- published: 11 May 2012
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In Greek mythology, Atlas (/ˈætləs/; Ancient Greek: Ἄτλας) was the primordial Titan who supported the heavens. Although associated with various places, he became commonly identified with the Atlas Mountains in northwest Africa (Modern-day Morocco and Algeria). Atlas was the son of the Titan Iapetus and the Oceanid Asia or Klyménē (Κλυμένη):
In contexts where a Titan and a Titaness are assigned each of the seven planetary powers, Atlas is paired with Phoebe and governs the moon.[not in citation given] He had three brothers: Prometheus, Epimetheus and Menoetius.
Hyginus emphasises the primordial nature of Atlas by making him the son of Aether and Gaia.
The first part of the term "Atlantic Ocean" refers to "Sea of Atlas", the term "Atlantis" refers to "island of Atlas".
The etymology of the name Atlas is uncertain and still debated. Virgil took pleasure in translating etymologies of Greek names by combining them with adjectives that explained them: for Atlas his adjective is durus, "hard, enduring", which suggested to George Doig that Virgil was aware of the Greek τλήναι "to endure"; Doig offers the further possibility that Virgil was aware of Strabo's remark that the native North African name for this mountain was Douris. Since the Atlas mountains rise in the region inhabited by Berbers, it has been suggested that the name might be taken from one of the Berber languages, specifically adrar, Berber for "mountain".
An atlas is a collection of maps; it is typically a map of Earth or a region of Earth, but there are atlases of the other planets (and their satellites) in the Solar System. Atlases have traditionally been bound into book form, but today many atlases are in multimedia formats. In addition to presenting geographic features and political boundaries, many atlases often feature geopolitical, social, religious and economic statistics. They also have information about the map and places in it.
The origin of the term atlas is a common source of misconception, perhaps because two different mythical figures named 'Atlas' are associated with map making.
In works of art, this Atlas is represented as carrying the heavens or the Celestial Sphere, on his shoulders. The earliest such depiction is the Farnese Atlas, now housed at the Museo Archeologico Nazionale Napoli in Naples, Italy. This figure is frequently found on the cover or title-pages of atlases. This is particularly true of atlases published by Dutch publishers during the second half of the seventeenth century. The image became associated with Dutch merchants, and a statue of this figure adorns the front of the World Trade Center in Amsterdam.
The term "mythology" can refer either to the study of myths (e.g., comparative mythology), or to a body or collection of myths (a mythos, e.g., Inca mythology). In folkloristics, a myth is a sacred narrative usually explaining how the world or humankind came to be in its present form, although, in a very broad sense, the word can refer to any traditional story. Myths typically involve supernatural characters and are endorsed by rulers or priests. They may arise as overelaborated accounts of historical events, as allegory for or personification of natural phenomena, or as an explanation of ritual. They are transmitted to convey religious or idealized experience, to establish behavioral models, and to teach.
Early rival classifications of Greek mythos by Euhemerus, Plato's Phaedrus, and Sallustius were developed by the neoplatonists and revived by Renaissance mythographers as in the Theologia mythologica (1532). Nineteenth-century comparative mythology reinterpreted myth as evolution toward science (E. B. Tylor), "disease of language" (Max Müller), or misinterpretation of magical ritual (James Frazer). Later interpretations rejected opposition between myth and science, such as Jungian archetypes, Joseph Campbell's "metaphor of spiritual potentiality", or Lévi-Strauss's fixed mental architecture. Tension between Campbell's comparative search for monomyth or Ur-myth and anthropological mythologists' skepticism of universal origin has marked the 20th century. Further, modern mythopoeia such as fantasy novels, manga, and urban legend, with many competing artificial mythoi acknowledged as fiction, supports the idea of myth as ongoing social practice.