The Palme d'Or (English: Golden Palm) is the highest prize awarded at the Cannes Film Festival and is presented to the director of the best feature film of the official competition. It was introduced in 1955 by the organising committee. From 1939 to 1954, the highest prize was the Grand Prix du Festival International du Film. From 1964 to 1974, it was replaced once again, by the Grand Prix du Festival.

Through 1954, the Jury of the Festival de Cannes awarded a "Grand Prix of the International Film Festival", with a new design each year from a contemporary artist. At the end of 1954, the Festival's Board of Directors invited several jewellers to submit designs for a palm, in tribute to the coat of arms of the City of Cannes. The original design by the jeweller Lucienne Lazon had the bevelled lower extremity of the stalk forming a heart, and the pedestal a sculpture in terracotta by the artist Sébastien.

In 1955, the first Palme d'Or was awarded to Delbert Mann for Marty, and it remained the highest award until 1964, when copyright issues with the Palme led the Festival to return to the Grand Prix. In 1975 the Palme d'Or was reintroduced and has since remained the symbol of the Cannes Film Festival, awarded every year to the director of the Best Feature Film of the Official Competition, and presented in a case of pure red Morocco leather lined with white suede.

Clinton "Clint" Eastwood, Jr. (born May 31, 1930) is an American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone's Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the late 1960s, and as Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact, and The Dead Pool) throughout the 1970s and 1980s. These roles, among others, have made him an enduring cultural icon of masculinity.

For his work in the films Unforgiven (1992) and Million Dollar Baby (2004), Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor. These films in particular, as well as others including Play Misty for Me (1971), Thunderbolt and Lightfoot (1974), The Outlaw Josey Wales (1976), Escape from Alcatraz (1979), Tightrope (1984), Pale Rider (1985), Heartbreak Ridge (1986), In the Line of Fire (1993), The Bridges of Madison County (1995), and Gran Torino (2008), have all received commercial success and critical acclaim. Eastwood's only comedies have been Every Which Way but Loose (1978) and its sequel Any Which Way You Can (1980), which are his two most commercially successful films after adjustment for inflation.

David Keith Lynch (born January 20, 1946) is an American filmmaker, television director, visual artist, comic book artist, musician and occasional actor. Known for his surrealist films, he has developed his own unique cinematic style, which has been dubbed "Lynchian", and which is characterized by its dream imagery, and meticulous sound design. The surreal, and in many cases violent, elements to his films have earned them the reputation that they "disturb, offend or mystify" their audiences.

Born to a middle class family in Missoula, Montana, Lynch spent his childhood traveling around the United States, before going on to study painting at the Pennsylvania Academy of Fine Arts in Philadelphia, where he first made the transition to producing short films. Deciding to devote himself more fully to this medium, he moved to Los Angeles, where he produced his first motion picture, the surrealist horror Eraserhead (1977). After Eraserhead became a cult classic on the midnight movie circuit, Lynch was employed to direct The Elephant Man (1980), from which he gained mainstream success. Then being employed by the De Laurentiis Entertainment Group, he proceeded to make two films: the science-fiction epic Dune (1984), which proved to be a critical and commercial failure, and then a neo-noir crime film, Blue Velvet (1986), which was highly critically acclaimed.