08
https://wn.com/Richard_Price_On_Becoming_A_Writer
By the time he was eleven, Price wanted to be a journalist, though he didn't quite know what that meant.
Question: Did you always know you wanted to be a writer?
Richard Price: Honestly, yes. I found sort of a graduation autograph book from 6th grade. I must've been 11 years old. You give it to all the kids in your class and it's a "Good luck, you loser." There's a page where you fill out your hopes and dreams and for some reason, I wrote down journalist. I didn't even know what a journalist was and I spelled it right. So yeah, I guess I did.No, I started writing in elementary school believe it or not. My grandfather was a factory worker but he also wrote poetry. He's Russian. I would see his poems published on a mimeographed YMHA Journal in Brooklyn. This is in the '50s and I'd see this poem which I didn't understand. Then I'd see his name in print and it kind of blew my mind. From that point on, I said I want to be a writer, too. It could be worse. He could've been a professional wrestler or an opera singer and then I really would've been screwed. I didn't really think about "Why do I want to be a writer; what do I have to say?" until I was in my 20s. I think I just got by on sort of wit and facility with words. I didn't think I had anything-- Who earlier than 20-something has anything substantial to say anyhow, but somehow, I just got sucked into that thing about wanting to be the writer. Every kid, when you're a teenager, you have to have an ace in the hole. This kid, he's the toughest. He's the brain. He's got the best hair. He's the best dancer. He's the writer but it was more gift wrapping than gift. I don't think it was anything in my family. It's a mystery to me. Nobody in my family is like me. My brother's a vice president at Con Edison. He works in environmental affairs. My father is a cab driver. My mother was a bank teller. They're all intelligent people but nobody displayed any kind of particular flair or humor or any affinity for Lenny Bruce or anything. It's your basic, down the middle working-class nuclear family. I don't know what happened to me.
Recorded On: 3/3/08
Question: Did you always know you wanted to be a writer?
Richard Price: Honestly, yes. I found sort of a graduation autograph book from 6th grade. I must've been 11 years old. You give it to all the kids in your class and it's a "Good luck, you loser." There's a page where you fill out your hopes and dreams and for some reason, I wrote down journalist. I didn't even know what a journalist was and I spelled it right. So yeah, I guess I did.No, I started writing in elementary school believe it or not. My grandfather was a factory worker but he also wrote poetry. He's Russian. I would see his poems published on a mimeographed YMHA Journal in Brooklyn. This is in the '50s and I'd see this poem which I didn't understand. Then I'd see his name in print and it kind of blew my mind. From that point on, I said I want to be a writer, too. It could be worse. He could've been a professional wrestler or an opera singer and then I really would've been screwed. I didn't really think about "Why do I want to be a writer; what do I have to say?" until I was in my 20s. I think I just got by on sort of wit and facility with words. I didn't think I had anything-- Who earlier than 20-something has anything substantial to say anyhow, but somehow, I just got sucked into that thing about wanting to be the writer. Every kid, when you're a teenager, you have to have an ace in the hole. This kid, he's the toughest. He's the brain. He's got the best hair. He's the best dancer. He's the writer but it was more gift wrapping than gift. I don't think it was anything in my family. It's a mystery to me. Nobody in my family is like me. My brother's a vice president at Con Edison. He works in environmental affairs. My father is a cab driver. My mother was a bank teller. They're all intelligent people but nobody displayed any kind of particular flair or humor or any affinity for Lenny Bruce or anything. It's your basic, down the middle working-class nuclear family. I don't know what happened to me.
Recorded On: 3/3/08
- published: 24 Apr 2012
- views: 1166
Richard Price: Tenement Talk from March, 2015
- Order: Reorder
- Duration: 1:17:28
- Updated: 22 Mar 2015
- views: 616
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in his new book, The Whites. Dennis Lehane wrote, "Whether you call it a cr...
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in his new book, The Whites. Dennis Lehane wrote, "Whether you call it a crime novel or a mystery novel or a giraffe with polka dots is largely irrelevant--The Whites is, simply put, a great American novel." Price, author of Lush Life and Clockers, discusses his new detective story with Henry Chang, author of an acclaimed series of Chinatown-based crime novels.
https://wn.com/Richard_Price_Tenement_Talk_From_March,_2015
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in his new book, The Whites. Dennis Lehane wrote, "Whether you call it a crime novel or a mystery novel or a giraffe with polka dots is largely irrelevant--The Whites is, simply put, a great American novel." Price, author of Lush Life and Clockers, discusses his new detective story with Henry Chang, author of an acclaimed series of Chinatown-based crime novels.
- published: 22 Mar 2015
- views: 616
Richard Price on Writing Dialogue
- Order: Reorder
- Duration: 2:10
- Updated: 24 Apr 2012
- views: 17458
Writing dialogue is a knack, Price says. Either you have it, or you don't.
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think ...
Writing dialogue is a knack, Price says. Either you have it, or you don't.
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth.
Recorded On: 3/3/08
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth.
Recorded On: 3/3/08
https://wn.com/Richard_Price_On_Writing_Dialogue
Writing dialogue is a knack, Price says. Either you have it, or you don't.
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth.
Recorded On: 3/3/08
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth.
Recorded On: 3/3/08
- published: 24 Apr 2012
- views: 17458
Richard Price on "The Wire"
- Order: Reorder
- Duration: 1:47
- Updated: 24 Apr 2012
- views: 1328
Price says he doesn't feel the pressure of writing for a show with such a cult following.
Question: Is it hard to write for a show with a cult following?
Rich...
Price says he doesn't feel the pressure of writing for a show with such a cult following.
Question: Is it hard to write for a show with a cult following?
Richard Price: No. It has a cultish following because it's so riveting and I had been watching the show for two years before they approached me. So I was up to speed on every character. In fact, David Simon told me The Wire was based on Clockers. He wrote Homicide: A Year in the Life on the Streets and I wrote Clockers, both in 1992. We had the same editor, John Sterling. John Sterling put us together the night of the Rodney King verdict rioting. He and I had our first play date when we went over to Jersey City to watch the riots. So we've been friends since 1992 and he said Clockers is the book he meant to write so he did The Wire instead. You'll see a lot of Clockers, especially in the first year or two. But he took Clockers. I never sort of rose about the trenches but he went all the way to the State Assembly. He went places I just didn't have the smarts to go. I didn't know enough. The Wire just became so panoramic that in fact, when he finally asked me to write for the show, my first reaction was to say no because I didn't want to disappoint them because everybody thought since I wrote Clockers, I knew this stuff inside out. I emptied my pockets with Clockers. I thought these guys thought I had something special in a backpack. I was tapped but I got involved anyhow. They're going to take what's not working and make it work. That's part of the collaborative medium.
Recorded On: 3/3/08
Question: Is it hard to write for a show with a cult following?
Richard Price: No. It has a cultish following because it's so riveting and I had been watching the show for two years before they approached me. So I was up to speed on every character. In fact, David Simon told me The Wire was based on Clockers. He wrote Homicide: A Year in the Life on the Streets and I wrote Clockers, both in 1992. We had the same editor, John Sterling. John Sterling put us together the night of the Rodney King verdict rioting. He and I had our first play date when we went over to Jersey City to watch the riots. So we've been friends since 1992 and he said Clockers is the book he meant to write so he did The Wire instead. You'll see a lot of Clockers, especially in the first year or two. But he took Clockers. I never sort of rose about the trenches but he went all the way to the State Assembly. He went places I just didn't have the smarts to go. I didn't know enough. The Wire just became so panoramic that in fact, when he finally asked me to write for the show, my first reaction was to say no because I didn't want to disappoint them because everybody thought since I wrote Clockers, I knew this stuff inside out. I emptied my pockets with Clockers. I thought these guys thought I had something special in a backpack. I was tapped but I got involved anyhow. They're going to take what's not working and make it work. That's part of the collaborative medium.
Recorded On: 3/3/08
https://wn.com/Richard_Price_On_The_Wire
Price says he doesn't feel the pressure of writing for a show with such a cult following.
Question: Is it hard to write for a show with a cult following?
Richard Price: No. It has a cultish following because it's so riveting and I had been watching the show for two years before they approached me. So I was up to speed on every character. In fact, David Simon told me The Wire was based on Clockers. He wrote Homicide: A Year in the Life on the Streets and I wrote Clockers, both in 1992. We had the same editor, John Sterling. John Sterling put us together the night of the Rodney King verdict rioting. He and I had our first play date when we went over to Jersey City to watch the riots. So we've been friends since 1992 and he said Clockers is the book he meant to write so he did The Wire instead. You'll see a lot of Clockers, especially in the first year or two. But he took Clockers. I never sort of rose about the trenches but he went all the way to the State Assembly. He went places I just didn't have the smarts to go. I didn't know enough. The Wire just became so panoramic that in fact, when he finally asked me to write for the show, my first reaction was to say no because I didn't want to disappoint them because everybody thought since I wrote Clockers, I knew this stuff inside out. I emptied my pockets with Clockers. I thought these guys thought I had something special in a backpack. I was tapped but I got involved anyhow. They're going to take what's not working and make it work. That's part of the collaborative medium.
Recorded On: 3/3/08
Question: Is it hard to write for a show with a cult following?
Richard Price: No. It has a cultish following because it's so riveting and I had been watching the show for two years before they approached me. So I was up to speed on every character. In fact, David Simon told me The Wire was based on Clockers. He wrote Homicide: A Year in the Life on the Streets and I wrote Clockers, both in 1992. We had the same editor, John Sterling. John Sterling put us together the night of the Rodney King verdict rioting. He and I had our first play date when we went over to Jersey City to watch the riots. So we've been friends since 1992 and he said Clockers is the book he meant to write so he did The Wire instead. You'll see a lot of Clockers, especially in the first year or two. But he took Clockers. I never sort of rose about the trenches but he went all the way to the State Assembly. He went places I just didn't have the smarts to go. I didn't know enough. The Wire just became so panoramic that in fact, when he finally asked me to write for the show, my first reaction was to say no because I didn't want to disappoint them because everybody thought since I wrote Clockers, I knew this stuff inside out. I emptied my pockets with Clockers. I thought these guys thought I had something special in a backpack. I was tapped but I got involved anyhow. They're going to take what's not working and make it work. That's part of the collaborative medium.
Recorded On: 3/3/08
- published: 24 Apr 2012
- views: 1328
Valtra customer testimonial Richard Price
- Order: Reorder
- Duration: 2:26
- Updated: 18 Sep 2014
- views: 279
A testimonial film for Valtra with customer Richard Price of Lowther Park Farms in Cumbria. This film formed part of a national promotional campaign by Green Sq...
A testimonial film for Valtra with customer Richard Price of Lowther Park Farms in Cumbria. This film formed part of a national promotional campaign by Green Square for Valtra.
https://wn.com/Valtra_Customer_Testimonial_Richard_Price
A testimonial film for Valtra with customer Richard Price of Lowther Park Farms in Cumbria. This film formed part of a national promotional campaign by Green Square for Valtra.
- published: 18 Sep 2014
- views: 279
-
Richard Price on Writing Dialogue
Writing dialogue is a knack, Price says. Either you have it, or you don't. Question: How do you write dialogue? Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a f...
published: 24 Apr 2012 -
Richard Ford & Colm Tóibín Conversation: Narrators Are Unreliable
“You have to write about the thing you’ll be the world’s greatest expert in.” In this humorous conversation award-winning authors and friends Richard Ford and Colm Tóibín discuss each other’s work and exchange the secrets to prose writing. “I think writers have a duty to be silly when they’re not writing. And when they are writing, they have a duty not to be silly,” says Colm Tóibín in this in-depth conversation between two authors with intimate knowledge of each other’s work. American Richard Ford and Irish Colm Tóibín both teach writing at Columbia University in New York, USA, and here they discuss the differences in style, nationality and subject matter that divide them in a celebration of literature and writing. The authors also read from their novels ‘Let Me Be Frank With You’ (2014...
published: 23 Nov 2016 -
James Baldwin: the Price of the Ticket
To watch the entire documentary, to read background information and to order DVDs, visit: http://newsreel.org/video/JAMES-BALDWIN-THE-PRICE-OF-THE-TICKET Film biography of the life of James Baldwin includes excerpts from his work . Writers Maya Angelou, Amiri Baraka, Ishmael Reed and William Styron discuss Baldwin's influence. http://www.newsreel.org/nav/title.asp?tc=CN0049
published: 27 Oct 2009 -
-
Frankie Boyle interview on comic books, comic cons & fandom
Frankie Boyle chats about comic fandom, reading to his kids, and his big red beard at Kapow! Comic Convention. Frankie Boyle answered questions from Jimmy Carr and the audience about all things comic book on a panel at Kapow! Watch Frankie Boyle on his comic book Red Royd in Clint magazine http://youtu.be/OTxZU43OzWI http://bit.ly/movie-interviews-tv - Watch more comic book interviews! http://FlicksAndTheCity.com - Visit Flicks and the City! http://facebook.com/FlicksAndTheCity - Like Flicks and the City on Facebook! http://twitter.com/flickscity - Follow Flicks and the City on Twitter! Interviewer: Jan Gilbert http://twitter.com/jan_gilbert - Follow Jan on Twitter! http://JanGilbert.co.uk - Visit JanGilbert.co.uk! Featured on http://flicksandthecity.com/rex-royd-with-frankie-boyle/ ...
published: 17 Jul 2012 -
Richard Price on writing screen plays
published: 30 May 2010 -
Dialogue: Author Richard Ford
Dialogue host Marcia Franklin talks with novelist and short story writer Richard Ford about his works and life. The two discuss the themes in his books, why he wanted to write another novel in the Frank Bascombe series, and race relations in America. The interview was taped at the 2015 Sun Valley Writers' Conference.
published: 06 Nov 2015 -
TEDxPugetSound - David Whyte - Life at the Frontier: The Conversational Nature of Reality
Internationally acclaimed poet David Whyte is an Associate Fellow at Templeton College and Said Business School at the University of Oxford, David works with many European, American and international companies, using poetry and thoughtful commentary to illustrate how we can foster qualities of courage and engagement. In his talk, David encourages us to remain open to know the dialogue with our surroundings inform and inspire our ideas About TEDx, x = independently organized event In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organized events are bra...
published: 26 Feb 2011 -
James Baldwin Debates William F. Buckley (1965)
Historic debate between James Baldwin v. William F. Buckley Jr. at Cambridge University on the question: "Is the American Dream at the expense of the American Negro?"
published: 27 Oct 2012 -
Richard Blanco Reads Poem "Betting on America"
On April 24, 2013, Americas Society hosted a conversation and reading featuring Cuban-American poet Richard Blanco, recipient of the prestigious Agnes Lynch Starrett Poetry Prize and the featured poet at President Barack Obama's second inauguration in January 2013. In this video, Blanco reads a poem called "Betting on America" from his book Looking for The Gulf Coast (2012).
published: 30 Apr 2013
Richard Price on Writing Dialogue
- Order: Reorder
- Duration: 2:10
- Updated: 24 Apr 2012
- views: 17458
Writing dialogue is a knack, Price says. Either you have it, or you don't.
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think ...
Writing dialogue is a knack, Price says. Either you have it, or you don't.
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth.
Recorded On: 3/3/08
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth.
Recorded On: 3/3/08
https://wn.com/Richard_Price_On_Writing_Dialogue
Writing dialogue is a knack, Price says. Either you have it, or you don't.
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth.
Recorded On: 3/3/08
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth.
Recorded On: 3/3/08
- published: 24 Apr 2012
- views: 17458
Richard Ford & Colm Tóibín Conversation: Narrators Are Unreliable
- Order: Reorder
- Duration: 1:00:28
- Updated: 23 Nov 2016
- views: 328
“You have to write about the thing you’ll be the world’s greatest expert in.” In this humorous conversation award-winning authors and friends Richard Ford and C...
“You have to write about the thing you’ll be the world’s greatest expert in.” In this humorous conversation award-winning authors and friends Richard Ford and Colm Tóibín discuss each other’s work and exchange the secrets to prose writing.
“I think writers have a duty to be silly when they’re not writing. And when they are writing, they have a duty not to be silly,” says Colm Tóibín in this in-depth conversation between two authors with intimate knowledge of each other’s work. American Richard Ford and Irish Colm Tóibín both teach writing at Columbia University in New York, USA, and here they discuss the differences in style, nationality and subject matter that divide them in a celebration of literature and writing. The authors also read from their novels ‘Let Me Be Frank With You’ (2014) and ‘Nora Webster’ (2014).
Colm Tóibín (b. 1955) is an Irish novelist, short story writer, essayist, playwright, critic and poet. He is the recipient of numerous prestigious awards including 2011 Irish PEN Award for his contribution to Irish literature. Tóibín has also been shortlisted for the Booker Prize several times. For more about him see: http://www.colmtoibin.com/
Richard Ford (b. 1944) is an American novelist and short story writer. Ford is the recipient of several prestigious awards such as the 2013 Prix Femina Étranger, the 1995 PEN/Faulkner Award and the 1995 Pulitzer Prize for Fiction.
The conversation between Colm Tóibín and Richard Ford was moderated by Synne Rifbjerg as part of the Louisiana Literature festival at the Louisiana Museum of Modern Art, Denmark, in August 2015.
Cameras: Rasmus Quistgaard, Simon Weyhe & Mathias Nyholm
Edited by: Klaus Elmer
Produced by: Marc-Christoph Wagner
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2016
Supported by Nordea-fonden
FOLLOW US HERE!
Website: http://channel.louisiana.dk
Facebook: https://www.facebook.com/LouisianaChannel
Instagram: http://www.instagram.com/louisianachannel
Twitter: http://www.twitter.com/LouisianaChann
https://wn.com/Richard_Ford_Colm_Tóibín_Conversation_Narrators_Are_Unreliable
“You have to write about the thing you’ll be the world’s greatest expert in.” In this humorous conversation award-winning authors and friends Richard Ford and Colm Tóibín discuss each other’s work and exchange the secrets to prose writing.
“I think writers have a duty to be silly when they’re not writing. And when they are writing, they have a duty not to be silly,” says Colm Tóibín in this in-depth conversation between two authors with intimate knowledge of each other’s work. American Richard Ford and Irish Colm Tóibín both teach writing at Columbia University in New York, USA, and here they discuss the differences in style, nationality and subject matter that divide them in a celebration of literature and writing. The authors also read from their novels ‘Let Me Be Frank With You’ (2014) and ‘Nora Webster’ (2014).
Colm Tóibín (b. 1955) is an Irish novelist, short story writer, essayist, playwright, critic and poet. He is the recipient of numerous prestigious awards including 2011 Irish PEN Award for his contribution to Irish literature. Tóibín has also been shortlisted for the Booker Prize several times. For more about him see: http://www.colmtoibin.com/
Richard Ford (b. 1944) is an American novelist and short story writer. Ford is the recipient of several prestigious awards such as the 2013 Prix Femina Étranger, the 1995 PEN/Faulkner Award and the 1995 Pulitzer Prize for Fiction.
The conversation between Colm Tóibín and Richard Ford was moderated by Synne Rifbjerg as part of the Louisiana Literature festival at the Louisiana Museum of Modern Art, Denmark, in August 2015.
Cameras: Rasmus Quistgaard, Simon Weyhe & Mathias Nyholm
Edited by: Klaus Elmer
Produced by: Marc-Christoph Wagner
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2016
Supported by Nordea-fonden
FOLLOW US HERE!
Website: http://channel.louisiana.dk
Facebook: https://www.facebook.com/LouisianaChannel
Instagram: http://www.instagram.com/louisianachannel
Twitter: http://www.twitter.com/LouisianaChann
- published: 23 Nov 2016
- views: 328
James Baldwin: the Price of the Ticket
- Order: Reorder
- Duration: 4:40
- Updated: 27 Oct 2009
- views: 144350
To watch the entire documentary, to read background information and to order DVDs, visit:
http://newsreel.org/video/JAMES-BALDWIN-THE-PRICE-OF-THE-TICKET
Film...
To watch the entire documentary, to read background information and to order DVDs, visit:
http://newsreel.org/video/JAMES-BALDWIN-THE-PRICE-OF-THE-TICKET
Film biography of the life of James Baldwin includes excerpts from his work . Writers Maya Angelou, Amiri Baraka, Ishmael Reed and William Styron discuss Baldwin's influence.
http://www.newsreel.org/nav/title.asp?tc=CN0049
https://wn.com/James_Baldwin_The_Price_Of_The_Ticket
To watch the entire documentary, to read background information and to order DVDs, visit:
http://newsreel.org/video/JAMES-BALDWIN-THE-PRICE-OF-THE-TICKET
Film biography of the life of James Baldwin includes excerpts from his work . Writers Maya Angelou, Amiri Baraka, Ishmael Reed and William Styron discuss Baldwin's influence.
http://www.newsreel.org/nav/title.asp?tc=CN0049
- published: 27 Oct 2009
- views: 144350
Richard Price Reads from "Lush Life"
- Order: Reorder
- Duration: 5:37
- Updated: 24 Apr 2012
- views: 367
Frankie Boyle interview on comic books, comic cons & fandom
- Order: Reorder
- Duration: 5:01
- Updated: 17 Jul 2012
- views: 64285
Frankie Boyle chats about comic fandom, reading to his kids, and his big red beard at Kapow! Comic Convention. Frankie Boyle answered questions from Jimmy Carr ...
Frankie Boyle chats about comic fandom, reading to his kids, and his big red beard at Kapow! Comic Convention. Frankie Boyle answered questions from Jimmy Carr and the audience about all things comic book on a panel at Kapow!
Watch Frankie Boyle on his comic book Red Royd in Clint magazine http://youtu.be/OTxZU43OzWI
http://bit.ly/movie-interviews-tv - Watch more comic book interviews!
http://FlicksAndTheCity.com - Visit Flicks and the City!
http://facebook.com/FlicksAndTheCity - Like Flicks and the City on Facebook!
http://twitter.com/flickscity - Follow Flicks and the City on Twitter!
Interviewer: Jan Gilbert
http://twitter.com/jan_gilbert - Follow Jan on Twitter!
http://JanGilbert.co.uk - Visit JanGilbert.co.uk!
Featured on http://flicksandthecity.com/rex-royd-with-frankie-boyle/
Frankie Boyle is a great comic book fan, and as a child he read old British comics, American comics like The Silver Surfer and in particular a Kirby comic with supervillains trapped in an asteroid prison. Frankie reads any comics he can get his hands on, taking the best from each one, and then reading edited versions to his kids. Recently he read Annihilation: Conquest, with characters like Rocket Racoon, and really enjoyed it. Frankie Boyle's son enjoys the comics too but his daughter less so as there is a lack of good female comic book characters, except perhaps for Fantastic Four.
Frankie Boyle has appeared on NMTB Never Mind The Buzzcocks, Mock The Week, Green Mile Tramadol Nights, Frankie Boyle: Live, Live at the Apollo, Argumental, Last Days of Sodom, The Law of the Playground and I Blame the Spice Girls: The Monster Quiz of the Decade, made infamous, legendary and offensive jokes about Rebecca Adlington, Benjamin Button, Large Hadron Collider (Black Hole Machine), Carol Vorderman, rapper Chris Brown, Christmas, cut joke, David Mitchell, Down Syndrome, Princess Diana, Dalek poetry, dwarf, daffodils, disabled children, environmentalist, Eminem, English football, E4, gay dad jokes, Glasgow terrorist attack, George Michael, Harvey Price, Richard Hammond, Ice Fishing, Israeli martial arts, Justin Bieber, Jordan's kid, Katie Price's son, Jade Goody, Joey Barton, Knight Rider, Kick It In The Goal, Kerry Katona, Kingdom of Fife, kills Santa on Mock The week, love poems, Loose Women Iran on Tramadol Nights, Michael Jackson, moral high ground, Margaret Thatcher, Macy Gray, Mel Gibson, Nigella Lawson, Olympics, religion, Scotland, Paralympics, psychopath test, police, Points of View, Palestine, Professor Green rapped on Never Mind The Buzzcocks, the Queen's Speech, The Racist Door invented by Frankie Boyle on Mock The Week, Ricky Gervais, roadside assistance, royal family, Richard Dawkins, Saddam Hussein, Usain Bolt, university, vegetarian option, Vader, Wayne Rooney, women, X Factor, talked to Amy Childs about Vajazzling, and has appeared on Alan Carr's Chatty Man, Jimmy Carr, Channel 4, Endinburgh, GTA 4, Glasgow, Have I Got News For You, Hackney Empire, Jonathan Ross, Queer Eye For the Straight Guy, Variety performance, WILTY Would I Lie To You, You Have Been Watching and has received numerous comedy awards.
Many thanks to Kapow! Comic Convention. Check out http://kapowcomicconvention.com for future Kapow! events.
https://wn.com/Frankie_Boyle_Interview_On_Comic_Books,_Comic_Cons_Fandom
Frankie Boyle chats about comic fandom, reading to his kids, and his big red beard at Kapow! Comic Convention. Frankie Boyle answered questions from Jimmy Carr and the audience about all things comic book on a panel at Kapow!
Watch Frankie Boyle on his comic book Red Royd in Clint magazine http://youtu.be/OTxZU43OzWI
http://bit.ly/movie-interviews-tv - Watch more comic book interviews!
http://FlicksAndTheCity.com - Visit Flicks and the City!
http://facebook.com/FlicksAndTheCity - Like Flicks and the City on Facebook!
http://twitter.com/flickscity - Follow Flicks and the City on Twitter!
Interviewer: Jan Gilbert
http://twitter.com/jan_gilbert - Follow Jan on Twitter!
http://JanGilbert.co.uk - Visit JanGilbert.co.uk!
Featured on http://flicksandthecity.com/rex-royd-with-frankie-boyle/
Frankie Boyle is a great comic book fan, and as a child he read old British comics, American comics like The Silver Surfer and in particular a Kirby comic with supervillains trapped in an asteroid prison. Frankie reads any comics he can get his hands on, taking the best from each one, and then reading edited versions to his kids. Recently he read Annihilation: Conquest, with characters like Rocket Racoon, and really enjoyed it. Frankie Boyle's son enjoys the comics too but his daughter less so as there is a lack of good female comic book characters, except perhaps for Fantastic Four.
Frankie Boyle has appeared on NMTB Never Mind The Buzzcocks, Mock The Week, Green Mile Tramadol Nights, Frankie Boyle: Live, Live at the Apollo, Argumental, Last Days of Sodom, The Law of the Playground and I Blame the Spice Girls: The Monster Quiz of the Decade, made infamous, legendary and offensive jokes about Rebecca Adlington, Benjamin Button, Large Hadron Collider (Black Hole Machine), Carol Vorderman, rapper Chris Brown, Christmas, cut joke, David Mitchell, Down Syndrome, Princess Diana, Dalek poetry, dwarf, daffodils, disabled children, environmentalist, Eminem, English football, E4, gay dad jokes, Glasgow terrorist attack, George Michael, Harvey Price, Richard Hammond, Ice Fishing, Israeli martial arts, Justin Bieber, Jordan's kid, Katie Price's son, Jade Goody, Joey Barton, Knight Rider, Kick It In The Goal, Kerry Katona, Kingdom of Fife, kills Santa on Mock The week, love poems, Loose Women Iran on Tramadol Nights, Michael Jackson, moral high ground, Margaret Thatcher, Macy Gray, Mel Gibson, Nigella Lawson, Olympics, religion, Scotland, Paralympics, psychopath test, police, Points of View, Palestine, Professor Green rapped on Never Mind The Buzzcocks, the Queen's Speech, The Racist Door invented by Frankie Boyle on Mock The Week, Ricky Gervais, roadside assistance, royal family, Richard Dawkins, Saddam Hussein, Usain Bolt, university, vegetarian option, Vader, Wayne Rooney, women, X Factor, talked to Amy Childs about Vajazzling, and has appeared on Alan Carr's Chatty Man, Jimmy Carr, Channel 4, Endinburgh, GTA 4, Glasgow, Have I Got News For You, Hackney Empire, Jonathan Ross, Queer Eye For the Straight Guy, Variety performance, WILTY Would I Lie To You, You Have Been Watching and has received numerous comedy awards.
Many thanks to Kapow! Comic Convention. Check out http://kapowcomicconvention.com for future Kapow! events.
- published: 17 Jul 2012
- views: 64285
Richard Price on writing screen plays
- Order: Reorder
- Duration: 0:58
- Updated: 30 May 2010
- views: 142
- published: 30 May 2010
- views: 142
Dialogue: Author Richard Ford
- Order: Reorder
- Duration: 28:53
- Updated: 06 Nov 2015
- views: 1686
Dialogue host Marcia Franklin talks with novelist and short story writer Richard Ford about his works and life. The two discuss the themes in his books, why he ...
Dialogue host Marcia Franklin talks with novelist and short story writer Richard Ford about his works and life. The two discuss the themes in his books, why he wanted to write another novel in the Frank Bascombe series, and race relations in America.
The interview was taped at the 2015 Sun Valley Writers' Conference.
https://wn.com/Dialogue_Author_Richard_Ford
Dialogue host Marcia Franklin talks with novelist and short story writer Richard Ford about his works and life. The two discuss the themes in his books, why he wanted to write another novel in the Frank Bascombe series, and race relations in America.
The interview was taped at the 2015 Sun Valley Writers' Conference.
- published: 06 Nov 2015
- views: 1686
TEDxPugetSound - David Whyte - Life at the Frontier: The Conversational Nature of Reality
- Order: Reorder
- Duration: 19:14
- Updated: 26 Feb 2011
- views: 106731
Internationally acclaimed poet David Whyte is an Associate Fellow at Templeton
College and Said Business School at the University of Oxford, David works with m...
Internationally acclaimed poet David Whyte is an Associate Fellow at Templeton
College and Said Business School at the University of Oxford, David works with many European, American and international companies, using poetry and thoughtful commentary to illustrate how we can foster qualities of courage and engagement.
In his talk, David encourages us to remain open to know the dialogue with our surroundings inform and inspire our ideas
About TEDx, x = independently organized event
In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organized events are branded TEDx, where x = independently organized TED event. The TED Conference provides general guidance for the TEDx program, but individual TEDx events are self-organized.*
(*Subject to certain rules and regulations)
https://wn.com/Tedxpugetsound_David_Whyte_Life_At_The_Frontier_The_Conversational_Nature_Of_Reality
Internationally acclaimed poet David Whyte is an Associate Fellow at Templeton
College and Said Business School at the University of Oxford, David works with many European, American and international companies, using poetry and thoughtful commentary to illustrate how we can foster qualities of courage and engagement.
In his talk, David encourages us to remain open to know the dialogue with our surroundings inform and inspire our ideas
About TEDx, x = independently organized event
In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organized events are branded TEDx, where x = independently organized TED event. The TED Conference provides general guidance for the TEDx program, but individual TEDx events are self-organized.*
(*Subject to certain rules and regulations)
- published: 26 Feb 2011
- views: 106731
James Baldwin Debates William F. Buckley (1965)
- Order: Reorder
- Duration: 58:58
- Updated: 27 Oct 2012
- views: 518965
Historic debate between James Baldwin v. William F. Buckley Jr. at Cambridge University on the question: "Is the American Dream at the expense of the American N...
Historic debate between James Baldwin v. William F. Buckley Jr. at Cambridge University on the question: "Is the American Dream at the expense of the American Negro?"
https://wn.com/James_Baldwin_Debates_William_F._Buckley_(1965)
Historic debate between James Baldwin v. William F. Buckley Jr. at Cambridge University on the question: "Is the American Dream at the expense of the American Negro?"
- published: 27 Oct 2012
- views: 518965
Richard Blanco Reads Poem "Betting on America"
- Order: Reorder
- Duration: 3:54
- Updated: 30 Apr 2013
- views: 1256
On April 24, 2013, Americas Society hosted a conversation and reading featuring Cuban-American poet Richard Blanco, recipient of the prestigious Agnes Lynch Sta...
On April 24, 2013, Americas Society hosted a conversation and reading featuring Cuban-American poet Richard Blanco, recipient of the prestigious Agnes Lynch Starrett Poetry Prize and the featured poet at President Barack Obama's second inauguration in January 2013. In this video, Blanco reads a poem called "Betting on America" from his book Looking for The Gulf Coast (2012).
https://wn.com/Richard_Blanco_Reads_Poem_Betting_On_America
On April 24, 2013, Americas Society hosted a conversation and reading featuring Cuban-American poet Richard Blanco, recipient of the prestigious Agnes Lynch Starrett Poetry Prize and the featured poet at President Barack Obama's second inauguration in January 2013. In this video, Blanco reads a poem called "Betting on America" from his book Looking for The Gulf Coast (2012).
- published: 30 Apr 2013
- views: 1256
-
Author Richard Price breaks down his writing process
Richard Price, author of the new novel "The Whites," talks about what goes into the writing of his novels with Jeffrey Brown. Read the story: http://www.pbs.org/newshour/rundown/writing-process-behind-richard-prices-newest-book/
published: 02 Mar 2015 -
CFA Master Class: Richard Price
Richard Price needs no introduction. One of great novelists of our time to capture city life in all its beauty, complications and mess in such masterful best selling novels as The Wanderers, Clockers, and Lush Life. It’s hard to think of another writer today with such a command of language and the vernacular, evidenced in his brilliant television and movie work, a screenplay for The Color of Money and writing for The Wire. Price joined the Crime Fiction Academy for a Master Class in writing and a discussion of his latest work.
published: 02 Mar 2016 -
Richard Price Talks with David Simon About His New Novel "The Whites"
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Yplus Richard Price, one of America’s most gifted novelists, has always written brilliantly about cops, criminals and New York City. Now, writing as Harry Brandt, he is poised to win a huge following among all those who hunger for first-rate crime fiction. Join him and David Simon (“The Wire”) for a conversation about The Whites. Follow us on Facebook: http://facebook.com/92ndStreetY Twitter: https://twitter.com/92Y Tumblr: http://92y.tumblr.com/ Instagram: http://Instagram.com/92ndStreetY 92Y.org: http://92Y.org
published: 24 Feb 2015 -
Richard Price on Drugs and Writing
Richard Price says nobody has ever produced good work on drugs.
published: 24 Apr 2012 -
Richard Price, "The Whites"
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homage as much to Melville as it does to today’s urban realities. Billy Graves has barely hung on in the NYPD since he accidentally shot a ten-year-old boy nearly twenty years ago. Stuck on the night shift, Graves suddenly relives the past when a slashing victim turns out to be a suspect in a case from the old days. Soon other elusive criminals—known by their frustrated pursuers as “whites,” after Moby Dick—begin to surface, just as a stalker terrorizes Graves’s family. Founded by Carla Cohen and Barbara Meade in 1984, Politics & Prose Bookstore is Washington, D.C.'s premier independent bookstore and cultural hub, a gathering place for people interested in reading and discussing books. Politics & Prose o...
published: 06 Mar 2015 -
Richard Price on Becoming a Writer
By the time he was eleven, Price wanted to be a journalist, though he didn't quite know what that meant. Question: Did you always know you wanted to be a writer? Richard Price: Honestly, yes. I found sort of a graduation autograph book from 6th grade. I must've been 11 years old. You give it to all the kids in your class and it's a "Good luck, you loser." There's a page where you fill out your hopes and dreams and for some reason, I wrote down journalist. I didn't even know what a journalist was and I spelled it right. So yeah, I guess I did.No, I started writing in elementary school believe it or not. My grandfather was a factory worker but he also wrote poetry. He's Russian. I would see his poems published on a mimeographed YMHA Journal in Brooklyn. This is in the '50s and I'd see this...
published: 24 Apr 2012 -
Richard Price: Tenement Talk from March, 2015
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in his new book, The Whites. Dennis Lehane wrote, "Whether you call it a crime novel or a mystery novel or a giraffe with polka dots is largely irrelevant--The Whites is, simply put, a great American novel." Price, author of Lush Life and Clockers, discusses his new detective story with Henry Chang, author of an acclaimed series of Chinatown-based crime novels.
published: 22 Mar 2015 -
Richard Price on Writing Dialogue
Writing dialogue is a knack, Price says. Either you have it, or you don't. Question: How do you write dialogue? Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a f...
published: 24 Apr 2012 -
Richard Price on "The Wire"
Price says he doesn't feel the pressure of writing for a show with such a cult following. Question: Is it hard to write for a show with a cult following? Richard Price: No. It has a cultish following because it's so riveting and I had been watching the show for two years before they approached me. So I was up to speed on every character. In fact, David Simon told me The Wire was based on Clockers. He wrote Homicide: A Year in the Life on the Streets and I wrote Clockers, both in 1992. We had the same editor, John Sterling. John Sterling put us together the night of the Rodney King verdict rioting. He and I had our first play date when we went over to Jersey City to watch the riots. So we've been friends since 1992 and he said Clockers is the book he meant to write so he did The Wire inst...
published: 24 Apr 2012 -
Valtra customer testimonial Richard Price
A testimonial film for Valtra with customer Richard Price of Lowther Park Farms in Cumbria. This film formed part of a national promotional campaign by Green Square for Valtra.
published: 18 Sep 2014
Author Richard Price breaks down his writing process
- Order: Reorder
- Duration: 5:21
- Updated: 02 Mar 2015
- views: 3165
Richard Price, author of the new novel "The Whites," talks about what goes into the writing of his novels with Jeffrey Brown.
Read the story: http://www.pbs.or...
Richard Price, author of the new novel "The Whites," talks about what goes into the writing of his novels with Jeffrey Brown.
Read the story: http://www.pbs.org/newshour/rundown/writing-process-behind-richard-prices-newest-book/
https://wn.com/Author_Richard_Price_Breaks_Down_His_Writing_Process
Richard Price, author of the new novel "The Whites," talks about what goes into the writing of his novels with Jeffrey Brown.
Read the story: http://www.pbs.org/newshour/rundown/writing-process-behind-richard-prices-newest-book/
- published: 02 Mar 2015
- views: 3165
CFA Master Class: Richard Price
- Order: Reorder
- Duration: 49:43
- Updated: 02 Mar 2016
- views: 340
Richard Price needs no introduction. One of great novelists of our time to capture city life in all its beauty, complications and mess in such masterful best se...
Richard Price needs no introduction. One of great novelists of our time to capture city life in all its beauty, complications and mess in such masterful best selling novels as The Wanderers, Clockers, and Lush Life. It’s hard to think of another writer today with such a command of language and the vernacular, evidenced in his brilliant television and movie work, a screenplay for The Color of Money and writing for The Wire. Price joined the Crime Fiction Academy for a Master Class in writing and a discussion of his latest work.
https://wn.com/Cfa_Master_Class_Richard_Price
Richard Price needs no introduction. One of great novelists of our time to capture city life in all its beauty, complications and mess in such masterful best selling novels as The Wanderers, Clockers, and Lush Life. It’s hard to think of another writer today with such a command of language and the vernacular, evidenced in his brilliant television and movie work, a screenplay for The Color of Money and writing for The Wire. Price joined the Crime Fiction Academy for a Master Class in writing and a discussion of his latest work.
- published: 02 Mar 2016
- views: 340
Richard Price Talks with David Simon About His New Novel "The Whites"
- Order: Reorder
- Duration: 1:05:11
- Updated: 24 Feb 2015
- views: 4794
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Yplus
Richard Price, one of America’s most gifted novelists, has always ...
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Yplus
Richard Price, one of America’s most gifted novelists, has always written brilliantly about cops, criminals and New York City. Now, writing as Harry Brandt, he is poised to win a huge following among all those who hunger for first-rate crime fiction. Join him and David Simon (“The Wire”) for a conversation about The Whites.
Follow us on Facebook: http://facebook.com/92ndStreetY
Twitter: https://twitter.com/92Y
Tumblr: http://92y.tumblr.com/
Instagram: http://Instagram.com/92ndStreetY
92Y.org: http://92Y.org
https://wn.com/Richard_Price_Talks_With_David_Simon_About_His_New_Novel_The_Whites
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Yplus
Richard Price, one of America’s most gifted novelists, has always written brilliantly about cops, criminals and New York City. Now, writing as Harry Brandt, he is poised to win a huge following among all those who hunger for first-rate crime fiction. Join him and David Simon (“The Wire”) for a conversation about The Whites.
Follow us on Facebook: http://facebook.com/92ndStreetY
Twitter: https://twitter.com/92Y
Tumblr: http://92y.tumblr.com/
Instagram: http://Instagram.com/92ndStreetY
92Y.org: http://92Y.org
- published: 24 Feb 2015
- views: 4794
Richard Price on Drugs and Writing
- Order: Reorder
- Duration: 2:42
- Updated: 24 Apr 2012
- views: 4443
Richard Price says nobody has ever produced good work on drugs.
Richard Price says nobody has ever produced good work on drugs.
https://wn.com/Richard_Price_On_Drugs_And_Writing
Richard Price, "The Whites"
- Order: Reorder
- Duration: 49:39
- Updated: 06 Mar 2015
- views: 1573
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homage as much to Melville as it does to today’s urban realities. Billy Gr...
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homage as much to Melville as it does to today’s urban realities. Billy Graves has barely hung on in the NYPD since he accidentally shot a ten-year-old boy nearly twenty years ago. Stuck on the night shift, Graves suddenly relives the past when a slashing victim turns out to be a suspect in a case from the old days. Soon other elusive criminals—known by their frustrated pursuers as “whites,” after Moby Dick—begin to surface, just as a stalker terrorizes Graves’s family.
Founded by Carla Cohen and Barbara Meade in 1984, Politics & Prose Bookstore is Washington, D.C.'s premier independent bookstore and cultural hub, a gathering place for people interested in reading and discussing books. Politics & Prose offers superior service, unusual book choices, and a haven for book lovers in the store and online. Visit them on the web at http://www.politics-prose.com/
https://wn.com/Richard_Price,_The_Whites
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homage as much to Melville as it does to today’s urban realities. Billy Graves has barely hung on in the NYPD since he accidentally shot a ten-year-old boy nearly twenty years ago. Stuck on the night shift, Graves suddenly relives the past when a slashing victim turns out to be a suspect in a case from the old days. Soon other elusive criminals—known by their frustrated pursuers as “whites,” after Moby Dick—begin to surface, just as a stalker terrorizes Graves’s family.
Founded by Carla Cohen and Barbara Meade in 1984, Politics & Prose Bookstore is Washington, D.C.'s premier independent bookstore and cultural hub, a gathering place for people interested in reading and discussing books. Politics & Prose offers superior service, unusual book choices, and a haven for book lovers in the store and online. Visit them on the web at http://www.politics-prose.com/
- published: 06 Mar 2015
- views: 1573
Richard Price on Becoming a Writer
- Order: Reorder
- Duration: 2:52
- Updated: 24 Apr 2012
- views: 1166
By the time he was eleven, Price wanted to be a journalist, though he didn't quite know what that meant.
Question: Did you always know you wanted to be a write...
By the time he was eleven, Price wanted to be a journalist, though he didn't quite know what that meant.
Question: Did you always know you wanted to be a writer?
Richard Price: Honestly, yes. I found sort of a graduation autograph book from 6th grade. I must've been 11 years old. You give it to all the kids in your class and it's a "Good luck, you loser." There's a page where you fill out your hopes and dreams and for some reason, I wrote down journalist. I didn't even know what a journalist was and I spelled it right. So yeah, I guess I did.No, I started writing in elementary school believe it or not. My grandfather was a factory worker but he also wrote poetry. He's Russian. I would see his poems published on a mimeographed YMHA Journal in Brooklyn. This is in the '50s and I'd see this poem which I didn't understand. Then I'd see his name in print and it kind of blew my mind. From that point on, I said I want to be a writer, too. It could be worse. He could've been a professional wrestler or an opera singer and then I really would've been screwed. I didn't really think about "Why do I want to be a writer; what do I have to say?" until I was in my 20s. I think I just got by on sort of wit and facility with words. I didn't think I had anything-- Who earlier than 20-something has anything substantial to say anyhow, but somehow, I just got sucked into that thing about wanting to be the writer. Every kid, when you're a teenager, you have to have an ace in the hole. This kid, he's the toughest. He's the brain. He's got the best hair. He's the best dancer. He's the writer but it was more gift wrapping than gift. I don't think it was anything in my family. It's a mystery to me. Nobody in my family is like me. My brother's a vice president at Con Edison. He works in environmental affairs. My father is a cab driver. My mother was a bank teller. They're all intelligent people but nobody displayed any kind of particular flair or humor or any affinity for Lenny Bruce or anything. It's your basic, down the middle working-class nuclear family. I don't know what happened to me.
Recorded On: 3/3/08
Question: Did you always know you wanted to be a writer?
Richard Price: Honestly, yes. I found sort of a graduation autograph book from 6th grade. I must've been 11 years old. You give it to all the kids in your class and it's a "Good luck, you loser." There's a page where you fill out your hopes and dreams and for some reason, I wrote down journalist. I didn't even know what a journalist was and I spelled it right. So yeah, I guess I did.No, I started writing in elementary school believe it or not. My grandfather was a factory worker but he also wrote poetry. He's Russian. I would see his poems published on a mimeographed YMHA Journal in Brooklyn. This is in the '50s and I'd see this poem which I didn't understand. Then I'd see his name in print and it kind of blew my mind. From that point on, I said I want to be a writer, too. It could be worse. He could've been a professional wrestler or an opera singer and then I really would've been screwed. I didn't really think about "Why do I want to be a writer; what do I have to say?" until I was in my 20s. I think I just got by on sort of wit and facility with words. I didn't think I had anything-- Who earlier than 20-something has anything substantial to say anyhow, but somehow, I just got sucked into that thing about wanting to be the writer. Every kid, when you're a teenager, you have to have an ace in the hole. This kid, he's the toughest. He's the brain. He's got the best hair. He's the best dancer. He's the writer but it was more gift wrapping than gift. I don't think it was anything in my family. It's a mystery to me. Nobody in my family is like me. My brother's a vice president at Con Edison. He works in environmental affairs. My father is a cab driver. My mother was a bank teller. They're all intelligent people but nobody displayed any kind of particular flair or humor or any affinity for Lenny Bruce or anything. It's your basic, down the middle working-class nuclear family. I don't know what happened to me.
Recorded On: 3/3/08
https://wn.com/Richard_Price_On_Becoming_A_Writer
By the time he was eleven, Price wanted to be a journalist, though he didn't quite know what that meant.
Question: Did you always know you wanted to be a writer?
Richard Price: Honestly, yes. I found sort of a graduation autograph book from 6th grade. I must've been 11 years old. You give it to all the kids in your class and it's a "Good luck, you loser." There's a page where you fill out your hopes and dreams and for some reason, I wrote down journalist. I didn't even know what a journalist was and I spelled it right. So yeah, I guess I did.No, I started writing in elementary school believe it or not. My grandfather was a factory worker but he also wrote poetry. He's Russian. I would see his poems published on a mimeographed YMHA Journal in Brooklyn. This is in the '50s and I'd see this poem which I didn't understand. Then I'd see his name in print and it kind of blew my mind. From that point on, I said I want to be a writer, too. It could be worse. He could've been a professional wrestler or an opera singer and then I really would've been screwed. I didn't really think about "Why do I want to be a writer; what do I have to say?" until I was in my 20s. I think I just got by on sort of wit and facility with words. I didn't think I had anything-- Who earlier than 20-something has anything substantial to say anyhow, but somehow, I just got sucked into that thing about wanting to be the writer. Every kid, when you're a teenager, you have to have an ace in the hole. This kid, he's the toughest. He's the brain. He's got the best hair. He's the best dancer. He's the writer but it was more gift wrapping than gift. I don't think it was anything in my family. It's a mystery to me. Nobody in my family is like me. My brother's a vice president at Con Edison. He works in environmental affairs. My father is a cab driver. My mother was a bank teller. They're all intelligent people but nobody displayed any kind of particular flair or humor or any affinity for Lenny Bruce or anything. It's your basic, down the middle working-class nuclear family. I don't know what happened to me.
Recorded On: 3/3/08
Question: Did you always know you wanted to be a writer?
Richard Price: Honestly, yes. I found sort of a graduation autograph book from 6th grade. I must've been 11 years old. You give it to all the kids in your class and it's a "Good luck, you loser." There's a page where you fill out your hopes and dreams and for some reason, I wrote down journalist. I didn't even know what a journalist was and I spelled it right. So yeah, I guess I did.No, I started writing in elementary school believe it or not. My grandfather was a factory worker but he also wrote poetry. He's Russian. I would see his poems published on a mimeographed YMHA Journal in Brooklyn. This is in the '50s and I'd see this poem which I didn't understand. Then I'd see his name in print and it kind of blew my mind. From that point on, I said I want to be a writer, too. It could be worse. He could've been a professional wrestler or an opera singer and then I really would've been screwed. I didn't really think about "Why do I want to be a writer; what do I have to say?" until I was in my 20s. I think I just got by on sort of wit and facility with words. I didn't think I had anything-- Who earlier than 20-something has anything substantial to say anyhow, but somehow, I just got sucked into that thing about wanting to be the writer. Every kid, when you're a teenager, you have to have an ace in the hole. This kid, he's the toughest. He's the brain. He's got the best hair. He's the best dancer. He's the writer but it was more gift wrapping than gift. I don't think it was anything in my family. It's a mystery to me. Nobody in my family is like me. My brother's a vice president at Con Edison. He works in environmental affairs. My father is a cab driver. My mother was a bank teller. They're all intelligent people but nobody displayed any kind of particular flair or humor or any affinity for Lenny Bruce or anything. It's your basic, down the middle working-class nuclear family. I don't know what happened to me.
Recorded On: 3/3/08
- published: 24 Apr 2012
- views: 1166
Richard Price: Tenement Talk from March, 2015
- Order: Reorder
- Duration: 1:17:28
- Updated: 22 Mar 2015
- views: 616
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in his new book, The Whites. Dennis Lehane wrote, "Whether you call it a cr...
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in his new book, The Whites. Dennis Lehane wrote, "Whether you call it a crime novel or a mystery novel or a giraffe with polka dots is largely irrelevant--The Whites is, simply put, a great American novel." Price, author of Lush Life and Clockers, discusses his new detective story with Henry Chang, author of an acclaimed series of Chinatown-based crime novels.
https://wn.com/Richard_Price_Tenement_Talk_From_March,_2015
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in his new book, The Whites. Dennis Lehane wrote, "Whether you call it a crime novel or a mystery novel or a giraffe with polka dots is largely irrelevant--The Whites is, simply put, a great American novel." Price, author of Lush Life and Clockers, discusses his new detective story with Henry Chang, author of an acclaimed series of Chinatown-based crime novels.
- published: 22 Mar 2015
- views: 616
Richard Price on Writing Dialogue
- Order: Reorder
- Duration: 2:10
- Updated: 24 Apr 2012
- views: 17458
Writing dialogue is a knack, Price says. Either you have it, or you don't.
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think ...
Writing dialogue is a knack, Price says. Either you have it, or you don't.
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth.
Recorded On: 3/3/08
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth.
Recorded On: 3/3/08
https://wn.com/Richard_Price_On_Writing_Dialogue
Writing dialogue is a knack, Price says. Either you have it, or you don't.
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth.
Recorded On: 3/3/08
Question: How do you write dialogue?
Richard Price: It's pretty intuitive. I think dialogue is a knack; either you have it or you don't. A lot of writers find other elements of writing a lot easier than I do. I have a terrible time writing the King's English. I couldn't punctuate a four-word sentence if my life depended on it. I hear people. When I'm writing, I hear people. I do improv. I'll be out on the street and I'll pick up the rhythm of it but it's not like anthropology. It's not like I'm trying to get the glossary right. It's just about expressing how somebody's brain works through what comes out of their mouth. I went to management meetings at Schiller's and I rode around with cops a lot. I was kind of a fly on the wall but all I'm basically looking for is what's plausible. Before I start lying, let me lie responsibly. What are the parameters of plausibility and given that, once I know that if I do this, that's way over the line of possibility, I won't do it. The other thing is I want to write in such a way as somebody who's showing me the ropes will read the book or see the movie or whatever it is, and not close the book or walk out of the theater like a third of the way through saying "Well, that was a waste of time." They're sort of my audience in an obsessive way. I want them to say "Wow, he really nailed it." It's arbitrary. It's literature. It can be anything you want. It's not social realism, it's not photojournalism but I do have that obsessive desire to nail things for what it's worth.
Recorded On: 3/3/08
- published: 24 Apr 2012
- views: 17458
Richard Price on "The Wire"
- Order: Reorder
- Duration: 1:47
- Updated: 24 Apr 2012
- views: 1328
Price says he doesn't feel the pressure of writing for a show with such a cult following.
Question: Is it hard to write for a show with a cult following?
Rich...
Price says he doesn't feel the pressure of writing for a show with such a cult following.
Question: Is it hard to write for a show with a cult following?
Richard Price: No. It has a cultish following because it's so riveting and I had been watching the show for two years before they approached me. So I was up to speed on every character. In fact, David Simon told me The Wire was based on Clockers. He wrote Homicide: A Year in the Life on the Streets and I wrote Clockers, both in 1992. We had the same editor, John Sterling. John Sterling put us together the night of the Rodney King verdict rioting. He and I had our first play date when we went over to Jersey City to watch the riots. So we've been friends since 1992 and he said Clockers is the book he meant to write so he did The Wire instead. You'll see a lot of Clockers, especially in the first year or two. But he took Clockers. I never sort of rose about the trenches but he went all the way to the State Assembly. He went places I just didn't have the smarts to go. I didn't know enough. The Wire just became so panoramic that in fact, when he finally asked me to write for the show, my first reaction was to say no because I didn't want to disappoint them because everybody thought since I wrote Clockers, I knew this stuff inside out. I emptied my pockets with Clockers. I thought these guys thought I had something special in a backpack. I was tapped but I got involved anyhow. They're going to take what's not working and make it work. That's part of the collaborative medium.
Recorded On: 3/3/08
Question: Is it hard to write for a show with a cult following?
Richard Price: No. It has a cultish following because it's so riveting and I had been watching the show for two years before they approached me. So I was up to speed on every character. In fact, David Simon told me The Wire was based on Clockers. He wrote Homicide: A Year in the Life on the Streets and I wrote Clockers, both in 1992. We had the same editor, John Sterling. John Sterling put us together the night of the Rodney King verdict rioting. He and I had our first play date when we went over to Jersey City to watch the riots. So we've been friends since 1992 and he said Clockers is the book he meant to write so he did The Wire instead. You'll see a lot of Clockers, especially in the first year or two. But he took Clockers. I never sort of rose about the trenches but he went all the way to the State Assembly. He went places I just didn't have the smarts to go. I didn't know enough. The Wire just became so panoramic that in fact, when he finally asked me to write for the show, my first reaction was to say no because I didn't want to disappoint them because everybody thought since I wrote Clockers, I knew this stuff inside out. I emptied my pockets with Clockers. I thought these guys thought I had something special in a backpack. I was tapped but I got involved anyhow. They're going to take what's not working and make it work. That's part of the collaborative medium.
Recorded On: 3/3/08
https://wn.com/Richard_Price_On_The_Wire
Price says he doesn't feel the pressure of writing for a show with such a cult following.
Question: Is it hard to write for a show with a cult following?
Richard Price: No. It has a cultish following because it's so riveting and I had been watching the show for two years before they approached me. So I was up to speed on every character. In fact, David Simon told me The Wire was based on Clockers. He wrote Homicide: A Year in the Life on the Streets and I wrote Clockers, both in 1992. We had the same editor, John Sterling. John Sterling put us together the night of the Rodney King verdict rioting. He and I had our first play date when we went over to Jersey City to watch the riots. So we've been friends since 1992 and he said Clockers is the book he meant to write so he did The Wire instead. You'll see a lot of Clockers, especially in the first year or two. But he took Clockers. I never sort of rose about the trenches but he went all the way to the State Assembly. He went places I just didn't have the smarts to go. I didn't know enough. The Wire just became so panoramic that in fact, when he finally asked me to write for the show, my first reaction was to say no because I didn't want to disappoint them because everybody thought since I wrote Clockers, I knew this stuff inside out. I emptied my pockets with Clockers. I thought these guys thought I had something special in a backpack. I was tapped but I got involved anyhow. They're going to take what's not working and make it work. That's part of the collaborative medium.
Recorded On: 3/3/08
Question: Is it hard to write for a show with a cult following?
Richard Price: No. It has a cultish following because it's so riveting and I had been watching the show for two years before they approached me. So I was up to speed on every character. In fact, David Simon told me The Wire was based on Clockers. He wrote Homicide: A Year in the Life on the Streets and I wrote Clockers, both in 1992. We had the same editor, John Sterling. John Sterling put us together the night of the Rodney King verdict rioting. He and I had our first play date when we went over to Jersey City to watch the riots. So we've been friends since 1992 and he said Clockers is the book he meant to write so he did The Wire instead. You'll see a lot of Clockers, especially in the first year or two. But he took Clockers. I never sort of rose about the trenches but he went all the way to the State Assembly. He went places I just didn't have the smarts to go. I didn't know enough. The Wire just became so panoramic that in fact, when he finally asked me to write for the show, my first reaction was to say no because I didn't want to disappoint them because everybody thought since I wrote Clockers, I knew this stuff inside out. I emptied my pockets with Clockers. I thought these guys thought I had something special in a backpack. I was tapped but I got involved anyhow. They're going to take what's not working and make it work. That's part of the collaborative medium.
Recorded On: 3/3/08
- published: 24 Apr 2012
- views: 1328
Valtra customer testimonial Richard Price
- Order: Reorder
- Duration: 2:26
- Updated: 18 Sep 2014
- views: 279
A testimonial film for Valtra with customer Richard Price of Lowther Park Farms in Cumbria. This film formed part of a national promotional campaign by Green Sq...
A testimonial film for Valtra with customer Richard Price of Lowther Park Farms in Cumbria. This film formed part of a national promotional campaign by Green Square for Valtra.
https://wn.com/Valtra_Customer_Testimonial_Richard_Price
A testimonial film for Valtra with customer Richard Price of Lowther Park Farms in Cumbria. This film formed part of a national promotional campaign by Green Square for Valtra.
- published: 18 Sep 2014
- views: 279
-
CFA Master Class: Richard Price
Richard Price needs no introduction. One of great novelists of our time to capture city life in all its beauty, complications and mess in such masterful best selling novels as The Wanderers, Clockers, and Lush Life. It’s hard to think of another writer today with such a command of language and the vernacular, evidenced in his brilliant television and movie work, a screenplay for The Color of Money and writing for The Wire. Price joined the Crime Fiction Academy for a Master Class in writing and a discussion of his latest work.
published: 02 Mar 2016 -
Richard Price Talks with David Simon About His New Novel "The Whites"
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Yplus Richard Price, one of America’s most gifted novelists, has always written brilliantly about cops, criminals and New York City. Now, writing as Harry Brandt, he is poised to win a huge following among all those who hunger for first-rate crime fiction. Join him and David Simon (“The Wire”) for a conversation about The Whites. Follow us on Facebook: http://facebook.com/92ndStreetY Twitter: https://twitter.com/92Y Tumblr: http://92y.tumblr.com/ Instagram: http://Instagram.com/92ndStreetY 92Y.org: http://92Y.org
published: 24 Feb 2015 -
Richard Price, "The Whites"
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homage as much to Melville as it does to today’s urban realities. Billy Graves has barely hung on in the NYPD since he accidentally shot a ten-year-old boy nearly twenty years ago. Stuck on the night shift, Graves suddenly relives the past when a slashing victim turns out to be a suspect in a case from the old days. Soon other elusive criminals—known by their frustrated pursuers as “whites,” after Moby Dick—begin to surface, just as a stalker terrorizes Graves’s family. Founded by Carla Cohen and Barbara Meade in 1984, Politics & Prose Bookstore is Washington, D.C.'s premier independent bookstore and cultural hub, a gathering place for people interested in reading and discussing books. Politics & Prose o...
published: 06 Mar 2015 -
Richard Price: Tenement Talk from March, 2015
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in his new book, The Whites. Dennis Lehane wrote, "Whether you call it a crime novel or a mystery novel or a giraffe with polka dots is largely irrelevant--The Whites is, simply put, a great American novel." Price, author of Lush Life and Clockers, discusses his new detective story with Henry Chang, author of an acclaimed series of Chinatown-based crime novels.
published: 22 Mar 2015 -
Richard Price: "Lush Life" | Talks at Google
Novelist Richard Price visits Google's Mountain View, CA, headquarters to discuss his novel "Lush Life." This event took place on March 27, 2008, as part of the Authors@Google series.
published: 14 Apr 2008 -
2016 PEN World Voices Festival: The State of the City - New York
In NYC as elsewhere, metamorphosis is a violent act. Every new influx creates an equal expulsion. Gentrification is as old as the city itself, but is the real estate-driven transformation to a safer and more affluent community worth the obliteration of what existed before. Participants: Fran Leibowitz and Richard Price
published: 02 May 2016 -
The Best of Wagner
Subscribe for more classical music: http://bit.ly/YouTubeHalidonMusic All the best classical music ever on one channel: Mozart, Bach, Beethoven, Chopin, Schubert, Wagner, Strauss, Vivaldi, Brahms and many more! ▶ BUY The Best of Wagner from our store: http://bit.ly/1t1hrkA SPECIAL OFFER € 2.99! ▶ BUY on iTunes : http://bit.ly/1o4pzc6 ▶ BUY on Amazon: http://amzn.to/11dDxm1 Follow us here: https://www.facebook.com/halidonmusic/ https://twitter.com/halidonmusic http://www.halidon.it/index.php More music here: https://play.spotify.com/user/halidon TRACKLIST The Mastersingers of Nuremberg, I: "Overture" The Mastersingers of Nuremberg, Act III: "Prelude" ( 10:44 ) The Mastersingers of Nuremberg, Act III: "Dance of the Apprentices" ( 16:37 ) Lohengrin, WWV 75, I: "Prelude" ( 19:00 )...
published: 13 Mar 2013 -
Rot and Renaissance
The country’s pre-eminent chronicler of the darker realities of urban life talks about what really has — and hasn’t — changed in the soul of great American cities. Richard Price, author and screenwriter Moderator: William Rashbaum, senior writer, The New York Times
published: 19 Jul 2016 -
Back to the Bronx with Writer Richard Price (2017)
published: 26 Mar 2017 -
The Whites Audiobook Full by Harry Brandt | Fiction&Mystery;&Crime;
The electrifying tale of a New York City police detective under siege-by an unsolved murder, by his own dark past, and by a violent stalker seeking revenge. Back in the run-and-gun days of the mid-1990s, when a young Billy Graves worked in the South Bronx as part of an aggressive anti-crime unit known as the Wild Geese, he made headlines by accidentally shooting a ten-year-old boy while struggling with an angel-dusted berserker on a crowded street. Branded as a loose cannon by his higher-ups, Billy spent years enduring one dead-end posting after another. Now in his early forties, he has somehow survived and become a sergeant in Manhattan Night Watch, a small team of detectives charged with responding to all post-midnight felonies from Wall Street to Harlem. Mostly, his unit acts as little...
published: 12 Oct 2016
CFA Master Class: Richard Price
- Order: Reorder
- Duration: 49:43
- Updated: 02 Mar 2016
- views: 340
Richard Price needs no introduction. One of great novelists of our time to capture city life in all its beauty, complications and mess in such masterful best se...
Richard Price needs no introduction. One of great novelists of our time to capture city life in all its beauty, complications and mess in such masterful best selling novels as The Wanderers, Clockers, and Lush Life. It’s hard to think of another writer today with such a command of language and the vernacular, evidenced in his brilliant television and movie work, a screenplay for The Color of Money and writing for The Wire. Price joined the Crime Fiction Academy for a Master Class in writing and a discussion of his latest work.
https://wn.com/Cfa_Master_Class_Richard_Price
Richard Price needs no introduction. One of great novelists of our time to capture city life in all its beauty, complications and mess in such masterful best selling novels as The Wanderers, Clockers, and Lush Life. It’s hard to think of another writer today with such a command of language and the vernacular, evidenced in his brilliant television and movie work, a screenplay for The Color of Money and writing for The Wire. Price joined the Crime Fiction Academy for a Master Class in writing and a discussion of his latest work.
- published: 02 Mar 2016
- views: 340
Richard Price Talks with David Simon About His New Novel "The Whites"
- Order: Reorder
- Duration: 1:05:11
- Updated: 24 Feb 2015
- views: 4794
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Yplus
Richard Price, one of America’s most gifted novelists, has always ...
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Yplus
Richard Price, one of America’s most gifted novelists, has always written brilliantly about cops, criminals and New York City. Now, writing as Harry Brandt, he is poised to win a huge following among all those who hunger for first-rate crime fiction. Join him and David Simon (“The Wire”) for a conversation about The Whites.
Follow us on Facebook: http://facebook.com/92ndStreetY
Twitter: https://twitter.com/92Y
Tumblr: http://92y.tumblr.com/
Instagram: http://Instagram.com/92ndStreetY
92Y.org: http://92Y.org
https://wn.com/Richard_Price_Talks_With_David_Simon_About_His_New_Novel_The_Whites
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Yplus
Richard Price, one of America’s most gifted novelists, has always written brilliantly about cops, criminals and New York City. Now, writing as Harry Brandt, he is poised to win a huge following among all those who hunger for first-rate crime fiction. Join him and David Simon (“The Wire”) for a conversation about The Whites.
Follow us on Facebook: http://facebook.com/92ndStreetY
Twitter: https://twitter.com/92Y
Tumblr: http://92y.tumblr.com/
Instagram: http://Instagram.com/92ndStreetY
92Y.org: http://92Y.org
- published: 24 Feb 2015
- views: 4794
Richard Price, "The Whites"
- Order: Reorder
- Duration: 49:39
- Updated: 06 Mar 2015
- views: 1573
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homage as much to Melville as it does to today’s urban realities. Billy Gr...
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homage as much to Melville as it does to today’s urban realities. Billy Graves has barely hung on in the NYPD since he accidentally shot a ten-year-old boy nearly twenty years ago. Stuck on the night shift, Graves suddenly relives the past when a slashing victim turns out to be a suspect in a case from the old days. Soon other elusive criminals—known by their frustrated pursuers as “whites,” after Moby Dick—begin to surface, just as a stalker terrorizes Graves’s family.
Founded by Carla Cohen and Barbara Meade in 1984, Politics & Prose Bookstore is Washington, D.C.'s premier independent bookstore and cultural hub, a gathering place for people interested in reading and discussing books. Politics & Prose offers superior service, unusual book choices, and a haven for book lovers in the store and online. Visit them on the web at http://www.politics-prose.com/
https://wn.com/Richard_Price,_The_Whites
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homage as much to Melville as it does to today’s urban realities. Billy Graves has barely hung on in the NYPD since he accidentally shot a ten-year-old boy nearly twenty years ago. Stuck on the night shift, Graves suddenly relives the past when a slashing victim turns out to be a suspect in a case from the old days. Soon other elusive criminals—known by their frustrated pursuers as “whites,” after Moby Dick—begin to surface, just as a stalker terrorizes Graves’s family.
Founded by Carla Cohen and Barbara Meade in 1984, Politics & Prose Bookstore is Washington, D.C.'s premier independent bookstore and cultural hub, a gathering place for people interested in reading and discussing books. Politics & Prose offers superior service, unusual book choices, and a haven for book lovers in the store and online. Visit them on the web at http://www.politics-prose.com/
- published: 06 Mar 2015
- views: 1573
Richard Price: Tenement Talk from March, 2015
- Order: Reorder
- Duration: 1:17:28
- Updated: 22 Mar 2015
- views: 616
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in his new book, The Whites. Dennis Lehane wrote, "Whether you call it a cr...
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in his new book, The Whites. Dennis Lehane wrote, "Whether you call it a crime novel or a mystery novel or a giraffe with polka dots is largely irrelevant--The Whites is, simply put, a great American novel." Price, author of Lush Life and Clockers, discusses his new detective story with Henry Chang, author of an acclaimed series of Chinatown-based crime novels.
https://wn.com/Richard_Price_Tenement_Talk_From_March,_2015
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in his new book, The Whites. Dennis Lehane wrote, "Whether you call it a crime novel or a mystery novel or a giraffe with polka dots is largely irrelevant--The Whites is, simply put, a great American novel." Price, author of Lush Life and Clockers, discusses his new detective story with Henry Chang, author of an acclaimed series of Chinatown-based crime novels.
- published: 22 Mar 2015
- views: 616
Richard Price: "Lush Life" | Talks at Google
- Order: Reorder
- Duration: 43:30
- Updated: 14 Apr 2008
- views: 14264
Novelist Richard Price visits Google's Mountain View, CA, headquarters to discuss his novel "Lush Life." This event took place on March 27, 2008, as part of the...
Novelist Richard Price visits Google's Mountain View, CA, headquarters to discuss his novel "Lush Life." This event took place on March 27, 2008, as part of the Authors@Google series.
https://wn.com/Richard_Price_Lush_Life_|_Talks_At_Google
Novelist Richard Price visits Google's Mountain View, CA, headquarters to discuss his novel "Lush Life." This event took place on March 27, 2008, as part of the Authors@Google series.
- published: 14 Apr 2008
- views: 14264
2016 PEN World Voices Festival: The State of the City - New York
- Order: Reorder
- Duration: 1:15:56
- Updated: 02 May 2016
- views: 176
In NYC as elsewhere, metamorphosis is a violent act. Every new influx creates an equal expulsion. Gentrification is as old as the city itself, but is the real e...
In NYC as elsewhere, metamorphosis is a violent act. Every new influx creates an equal expulsion. Gentrification is as old as the city itself, but is the real estate-driven transformation to a safer and more affluent community worth the obliteration of what existed before.
Participants: Fran Leibowitz and Richard Price
https://wn.com/2016_Pen_World_Voices_Festival_The_State_Of_The_City_New_York
In NYC as elsewhere, metamorphosis is a violent act. Every new influx creates an equal expulsion. Gentrification is as old as the city itself, but is the real estate-driven transformation to a safer and more affluent community worth the obliteration of what existed before.
Participants: Fran Leibowitz and Richard Price
- published: 02 May 2016
- views: 176
The Best of Wagner
- Order: Reorder
- Duration: 1:27:38
- Updated: 13 Mar 2013
- views: 3335784
Subscribe for more classical music: http://bit.ly/YouTubeHalidonMusic
All the best classical music ever on one channel: Mozart, Bach, Beethoven, Chopin, Schub...
Subscribe for more classical music: http://bit.ly/YouTubeHalidonMusic
All the best classical music ever on one channel: Mozart, Bach, Beethoven, Chopin, Schubert, Wagner, Strauss, Vivaldi, Brahms and many more!
▶ BUY The Best of Wagner from our store: http://bit.ly/1t1hrkA SPECIAL OFFER € 2.99!
▶ BUY on iTunes : http://bit.ly/1o4pzc6
▶ BUY on Amazon: http://amzn.to/11dDxm1
Follow us here:
https://www.facebook.com/halidonmusic/
https://twitter.com/halidonmusic
http://www.halidon.it/index.php
More music here:
https://play.spotify.com/user/halidon
TRACKLIST
The Mastersingers of Nuremberg, I: "Overture"
The Mastersingers of Nuremberg, Act III: "Prelude" ( 10:44 )
The Mastersingers of Nuremberg, Act III: "Dance of the Apprentices" ( 16:37 )
Lohengrin, WWV 75, I: "Prelude" ( 19:00 )
Lohengrin, III: "Prelude" ( 27:57 )
The Valkyrie, WWV 86B, III: "The Ride of the Valkyries" ( 30:21 )
The Valkyrie, III: "Magic Fire Music" ( 36:20 )
Parsifal, WWV 111: "Overture" ( 39:52 )
Parsifal, III: "Good Friday Spell" ( 42:02 )
Rienzi, the Last of the Tribunes, WWV 49, I: "Overture" ( 46:00 )
Tannhäuser, WWV 70, I: "Overture" ( 51:17 )
The Flying Dutchman, WWV 63, I: "Overture" ( 1:06:22 )
Tristan and Isolde, WWV 90, I: "Prelude" ( 1:16:53 )
Thank you so much for watching this video by Halidon Music channel, we hope you enjoyed it! Don't forget to share it and subscribe to our channel http://bit.ly/YouTubeHalidonMusic
All the best classical music ever on Halidon Music Youtube Channel: The Best Classical Music Playlist Mix, The Best Classical Music For Studying, Classical Music For Reading, Classical Music For Concentration, Classical Music for Sleeping and Relaxation, Instrumental Music, Background Music, Opera Music, Piano, Violin & Orchestral Masterpieces by the greatest composers of all time.
The very best of Mozart, Beethoven, Bach, Chopin, Tchaikovsky, Vivaldi, Schubert, Handel, Liszt, Haydn, Strauss, Verdi, Brahms, Wagner, Mahler, Rossini, Ravel, Grieg, Ravel, Dvorák…
https://wn.com/The_Best_Of_Wagner
Subscribe for more classical music: http://bit.ly/YouTubeHalidonMusic
All the best classical music ever on one channel: Mozart, Bach, Beethoven, Chopin, Schubert, Wagner, Strauss, Vivaldi, Brahms and many more!
▶ BUY The Best of Wagner from our store: http://bit.ly/1t1hrkA SPECIAL OFFER € 2.99!
▶ BUY on iTunes : http://bit.ly/1o4pzc6
▶ BUY on Amazon: http://amzn.to/11dDxm1
Follow us here:
https://www.facebook.com/halidonmusic/
https://twitter.com/halidonmusic
http://www.halidon.it/index.php
More music here:
https://play.spotify.com/user/halidon
TRACKLIST
The Mastersingers of Nuremberg, I: "Overture"
The Mastersingers of Nuremberg, Act III: "Prelude" ( 10:44 )
The Mastersingers of Nuremberg, Act III: "Dance of the Apprentices" ( 16:37 )
Lohengrin, WWV 75, I: "Prelude" ( 19:00 )
Lohengrin, III: "Prelude" ( 27:57 )
The Valkyrie, WWV 86B, III: "The Ride of the Valkyries" ( 30:21 )
The Valkyrie, III: "Magic Fire Music" ( 36:20 )
Parsifal, WWV 111: "Overture" ( 39:52 )
Parsifal, III: "Good Friday Spell" ( 42:02 )
Rienzi, the Last of the Tribunes, WWV 49, I: "Overture" ( 46:00 )
Tannhäuser, WWV 70, I: "Overture" ( 51:17 )
The Flying Dutchman, WWV 63, I: "Overture" ( 1:06:22 )
Tristan and Isolde, WWV 90, I: "Prelude" ( 1:16:53 )
Thank you so much for watching this video by Halidon Music channel, we hope you enjoyed it! Don't forget to share it and subscribe to our channel http://bit.ly/YouTubeHalidonMusic
All the best classical music ever on Halidon Music Youtube Channel: The Best Classical Music Playlist Mix, The Best Classical Music For Studying, Classical Music For Reading, Classical Music For Concentration, Classical Music for Sleeping and Relaxation, Instrumental Music, Background Music, Opera Music, Piano, Violin & Orchestral Masterpieces by the greatest composers of all time.
The very best of Mozart, Beethoven, Bach, Chopin, Tchaikovsky, Vivaldi, Schubert, Handel, Liszt, Haydn, Strauss, Verdi, Brahms, Wagner, Mahler, Rossini, Ravel, Grieg, Ravel, Dvorák…
- published: 13 Mar 2013
- views: 3335784
Rot and Renaissance
- Order: Reorder
- Duration: 28:47
- Updated: 19 Jul 2016
- views: 596
The country’s pre-eminent chronicler of the darker realities of urban life talks about what really has — and hasn’t — changed in the soul of great American citi...
The country’s pre-eminent chronicler of the darker realities of urban life talks about what really has — and hasn’t — changed in the soul of great American cities.
Richard Price, author and screenwriter
Moderator: William Rashbaum, senior writer, The New York Times
https://wn.com/Rot_And_Renaissance
The country’s pre-eminent chronicler of the darker realities of urban life talks about what really has — and hasn’t — changed in the soul of great American cities.
Richard Price, author and screenwriter
Moderator: William Rashbaum, senior writer, The New York Times
- published: 19 Jul 2016
- views: 596
Back to the Bronx with Writer Richard Price (2017)
- Order: Reorder
- Duration: 1:30:00
- Updated: 26 Mar 2017
- views: 21
- published: 26 Mar 2017
- views: 21
The Whites Audiobook Full by Harry Brandt | Fiction&Mystery;&Crime;
- Order: Reorder
- Duration: 10:24:18
- Updated: 12 Oct 2016
- views: 70
The electrifying tale of a New York City police detective under siege-by an unsolved murder, by his own dark past, and by a violent stalker seeking revenge.
Ba...
The electrifying tale of a New York City police detective under siege-by an unsolved murder, by his own dark past, and by a violent stalker seeking revenge.
Back in the run-and-gun days of the mid-1990s, when a young Billy Graves worked in the South Bronx as part of an aggressive anti-crime unit known as the Wild Geese, he made headlines by accidentally shooting a ten-year-old boy while struggling with an angel-dusted berserker on a crowded street. Branded as a loose cannon by his higher-ups, Billy spent years enduring one dead-end posting after another. Now in his early forties, he has somehow survived and become a sergeant in Manhattan Night Watch, a small team of detectives charged with responding to all post-midnight felonies from Wall Street to Harlem. Mostly, his unit acts as little more than a set-up crew for the incoming shift, but after years in police purgatory, Billy is content simply to do his job.
Then comes a call that changes everything: Night Watch is summoned to the four a.m. fatal slashing of a man in Penn Station, and this time Billy's investigation moves beyond the usual handoff to the day tour. And when he discovers that the victim was once a suspect in the unsolved murder of a twelve-year-old boy-a savage case with connections to the former members of the Wild Geese-the bad old days are back in Billy's life with a vengeance, tearing apart enduring friendships forged in the urban trenches and even threatening the safety of his family.
Razor-sharp and propulsively written, The Whites introduces Harry Brandt-a new master of American crime fiction.
https://wn.com/The_Whites_Audiobook_Full_By_Harry_Brandt_|_Fiction_Mystery_Crime
The electrifying tale of a New York City police detective under siege-by an unsolved murder, by his own dark past, and by a violent stalker seeking revenge.
Back in the run-and-gun days of the mid-1990s, when a young Billy Graves worked in the South Bronx as part of an aggressive anti-crime unit known as the Wild Geese, he made headlines by accidentally shooting a ten-year-old boy while struggling with an angel-dusted berserker on a crowded street. Branded as a loose cannon by his higher-ups, Billy spent years enduring one dead-end posting after another. Now in his early forties, he has somehow survived and become a sergeant in Manhattan Night Watch, a small team of detectives charged with responding to all post-midnight felonies from Wall Street to Harlem. Mostly, his unit acts as little more than a set-up crew for the incoming shift, but after years in police purgatory, Billy is content simply to do his job.
Then comes a call that changes everything: Night Watch is summoned to the four a.m. fatal slashing of a man in Penn Station, and this time Billy's investigation moves beyond the usual handoff to the day tour. And when he discovers that the victim was once a suspect in the unsolved murder of a twelve-year-old boy-a savage case with connections to the former members of the Wild Geese-the bad old days are back in Billy's life with a vengeance, tearing apart enduring friendships forged in the urban trenches and even threatening the safety of his family.
Razor-sharp and propulsively written, The Whites introduces Harry Brandt-a new master of American crime fiction.
- published: 12 Oct 2016
- views: 70
- Playlist
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5:21
Author Richard Price breaks down his writing process
Richard Price, author of the new novel "The Whites," talks about what goes into the writin...
published: 02 Mar 2015
Author Richard Price breaks down his writing process
Author Richard Price breaks down his writing process
- Report rights infringement
- published: 02 Mar 2015
- views: 3165
49:43
CFA Master Class: Richard Price
Richard Price needs no introduction. One of great novelists of our time to capture city li...
published: 02 Mar 2016
CFA Master Class: Richard Price
CFA Master Class: Richard Price
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- published: 02 Mar 2016
- views: 340
1:05:11
Richard Price Talks with David Simon About His New Novel "The Whites"
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Ypl...
published: 24 Feb 2015
Richard Price Talks with David Simon About His New Novel "The Whites"
Richard Price Talks with David Simon About His New Novel "The Whites"
- Report rights infringement
- published: 24 Feb 2015
- views: 4794
2:42
Richard Price on Drugs and Writing
Richard Price says nobody has ever produced good work on drugs.
published: 24 Apr 2012
Richard Price on Drugs and Writing
Richard Price on Drugs and Writing
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- published: 24 Apr 2012
- views: 4443
49:39
Richard Price, "The Whites"
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homa...
published: 06 Mar 2015
Richard Price, "The Whites"
Richard Price, "The Whites"
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- published: 06 Mar 2015
- views: 1573
2:52
Richard Price on Becoming a Writer
By the time he was eleven, Price wanted to be a journalist, though he didn't quite know wh...
published: 24 Apr 2012
Richard Price on Becoming a Writer
Richard Price on Becoming a Writer
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- published: 24 Apr 2012
- views: 1166
1:17:28
Richard Price: Tenement Talk from March, 2015
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in hi...
published: 22 Mar 2015
Richard Price: Tenement Talk from March, 2015
Richard Price: Tenement Talk from March, 2015
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- published: 22 Mar 2015
- views: 616
2:10
Richard Price on Writing Dialogue
Writing dialogue is a knack, Price says. Either you have it, or you don't.
Question: How ...
published: 24 Apr 2012
Richard Price on Writing Dialogue
Richard Price on Writing Dialogue
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- published: 24 Apr 2012
- views: 17458
1:47
Richard Price on "The Wire"
Price says he doesn't feel the pressure of writing for a show with such a cult following.
...
published: 24 Apr 2012
Richard Price on "The Wire"
Richard Price on "The Wire"
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- published: 24 Apr 2012
- views: 1328
2:26
Valtra customer testimonial Richard Price
A testimonial film for Valtra with customer Richard Price of Lowther Park Farms in Cumbria...
published: 18 Sep 2014
Valtra customer testimonial Richard Price
Valtra customer testimonial Richard Price
- Report rights infringement
- published: 18 Sep 2014
- views: 279
- Playlist
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2:10
Richard Price on Writing Dialogue
Writing dialogue is a knack, Price says. Either you have it, or you don't.
Question: How ...
published: 24 Apr 2012
Richard Price on Writing Dialogue
Richard Price on Writing Dialogue
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- published: 24 Apr 2012
- views: 17458
1:00:28
Richard Ford & Colm Tóibín Conversation: Narrators Are Unreliable
“You have to write about the thing you’ll be the world’s greatest expert in.” In this humo...
published: 23 Nov 2016
Richard Ford & Colm Tóibín Conversation: Narrators Are Unreliable
Richard Ford & Colm Tóibín Conversation: Narrators Are Unreliable
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- published: 23 Nov 2016
- views: 328
4:40
James Baldwin: the Price of the Ticket
To watch the entire documentary, to read background information and to order DVDs, visit:
...
published: 27 Oct 2009
James Baldwin: the Price of the Ticket
James Baldwin: the Price of the Ticket
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- published: 27 Oct 2009
- views: 144350
5:37
Richard Price Reads from "Lush Life"
"Let me go and I'll tell you who shot that white kid."
published: 24 Apr 2012
Richard Price Reads from "Lush Life"
Richard Price Reads from "Lush Life"
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- published: 24 Apr 2012
- views: 367
5:01
Frankie Boyle interview on comic books, comic cons & fandom
Frankie Boyle chats about comic fandom, reading to his kids, and his big red beard at Kapo...
published: 17 Jul 2012
Frankie Boyle interview on comic books, comic cons & fandom
Frankie Boyle interview on comic books, comic cons & fandom
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- published: 17 Jul 2012
- views: 64285
0:58
Richard Price on writing screen plays
published: 30 May 2010
Richard Price on writing screen plays
Richard Price on writing screen plays
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- published: 30 May 2010
- views: 142
28:53
Dialogue: Author Richard Ford
Dialogue host Marcia Franklin talks with novelist and short story writer Richard Ford abou...
published: 06 Nov 2015
Dialogue: Author Richard Ford
Dialogue: Author Richard Ford
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- published: 06 Nov 2015
- views: 1686
19:14
TEDxPugetSound - David Whyte - Life at the Frontier: The Conversational Nature of Reality
Internationally acclaimed poet David Whyte is an Associate Fellow at Templeton
College an...
published: 26 Feb 2011
TEDxPugetSound - David Whyte - Life at the Frontier: The Conversational Nature of Reality
TEDxPugetSound - David Whyte - Life at the Frontier: The Conversational Nature of Reality
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- published: 26 Feb 2011
- views: 106731
58:58
James Baldwin Debates William F. Buckley (1965)
Historic debate between James Baldwin v. William F. Buckley Jr. at Cambridge University on...
published: 27 Oct 2012
James Baldwin Debates William F. Buckley (1965)
James Baldwin Debates William F. Buckley (1965)
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- published: 27 Oct 2012
- views: 518965
3:54
Richard Blanco Reads Poem "Betting on America"
On April 24, 2013, Americas Society hosted a conversation and reading featuring Cuban-Amer...
published: 30 Apr 2013
Richard Blanco Reads Poem "Betting on America"
Richard Blanco Reads Poem "Betting on America"
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- published: 30 Apr 2013
- views: 1256
- Playlist
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5:21
Author Richard Price breaks down his writing process
Richard Price, author of the new novel "The Whites," talks about what goes into the writin...
published: 02 Mar 2015
Author Richard Price breaks down his writing process
Author Richard Price breaks down his writing process
- Report rights infringement
- published: 02 Mar 2015
- views: 3165
49:43
CFA Master Class: Richard Price
Richard Price needs no introduction. One of great novelists of our time to capture city li...
published: 02 Mar 2016
CFA Master Class: Richard Price
CFA Master Class: Richard Price
- Report rights infringement
- published: 02 Mar 2016
- views: 340
1:05:11
Richard Price Talks with David Simon About His New Novel "The Whites"
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Ypl...
published: 24 Feb 2015
Richard Price Talks with David Simon About His New Novel "The Whites"
Richard Price Talks with David Simon About His New Novel "The Whites"
- Report rights infringement
- published: 24 Feb 2015
- views: 4794
2:42
Richard Price on Drugs and Writing
Richard Price says nobody has ever produced good work on drugs.
published: 24 Apr 2012
Richard Price on Drugs and Writing
Richard Price on Drugs and Writing
- Report rights infringement
- published: 24 Apr 2012
- views: 4443
49:39
Richard Price, "The Whites"
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homa...
published: 06 Mar 2015
Richard Price, "The Whites"
Richard Price, "The Whites"
- Report rights infringement
- published: 06 Mar 2015
- views: 1573
2:52
Richard Price on Becoming a Writer
By the time he was eleven, Price wanted to be a journalist, though he didn't quite know wh...
published: 24 Apr 2012
Richard Price on Becoming a Writer
Richard Price on Becoming a Writer
- Report rights infringement
- published: 24 Apr 2012
- views: 1166
1:17:28
Richard Price: Tenement Talk from March, 2015
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in hi...
published: 22 Mar 2015
Richard Price: Tenement Talk from March, 2015
Richard Price: Tenement Talk from March, 2015
- Report rights infringement
- published: 22 Mar 2015
- views: 616
2:10
Richard Price on Writing Dialogue
Writing dialogue is a knack, Price says. Either you have it, or you don't.
Question: How ...
published: 24 Apr 2012
Richard Price on Writing Dialogue
Richard Price on Writing Dialogue
- Report rights infringement
- published: 24 Apr 2012
- views: 17458
1:47
Richard Price on "The Wire"
Price says he doesn't feel the pressure of writing for a show with such a cult following.
...
published: 24 Apr 2012
Richard Price on "The Wire"
Richard Price on "The Wire"
- Report rights infringement
- published: 24 Apr 2012
- views: 1328
2:26
Valtra customer testimonial Richard Price
A testimonial film for Valtra with customer Richard Price of Lowther Park Farms in Cumbria...
published: 18 Sep 2014
Valtra customer testimonial Richard Price
Valtra customer testimonial Richard Price
- Report rights infringement
- published: 18 Sep 2014
- views: 279
- Playlist
- Chat
49:43
CFA Master Class: Richard Price
Richard Price needs no introduction. One of great novelists of our time to capture city li...
published: 02 Mar 2016
CFA Master Class: Richard Price
CFA Master Class: Richard Price
- Report rights infringement
- published: 02 Mar 2016
- views: 340
1:05:11
Richard Price Talks with David Simon About His New Novel "The Whites"
Subscribe for more videos like this: http://youtube.com/subscription_center?add_user=92Ypl...
published: 24 Feb 2015
Richard Price Talks with David Simon About His New Novel "The Whites"
Richard Price Talks with David Simon About His New Novel "The Whites"
- Report rights infringement
- published: 24 Feb 2015
- views: 4794
49:39
Richard Price, "The Whites"
Writing as Harry Brandt, Price has concocted a fast-paced literary thriller that pays homa...
published: 06 Mar 2015
Richard Price, "The Whites"
Richard Price, "The Whites"
- Report rights infringement
- published: 06 Mar 2015
- views: 1573
1:17:28
Richard Price: Tenement Talk from March, 2015
Cops, criminals, and NYC—award-winning author Richard Price, returns to these themes in hi...
published: 22 Mar 2015
Richard Price: Tenement Talk from March, 2015
Richard Price: Tenement Talk from March, 2015
- Report rights infringement
- published: 22 Mar 2015
- views: 616
43:30
Richard Price: "Lush Life" | Talks at Google
Novelist Richard Price visits Google's Mountain View, CA, headquarters to discuss his nove...
published: 14 Apr 2008
Richard Price: "Lush Life" | Talks at Google
Richard Price: "Lush Life" | Talks at Google
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- published: 14 Apr 2008
- views: 14264
1:15:56
2016 PEN World Voices Festival: The State of the City - New York
In NYC as elsewhere, metamorphosis is a violent act. Every new influx creates an equal exp...
published: 02 May 2016
2016 PEN World Voices Festival: The State of the City - New York
2016 PEN World Voices Festival: The State of the City - New York
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- published: 02 May 2016
- views: 176
1:27:38
The Best of Wagner
Subscribe for more classical music: http://bit.ly/YouTubeHalidonMusic
All the best class...
published: 13 Mar 2013
The Best of Wagner
The Best of Wagner
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- published: 13 Mar 2013
- views: 3335784
28:47
Rot and Renaissance
The country’s pre-eminent chronicler of the darker realities of urban life talks about wha...
published: 19 Jul 2016
Rot and Renaissance
Rot and Renaissance
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- published: 19 Jul 2016
- views: 596
1:30:00
Back to the Bronx with Writer Richard Price (2017)
published: 26 Mar 2017
Back to the Bronx with Writer Richard Price (2017)
Back to the Bronx with Writer Richard Price (2017)
- Report rights infringement
- published: 26 Mar 2017
- views: 21
10:24:18
The Whites Audiobook Full by Harry Brandt | Fiction&Mystery;&Crime;
The electrifying tale of a New York City police detective under siege-by an unsolved murde...
published: 12 Oct 2016
The Whites Audiobook Full by Harry Brandt | Fiction&Mystery;&Crime;
The Whites Audiobook Full by Harry Brandt | Fiction&Mystery;&Crime;
- Report rights infringement
- published: 12 Oct 2016
- views: 70
CFA Master Class: Richard Price...
Richard Price Talks with David Simon About His New...
Richard Price, "The Whites"...
Richard Price: Tenement Talk from March, 2015...
Richard Price: "Lush Life" | Talks at Google...
2016 PEN World Voices Festival: The State of the C...
The Best of Wagner...
Rot and Renaissance...
Back to the Bronx with Writer Richard Price (2017)...
The Whites Audiobook Full by Harry Brandt | Ficti...
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After dissident's death, Ted Cruz hopeful about changing Chinese Embassy address
Edit Longview News Journal 16 Jul 2017
U.S. Sen. Ted Cruz is re-upping his push to rename the address of the Chinese Embassy in Washington "as soon as possible" after a pro-democracy dissident in the wake of the Nobel Peace Prize winner's death. Liu Xiaobo, a leading critic of Communist Party rule in China, died in state custody in a Chinese hospital on Thursday from liver cancer ... SHARE. Comments. ....
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Sports Ministry kicks off process to legalise online betting in India: report
Edit India TV 16 Jul 2017
The Sports Ministry has started laying the bedrock to frame a legislation to legalise online sports betting in India, says a report in The Indian Express.
.
... ....
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No room for negotiations, situation could get worse: China on Sikkim row
Edit Deccan Chronicle 16 Jul 2017
Beijing. Chinese state media on Saturday said the standoff between India and China in Dokalam area in Sikkim could worsen if India does not withdraw its troops from the region, adding that there was “no room for negotiations” on the dispute. “China has made it clear that there is no room for negotiations on this incident, and India must withdraw its border-crossing troops from Dokalam ... ....
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Mystery Woman With Putin Raises Eyebrows Across Russia
Edit WorldNews.com 14 Jul 2017
Russian President Vladimir Putin took a trip to the northwestern countryside of Russia for a local feast day but many were talking about a brief clip that showed an anonymous pair of animated hands in the back of Putin's black Mercedes, according to Newsweek ... But the new footage showing Putin extending his arm to a mystery backseat passenger before quickly shutting the door to his car has made headline news ... -WN.com, Maureen Foody....
Daniel Richard, Ozark
Edit Arkansas Online 16 Jul 2017
Daniel Richard did not have to volunteer his time to be a student assistant for the seventh-grade football team, but the two-way starter for the Ozark Hillbillies wanted to repay what had been given to him. "When I was a young kid, we had seniors who were student assistants that helped me and gave me someone to look up to," Richard said ... "The first part of the season I liked defense better," Richard said....
Richards cleared to being throwing program
Edit MLB 16 Jul 2017
ANAHEIM -- Since landing on the disabled list in April, Garrett Richards' injury status had remained stagnant, as he waited for his irritated nerve in his right biceps to heal enough for him to resume throwing. But Richards' recovery finally took a step forward Friday, when he was cleared to begin a throwing progression ... "Everything feels fine," Richards said Saturday....
Richards cleared to begin throwing program
Edit MLB 16 Jul 2017
ANAHEIM -- Since landing on the disabled list in April, Garrett Richards' injury status had remained stagnant, as he waited for his irritated nerve in his right biceps to heal enough for him to resume throwing. But Richards' recovery finally took a step forward Friday, when he was cleared to begin a throwing progression ... "Everything feels fine," Richards said Saturday....
Angels' Garrett Richards begins his throwing program
Edit Daily Breeze 16 Jul 2017
ANAHEIM >> The baby steps have begun for Garrett Richards. Richards, who has been out for more than three months with a biceps nerve irritation, has been cleared to begin activating his arm. Richards played light catch for the second day on Saturday. "Anytime you are allowed to start throwing, it's a step in the right direction, but he's a long way away," Manager Mike Scioscia said ... ....
Angels’ Garrett Richards begins his throwing program
Edit LA Daily News 16 Jul 2017
ANAHEIM >> The baby steps have begun for Garrett Richards. Richards, who has been out for more than three months with a biceps nerve irritation, has been cleared to begin activating his arm. Richards played light catch for the second day on Saturday ... Richards is expected to need 6-8 weeks of throwing before being able to pitch in a major league game ... “I’m staying optimistic,” Richards said ... Also....
Angels Notes: Garrett Richards begins his throwing program
Edit Orange County Register 16 Jul 2017
ANAHEIM — The baby steps have begun for Garrett Richards. Richards, who has been out for more than three months with a biceps nerve irritation, has been cleared to begin activating his arm. Richards played light catch for the second day on Saturday ... Richards is expected to need 6-8 weeks of throwing before being able to pitch in a major league game ... “I’m staying optimistic,” Richards said ... ....
Chilling Video Sent A Frantic Wife To Try And Stop Suicide
Edit Inquisitr 16 Jul 2017
It was around 10 a.m. on Tuesday when Costansa Litellini raced into the Skydive Deland building in Florida ... He was not going to open his parachute, instead he hoped to go “someplace wonderful.” An employee at the Skydive hangar, Tara Richards immediately radioed the aircraft. It was too late ... Richards had seen Vitantonio before his jump and reported that nothing had appeared to be out of the ordinary with the veteran jumper ... ....
Business names: July 3-7
Edit Longview News Journal 16 Jul 2017
Assumed names filed July 3 to 7 in Gregg County.. Raul Landaverde Villegas doing business as Hybrid Lawn Care. William Manley doing business as Gladewater Knife Co ... Richard Doredant doing business as Richard King ... RELATED ... ....
O's considering using lefty Bleier as starter
Edit MLB 16 Jul 2017
The next option the team may consider is using Richard Bleier as a starter. Bleier has posted a team-leading 1.38 ERA this season, allowing just five earned runs and two homers in 32 2/3 innings ... Full Game Coverage ... Richard Bleier makes a terrific glove stop on a comebacker and alertly throws to second to nab Jesus Sucre after a rundown in the 6th ... I think a lot of it has got to do with the tone that Richard set when he came in ... ....
At 111, oldest WWII veteran visits Memphis for documentary
Edit Times Free Press 16 Jul 2017
MEMPHIS, Tenn ... Richard Overton may not have expected the reception, but he was hardly fazed by it. "I went into the Army," he said in a soft voice. "This ain't nothin'." ... His grandfather was born a slave at Travellers Rest, the Nashville-area plantation of John Overton, one of the founders of Memphis, said Roscoe Overton, a distant cousin of Richard's. The family took the Overton name after leaving the plantation, he said ... ....
LDS educators association launched at Provo conference
Edit Deseret News 16 Jul 2017
Founding association president LeGrand "Buddy" Richards, a BYU professor of educational leadership and foundations, said the idea for an educators association had percolated for years ... "We've got some really remarkable people out there, but sometimes they need to come together and get some support and encouragement and have a place to talk about the challenges they face," Richards said ... Richards, author of "Called to Teach ... ....
LDS Educators Association launches at conference with Elder Tad Callister, BYU-Hawaii President John Tanner
Edit Deseret News 16 Jul 2017
Founding association president LeGrand "Buddy" Richards, a BYU professor of educational leadership and foundations, said the idea for an educators association had percolated for years ... "We've got some really remarkable people out there, but sometimes they need to come together and get some support and encouragement and have a place to talk about the challenges they face," Richards said ... Richards, author of "Called to Teach ... ....
'I'm non-binary. This is how I feel'
Edit BBC News 16 Jul 2017
How does it feel when you don't identify as either male or female?. It's called non-binary and until 20-year-old Maria Munir came out in front of President Obama, you might never have heard the phrase before ... I was reading an article by [the actor] Richard O'Brien and he spoke about how he identified with both feminine and masculine things. Image caption Richard O'Brien wrote The Rocky Horror Show and presented The Crystal Maze ... 1....
Butler Co. sheriff, "Harry Potter' actor in film
Edit WCPO 16 Jul 2017
Butler County Sheriff Richard Jones has been hanging out with Professor Sprout from the “Harry Potter” film series in recent days ... ....
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