Golden Lotus

Golden Lotus may refer to:

Film awards

Buddha Bar

The Buddha-Bar is a bar, restaurant, and hotel franchise created by restaurateur Raymond Visan and DJ and interior designer Claude Challe, with its original location having opened in Paris, France in 1996. The Buddha Bar "soon became a reference among foreign yuppies and wealthy tourists visiting the city", and "has spawned numerous imitators", becoming popular in part because of the DJ's choice of eclectic, avant-garde music. It became known internationally for issuing the Buddha Bar compilation albums, which are popular compilations of lounge, chill-out music and world music, also under the Buddha Bar brand, released by George V Records. Buddha Bar "has made a name for itself with its Zen lounge music CDs and remains a hit – especially with tourists". Locations have since been opened in a number of other countries, although not without controversy arising from the theme.

Theme

The original restaurant is a Buddha-themed "upscale bar-restaurant with an orientalist 'lounge' ambience" serving Asian cuisine, with a two-story dining area dominated by a large statue of Buddha, and an upstairs bar in the form of a large, ornate dragon. The theme was inspired by the discovery of the space to be used, an antique basement archive with a mezzanine, "which suggested to the architects the idea of an oriental temple and its Buddha".

Jin Ping Mei

Jin Ping Mei (Chinese: 金瓶梅; pinyin: Jīn Píng Méi) — translated into English as The Plum in the Golden Vase or The Golden Lotus — is a Chinese naturalistic novel composed in vernacular Chinese during the late Ming Dynasty (1368–1644). The anonymous author took the pseudonym Lanling Xiaoxiao Sheng (蘭陵笑笑生), "The Scoffing Scholar of Lanling," and his identity is otherwise unknown (the only clue being that he hailed from Lanling in present-day Shandong). The novel circulated in manuscript as early as 1596, and may have undergone revision up to its first printed version in 1610. The most widely read version, edited and published with commentaries by Zhang Zhupo in 1695, unfortunately accepted the deletion and rewriting of many passages.

The graphically explicit depiction of sexuality garnered the novel a notoriety in China akin to Fanny Hill and Lolita in English literature, but critics such as the translator David Tod Roy see a firm society structure which exacts retribution for the sexual libertinism of the central characters.