- published: 05 May 2014
- views: 8847
Pauline Kael (/keɪl/; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Earlier in her career, her work appeared in City Lights, McCall's and The New Republic.
Kael was known for her "witty, biting, highly opinionated, and sharply focused" reviews, her opinions often contrary to those of her contemporaries. She is often regarded as the most influential American film critic of her day.
She left a lasting impression on many major critics, including Armond White, whose reviews are similarly non-conformist, and Roger Ebert, who once said that Kael "had a more positive influence on the climate for film in America than any other single person over the last three decades."Owen Gleiberman said she "was more than a great critic. She re-invented the form, and pioneered an entire aesthetic of writing. She was like the Elvis or the Beatles of film criticism."
Kael was born on a chicken farm in Petaluma, California, to Isaac Paul Kael and Judith (Friedman) Kael, Jewish immigrants from Poland. Her parents lost their farm when Kael was eight, and the family moved to San Francisco. In 1936 she matriculated at the University of California, Berkeley, where she studied philosophy, literature, and the arts but dropped out in 1940 before completing her degree. Nevertheless, Kael intended to go on to law school but fell in with a group of artists and moved to New York City with the poet Robert Horan.
Actors: David Storrs (producer), Joshua J. Greene (actor), Joshua J. Greene (editor), Joshua J. Greene (producer), Joshua J. Greene (writer), Joshua J. Greene (director), Mark Mollenkamp (producer), M.D. Selig (actor), Eric Bradley (actor), Tasha Blasi (actress), Beverly Talmage (actress), Richard Ransbottom (actor),
Plot: The Holly Wood Project is a bizarre journey through four of the finest movies of 1999. Film student, Holly Wood, enlists the help of legendary film critic Pauline Kael to do battle with Roger Ebert over his inexplicable 'Thumbs Up' review of "The Blair Witch Project." The evil Ebert then seduces Ms. Kael and Holly must rely on the wisdom of Gene Siskel's ghost who helps her secure his old job at the Chicago Tribune. There she finds an old refrigerator that allows her access to Ebert's brain and the opportunity to thwart an inevitable sequel.
Keywords: character-name-in-titlePauline Kael is the guest on this episode of the Writer's Workshop, filmed at the University of South Carolina on Feb. 11, 1982, and broadcast on PBS. Kael discusses writing with Benjamin Dunlop, William Price Fox, and Fox's and James Dickey's writing class (Dickey is not present). Topics include "Straw Dogs"; Bertrand Blier's "Get Out Your Handkerchiefs"; Sam Peckinpah and women's films; Martin Scorsese, Francis Ford Coppola, Brian DePalma, and Robert Altman; Italian-American filmmakers and Michael Cimino; Jewish filmmakers, including Steven Spielberg and Irvin Kershner; Arlene Croce; movie criticism; the screenwriter; the writing process; the "newness" of good movies; Michael Winner and Jack Smight; advice to students; and screenwriters Diane Johnson and Judith Rascoe. George Plimpton in...
Trailer for: "What She Said: The Art of Pauline Kael," a feature-length documentary on the work and life of the famed 20th century New Yorker magazine critic. Likely release: 2016.
Critics, filmmakers and academics including David Edelstein, Brian Kellow, Geoffrey O'Brien, James Toback, Camille Paglia, and Todd McCarthy gathered to discuss the legacy of legendary New Yorker film critic Pauline Kael at this special New York Film Festival panel.
JERRY LEWIS: "Pauline Kael. She's never said a good thing about me yet. That dirty old broad. But she's probably the most qualified critic in the world. Cause she cares about film and those who are involved in it. I wish I could really rap her. But I can't. Cause she's very very competent. She's knows what she's talking about."
Movie critics can be mean, and that’s O.K. An exclusive clip from What She Said: The Art of Pauline Kael, a full-length documentary about the great film critic. Still haven’t subscribed to Vanity Fair on YouTube? ►► http://vnty.fr/1yNomg4 CONNECT WITH VANITY FAIR Web: http://vanityfair.com Twitter: https://twitter.com/vanityfair Facebook: https://www.facebook.com/vanityfairmagazine Pinterest: http://pinterest.com/vanityfair Google+: https://plus.google.com/+vanityfair Instagram: http://instagram.com/vanityfair Tumblr: http://vanityfair.tumblr.com Want even more? Subscribe to The Scene: http://bit.ly/subthescene ABOUT VANITY FAIR Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people,...
In this clip from the Movie Geeks United podcast, the hosts discuss the revered films that were hated by acclaimed critic Pauline Kael. For more information on Movie Geeks United, and to access our archive of over 1000 filmmaker interviews, visit http://www.moviegeeksunited.net. Facebook: http://www.facebook.com/moviegeeksunited Twitter: http://www.twitter.com/moviegeeksunite
Stan Brakhage in conversation with The New Yorker critic Pauline Kael - talking about his contemporaries in American film, his approach to film-making and touching on influences including those of Webern and Bach. I think the feature he talks about, what became Dog Star Man, but also this 4-hour feature, is his "Art of Vision", rarely shown work of the mid-60s - hope to do a screening of this in Sydney sometime soon -Video Upload powered by https://www.TunesToTube.com
This is Tarantino's December, 1997 appearance on Late Night. Quentin Tarantino and Bret Easton Ellis discuss The Hateful Eight, Jean-Luc Godard, Pauline Kael and finding humor in outrageous film violence. Quentin . This is the full video of Tarantino's visit to Late Night April, 2004.
Mikas Pauline Kael Moment Disconnect Between People I Talk to and Rest of Country Connect with me on twitter at: @Mcbogsterss https://twitter.com/Mcbogsterss
This is the Cosmoetica Educational channel.
Mike talked to filmmaker Rob Garver about the upcoming documentary What She Said: The Art of Pauline Kael. They discuss the importance of film criticism and Kael's controversial career.
I really love the book "I Lost it at the Movies". In this video, I talk about why I love Pauline Kael. Please subscribe to my YouTube channel: http://bit.ly/1ErcW3w Check out my website at http://www.debbimack.com I'm on Twitter at http://www.twitter.com/debbimack I'm on Tumblr at http://debbimacktoo.tumblr.com/ I'm also on Instagram at http://instagram.com/debbimacktoo/
Quentin Tarantino and Bret Easton Ellis discuss The Hateful Eight, Jean-Luc Godard, Pauline Kael and finding humor in outrageous film violence. Quentin . Quentin Tarantino and Bret Easton Ellis discuss The Hateful Eight, Jean-Luc Godard, Pauline Kael and finding humor in outrageous film violence. Quentin .
Quentin Tarantino and Bret Easton Ellis discuss The Hateful Eight, Jean-Luc Godard, Pauline Kael and finding humor in outrageous film violence. »»﴿───► Check out the Quentin Playlist for more: https://www.youtube.com/playlist?list=PLIZqvqbtz9I2HVObXePiRjafOMLOaBzqI »»﴿───► See more on the Directors Playlist: https://www.youtube.com/playlist?list=PLIZqvqbtz9I04OH5IZee3L8FHY-Kt3I92 Quentin Jerome Tarantino (born March 27, 1963) is an American filmmaker and actor. His films are characterized by non-linear storylines, satirical subject matter, an aestheticization of violence, utilization of ensemble casts, references to pop culture, their soundtracks, and features of neo-noir film. Tarantino grew up as a devoted film fan and worked at Video Archives, a video rental store, while training to ...
50 Minutes of nonsical, badly written glory. The next chapter in the series about a Scottish loser in Chile. "What" - Pauline Kael "This is everything you wanted Nakajima-kun" - Loki "You should submit this to 2K and see what they say" - Darril "Rusty should realistically write for the WWE" - Liam "It's alright, 10/10" - Gene Siskel "No." - Mario Yu Narukami RXIV「Dirty Deeds Done Dirt Cheap」
29° FESTIVAL INTERNACIONAL DE CINE DE MAR DEL PLATA 2014 PAUL SCHRADER Nació en Grand Rapids, Michigan, EE.UU. en 1946. Estudió en la Escuela de Cine de la UCLA y, con Pauline Kael como mentora, trabajó como crítico de cine para el periódico underground "Los Ángeles Free Press" y para la Revista Cinema. Escribió, entre otros, los guiones de "Taxi Driver", "Obsesión" (ambos de 1976), "Toro salvaje" (1980), "La Costa Mosquito" (1986), "La última tentación de Cristo" (1988) y "Vidas al límite" (1999), y dirigió películas como "Gigoló Americano" (1980), "Días de furia" (1997) y "The Canyons" (2013), entre muchas otras.
1999 educational cable program highlighting three countries and five twentieth-century screen adaptations of Melville's "great spooky conception" (in the words of late film critic Pauline Kael). With an introduction, scenes from the adaptations following the arc of the story, and a final montage. Color / B&W;.
With an institutional apparatus in the making, the new American independent cinema started demonstrating some commercial potential with My Dinner with Andre. The title serves as a synopsis. Old friends Wallace (Wallace Shawn) and Andre (Andre Gregory) haven't seen each another in five years and agree to meet for dinner. Andre, a once well-known theater director, dropped out of the New York scene to travel the world, while Wallace stuck around, finding only mixed success as a playwright. As they sit down to eat, Andre launches into a series of fantastic stories from his time away, and Wallace can't help but notice how different their worldviews have become. The conversation that flows so spontaneously between Andre Gregory and Wallace Shawn was carefully scripted. “They taped their conversa...
Oye rrraaa
Yo vamo' hacerlo
Boricua
Vamo' hacerlo
I'm a one bitch army
Y'all could hardly call me
So imagine when I team up with the Puerto rican Barbie
It's gon' be hard see
I'm so from the Bronx be
And all I really wanna see
Is blood on the concrete
Body's in bags and
Flowers on caskets
Corpses' swarmin'
With flies and maggots
Innocent girls and boys
Turn into bastards
I want bitches to die
Deaths that are tragic
And niggaz fucked in they ass
Turn into faggots
Their balls cut off
And mailed to they parent
See I don't give a fuck
I'm a mothafuckin' savage
Now ya'll tell me
What bitch is the baddest
Miss Remy con la queen
You need fire
Tu sabes fuego esta aqui
Vete pal carajo
Nigga far from me
No es dificil pa' ver
It ain't hard to see
A four clip in the extra
Yo soy la mierda tate quieta
This bitch got a bad temper
Respeta puta no pueda joder con nosotras
Un mierda!
[hook:]
[Remy Ma]
CMPR niggaz meant to
The Bronx is where they went to
Ima show ya'll mother fuckaz how to rhyme bilingual
[Ivy Queen]
Que llego la diva la caballota
Si preguntas en la calle soy la que te explota
[Remy Ma]
CMPR niggaz meant to
The Bronx is where they went to
Ima show ya'll mother fuckaz how to rhyme bilingual
[Ivy Queen]
Tu no querías mas aqui que me tienes
Dale dale ahora ahora nene
The girl is not to be fucked with
See I don't give a fuck
There's not a pussy on this planet that can't be fucked
Bitches don't exist to me
They all cum faced sluts
How much room in your mouth for my name with all that dick you suck
And your husband's a homo
He loves to get stuck
Like dildo's and vibrators shoved in his butt
We ran trizz on his lips
And made him dress up
And I got it on tape
We straight fuckin' raped him
Don't get it confused
See I hate male groupies
Pero he's willin'
Then I'm ready to take the opportunity
My bitches is the illest
So really we don't gotta care
Vete pa la mierda
Nigga get the fuck out of here
Yo no juego
Nigga I don't play
What I'm capable of
I don't know
Yo no se
Remy ma
I keeps the gun cocked in the auto
Miss ivy queen please canta la coro
[hook]
[Ivy Queen]
Ms. Remy con la Queen
Ahora nos vamo' a fuego
Este es mi estreno duro como un trueno
Cocoroca
La isla del encato
Volando en canto
Y sacarle con su llanto
A sangre fria
Mis quilas tienen crias
Jodedora por si tu no lo sabias
QUEEN llega
A escena
Dan pena
Con las locas que van nebuleando
Yo soy de la calle si me estas buscando
Ando con par de locos pa verte brincando
So no te ajores, no te desesperes mere
Yo tengo el control con las mujeres
Muchas me odian otras me quieren
Vendo mis discos
Y tengo mis bienes
Rrraaa
Remy get ready
Everybody