- published: 06 Apr 2013
- views: 782401
Create your page here
Tuesday, 15 November 2016
-
remove the playlistSt Matthew Passion
-
remove the playlistLatest Videos
-
remove the playlistLongest Videos
- remove the playlistSt Matthew Passion
- remove the playlistLatest Videos
- remove the playlistLongest Videos
back to playlist
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
The St Matthew Passion, (also frequently St Matthew's Passion) BWV 244, (German: Matthäus-Passion), is a sacred oratorio from the Passions written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew."
Although Bach wrote four (or five) settings of the Passions only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727[1] in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musici of Leipzig. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation. He further revised and performed it again on 24 March 1742. Possibly due to the second organ being under repair, he switched the continuo instrument to harpsichord in Coro II, reinforced the continuo group in Coro II with a viola da gamba, and inserted a ripieno soprano in both movements 1 and 29. There is evidence of a further revision in 1743--1746, when the score as we know it originated, but no performance.
Die Matthäus-Passion, BWV 244, ist eine oratorische Passion von Johann Sebastian Bach. Der Bericht vom Leiden und Sterben Jesu Christi nach dem Evangelium nach Matthäus bildet das Rückgrat. Ergänzt wird er um eingestreute Passionschoräle und erbauliche Dichtungen von Picander in freien Chören und Arien. Die Matthäus-Passion und die Johannes-Passion sind die beiden einzigen vollständig erhaltenen authentischen Passionswerke von Bach. Mit etwa 200 Minuten Aufführungsdauer und einer Besetzung von Solisten, zwei Chören und zwei Orchestern ist die Matthäus-Passion Bachs umfangreichstes und am stärksten besetztes Werk und stellt einen Höhepunkt protestantischer Kirchenmusik dar. Die Uraufführung fand am 11. April 1727 in der Thomaskirche in Leipzig statt. Nach Bachs Tod geriet das Werk in Vergessenheit. Die Wiederaufführung in einer gekürzten Version unter Felix Mendelssohn Bartholdy im Jahr 1829 leitete die Bach-Renaissance ein.
Passio secundum Matthaeum est longissimum oratorium a Iohanne Sebastiano Bach (BWV 244) compositum.
Texus musica est apud Evangelium secundum Matthaeum quod Ultima Cena et Crucifixio Iesu tractantur.
Pasión según san Mateo, Matthäus-Passion (J. S. Bach), Pasja według św. Mateusza, Матеус пасион, Passió segons sant Mateu, Matoušovy pašije, Κατά Ματθαίον Πάθη (Μπαχ), Matthäuspassion (Bach), Matthäus-Passion, Matteus-passio (Bach), Passione secondo Matteo, マタイ受難曲, 마태오 수난곡 (바흐), Passio secundum Matthaeum (Bach), Matthäus-Passion (J.S. Bach), Matteuspasjonen (Bach), Matteuspasjonen av Bach, Страсти по Матфею (Бах), Matteuspassionen,
1727
Johann Sebastian Bach (1685-1750)
Matthäus-Passion / Pasión según san Mateo, BWV 244
Intérpretes:
Christoph Prégardien, tenor
Tobias Berndt, barítono
Dorothee Mields, soprano
Hana Blažíková, soprano
Damien Guillon, alto/contratenor
Robin Blaze, alto/contratenor
Colin Balzer, tenor
Hans Jörg Mammel, tenor
Matthew Brook, bajo-barítono
Stephan MacLeod, bajo-barítono
Coro y Orquesta del Collegium Vocale Gent
Philipp Herreweghe, director
Representación desde la Kölner Philharmonie
Más información:
[http://es.wikipedia.org/wiki/Pasi%C3%B3n_seg%C3%BAn_san_Mateo]
Guía de audición y textos en alemán y castellano:
[http://eltamiz.com/elcedazo/2010/11/18/historia-de-un-ignorante-ma-non-troppo%E2%80%A6-la-pasion-segun-san-mateo-de-bach/]
---
- published: 28 Mar 2013
- views: 2352544
Johann Sebastian Bach
Matthäus-Passion BWV 244
St Matthew Passion
John Eliot Gardiner conducts The English Baroque Soloists
- published: 08 Aug 2016
- views: 7449
Anthony Rolfe Johnson, Evangelist (tenor)
Andreas Schmidt, Jesus (baritone)
Barbara Bonney, soprano (Pilate's wife)
Ann Monoyios, soprano
Anne Sofie von Otter, alto (contralto)
Michael Chance, countertenor (Altus, First witness)
Howard Crook, tenor (Second witness)
Olaf Bär, baritone (Pilate, Peter, High priest I)
Cornelius Hauptmann, bass (Judas, Pontifex)
THE MONTEVERDI CHOIR
Soprano: Donna Deam, Rona Eastwood, Jane Fairfield, Suzanne Flowers, Carol Hall, Susan Hemington Jones, Ruth Holton (Ancillae), Lucinda Houghton, Nicola Jenkin, Jean Knibbs, Rachel Platt, Gill Ross (Ancillae)
Altos: Richard Baker, Julian Clarkson, Patrick Collin, Jonathan Peter Kenny, Peter Nardone, Philip Newton, Christopher Royall, Ashley Stafford
Tenors: Clifford Armstrong, Brian Parsons, Philip Pettifor, Nicolas Robertson, Angus Smith, Paul Sutton, Paul Tindall, Andrew Tusa
Basses: Michael Boswell, Alan Brafield, Stephen Charlesworth, Hans Gabler, James Ottaway, Charles Pott, Richard Savage, Lawrence Wallington
THE LONDON ORATORY JUNIOR CHOIR
Direction: Patrick Russill
Edward Bruggemeyer, Jonathan Hoban, Victoria Hoban, Cornelia La Via, Julia Manning, Sophia Martinez, Sorelle Martinez, Sarah McAdam, Christopher McCarthy, Silvia Montello, Emma Murphy, Emma O'Neill, Beth O'Reilly, Kate O'Reilly, Luke O'Reilly, Eamonn Stack, Danielle Williams
THE ENGLISH BAROQUE SOLOISTS
Orchestra I
1st Violins: Elizabeth Wilcock (leader & soloist), Graham Cracknell, Maya Homburger, Walter Reiter
2nd Violins: Hildburg Williams, Henrietta Wayne,Maurice Whitaker
Violas: Annette Isserlis, Alan George
Viola da gamba: Richard Campbell (soloist)
Violoncellos: Timothy Mason (continuo), Richard Campbell (continuo)
Double bass: Valerie Botwright (continuo)
Flutes: Lisa Beznosiuk (soloist), Guy Williams
Recorders: Rachel Beckett, Catherine Latham
Oboes/ Oboes d'amore: Anthony Robson (oboe soloist), Catherine Latham
Bassoon: Alastair Mitchell (continuo) / Organ: Alastair Ross (continuo)
Orchestra II
1st Violins: Alison Bury (leader & soloist), Peter Lissauer, Ellen O'Dell, Nicola Cleminson
2nd Violins: Desmond Heath, Catherine Ford, Lucy Russell
Violas: Nicholas Logie, Pamela Cresswell
Violoncellos: Richard Tunnicliffe (continuo), Julie Lehwalder (continuo)
Double bass: Judith Evans (continuo)
Flutes: Janet See, Rachel Beckett
Oboes/ Oboes d'amore/ Oboes da caccia: Richard Earle, Valerie Darke
Bassoon: Andrew Watts (continuo) / Organ: Paul Nicholson (continuo)
For version without an unknown chair, here is the link: https://www.youtube.com/watch?v=rt-mhLJl3A4
---
The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be a priority to immediately remove the respective video.
- published: 01 Oct 2013
- views: 49818
Johann Sebastian Bach
Matthäus-Passion, BWV 244
[Pasión según Mateo, BWV 244]
Munchener Bach Chor,
Munchener Bach Orchester,
[Orquesta y Coro Bach de Munich]
Karl Ritcher, director.
1-00:00
2-11:00
3-11:55
4-13:07
5-17:00
6-18:05
7-22:52
8-23:28
9-29:07
10-32:12
11-33:11
12-37:30
13-38:54
14-42:45
15-44:18
16-45:24
17-46:41
18-50:20
19-50:20
20-52:17
21-57:41
22-58:52
23-1:00:06
24-1:04:45
25-1:06:25
26-1:07:40
27-1:10:33
28-1:15:52
29-1:19:35
30-1:26:24
31-1:31:10
32-1:32:12
33-1:33:05
34-1:34:20
35-1:35:32
36-1:38:54
37-1:41:19
38-1:42:20
39-1:45:05
40-1:52:39
41-1:53:52
42-1:55:40
43-1:58:59
44-2:01:27
45-2:02:50
46-2:05:06
47-2:06:35
48-2:06:55
49-2:08:16
50-2:13:52
51-2:15:44
52-2:16:46
53-2:24:39
54-2:25:50
55-2:28:37
56-2:29:35
57-2:30:23
58-2:37:18
59-2:40:48
60-2:42:46
61-2:46:28
62-2:49:24
63-2:51:31
64-2:55:09
65-2:57:40
67-3:07:25
68-3:10:40
-
Otras consideraciones:
[http://eltamiz.com/elcedazo/2010/11/18/historia-de-un-ignorante-ma-non-troppo%E2%80%A6-la-pasion-segun-san-mateo-de-bach/]
[http://ipromesisposi.blogspot.com.es/2012/04/bach-matthaus-passion.html]
Karl Richter:
[http://es.wikipedia.org/wiki/Karl_Richter]
Pasión según san Mateo:
[http://es.wikipedia.org/wiki/Pasi%C3%B3n_seg%C3%BAn_san_Mateo]
[http://en.wikipedia.org/wiki/St_Matthew_Passion]
---
- published: 08 Jun 2013
- views: 224696
Final Chorus of St Matthew Passion by J.S. Bach. Performed by Malmö Chamber Choir and orchestra on April 8, 2009, in Lund Cathedral, Sweden. Conducted by prof. Dan-Olof Stenlund.
- published: 12 Apr 2009
- views: 431208
The St Matthew Passion, BWV 244, (German: Matthäus-Passion), is a musical composition written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to: The Passion of our Lord J.C. after the Evangelist Matthew. It is also rendered in English as St. Matthew Passion and in German as Matthäuspassion.
Although Bach wrote four (or five) settings of the Passion only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727 in the Thomaskirche in Leipzig, where Bach was the Kapellmeister. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation.
Part One
1. Coro I & II & Chorale: Kommt, ihr Töchter, helft mir klagen -- O Lamm Gottes unschuldig (0:00)
2a. Evangelist, Jesus: Da Jesus diese Rede vollendet hatte (7:29)
3. Chorale: Herzliebster Jesu, was hast du verbrochen (8:18)
4a. Evangelist: Da versammleten sich die Hohenpriester und Schriftgelehrten (9:08)
5. Recitativo (alto, flutes): Du lieber Heiland du (12:30)
6. Aria (alto, flutes): Buß und Reu (13:39)
7. Evangelist, Judas: Da ging hin der Zwölfen einer mit Namen Judas Ischarioth (18:56)
8. Aria (soprano, flutes): Blute nur, du liebes Herz! (19:34)
9a. Evangelist: Aber am ersten Tage der süßen Brot (24:23)
10. Chorale: Ich bin's, ich sollte büßen (26:54)
11. Evangelist, Jesus: Er antwortete und sprach (27:43)
12. Recitativo (soprano, oboe d'amore): Wiewohl mein Herz in Tränen schwimmt (30:59)
13. Aria (soprano, oboe d'amore): Ich will dir mein Herze schenken (32:28)
14. Evangelist, Jesus: Und da sie den Lobgesang gesprochen hatten (36:14)
15. Chorale: Erkenne mich, mein Hüter (37:28)
16. Evangelist, Peter, Jesus: Petrus aber antwortete und sprach zu ihm (38:34)
17. Chorale: Ich will hier bei dir stehen (39:42)
18. Evangelist, Jesus: Da kam Jesus mit ihnen zu einem Hofe, der hieß Gethsemane (40:50)
19. Recitativo (tenor, flauti dolci, oboe da caccia) and Coro II: O Schmerz! Hier zittert das gequälte Herz -- Was ist die Ursach aller solcher Plagen? (42:33)
20. Aria (tenor, solo oboe, flutes) and Coro II: Ich will bei meinem Jesu wachen -- So schlafen unsre Sünden ein (44:22)
21. Evangelist: Und ging hin ein wenig, fiel nieder auf sein Angesicht und betete (49:42)
22. Recitativo (basso): Der Heiland fällt vor seinem Vater nieder (50:32)
23. Aria (basso): Gerne will ich mich bequemen, Kreuz und Becher anzunehmen (51:48)
24. Evangelist, Jesus: Und er kam zu seinen Jüngern und fand sie schlafend (56:58)
25. Chorale: Was mein Gott will, das gscheh allzeit (58:24)
26. Evangelist, Jesus, Judas: Und er kam und fand sie aber schlafend (59:37)
27a. Aria (soprano, alto, flutes, oboes) and Coro II: So ist mein Jesus nun gefangen -- Laßt ihn, haltet, bindet nicht! (1:02:18)
28. Evangelist, Jesus: Und siehe, einer aus denen, die mit Jesu waren, reckete die Hand aus (1:07:22)
29. Chorale: O Mensch, bewein dein Sünde groß (1:09:57)
Nikolaus Harnoncourt
Concentus Musicus Wien
King's College Choir Cambridge
1970
- published: 16 Dec 2010
- views: 715948
Gundula Janowitz
Christa Ludwig
Peter Schreier
Horst Laubenthal
Dietrich Fischer-Dieskau
Walter Berry
Anton Diakov
Herbert Von Karajan: Berliner Philharmoniker; Wiener Singverein
---
The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be a priority to immediately remove the respective video.
- published: 08 May 2014
- views: 66375
Johann Sebastian Bach Matthäus-Passion (St Matthew Passion) BWV 244
Amsterdam Baroque Orchestra conducted by Ton Koopman
Tenor: Jörg Dürmüller [Evangelista], Bass: Ekkehard Abele [Christ], Soprano: Cornelia Samuelis,Tenor: Paul Agnew, Bass: Klaus Mertens, Alto: Bogna Bartosz
***********************TRACKS****************************
0:00 Intro
1:30 Come, you daughters, help me lament (Choral) (Kommt ihr tochter helft mir klagen)
11:19 Dear Reddemer, when your disciples foolishly quarrel (Du lieber Heiland du)
16:44 Bleed on, dear hearth (Blute nur du liebes herz)
28:14 I will give my heart to You (Ich will dir mein herze schenken)
32:42 Know me, my keeper (Choral) (Erkenne mich, mein Huter)
38:59 I will watch beside my Jesus (Ich will bei meinem Jesu wachen)
45:42 I will gladly submit me (Gerne will ich mich bequemen)
53:39 So is my Jesus captured now (So ist mein Jesus nun gefangen)
1:00:02 O man, mourn your great sin (Choral) (O mensch, bewein dein Sünde gross)
1:05:54 Ah! My Jesus is gone now (Ach nun ist mein Jesus hin)
1:12:40 My Jesus holds His peace, before false lies (Mein Jesus scweight zu falschen Lugen stille)
1:18:50 Who has buffetet You so (Choral) (Wer hat dich so geschlagen)
1:21:55 Have mercy, my God for my tears' sake (Erbarme dich meine Gott)
1:30:40 Give me back, my Jesus ! (Gebt mir meinen Jesum wieder)
1:39:09 Commend your way and wathever troubles your heart (Choral) (Befiehl du deine Wege)
1:44:34 Out of love my Saviour is willing to die (Aus liebe will mein heiland sterben)
1:51:28 Have mercy, God. Here stands the Saviour bound (Have mercy, God! Here stands the Saviour bound.)
1:52:30 If the tears of my cheeks can achieve nothing (Konnen tranen meiner wangen nichts erlangen)
1:55:36 O head, full of blood and wounds (Choral) (O haupt voll blut und wunden)
1:59:20 Come, sweet Cross (Komm susses Kreuz)
2:08:49 Alas Golgotha, hapless Golgotha (Ach Golgotha)
2:10:13 See, Jesus had His Hand stretched out to grasp us (Sehet Jesus hat die Hand, Uns zu fassen ausgespannt)
2:16:01 When once I must depart, do not depart from me (Choral) (Wenn ich einmal soll scheiden)
2:21:25 Make youself clean, my heart (Mache dich mein herze rein)
2:29:55 My Jesus, good night ! (Mein Jesu, gute Nacht !)
2:31:49 We sit down in tears, Rest softly (Choral) (Wir setzen uns mit Tränen nieder)
- published: 17 Feb 2016
- views: 2110
01. Chorus I & II, Chorale (S)
Kommt, ihr Töchter, helft mir klagen,
Sehet - Wen? - den Bräutigam,
Seht ihn - Wie? - als wie ein Lamm!
O Lamm Gottes, unschuldig
Am Stamm des Kreuzes geschlachtet,
Sehet, - Was? - seht die Geduld,
Allzeit erfunden geduldig,
Wiewohl du warest verachtet.
Seht - Wohin? - auf unsre Schuld;
All Sünd hast du getragen,
Sonst müßten wir verzagen.
Sehet ihn aus Lieb und Huld
Holz zum Kreuze selber tragen!
Erbarm dich unser, o Jesu !
Peter Schreier, Evangelist
Ernst Gerold Schramm, Jesus
Siegmund Nimsgern, Judas & Pilatus
Helen Donath, soprano
Julia Hamari, alto
Horst R. Laubenthal, tenor
Walter Berry, bass
Karl Richter, Münchener Bach Orchester, Chor & Chorbuben
- published: 11 Jun 2009
- views: 519945
- Loading...
-
175:06St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach) The St Matthew Passion, (also frequently St Matthew's Passion) BWV 244, (German: Matthäus-Passion), is a sacred oratorio from the Passions written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew." Although Bach wrote four (or five) settings of the Passions only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727[1] in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musici of Leipzig. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation. He further revised and performed it again on 24 March 1742. Possibly due to the second organ being under repair, he switched the continuo instrument to harpsichord in Coro II, reinforced the continuo group in Coro II with a viola da gamba, and inserted a ripieno soprano in both movements 1 and 29. There is evidence of a further revision in 1743--1746, when the score as we know it originated, but no performance. Die Matthäus-Passion, BWV 244, ist eine oratorische Passion von Johann Sebastian Bach. Der Bericht vom Leiden und Sterben Jesu Christi nach dem Evangelium nach Matthäus bildet das Rückgrat. Ergänzt wird er um eingestreute Passionschoräle und erbauliche Dichtungen von Picander in freien Chören und Arien. Die Matthäus-Passion und die Johannes-Passion sind die beiden einzigen vollständig erhaltenen authentischen Passionswerke von Bach. Mit etwa 200 Minuten Aufführungsdauer und einer Besetzung von Solisten, zwei Chören und zwei Orchestern ist die Matthäus-Passion Bachs umfangreichstes und am stärksten besetztes Werk und stellt einen Höhepunkt protestantischer Kirchenmusik dar. Die Uraufführung fand am 11. April 1727 in der Thomaskirche in Leipzig statt. Nach Bachs Tod geriet das Werk in Vergessenheit. Die Wiederaufführung in einer gekürzten Version unter Felix Mendelssohn Bartholdy im Jahr 1829 leitete die Bach-Renaissance ein. Passio secundum Matthaeum est longissimum oratorium a Iohanne Sebastiano Bach (BWV 244) compositum. Texus musica est apud Evangelium secundum Matthaeum quod Ultima Cena et Crucifixio Iesu tractantur. Pasión según san Mateo, Matthäus-Passion (J. S. Bach), Pasja według św. Mateusza, Матеус пасион, Passió segons sant Mateu, Matoušovy pašije, Κατά Ματθαίον Πάθη (Μπαχ), Matthäuspassion (Bach), Matthäus-Passion, Matteus-passio (Bach), Passione secondo Matteo, マタイ受難曲, 마태오 수난곡 (바흐), Passio secundum Matthaeum (Bach), Matthäus-Passion (J.S. Bach), Matteuspasjonen (Bach), Matteuspasjonen av Bach, Страсти по Матфею (Бах), Matteuspassionen, 1727 -
163:19Bach, Matthäus-Passion BWV 244. Herreweghe
Bach, Matthäus-Passion BWV 244. HerrewegheBach, Matthäus-Passion BWV 244. Herreweghe
Johann Sebastian Bach (1685-1750) Matthäus-Passion / Pasión según san Mateo, BWV 244 Intérpretes: Christoph Prégardien, tenor Tobias Berndt, barítono Dorothee Mields, soprano Hana Blažíková, soprano Damien Guillon, alto/contratenor Robin Blaze, alto/contratenor Colin Balzer, tenor Hans Jörg Mammel, tenor Matthew Brook, bajo-barítono Stephan MacLeod, bajo-barítono Coro y Orquesta del Collegium Vocale Gent Philipp Herreweghe, director Representación desde la Kölner Philharmonie Más información: [http://es.wikipedia.org/wiki/Pasi%C3%B3n_seg%C3%BAn_san_Mateo] Guía de audición y textos en alemán y castellano: [http://eltamiz.com/elcedazo/2010/11/18/historia-de-un-ignorante-ma-non-troppo%E2%80%A6-la-pasion-segun-san-mateo-de-bach/] --- -
174:48Bach Matthäus Passion St Matthew BWV 244 John Eliot Gardiner & The English Baroque Soloists
Bach Matthäus Passion St Matthew BWV 244 John Eliot Gardiner & The English Baroque SoloistsBach Matthäus Passion St Matthew BWV 244 John Eliot Gardiner & The English Baroque Soloists
Johann Sebastian Bach Matthäus-Passion BWV 244 St Matthew Passion John Eliot Gardiner conducts The English Baroque Soloists -
157:35Bach: St. Matthew Passion (Gardiner)
Bach: St. Matthew Passion (Gardiner)Bach: St. Matthew Passion (Gardiner)
Anthony Rolfe Johnson, Evangelist (tenor) Andreas Schmidt, Jesus (baritone) Barbara Bonney, soprano (Pilate's wife) Ann Monoyios, soprano Anne Sofie von Otter, alto (contralto) Michael Chance, countertenor (Altus, First witness) Howard Crook, tenor (Second witness) Olaf Bär, baritone (Pilate, Peter, High priest I) Cornelius Hauptmann, bass (Judas, Pontifex) THE MONTEVERDI CHOIR Soprano: Donna Deam, Rona Eastwood, Jane Fairfield, Suzanne Flowers, Carol Hall, Susan Hemington Jones, Ruth Holton (Ancillae), Lucinda Houghton, Nicola Jenkin, Jean Knibbs, Rachel Platt, Gill Ross (Ancillae) Altos: Richard Baker, Julian Clarkson, Patrick Collin, Jonathan Peter Kenny, Peter Nardone, Philip Newton, Christopher Royall, Ashley Stafford Tenors: Clifford Armstrong, Brian Parsons, Philip Pettifor, Nicolas Robertson, Angus Smith, Paul Sutton, Paul Tindall, Andrew Tusa Basses: Michael Boswell, Alan Brafield, Stephen Charlesworth, Hans Gabler, James Ottaway, Charles Pott, Richard Savage, Lawrence Wallington THE LONDON ORATORY JUNIOR CHOIR Direction: Patrick Russill Edward Bruggemeyer, Jonathan Hoban, Victoria Hoban, Cornelia La Via, Julia Manning, Sophia Martinez, Sorelle Martinez, Sarah McAdam, Christopher McCarthy, Silvia Montello, Emma Murphy, Emma O'Neill, Beth O'Reilly, Kate O'Reilly, Luke O'Reilly, Eamonn Stack, Danielle Williams THE ENGLISH BAROQUE SOLOISTS Orchestra I 1st Violins: Elizabeth Wilcock (leader & soloist), Graham Cracknell, Maya Homburger, Walter Reiter 2nd Violins: Hildburg Williams, Henrietta Wayne,Maurice Whitaker Violas: Annette Isserlis, Alan George Viola da gamba: Richard Campbell (soloist) Violoncellos: Timothy Mason (continuo), Richard Campbell (continuo) Double bass: Valerie Botwright (continuo) Flutes: Lisa Beznosiuk (soloist), Guy Williams Recorders: Rachel Beckett, Catherine Latham Oboes/ Oboes d'amore: Anthony Robson (oboe soloist), Catherine Latham Bassoon: Alastair Mitchell (continuo) / Organ: Alastair Ross (continuo) Orchestra II 1st Violins: Alison Bury (leader & soloist), Peter Lissauer, Ellen O'Dell, Nicola Cleminson 2nd Violins: Desmond Heath, Catherine Ford, Lucy Russell Violas: Nicholas Logie, Pamela Cresswell Violoncellos: Richard Tunnicliffe (continuo), Julie Lehwalder (continuo) Double bass: Judith Evans (continuo) Flutes: Janet See, Rachel Beckett Oboes/ Oboes d'amore/ Oboes da caccia: Richard Earle, Valerie Darke Bassoon: Andrew Watts (continuo) / Organ: Paul Nicholson (continuo) For version without an unknown chair, here is the link: https://www.youtube.com/watch?v=rt-mhLJl3A4 --- The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be a priority to immediately remove the respective video. -
196:49Bach, Matthäus-Passion BWV 244. Karl Richter (1971)
Bach, Matthäus-Passion BWV 244. Karl Richter (1971)Bach, Matthäus-Passion BWV 244. Karl Richter (1971)
Johann Sebastian Bach Matthäus-Passion, BWV 244 [Pasión según Mateo, BWV 244] Munchener Bach Chor, Munchener Bach Orchester, [Orquesta y Coro Bach de Munich] Karl Ritcher, director. 1-00:00 2-11:00 3-11:55 4-13:07 5-17:00 6-18:05 7-22:52 8-23:28 9-29:07 10-32:12 11-33:11 12-37:30 13-38:54 14-42:45 15-44:18 16-45:24 17-46:41 18-50:20 19-50:20 20-52:17 21-57:41 22-58:52 23-1:00:06 24-1:04:45 25-1:06:25 26-1:07:40 27-1:10:33 28-1:15:52 29-1:19:35 30-1:26:24 31-1:31:10 32-1:32:12 33-1:33:05 34-1:34:20 35-1:35:32 36-1:38:54 37-1:41:19 38-1:42:20 39-1:45:05 40-1:52:39 41-1:53:52 42-1:55:40 43-1:58:59 44-2:01:27 45-2:02:50 46-2:05:06 47-2:06:35 48-2:06:55 49-2:08:16 50-2:13:52 51-2:15:44 52-2:16:46 53-2:24:39 54-2:25:50 55-2:28:37 56-2:29:35 57-2:30:23 58-2:37:18 59-2:40:48 60-2:42:46 61-2:46:28 62-2:49:24 63-2:51:31 64-2:55:09 65-2:57:40 67-3:07:25 68-3:10:40 - Otras consideraciones: [http://eltamiz.com/elcedazo/2010/11/18/historia-de-un-ignorante-ma-non-troppo%E2%80%A6-la-pasion-segun-san-mateo-de-bach/] [http://ipromesisposi.blogspot.com.es/2012/04/bach-matthaus-passion.html] Karl Richter: [http://es.wikipedia.org/wiki/Karl_Richter] Pasión según san Mateo: [http://es.wikipedia.org/wiki/Pasi%C3%B3n_seg%C3%BAn_san_Mateo] [http://en.wikipedia.org/wiki/St_Matthew_Passion] --- -
9:55St Matthew Passion, Final Chorus, J.S. Bach
St Matthew Passion, Final Chorus, J.S. BachSt Matthew Passion, Final Chorus, J.S. Bach
Final Chorus of St Matthew Passion by J.S. Bach. Performed by Malmö Chamber Choir and orchestra on April 8, 2009, in Lund Cathedral, Sweden. Conducted by prof. Dan-Olof Stenlund. -
76:19Bach - St. Matthew Passion, BWV 244 - Part One
Bach - St. Matthew Passion, BWV 244 - Part OneBach - St. Matthew Passion, BWV 244 - Part One
The St Matthew Passion, BWV 244, (German: Matthäus-Passion), is a musical composition written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to: The Passion of our Lord J.C. after the Evangelist Matthew. It is also rendered in English as St. Matthew Passion and in German as Matthäuspassion. Although Bach wrote four (or five) settings of the Passion only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727 in the Thomaskirche in Leipzig, where Bach was the Kapellmeister. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation. Part One 1. Coro I & II & Chorale: Kommt, ihr Töchter, helft mir klagen -- O Lamm Gottes unschuldig (0:00) 2a. Evangelist, Jesus: Da Jesus diese Rede vollendet hatte (7:29) 3. Chorale: Herzliebster Jesu, was hast du verbrochen (8:18) 4a. Evangelist: Da versammleten sich die Hohenpriester und Schriftgelehrten (9:08) 5. Recitativo (alto, flutes): Du lieber Heiland du (12:30) 6. Aria (alto, flutes): Buß und Reu (13:39) 7. Evangelist, Judas: Da ging hin der Zwölfen einer mit Namen Judas Ischarioth (18:56) 8. Aria (soprano, flutes): Blute nur, du liebes Herz! (19:34) 9a. Evangelist: Aber am ersten Tage der süßen Brot (24:23) 10. Chorale: Ich bin's, ich sollte büßen (26:54) 11. Evangelist, Jesus: Er antwortete und sprach (27:43) 12. Recitativo (soprano, oboe d'amore): Wiewohl mein Herz in Tränen schwimmt (30:59) 13. Aria (soprano, oboe d'amore): Ich will dir mein Herze schenken (32:28) 14. Evangelist, Jesus: Und da sie den Lobgesang gesprochen hatten (36:14) 15. Chorale: Erkenne mich, mein Hüter (37:28) 16. Evangelist, Peter, Jesus: Petrus aber antwortete und sprach zu ihm (38:34) 17. Chorale: Ich will hier bei dir stehen (39:42) 18. Evangelist, Jesus: Da kam Jesus mit ihnen zu einem Hofe, der hieß Gethsemane (40:50) 19. Recitativo (tenor, flauti dolci, oboe da caccia) and Coro II: O Schmerz! Hier zittert das gequälte Herz -- Was ist die Ursach aller solcher Plagen? (42:33) 20. Aria (tenor, solo oboe, flutes) and Coro II: Ich will bei meinem Jesu wachen -- So schlafen unsre Sünden ein (44:22) 21. Evangelist: Und ging hin ein wenig, fiel nieder auf sein Angesicht und betete (49:42) 22. Recitativo (basso): Der Heiland fällt vor seinem Vater nieder (50:32) 23. Aria (basso): Gerne will ich mich bequemen, Kreuz und Becher anzunehmen (51:48) 24. Evangelist, Jesus: Und er kam zu seinen Jüngern und fand sie schlafend (56:58) 25. Chorale: Was mein Gott will, das gscheh allzeit (58:24) 26. Evangelist, Jesus, Judas: Und er kam und fand sie aber schlafend (59:37) 27a. Aria (soprano, alto, flutes, oboes) and Coro II: So ist mein Jesus nun gefangen -- Laßt ihn, haltet, bindet nicht! (1:02:18) 28. Evangelist, Jesus: Und siehe, einer aus denen, die mit Jesu waren, reckete die Hand aus (1:07:22) 29. Chorale: O Mensch, bewein dein Sünde groß (1:09:57) Nikolaus Harnoncourt Concentus Musicus Wien King's College Choir Cambridge 1970 -
203:59Bach: St. Matthew Passion (Karajan)
Bach: St. Matthew Passion (Karajan)Bach: St. Matthew Passion (Karajan)
Gundula Janowitz Christa Ludwig Peter Schreier Horst Laubenthal Dietrich Fischer-Dieskau Walter Berry Anton Diakov Herbert Von Karajan: Berliner Philharmoniker; Wiener Singverein --- The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be a priority to immediately remove the respective video. -
159:06Bach Matthäus Passion St Matthew BWV 244 Ton Koopman
Bach Matthäus Passion St Matthew BWV 244 Ton KoopmanBach Matthäus Passion St Matthew BWV 244 Ton Koopman
Johann Sebastian Bach Matthäus-Passion (St Matthew Passion) BWV 244 Amsterdam Baroque Orchestra conducted by Ton Koopman Tenor: Jörg Dürmüller [Evangelista], Bass: Ekkehard Abele [Christ], Soprano: Cornelia Samuelis,Tenor: Paul Agnew, Bass: Klaus Mertens, Alto: Bogna Bartosz ***********************TRACKS**************************** 0:00 Intro 1:30 Come, you daughters, help me lament (Choral) (Kommt ihr tochter helft mir klagen) 11:19 Dear Reddemer, when your disciples foolishly quarrel (Du lieber Heiland du) 16:44 Bleed on, dear hearth (Blute nur du liebes herz) 28:14 I will give my heart to You (Ich will dir mein herze schenken) 32:42 Know me, my keeper (Choral) (Erkenne mich, mein Huter) 38:59 I will watch beside my Jesus (Ich will bei meinem Jesu wachen) 45:42 I will gladly submit me (Gerne will ich mich bequemen) 53:39 So is my Jesus captured now (So ist mein Jesus nun gefangen) 1:00:02 O man, mourn your great sin (Choral) (O mensch, bewein dein Sünde gross) 1:05:54 Ah! My Jesus is gone now (Ach nun ist mein Jesus hin) 1:12:40 My Jesus holds His peace, before false lies (Mein Jesus scweight zu falschen Lugen stille) 1:18:50 Who has buffetet You so (Choral) (Wer hat dich so geschlagen) 1:21:55 Have mercy, my God for my tears' sake (Erbarme dich meine Gott) 1:30:40 Give me back, my Jesus ! (Gebt mir meinen Jesum wieder) 1:39:09 Commend your way and wathever troubles your heart (Choral) (Befiehl du deine Wege) 1:44:34 Out of love my Saviour is willing to die (Aus liebe will mein heiland sterben) 1:51:28 Have mercy, God. Here stands the Saviour bound (Have mercy, God! Here stands the Saviour bound.) 1:52:30 If the tears of my cheeks can achieve nothing (Konnen tranen meiner wangen nichts erlangen) 1:55:36 O head, full of blood and wounds (Choral) (O haupt voll blut und wunden) 1:59:20 Come, sweet Cross (Komm susses Kreuz) 2:08:49 Alas Golgotha, hapless Golgotha (Ach Golgotha) 2:10:13 See, Jesus had His Hand stretched out to grasp us (Sehet Jesus hat die Hand, Uns zu fassen ausgespannt) 2:16:01 When once I must depart, do not depart from me (Choral) (Wenn ich einmal soll scheiden) 2:21:25 Make youself clean, my heart (Mache dich mein herze rein) 2:29:55 My Jesus, good night ! (Mein Jesu, gute Nacht !) 2:31:49 We sit down in tears, Rest softly (Choral) (Wir setzen uns mit Tränen nieder) -
11:00Bach - St. Matthew Passion BWV 244 (Karl Richter, 1971) - 1/22
Bach - St. Matthew Passion BWV 244 (Karl Richter, 1971) - 1/22Bach - St. Matthew Passion BWV 244 (Karl Richter, 1971) - 1/22
01. Chorus I & II, Chorale (S) Kommt, ihr Töchter, helft mir klagen, Sehet - Wen? - den Bräutigam, Seht ihn - Wie? - als wie ein Lamm! O Lamm Gottes, unschuldig Am Stamm des Kreuzes geschlachtet, Sehet, - Was? - seht die Geduld, Allzeit erfunden geduldig, Wiewohl du warest verachtet. Seht - Wohin? - auf unsre Schuld; All Sünd hast du getragen, Sonst müßten wir verzagen. Sehet ihn aus Lieb und Huld Holz zum Kreuze selber tragen! Erbarm dich unser, o Jesu ! Peter Schreier, Evangelist Ernst Gerold Schramm, Jesus Siegmund Nimsgern, Judas & Pilatus Helen Donath, soprano Julia Hamari, alto Horst R. Laubenthal, tenor Walter Berry, bass Karl Richter, Münchener Bach Orchester, Chor & Chorbuben
-
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach) The St Matthew Passion, (also frequently St Matthew's Passion) BWV 244, (German: Matthäus-Passion), is a sacred oratorio from the Passions written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew." Although Bach wrote four...
published: 06 Apr 2013 -
Bach, Matthäus-Passion BWV 244. Herreweghe
Johann Sebastian Bach (1685-1750) Matthäus-Passion / Pasión según san Mateo, BWV 244 Intérpretes: Christoph Prégardien, tenor Tobias Berndt, barítono Dorothee Mields, soprano Hana Blažíková, soprano Damien Guillon, alto/contratenor Robin Blaze, alto/contratenor Colin Balzer, tenor Hans Jörg Mammel, tenor Matthew Brook, bajo-barítono Stephan MacLeod, bajo-barítono Coro y Orquesta del Collegium Vocale Gent Philipp Herreweghe, director Representación desde la Kölner Philharmonie Más información: [http://es.wikipedia.org/wiki/Pasi%C3%B3n_seg%C3%BAn_san_Mateo] Guía de audición y textos en alemán y castellano: [http://eltamiz.com/elcedazo/2010/11/18/historia-de-un-ignorante-ma-non-troppo%E2%80%A6-la-pasion-segun-san-mateo-de-bach/] ---
published: 28 Mar 2013 -
Bach Matthäus Passion St Matthew BWV 244 John Eliot Gardiner & The English Baroque Soloists
Johann Sebastian Bach Matthäus-Passion BWV 244 St Matthew Passion John Eliot Gardiner conducts The English Baroque Soloists
published: 08 Aug 2016 -
Bach: St. Matthew Passion (Gardiner)
Anthony Rolfe Johnson, Evangelist (tenor) Andreas Schmidt, Jesus (baritone) Barbara Bonney, soprano (Pilate's wife) Ann Monoyios, soprano Anne Sofie von Otter, alto (contralto) Michael Chance, countertenor (Altus, First witness) Howard Crook, tenor (Second witness) Olaf Bär, baritone (Pilate, Peter, High priest I) Cornelius Hauptmann, bass (Judas, Pontifex) THE MONTEVERDI CHOIR Soprano: Donna Deam, Rona Eastwood, Jane Fairfield, Suzanne Flowers, Carol Hall, Susan Hemington Jones, Ruth Holton (Ancillae), Lucinda Houghton, Nicola Jenkin, Jean Knibbs, Rachel Platt, Gill Ross (Ancillae) Altos: Richard Baker, Julian Clarkson, Patrick Collin, Jonathan Peter Kenny, Peter Nardone, Philip Newton, Christopher Royall, Ashley Stafford Tenors: Clifford Armstrong, Brian Parsons, Philip Pettifor, N...
published: 01 Oct 2013 -
Bach, Matthäus-Passion BWV 244. Karl Richter (1971)
Johann Sebastian Bach Matthäus-Passion, BWV 244 [Pasión según Mateo, BWV 244] Munchener Bach Chor, Munchener Bach Orchester, [Orquesta y Coro Bach de Munich] Karl Ritcher, director. 1-00:00 2-11:00 3-11:55 4-13:07 5-17:00 6-18:05 7-22:52 8-23:28 9-29:07 10-32:12 11-33:11 12-37:30 13-38:54 14-42:45 15-44:18 16-45:24 17-46:41 18-50:20 19-50:20 20-52:17 21-57:41 22-58:52 23-1:00:06 24-1:04:45 25-1:06:25 26-1:07:40 27-1:10:33 28-1:15:52 29-1:19:35 30-1:26:24 31-1:31:10 32-1:32:12 33-1:33:05 34-1:34:20 35-1:35:32 36-1:38:54 37-1:41:19 38-1:42:20 39-1:45:05 40-1:52:39 41-1:53:52 42-1:55:40 43-1:58:59 44-2:01:27 45-2:02:50 46-2:05:06 47-2:06:35 48-2:06:55 49-2:08:16 50-2:13:52 51-2:15:44 52-2:16:46 53-2:24:39 54-2:25:50 55-2:28:37 56-2:29:...
published: 08 Jun 2013 -
St Matthew Passion, Final Chorus, J.S. Bach
Final Chorus of St Matthew Passion by J.S. Bach. Performed by Malmö Chamber Choir and orchestra on April 8, 2009, in Lund Cathedral, Sweden. Conducted by prof. Dan-Olof Stenlund.
published: 12 Apr 2009 -
Bach - St. Matthew Passion, BWV 244 - Part One
The St Matthew Passion, BWV 244, (German: Matthäus-Passion), is a musical composition written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to: The Passion of our Lord J.C. after the Evangelist Matthew. It is also rendered in English as St. Matthew Passion and in German as Matthäuspassion. Although Bach wrote four (or five) settings of the Passion only two have survived; the other is the St John Passion. The St Matthew Passion wa...
published: 16 Dec 2010 -
Bach: St. Matthew Passion (Karajan)
Gundula Janowitz Christa Ludwig Peter Schreier Horst Laubenthal Dietrich Fischer-Dieskau Walter Berry Anton Diakov Herbert Von Karajan: Berliner Philharmoniker; Wiener Singverein --- The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be a priority to immediately remove the respective video.
published: 08 May 2014 -
Bach Matthäus Passion St Matthew BWV 244 Ton Koopman
Johann Sebastian Bach Matthäus-Passion (St Matthew Passion) BWV 244 Amsterdam Baroque Orchestra conducted by Ton Koopman Tenor: Jörg Dürmüller [Evangelista], Bass: Ekkehard Abele [Christ], Soprano: Cornelia Samuelis,Tenor: Paul Agnew, Bass: Klaus Mertens, Alto: Bogna Bartosz ***********************TRACKS**************************** 0:00 Intro 1:30 Come, you daughters, help me lament (Choral) (Kommt ihr tochter helft mir klagen) 11:19 Dear Reddemer, when your disciples foolishly quarrel (Du lieber Heiland du) 16:44 Bleed on, dear hearth (Blute nur du liebes herz) 28:14 I will give my heart to You (Ich will dir mein herze schenken) 32:42 Know me, my keeper (Choral) (Erkenne mich, mein Huter) 38:59 I will watch beside my Jesus (Ich will bei meinem Jesu wachen) 45:42 I will gladly submit me (...
published: 17 Feb 2016 -
Bach - St. Matthew Passion BWV 244 (Karl Richter, 1971) - 1/22
01. Chorus I & II, Chorale (S) Kommt, ihr Töchter, helft mir klagen, Sehet - Wen? - den Bräutigam, Seht ihn - Wie? - als wie ein Lamm! O Lamm Gottes, unschuldig Am Stamm des Kreuzes geschlachtet, Sehet, - Was? - seht die Geduld, Allzeit erfunden geduldig, Wiewohl du warest verachtet. Seht - Wohin? - auf unsre Schuld; All Sünd hast du getragen, Sonst müßten wir verzagen. Sehet ihn aus Lieb und Huld Holz zum Kreuze selber tragen! Erbarm dich unser, o Jesu ! Peter Schreier, Evangelist Ernst Gerold Schramm, Jesus Siegmund Nimsgern, Judas & Pilatus Helen Donath, soprano Julia Hamari, alto Horst R. Laubenthal, tenor Walter Berry, bass Karl Richter, Münchener Bach Orchester, Chor & Chorbuben
published: 11 Jun 2009
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
- Order: Reorder
- Duration: 175:06
- Updated: 06 Apr 2013
- views: 782401
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
The St Matthew Passion, (also frequently St Matthew's Passion) BWV 244,...
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
The St Matthew Passion, (also frequently St Matthew's Passion) BWV 244, (German: Matthäus-Passion), is a sacred oratorio from the Passions written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew."
Although Bach wrote four (or five) settings of the Passions only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727[1] in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musici of Leipzig. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation. He further revised and performed it again on 24 March 1742. Possibly due to the second organ being under repair, he switched the continuo instrument to harpsichord in Coro II, reinforced the continuo group in Coro II with a viola da gamba, and inserted a ripieno soprano in both movements 1 and 29. There is evidence of a further revision in 1743--1746, when the score as we know it originated, but no performance.
Die Matthäus-Passion, BWV 244, ist eine oratorische Passion von Johann Sebastian Bach. Der Bericht vom Leiden und Sterben Jesu Christi nach dem Evangelium nach Matthäus bildet das Rückgrat. Ergänzt wird er um eingestreute Passionschoräle und erbauliche Dichtungen von Picander in freien Chören und Arien. Die Matthäus-Passion und die Johannes-Passion sind die beiden einzigen vollständig erhaltenen authentischen Passionswerke von Bach. Mit etwa 200 Minuten Aufführungsdauer und einer Besetzung von Solisten, zwei Chören und zwei Orchestern ist die Matthäus-Passion Bachs umfangreichstes und am stärksten besetztes Werk und stellt einen Höhepunkt protestantischer Kirchenmusik dar. Die Uraufführung fand am 11. April 1727 in der Thomaskirche in Leipzig statt. Nach Bachs Tod geriet das Werk in Vergessenheit. Die Wiederaufführung in einer gekürzten Version unter Felix Mendelssohn Bartholdy im Jahr 1829 leitete die Bach-Renaissance ein.
Passio secundum Matthaeum est longissimum oratorium a Iohanne Sebastiano Bach (BWV 244) compositum.
Texus musica est apud Evangelium secundum Matthaeum quod Ultima Cena et Crucifixio Iesu tractantur.
Pasión según san Mateo, Matthäus-Passion (J. S. Bach), Pasja według św. Mateusza, Матеус пасион, Passió segons sant Mateu, Matoušovy pašije, Κατά Ματθαίον Πάθη (Μπαχ), Matthäuspassion (Bach), Matthäus-Passion, Matteus-passio (Bach), Passione secondo Matteo, マタイ受難曲, 마태오 수난곡 (바흐), Passio secundum Matthaeum (Bach), Matthäus-Passion (J.S. Bach), Matteuspasjonen (Bach), Matteuspasjonen av Bach, Страсти по Матфею (Бах), Matteuspassionen,
1727
wn.com/St Matthew Passion Matthäus Passion Bwv 244 | (Complete) (Full Concert) (J. S. Bach)
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
The St Matthew Passion, (also frequently St Matthew's Passion) BWV 244, (German: Matthäus-Passion), is a sacred oratorio from the Passions written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew."
Although Bach wrote four (or five) settings of the Passions only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727[1] in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musici of Leipzig. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation. He further revised and performed it again on 24 March 1742. Possibly due to the second organ being under repair, he switched the continuo instrument to harpsichord in Coro II, reinforced the continuo group in Coro II with a viola da gamba, and inserted a ripieno soprano in both movements 1 and 29. There is evidence of a further revision in 1743--1746, when the score as we know it originated, but no performance.
Die Matthäus-Passion, BWV 244, ist eine oratorische Passion von Johann Sebastian Bach. Der Bericht vom Leiden und Sterben Jesu Christi nach dem Evangelium nach Matthäus bildet das Rückgrat. Ergänzt wird er um eingestreute Passionschoräle und erbauliche Dichtungen von Picander in freien Chören und Arien. Die Matthäus-Passion und die Johannes-Passion sind die beiden einzigen vollständig erhaltenen authentischen Passionswerke von Bach. Mit etwa 200 Minuten Aufführungsdauer und einer Besetzung von Solisten, zwei Chören und zwei Orchestern ist die Matthäus-Passion Bachs umfangreichstes und am stärksten besetztes Werk und stellt einen Höhepunkt protestantischer Kirchenmusik dar. Die Uraufführung fand am 11. April 1727 in der Thomaskirche in Leipzig statt. Nach Bachs Tod geriet das Werk in Vergessenheit. Die Wiederaufführung in einer gekürzten Version unter Felix Mendelssohn Bartholdy im Jahr 1829 leitete die Bach-Renaissance ein.
Passio secundum Matthaeum est longissimum oratorium a Iohanne Sebastiano Bach (BWV 244) compositum.
Texus musica est apud Evangelium secundum Matthaeum quod Ultima Cena et Crucifixio Iesu tractantur.
Pasión según san Mateo, Matthäus-Passion (J. S. Bach), Pasja według św. Mateusza, Матеус пасион, Passió segons sant Mateu, Matoušovy pašije, Κατά Ματθαίον Πάθη (Μπαχ), Matthäuspassion (Bach), Matthäus-Passion, Matteus-passio (Bach), Passione secondo Matteo, マタイ受難曲, 마태오 수난곡 (바흐), Passio secundum Matthaeum (Bach), Matthäus-Passion (J.S. Bach), Matteuspasjonen (Bach), Matteuspasjonen av Bach, Страсти по Матфею (Бах), Matteuspassionen,
1727
- published: 06 Apr 2013
- views: 782401
Bach, Matthäus-Passion BWV 244. Herreweghe
- Order: Reorder
- Duration: 163:19
- Updated: 28 Mar 2013
- views: 2352544
Johann Sebastian Bach (1685-1750)
Matthäus-Passion / Pasión según san Mateo, BWV 244
Intérpretes:
Christoph Prégardien, tenor
Tobias Berndt, barítono
Dorothee ...
Johann Sebastian Bach (1685-1750)
Matthäus-Passion / Pasión según san Mateo, BWV 244
Intérpretes:
Christoph Prégardien, tenor
Tobias Berndt, barítono
Dorothee Mields, soprano
Hana Blažíková, soprano
Damien Guillon, alto/contratenor
Robin Blaze, alto/contratenor
Colin Balzer, tenor
Hans Jörg Mammel, tenor
Matthew Brook, bajo-barítono
Stephan MacLeod, bajo-barítono
Coro y Orquesta del Collegium Vocale Gent
Philipp Herreweghe, director
Representación desde la Kölner Philharmonie
Más información:
[http://es.wikipedia.org/wiki/Pasi%C3%B3n_seg%C3%BAn_san_Mateo]
Guía de audición y textos en alemán y castellano:
[http://eltamiz.com/elcedazo/2010/11/18/historia-de-un-ignorante-ma-non-troppo%E2%80%A6-la-pasion-segun-san-mateo-de-bach/]
---
wn.com/Bach, Matthäus Passion Bwv 244. Herreweghe
Johann Sebastian Bach (1685-1750)
Matthäus-Passion / Pasión según san Mateo, BWV 244
Intérpretes:
Christoph Prégardien, tenor
Tobias Berndt, barítono
Dorothee Mields, soprano
Hana Blažíková, soprano
Damien Guillon, alto/contratenor
Robin Blaze, alto/contratenor
Colin Balzer, tenor
Hans Jörg Mammel, tenor
Matthew Brook, bajo-barítono
Stephan MacLeod, bajo-barítono
Coro y Orquesta del Collegium Vocale Gent
Philipp Herreweghe, director
Representación desde la Kölner Philharmonie
Más información:
[http://es.wikipedia.org/wiki/Pasi%C3%B3n_seg%C3%BAn_san_Mateo]
Guía de audición y textos en alemán y castellano:
[http://eltamiz.com/elcedazo/2010/11/18/historia-de-un-ignorante-ma-non-troppo%E2%80%A6-la-pasion-segun-san-mateo-de-bach/]
---
- published: 28 Mar 2013
- views: 2352544
Bach Matthäus Passion St Matthew BWV 244 John Eliot Gardiner & The English Baroque Soloists
- Order: Reorder
- Duration: 174:48
- Updated: 08 Aug 2016
- views: 7449
Johann Sebastian Bach
Matthäus-Passion BWV 244
St Matthew Passion
John Eliot Gardiner conducts The English Baroque Soloists
Johann Sebastian Bach
Matthäus-Passion BWV 244
St Matthew Passion
John Eliot Gardiner conducts The English Baroque Soloists
wn.com/Bach Matthäus Passion St Matthew Bwv 244 John Eliot Gardiner The English Baroque Soloists
Johann Sebastian Bach
Matthäus-Passion BWV 244
St Matthew Passion
John Eliot Gardiner conducts The English Baroque Soloists
- published: 08 Aug 2016
- views: 7449
Bach: St. Matthew Passion (Gardiner)
- Order: Reorder
- Duration: 157:35
- Updated: 01 Oct 2013
- views: 49818
Anthony Rolfe Johnson, Evangelist (tenor)
Andreas Schmidt, Jesus (baritone)
Barbara Bonney, soprano (Pilate's wife)
Ann Monoyios, soprano
Anne Sofie von Otter,...
Anthony Rolfe Johnson, Evangelist (tenor)
Andreas Schmidt, Jesus (baritone)
Barbara Bonney, soprano (Pilate's wife)
Ann Monoyios, soprano
Anne Sofie von Otter, alto (contralto)
Michael Chance, countertenor (Altus, First witness)
Howard Crook, tenor (Second witness)
Olaf Bär, baritone (Pilate, Peter, High priest I)
Cornelius Hauptmann, bass (Judas, Pontifex)
THE MONTEVERDI CHOIR
Soprano: Donna Deam, Rona Eastwood, Jane Fairfield, Suzanne Flowers, Carol Hall, Susan Hemington Jones, Ruth Holton (Ancillae), Lucinda Houghton, Nicola Jenkin, Jean Knibbs, Rachel Platt, Gill Ross (Ancillae)
Altos: Richard Baker, Julian Clarkson, Patrick Collin, Jonathan Peter Kenny, Peter Nardone, Philip Newton, Christopher Royall, Ashley Stafford
Tenors: Clifford Armstrong, Brian Parsons, Philip Pettifor, Nicolas Robertson, Angus Smith, Paul Sutton, Paul Tindall, Andrew Tusa
Basses: Michael Boswell, Alan Brafield, Stephen Charlesworth, Hans Gabler, James Ottaway, Charles Pott, Richard Savage, Lawrence Wallington
THE LONDON ORATORY JUNIOR CHOIR
Direction: Patrick Russill
Edward Bruggemeyer, Jonathan Hoban, Victoria Hoban, Cornelia La Via, Julia Manning, Sophia Martinez, Sorelle Martinez, Sarah McAdam, Christopher McCarthy, Silvia Montello, Emma Murphy, Emma O'Neill, Beth O'Reilly, Kate O'Reilly, Luke O'Reilly, Eamonn Stack, Danielle Williams
THE ENGLISH BAROQUE SOLOISTS
Orchestra I
1st Violins: Elizabeth Wilcock (leader & soloist), Graham Cracknell, Maya Homburger, Walter Reiter
2nd Violins: Hildburg Williams, Henrietta Wayne,Maurice Whitaker
Violas: Annette Isserlis, Alan George
Viola da gamba: Richard Campbell (soloist)
Violoncellos: Timothy Mason (continuo), Richard Campbell (continuo)
Double bass: Valerie Botwright (continuo)
Flutes: Lisa Beznosiuk (soloist), Guy Williams
Recorders: Rachel Beckett, Catherine Latham
Oboes/ Oboes d'amore: Anthony Robson (oboe soloist), Catherine Latham
Bassoon: Alastair Mitchell (continuo) / Organ: Alastair Ross (continuo)
Orchestra II
1st Violins: Alison Bury (leader & soloist), Peter Lissauer, Ellen O'Dell, Nicola Cleminson
2nd Violins: Desmond Heath, Catherine Ford, Lucy Russell
Violas: Nicholas Logie, Pamela Cresswell
Violoncellos: Richard Tunnicliffe (continuo), Julie Lehwalder (continuo)
Double bass: Judith Evans (continuo)
Flutes: Janet See, Rachel Beckett
Oboes/ Oboes d'amore/ Oboes da caccia: Richard Earle, Valerie Darke
Bassoon: Andrew Watts (continuo) / Organ: Paul Nicholson (continuo)
For version without an unknown chair, here is the link: https://www.youtube.com/watch?v=rt-mhLJl3A4
---
The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be a priority to immediately remove the respective video.
wn.com/Bach St. Matthew Passion (Gardiner)
Anthony Rolfe Johnson, Evangelist (tenor)
Andreas Schmidt, Jesus (baritone)
Barbara Bonney, soprano (Pilate's wife)
Ann Monoyios, soprano
Anne Sofie von Otter, alto (contralto)
Michael Chance, countertenor (Altus, First witness)
Howard Crook, tenor (Second witness)
Olaf Bär, baritone (Pilate, Peter, High priest I)
Cornelius Hauptmann, bass (Judas, Pontifex)
THE MONTEVERDI CHOIR
Soprano: Donna Deam, Rona Eastwood, Jane Fairfield, Suzanne Flowers, Carol Hall, Susan Hemington Jones, Ruth Holton (Ancillae), Lucinda Houghton, Nicola Jenkin, Jean Knibbs, Rachel Platt, Gill Ross (Ancillae)
Altos: Richard Baker, Julian Clarkson, Patrick Collin, Jonathan Peter Kenny, Peter Nardone, Philip Newton, Christopher Royall, Ashley Stafford
Tenors: Clifford Armstrong, Brian Parsons, Philip Pettifor, Nicolas Robertson, Angus Smith, Paul Sutton, Paul Tindall, Andrew Tusa
Basses: Michael Boswell, Alan Brafield, Stephen Charlesworth, Hans Gabler, James Ottaway, Charles Pott, Richard Savage, Lawrence Wallington
THE LONDON ORATORY JUNIOR CHOIR
Direction: Patrick Russill
Edward Bruggemeyer, Jonathan Hoban, Victoria Hoban, Cornelia La Via, Julia Manning, Sophia Martinez, Sorelle Martinez, Sarah McAdam, Christopher McCarthy, Silvia Montello, Emma Murphy, Emma O'Neill, Beth O'Reilly, Kate O'Reilly, Luke O'Reilly, Eamonn Stack, Danielle Williams
THE ENGLISH BAROQUE SOLOISTS
Orchestra I
1st Violins: Elizabeth Wilcock (leader & soloist), Graham Cracknell, Maya Homburger, Walter Reiter
2nd Violins: Hildburg Williams, Henrietta Wayne,Maurice Whitaker
Violas: Annette Isserlis, Alan George
Viola da gamba: Richard Campbell (soloist)
Violoncellos: Timothy Mason (continuo), Richard Campbell (continuo)
Double bass: Valerie Botwright (continuo)
Flutes: Lisa Beznosiuk (soloist), Guy Williams
Recorders: Rachel Beckett, Catherine Latham
Oboes/ Oboes d'amore: Anthony Robson (oboe soloist), Catherine Latham
Bassoon: Alastair Mitchell (continuo) / Organ: Alastair Ross (continuo)
Orchestra II
1st Violins: Alison Bury (leader & soloist), Peter Lissauer, Ellen O'Dell, Nicola Cleminson
2nd Violins: Desmond Heath, Catherine Ford, Lucy Russell
Violas: Nicholas Logie, Pamela Cresswell
Violoncellos: Richard Tunnicliffe (continuo), Julie Lehwalder (continuo)
Double bass: Judith Evans (continuo)
Flutes: Janet See, Rachel Beckett
Oboes/ Oboes d'amore/ Oboes da caccia: Richard Earle, Valerie Darke
Bassoon: Andrew Watts (continuo) / Organ: Paul Nicholson (continuo)
For version without an unknown chair, here is the link: https://www.youtube.com/watch?v=rt-mhLJl3A4
---
The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be a priority to immediately remove the respective video.
- published: 01 Oct 2013
- views: 49818
Bach, Matthäus-Passion BWV 244. Karl Richter (1971)
- Order: Reorder
- Duration: 196:49
- Updated: 08 Jun 2013
- views: 224696
Johann Sebastian Bach
Matthäus-Passion, BWV 244
[Pasión según Mateo, BWV 244]
Munchener Bach Chor,
Munchener Bach Orchester,
[Orquesta y Coro Bach de Munich]
...
Johann Sebastian Bach
Matthäus-Passion, BWV 244
[Pasión según Mateo, BWV 244]
Munchener Bach Chor,
Munchener Bach Orchester,
[Orquesta y Coro Bach de Munich]
Karl Ritcher, director.
1-00:00
2-11:00
3-11:55
4-13:07
5-17:00
6-18:05
7-22:52
8-23:28
9-29:07
10-32:12
11-33:11
12-37:30
13-38:54
14-42:45
15-44:18
16-45:24
17-46:41
18-50:20
19-50:20
20-52:17
21-57:41
22-58:52
23-1:00:06
24-1:04:45
25-1:06:25
26-1:07:40
27-1:10:33
28-1:15:52
29-1:19:35
30-1:26:24
31-1:31:10
32-1:32:12
33-1:33:05
34-1:34:20
35-1:35:32
36-1:38:54
37-1:41:19
38-1:42:20
39-1:45:05
40-1:52:39
41-1:53:52
42-1:55:40
43-1:58:59
44-2:01:27
45-2:02:50
46-2:05:06
47-2:06:35
48-2:06:55
49-2:08:16
50-2:13:52
51-2:15:44
52-2:16:46
53-2:24:39
54-2:25:50
55-2:28:37
56-2:29:35
57-2:30:23
58-2:37:18
59-2:40:48
60-2:42:46
61-2:46:28
62-2:49:24
63-2:51:31
64-2:55:09
65-2:57:40
67-3:07:25
68-3:10:40
-
Otras consideraciones:
[http://eltamiz.com/elcedazo/2010/11/18/historia-de-un-ignorante-ma-non-troppo%E2%80%A6-la-pasion-segun-san-mateo-de-bach/]
[http://ipromesisposi.blogspot.com.es/2012/04/bach-matthaus-passion.html]
Karl Richter:
[http://es.wikipedia.org/wiki/Karl_Richter]
Pasión según san Mateo:
[http://es.wikipedia.org/wiki/Pasi%C3%B3n_seg%C3%BAn_san_Mateo]
[http://en.wikipedia.org/wiki/St_Matthew_Passion]
---
wn.com/Bach, Matthäus Passion Bwv 244. Karl Richter (1971)
Johann Sebastian Bach
Matthäus-Passion, BWV 244
[Pasión según Mateo, BWV 244]
Munchener Bach Chor,
Munchener Bach Orchester,
[Orquesta y Coro Bach de Munich]
Karl Ritcher, director.
1-00:00
2-11:00
3-11:55
4-13:07
5-17:00
6-18:05
7-22:52
8-23:28
9-29:07
10-32:12
11-33:11
12-37:30
13-38:54
14-42:45
15-44:18
16-45:24
17-46:41
18-50:20
19-50:20
20-52:17
21-57:41
22-58:52
23-1:00:06
24-1:04:45
25-1:06:25
26-1:07:40
27-1:10:33
28-1:15:52
29-1:19:35
30-1:26:24
31-1:31:10
32-1:32:12
33-1:33:05
34-1:34:20
35-1:35:32
36-1:38:54
37-1:41:19
38-1:42:20
39-1:45:05
40-1:52:39
41-1:53:52
42-1:55:40
43-1:58:59
44-2:01:27
45-2:02:50
46-2:05:06
47-2:06:35
48-2:06:55
49-2:08:16
50-2:13:52
51-2:15:44
52-2:16:46
53-2:24:39
54-2:25:50
55-2:28:37
56-2:29:35
57-2:30:23
58-2:37:18
59-2:40:48
60-2:42:46
61-2:46:28
62-2:49:24
63-2:51:31
64-2:55:09
65-2:57:40
67-3:07:25
68-3:10:40
-
Otras consideraciones:
[http://eltamiz.com/elcedazo/2010/11/18/historia-de-un-ignorante-ma-non-troppo%E2%80%A6-la-pasion-segun-san-mateo-de-bach/]
[http://ipromesisposi.blogspot.com.es/2012/04/bach-matthaus-passion.html]
Karl Richter:
[http://es.wikipedia.org/wiki/Karl_Richter]
Pasión según san Mateo:
[http://es.wikipedia.org/wiki/Pasi%C3%B3n_seg%C3%BAn_san_Mateo]
[http://en.wikipedia.org/wiki/St_Matthew_Passion]
---
- published: 08 Jun 2013
- views: 224696
St Matthew Passion, Final Chorus, J.S. Bach
- Order: Reorder
- Duration: 9:55
- Updated: 12 Apr 2009
- views: 431208
Final Chorus of St Matthew Passion by J.S. Bach. Performed by Malmö Chamber Choir and orchestra on April 8, 2009, in Lund Cathedral, Sweden. Conducted by prof. ...
Final Chorus of St Matthew Passion by J.S. Bach. Performed by Malmö Chamber Choir and orchestra on April 8, 2009, in Lund Cathedral, Sweden. Conducted by prof. Dan-Olof Stenlund.
wn.com/St Matthew Passion, Final Chorus, J.S. Bach
Final Chorus of St Matthew Passion by J.S. Bach. Performed by Malmö Chamber Choir and orchestra on April 8, 2009, in Lund Cathedral, Sweden. Conducted by prof. Dan-Olof Stenlund.
- published: 12 Apr 2009
- views: 431208
Bach - St. Matthew Passion, BWV 244 - Part One
- Order: Reorder
- Duration: 76:19
- Updated: 16 Dec 2010
- views: 715948
The St Matthew Passion, BWV 244, (German: Matthäus-Passion), is a musical composition written by Johann Sebastian Bach in 1727 for solo voices, double choir and...
The St Matthew Passion, BWV 244, (German: Matthäus-Passion), is a musical composition written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to: The Passion of our Lord J.C. after the Evangelist Matthew. It is also rendered in English as St. Matthew Passion and in German as Matthäuspassion.
Although Bach wrote four (or five) settings of the Passion only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727 in the Thomaskirche in Leipzig, where Bach was the Kapellmeister. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation.
Part One
1. Coro I & II & Chorale: Kommt, ihr Töchter, helft mir klagen -- O Lamm Gottes unschuldig (0:00)
2a. Evangelist, Jesus: Da Jesus diese Rede vollendet hatte (7:29)
3. Chorale: Herzliebster Jesu, was hast du verbrochen (8:18)
4a. Evangelist: Da versammleten sich die Hohenpriester und Schriftgelehrten (9:08)
5. Recitativo (alto, flutes): Du lieber Heiland du (12:30)
6. Aria (alto, flutes): Buß und Reu (13:39)
7. Evangelist, Judas: Da ging hin der Zwölfen einer mit Namen Judas Ischarioth (18:56)
8. Aria (soprano, flutes): Blute nur, du liebes Herz! (19:34)
9a. Evangelist: Aber am ersten Tage der süßen Brot (24:23)
10. Chorale: Ich bin's, ich sollte büßen (26:54)
11. Evangelist, Jesus: Er antwortete und sprach (27:43)
12. Recitativo (soprano, oboe d'amore): Wiewohl mein Herz in Tränen schwimmt (30:59)
13. Aria (soprano, oboe d'amore): Ich will dir mein Herze schenken (32:28)
14. Evangelist, Jesus: Und da sie den Lobgesang gesprochen hatten (36:14)
15. Chorale: Erkenne mich, mein Hüter (37:28)
16. Evangelist, Peter, Jesus: Petrus aber antwortete und sprach zu ihm (38:34)
17. Chorale: Ich will hier bei dir stehen (39:42)
18. Evangelist, Jesus: Da kam Jesus mit ihnen zu einem Hofe, der hieß Gethsemane (40:50)
19. Recitativo (tenor, flauti dolci, oboe da caccia) and Coro II: O Schmerz! Hier zittert das gequälte Herz -- Was ist die Ursach aller solcher Plagen? (42:33)
20. Aria (tenor, solo oboe, flutes) and Coro II: Ich will bei meinem Jesu wachen -- So schlafen unsre Sünden ein (44:22)
21. Evangelist: Und ging hin ein wenig, fiel nieder auf sein Angesicht und betete (49:42)
22. Recitativo (basso): Der Heiland fällt vor seinem Vater nieder (50:32)
23. Aria (basso): Gerne will ich mich bequemen, Kreuz und Becher anzunehmen (51:48)
24. Evangelist, Jesus: Und er kam zu seinen Jüngern und fand sie schlafend (56:58)
25. Chorale: Was mein Gott will, das gscheh allzeit (58:24)
26. Evangelist, Jesus, Judas: Und er kam und fand sie aber schlafend (59:37)
27a. Aria (soprano, alto, flutes, oboes) and Coro II: So ist mein Jesus nun gefangen -- Laßt ihn, haltet, bindet nicht! (1:02:18)
28. Evangelist, Jesus: Und siehe, einer aus denen, die mit Jesu waren, reckete die Hand aus (1:07:22)
29. Chorale: O Mensch, bewein dein Sünde groß (1:09:57)
Nikolaus Harnoncourt
Concentus Musicus Wien
King's College Choir Cambridge
1970
wn.com/Bach St. Matthew Passion, Bwv 244 Part One
The St Matthew Passion, BWV 244, (German: Matthäus-Passion), is a musical composition written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to: The Passion of our Lord J.C. after the Evangelist Matthew. It is also rendered in English as St. Matthew Passion and in German as Matthäuspassion.
Although Bach wrote four (or five) settings of the Passion only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727 in the Thomaskirche in Leipzig, where Bach was the Kapellmeister. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation.
Part One
1. Coro I & II & Chorale: Kommt, ihr Töchter, helft mir klagen -- O Lamm Gottes unschuldig (0:00)
2a. Evangelist, Jesus: Da Jesus diese Rede vollendet hatte (7:29)
3. Chorale: Herzliebster Jesu, was hast du verbrochen (8:18)
4a. Evangelist: Da versammleten sich die Hohenpriester und Schriftgelehrten (9:08)
5. Recitativo (alto, flutes): Du lieber Heiland du (12:30)
6. Aria (alto, flutes): Buß und Reu (13:39)
7. Evangelist, Judas: Da ging hin der Zwölfen einer mit Namen Judas Ischarioth (18:56)
8. Aria (soprano, flutes): Blute nur, du liebes Herz! (19:34)
9a. Evangelist: Aber am ersten Tage der süßen Brot (24:23)
10. Chorale: Ich bin's, ich sollte büßen (26:54)
11. Evangelist, Jesus: Er antwortete und sprach (27:43)
12. Recitativo (soprano, oboe d'amore): Wiewohl mein Herz in Tränen schwimmt (30:59)
13. Aria (soprano, oboe d'amore): Ich will dir mein Herze schenken (32:28)
14. Evangelist, Jesus: Und da sie den Lobgesang gesprochen hatten (36:14)
15. Chorale: Erkenne mich, mein Hüter (37:28)
16. Evangelist, Peter, Jesus: Petrus aber antwortete und sprach zu ihm (38:34)
17. Chorale: Ich will hier bei dir stehen (39:42)
18. Evangelist, Jesus: Da kam Jesus mit ihnen zu einem Hofe, der hieß Gethsemane (40:50)
19. Recitativo (tenor, flauti dolci, oboe da caccia) and Coro II: O Schmerz! Hier zittert das gequälte Herz -- Was ist die Ursach aller solcher Plagen? (42:33)
20. Aria (tenor, solo oboe, flutes) and Coro II: Ich will bei meinem Jesu wachen -- So schlafen unsre Sünden ein (44:22)
21. Evangelist: Und ging hin ein wenig, fiel nieder auf sein Angesicht und betete (49:42)
22. Recitativo (basso): Der Heiland fällt vor seinem Vater nieder (50:32)
23. Aria (basso): Gerne will ich mich bequemen, Kreuz und Becher anzunehmen (51:48)
24. Evangelist, Jesus: Und er kam zu seinen Jüngern und fand sie schlafend (56:58)
25. Chorale: Was mein Gott will, das gscheh allzeit (58:24)
26. Evangelist, Jesus, Judas: Und er kam und fand sie aber schlafend (59:37)
27a. Aria (soprano, alto, flutes, oboes) and Coro II: So ist mein Jesus nun gefangen -- Laßt ihn, haltet, bindet nicht! (1:02:18)
28. Evangelist, Jesus: Und siehe, einer aus denen, die mit Jesu waren, reckete die Hand aus (1:07:22)
29. Chorale: O Mensch, bewein dein Sünde groß (1:09:57)
Nikolaus Harnoncourt
Concentus Musicus Wien
King's College Choir Cambridge
1970
- published: 16 Dec 2010
- views: 715948
Bach: St. Matthew Passion (Karajan)
- Order: Reorder
- Duration: 203:59
- Updated: 08 May 2014
- views: 66375
Gundula Janowitz
Christa Ludwig
Peter Schreier
Horst Laubenthal
Dietrich Fischer-Dieskau
Walter Berry
Anton Diakov
Herbert Von Karajan: Berliner Philharmoniker...
Gundula Janowitz
Christa Ludwig
Peter Schreier
Horst Laubenthal
Dietrich Fischer-Dieskau
Walter Berry
Anton Diakov
Herbert Von Karajan: Berliner Philharmoniker; Wiener Singverein
---
The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be a priority to immediately remove the respective video.
wn.com/Bach St. Matthew Passion (Karajan)
Gundula Janowitz
Christa Ludwig
Peter Schreier
Horst Laubenthal
Dietrich Fischer-Dieskau
Walter Berry
Anton Diakov
Herbert Von Karajan: Berliner Philharmoniker; Wiener Singverein
---
The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be a priority to immediately remove the respective video.
- published: 08 May 2014
- views: 66375
Bach Matthäus Passion St Matthew BWV 244 Ton Koopman
- Order: Reorder
- Duration: 159:06
- Updated: 17 Feb 2016
- views: 2110
Johann Sebastian Bach Matthäus-Passion (St Matthew Passion) BWV 244
Amsterdam Baroque Orchestra conducted by Ton Koopman
Tenor: Jörg Dürmüller [Evangelista], B...
Johann Sebastian Bach Matthäus-Passion (St Matthew Passion) BWV 244
Amsterdam Baroque Orchestra conducted by Ton Koopman
Tenor: Jörg Dürmüller [Evangelista], Bass: Ekkehard Abele [Christ], Soprano: Cornelia Samuelis,Tenor: Paul Agnew, Bass: Klaus Mertens, Alto: Bogna Bartosz
***********************TRACKS****************************
0:00 Intro
1:30 Come, you daughters, help me lament (Choral) (Kommt ihr tochter helft mir klagen)
11:19 Dear Reddemer, when your disciples foolishly quarrel (Du lieber Heiland du)
16:44 Bleed on, dear hearth (Blute nur du liebes herz)
28:14 I will give my heart to You (Ich will dir mein herze schenken)
32:42 Know me, my keeper (Choral) (Erkenne mich, mein Huter)
38:59 I will watch beside my Jesus (Ich will bei meinem Jesu wachen)
45:42 I will gladly submit me (Gerne will ich mich bequemen)
53:39 So is my Jesus captured now (So ist mein Jesus nun gefangen)
1:00:02 O man, mourn your great sin (Choral) (O mensch, bewein dein Sünde gross)
1:05:54 Ah! My Jesus is gone now (Ach nun ist mein Jesus hin)
1:12:40 My Jesus holds His peace, before false lies (Mein Jesus scweight zu falschen Lugen stille)
1:18:50 Who has buffetet You so (Choral) (Wer hat dich so geschlagen)
1:21:55 Have mercy, my God for my tears' sake (Erbarme dich meine Gott)
1:30:40 Give me back, my Jesus ! (Gebt mir meinen Jesum wieder)
1:39:09 Commend your way and wathever troubles your heart (Choral) (Befiehl du deine Wege)
1:44:34 Out of love my Saviour is willing to die (Aus liebe will mein heiland sterben)
1:51:28 Have mercy, God. Here stands the Saviour bound (Have mercy, God! Here stands the Saviour bound.)
1:52:30 If the tears of my cheeks can achieve nothing (Konnen tranen meiner wangen nichts erlangen)
1:55:36 O head, full of blood and wounds (Choral) (O haupt voll blut und wunden)
1:59:20 Come, sweet Cross (Komm susses Kreuz)
2:08:49 Alas Golgotha, hapless Golgotha (Ach Golgotha)
2:10:13 See, Jesus had His Hand stretched out to grasp us (Sehet Jesus hat die Hand, Uns zu fassen ausgespannt)
2:16:01 When once I must depart, do not depart from me (Choral) (Wenn ich einmal soll scheiden)
2:21:25 Make youself clean, my heart (Mache dich mein herze rein)
2:29:55 My Jesus, good night ! (Mein Jesu, gute Nacht !)
2:31:49 We sit down in tears, Rest softly (Choral) (Wir setzen uns mit Tränen nieder)
wn.com/Bach Matthäus Passion St Matthew Bwv 244 Ton Koopman
Johann Sebastian Bach Matthäus-Passion (St Matthew Passion) BWV 244
Amsterdam Baroque Orchestra conducted by Ton Koopman
Tenor: Jörg Dürmüller [Evangelista], Bass: Ekkehard Abele [Christ], Soprano: Cornelia Samuelis,Tenor: Paul Agnew, Bass: Klaus Mertens, Alto: Bogna Bartosz
***********************TRACKS****************************
0:00 Intro
1:30 Come, you daughters, help me lament (Choral) (Kommt ihr tochter helft mir klagen)
11:19 Dear Reddemer, when your disciples foolishly quarrel (Du lieber Heiland du)
16:44 Bleed on, dear hearth (Blute nur du liebes herz)
28:14 I will give my heart to You (Ich will dir mein herze schenken)
32:42 Know me, my keeper (Choral) (Erkenne mich, mein Huter)
38:59 I will watch beside my Jesus (Ich will bei meinem Jesu wachen)
45:42 I will gladly submit me (Gerne will ich mich bequemen)
53:39 So is my Jesus captured now (So ist mein Jesus nun gefangen)
1:00:02 O man, mourn your great sin (Choral) (O mensch, bewein dein Sünde gross)
1:05:54 Ah! My Jesus is gone now (Ach nun ist mein Jesus hin)
1:12:40 My Jesus holds His peace, before false lies (Mein Jesus scweight zu falschen Lugen stille)
1:18:50 Who has buffetet You so (Choral) (Wer hat dich so geschlagen)
1:21:55 Have mercy, my God for my tears' sake (Erbarme dich meine Gott)
1:30:40 Give me back, my Jesus ! (Gebt mir meinen Jesum wieder)
1:39:09 Commend your way and wathever troubles your heart (Choral) (Befiehl du deine Wege)
1:44:34 Out of love my Saviour is willing to die (Aus liebe will mein heiland sterben)
1:51:28 Have mercy, God. Here stands the Saviour bound (Have mercy, God! Here stands the Saviour bound.)
1:52:30 If the tears of my cheeks can achieve nothing (Konnen tranen meiner wangen nichts erlangen)
1:55:36 O head, full of blood and wounds (Choral) (O haupt voll blut und wunden)
1:59:20 Come, sweet Cross (Komm susses Kreuz)
2:08:49 Alas Golgotha, hapless Golgotha (Ach Golgotha)
2:10:13 See, Jesus had His Hand stretched out to grasp us (Sehet Jesus hat die Hand, Uns zu fassen ausgespannt)
2:16:01 When once I must depart, do not depart from me (Choral) (Wenn ich einmal soll scheiden)
2:21:25 Make youself clean, my heart (Mache dich mein herze rein)
2:29:55 My Jesus, good night ! (Mein Jesu, gute Nacht !)
2:31:49 We sit down in tears, Rest softly (Choral) (Wir setzen uns mit Tränen nieder)
- published: 17 Feb 2016
- views: 2110
Bach - St. Matthew Passion BWV 244 (Karl Richter, 1971) - 1/22
- Order: Reorder
- Duration: 11:00
- Updated: 11 Jun 2009
- views: 519945
01. Chorus I & II, Chorale (S)
Kommt, ihr Töchter, helft mir klagen,
Sehet - Wen? - den Bräutigam,
Seht ihn - Wie? - als wie ein Lamm!
O Lamm Gottes, un...
01. Chorus I & II, Chorale (S)
Kommt, ihr Töchter, helft mir klagen,
Sehet - Wen? - den Bräutigam,
Seht ihn - Wie? - als wie ein Lamm!
O Lamm Gottes, unschuldig
Am Stamm des Kreuzes geschlachtet,
Sehet, - Was? - seht die Geduld,
Allzeit erfunden geduldig,
Wiewohl du warest verachtet.
Seht - Wohin? - auf unsre Schuld;
All Sünd hast du getragen,
Sonst müßten wir verzagen.
Sehet ihn aus Lieb und Huld
Holz zum Kreuze selber tragen!
Erbarm dich unser, o Jesu !
Peter Schreier, Evangelist
Ernst Gerold Schramm, Jesus
Siegmund Nimsgern, Judas & Pilatus
Helen Donath, soprano
Julia Hamari, alto
Horst R. Laubenthal, tenor
Walter Berry, bass
Karl Richter, Münchener Bach Orchester, Chor & Chorbuben
wn.com/Bach St. Matthew Passion Bwv 244 (Karl Richter, 1971) 1 22
01. Chorus I & II, Chorale (S)
Kommt, ihr Töchter, helft mir klagen,
Sehet - Wen? - den Bräutigam,
Seht ihn - Wie? - als wie ein Lamm!
O Lamm Gottes, unschuldig
Am Stamm des Kreuzes geschlachtet,
Sehet, - Was? - seht die Geduld,
Allzeit erfunden geduldig,
Wiewohl du warest verachtet.
Seht - Wohin? - auf unsre Schuld;
All Sünd hast du getragen,
Sonst müßten wir verzagen.
Sehet ihn aus Lieb und Huld
Holz zum Kreuze selber tragen!
Erbarm dich unser, o Jesu !
Peter Schreier, Evangelist
Ernst Gerold Schramm, Jesus
Siegmund Nimsgern, Judas & Pilatus
Helen Donath, soprano
Julia Hamari, alto
Horst R. Laubenthal, tenor
Walter Berry, bass
Karl Richter, Münchener Bach Orchester, Chor & Chorbuben
- published: 11 Jun 2009
- views: 519945
-
JS Bach 'Erbarme Dich' from St Matthew Passion
JS Bach 'Erbarme Dich' (Lord, have mercy) from St Matthew Passion arranged for string quartet, solo violin (Shirley Richards) and solo cor anglais (Lisa Osborne). Performed by Epiphany at a Sunday Evening Coffee Concert on 6th November 2016. For more information about Epiphany, visit http://epiphanymusic.org.uk Website: http://epiphanymusic.org.uk Facebook: https://facebook.com/epiphanymusicuk Twitter: https://twitter.com/epiphanymusic Instagram: http://instagram.com/epiphanymusicuk
published: 08 Nov 2016 -
ST MATTHEW PASSION BY BACH - XAVER VARNUS & BALAZS BARNKOPF (ORGAN)
"Kommt, ihr Töchter, helft mir klagen" - The opening chorus of the St Matthew Passion by J. S. Bach. Transcribed for two organs by Xaver Varnus. Xaver Varnus & Balázs Barnkopf play at the Palace of Arts in Budapest.
published: 30 Oct 2016 -
-
Johann Sebastian Bach - St. Matthew Passion, BWV 244 Иоганн Себастьян Бах - Страсти по Матфею 2012
«Страсти по Матфею» (нем. Matthäus-Passion или Matthæus Passion), BWV 244 — музыкальное произведение И. С. Баха для солистов, двух хоров и двух оркестров, созданное в 1727—1729 годах. Полное название: Passio Domini nostri Jesu Christi secundum Matthaeum. Либретто Х. Ф. Генрици (Пикандера). Страсти, или пассион, являются одними из наиболее масштабных вокальных произведений Баха и состоят из 78 музыкальных номеров, в том числе речитативов (включая чтение Евангелия нараспев), арий, хоралов и хоров.
published: 22 Oct 2016 -
-
-
J.S. Bach - St. Matthew Passion Evangelist Excerpts - Brian Giebler
J.S. Bach - St. Matthew Passion Evangelist Excerpts Brian Giebler, Tenor Trinity Wall Street Julian Wachner, Conductor March 3, 2016
published: 04 Oct 2016 -
St. Matthew Passion in Full Score E-Book
Read your free e-book: http://hotaudiobook.com/mebk/50/en/B00DZX5SEW/book One of the most performed and recorded of Bach's major works, the St. Matthew Passion has been a focal point of concert seasons and festivals around the world for over 150 years. First performed in the late 1720s, it is a drama of epic grandeur, long considered the noblest, most inspired musical treatment of the story of the crucifixion of Christ. Bach set the text, based on two chapters from the Gospel of St. Matthew, using a large ensemble of two choruses, soloists, and two orchestras. The full score is reprinted here from the fine edition prepared by the Bach-gesellschaft.although the St. Matthew Passion is often held to be the apotheosis of Lutheran church music, this magnificent oratorio reaches out to its audie...
published: 29 Sep 2016 -
Telemann - Matthaus Passion; Part II (1746) - (St. Matthew Passion)
Collegium vocale Des Bach-Hores Siegen Barock orchester "La stravaganza Koln" Urlich Stotzel - dirigent -Video Upload powered by https://www.TunesToTube.com
published: 24 Sep 2016 -
Telemann - Matthaus Passion; Part I (1746) - (St. Matthew Passion)
Collegium vocale Des Bach-Hores Siegen Barock orchester "La stravaganza, Koln" Urlich Stotzel - dirigent -Video Upload powered by https://www.TunesToTube.com
published: 24 Sep 2016
JS Bach 'Erbarme Dich' from St Matthew Passion
- Order: Reorder
- Duration: 6:24
- Updated: 08 Nov 2016
- views: 4
JS Bach 'Erbarme Dich' (Lord, have mercy) from St Matthew Passion arranged for string quartet, solo violin (Shirley Richards) and solo cor anglais (Lisa Osborne...
JS Bach 'Erbarme Dich' (Lord, have mercy) from St Matthew Passion arranged for string quartet, solo violin (Shirley Richards) and solo cor anglais (Lisa Osborne). Performed by Epiphany at a Sunday Evening Coffee Concert on 6th November 2016.
For more information about Epiphany, visit http://epiphanymusic.org.uk
Website: http://epiphanymusic.org.uk
Facebook: https://facebook.com/epiphanymusicuk
Twitter: https://twitter.com/epiphanymusic
Instagram: http://instagram.com/epiphanymusicuk
wn.com/Js Bach 'Erbarme Dich' From St Matthew Passion
JS Bach 'Erbarme Dich' (Lord, have mercy) from St Matthew Passion arranged for string quartet, solo violin (Shirley Richards) and solo cor anglais (Lisa Osborne). Performed by Epiphany at a Sunday Evening Coffee Concert on 6th November 2016.
For more information about Epiphany, visit http://epiphanymusic.org.uk
Website: http://epiphanymusic.org.uk
Facebook: https://facebook.com/epiphanymusicuk
Twitter: https://twitter.com/epiphanymusic
Instagram: http://instagram.com/epiphanymusicuk
- published: 08 Nov 2016
- views: 4
ST MATTHEW PASSION BY BACH - XAVER VARNUS & BALAZS BARNKOPF (ORGAN)
- Order: Reorder
- Duration: 9:48
- Updated: 30 Oct 2016
- views: 976
"Kommt, ihr Töchter, helft mir klagen" - The opening chorus of the St Matthew Passion by J. S. Bach. Transcribed for two organs by Xaver Varnus. Xaver Varnus & ...
"Kommt, ihr Töchter, helft mir klagen" - The opening chorus of the St Matthew Passion by J. S. Bach. Transcribed for two organs by Xaver Varnus. Xaver Varnus & Balázs Barnkopf play at the Palace of Arts in Budapest.
wn.com/St Matthew Passion By Bach Xaver Varnus Balazs Barnkopf (Organ)
"Kommt, ihr Töchter, helft mir klagen" - The opening chorus of the St Matthew Passion by J. S. Bach. Transcribed for two organs by Xaver Varnus. Xaver Varnus & Balázs Barnkopf play at the Palace of Arts in Budapest.
- published: 30 Oct 2016
- views: 976
Marilyn Horne; "Erbarme dich, mein Gott"; St. Matthew Passion; Johann Sebastian Bach
- Order: Reorder
- Duration: 7:23
- Updated: 23 Oct 2016
- views: 5
Johann Sebastian Bach - St. Matthew Passion, BWV 244 Иоганн Себастьян Бах - Страсти по Матфею 2012
- Order: Reorder
- Duration: 172:34
- Updated: 22 Oct 2016
- views: 44
«Страсти по Матфею» (нем. Matthäus-Passion или Matthæus Passion), BWV 244 — музыкальное произведение И. С. Баха для солистов, двух хоров и двух оркестров, созда...
«Страсти по Матфею» (нем. Matthäus-Passion или Matthæus Passion), BWV 244 — музыкальное произведение И. С. Баха для солистов, двух хоров и двух оркестров, созданное в 1727—1729 годах. Полное название: Passio Domini nostri Jesu Christi secundum Matthaeum. Либретто Х. Ф. Генрици (Пикандера). Страсти, или пассион, являются одними из наиболее масштабных вокальных произведений Баха и состоят из 78 музыкальных номеров, в том числе речитативов (включая чтение Евангелия нараспев), арий, хоралов и хоров.
wn.com/Johann Sebastian Bach St. Matthew Passion, Bwv 244 Иоганн Себастьян Бах Страсти По Матфею 2012
«Страсти по Матфею» (нем. Matthäus-Passion или Matthæus Passion), BWV 244 — музыкальное произведение И. С. Баха для солистов, двух хоров и двух оркестров, созданное в 1727—1729 годах. Полное название: Passio Domini nostri Jesu Christi secundum Matthaeum. Либретто Х. Ф. Генрици (Пикандера). Страсти, или пассион, являются одними из наиболее масштабных вокальных произведений Баха и состоят из 78 музыкальных номеров, в том числе речитативов (включая чтение Евангелия нараспев), арий, хоралов и хоров.
- published: 22 Oct 2016
- views: 44
Stephanie Blythe; "Können Tränen meiner Wangen"; St. Matthew Passion; Johann Sebastian Bach
- Order: Reorder
- Duration: 7:05
- Updated: 18 Oct 2016
- views: 15
Stephanie Blythe; "Erbarme dich, mein Gott"; St. Matthew Passion; Johann Sebastian Bach
- Order: Reorder
- Duration: 6:25
- Updated: 18 Oct 2016
- views: 12
J.S. Bach - St. Matthew Passion Evangelist Excerpts - Brian Giebler
- Order: Reorder
- Duration: 9:44
- Updated: 04 Oct 2016
- views: 18
J.S. Bach - St. Matthew Passion
Evangelist Excerpts
Brian Giebler, Tenor
Trinity Wall Street
Julian Wachner, Conductor
March 3, 2016
J.S. Bach - St. Matthew Passion
Evangelist Excerpts
Brian Giebler, Tenor
Trinity Wall Street
Julian Wachner, Conductor
March 3, 2016
wn.com/J.S. Bach St. Matthew Passion Evangelist Excerpts Brian Giebler
J.S. Bach - St. Matthew Passion
Evangelist Excerpts
Brian Giebler, Tenor
Trinity Wall Street
Julian Wachner, Conductor
March 3, 2016
- published: 04 Oct 2016
- views: 18
St. Matthew Passion in Full Score E-Book
- Order: Reorder
- Duration: 1:49
- Updated: 29 Sep 2016
- views: 4
Read your free e-book: http://hotaudiobook.com/mebk/50/en/B00DZX5SEW/book
One of the most performed and recorded of Bach's major works, the St. Matthew Passion ...
Read your free e-book: http://hotaudiobook.com/mebk/50/en/B00DZX5SEW/book
One of the most performed and recorded of Bach's major works, the St. Matthew Passion has been a focal point of concert seasons and festivals around the world for over 150 years. First performed in the late 1720s, it is a drama of epic grandeur, long considered the noblest, most inspired musical treatment of the story of the crucifixion of Christ. Bach set the text, based on two chapters from the Gospel of St. Matthew, using a large ensemble of two choruses, soloists, and two orchestras. The full score is reprinted here from the fine edition prepared by the Bach-gesellschaft.although the St. Matthew Passion is often held to be the apotheosis of Lutheran church music, this magnificent oratorio reaches out to its audience in the language, form, and spirit of opera. Richly dramatic and theatrical, following the general form of Baroque opera, it unfolds its deeply moving story in recitatives, ariosos, arias, chorales, and mighty choral movements. This finely produced score offers music lovers the opportunity at a price far lower than comparable editions to follow performances score in hand, and to gain a more intimate knowledge of the rich musical textures of this great masterwork.
wn.com/St. Matthew Passion In Full Score E Book
Read your free e-book: http://hotaudiobook.com/mebk/50/en/B00DZX5SEW/book
One of the most performed and recorded of Bach's major works, the St. Matthew Passion has been a focal point of concert seasons and festivals around the world for over 150 years. First performed in the late 1720s, it is a drama of epic grandeur, long considered the noblest, most inspired musical treatment of the story of the crucifixion of Christ. Bach set the text, based on two chapters from the Gospel of St. Matthew, using a large ensemble of two choruses, soloists, and two orchestras. The full score is reprinted here from the fine edition prepared by the Bach-gesellschaft.although the St. Matthew Passion is often held to be the apotheosis of Lutheran church music, this magnificent oratorio reaches out to its audience in the language, form, and spirit of opera. Richly dramatic and theatrical, following the general form of Baroque opera, it unfolds its deeply moving story in recitatives, ariosos, arias, chorales, and mighty choral movements. This finely produced score offers music lovers the opportunity at a price far lower than comparable editions to follow performances score in hand, and to gain a more intimate knowledge of the rich musical textures of this great masterwork.
- published: 29 Sep 2016
- views: 4
Telemann - Matthaus Passion; Part II (1746) - (St. Matthew Passion)
- Order: Reorder
- Duration: 40:26
- Updated: 24 Sep 2016
- views: 13
Collegium vocale Des Bach-Hores Siegen
Barock orchester "La stravaganza Koln"
Urlich Stotzel - dirigent
-Video Upload powered by https://www.TunesToTube.co...
Collegium vocale Des Bach-Hores Siegen
Barock orchester "La stravaganza Koln"
Urlich Stotzel - dirigent
-Video Upload powered by https://www.TunesToTube.com
wn.com/Telemann Matthaus Passion Part Ii (1746) (St. Matthew Passion)
Collegium vocale Des Bach-Hores Siegen
Barock orchester "La stravaganza Koln"
Urlich Stotzel - dirigent
-Video Upload powered by https://www.TunesToTube.com
- published: 24 Sep 2016
- views: 13
Telemann - Matthaus Passion; Part I (1746) - (St. Matthew Passion)
- Order: Reorder
- Duration: 38:31
- Updated: 24 Sep 2016
- views: 39
Collegium vocale Des Bach-Hores Siegen
Barock orchester "La stravaganza, Koln"
Urlich Stotzel - dirigent
-Video Upload powered by https://www.TunesToTube.c...
Collegium vocale Des Bach-Hores Siegen
Barock orchester "La stravaganza, Koln"
Urlich Stotzel - dirigent
-Video Upload powered by https://www.TunesToTube.com
wn.com/Telemann Matthaus Passion Part I (1746) (St. Matthew Passion)
Collegium vocale Des Bach-Hores Siegen
Barock orchester "La stravaganza, Koln"
Urlich Stotzel - dirigent
-Video Upload powered by https://www.TunesToTube.com
- published: 24 Sep 2016
- views: 39
-
Bach : Critics'choice : St. Matthew Passion- Herreweghe II ***
Highlights of the ultime performance of the ultime masterwork.
published: 26 Jan 2013 -
Bach St Matthew Matthäus Passion BWV 244, Herreweghe YouTube
published: 04 Mar 2014
Bach : Critics'choice : St. Matthew Passion- Herreweghe II ***
- Order: Reorder
- Duration: 90:59
- Updated: 26 Jan 2013
- views: 40344
Highlights of the ultime performance of the ultime masterwork.
Highlights of the ultime performance of the ultime masterwork.
wn.com/Bach Critics'Choice St. Matthew Passion Herreweghe Ii
Bach St Matthew Matthäus Passion BWV 244, Herreweghe YouTube
- Order: Reorder
- Duration: 161:04
- Updated: 04 Mar 2014
- views: 23751
- published: 04 Mar 2014
- views: 23751
back
- Playlist
- Chat
back
- Playlist
- Chat
175:06
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
T...
published: 06 Apr 2013
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
- Report rights infringement
- published: 06 Apr 2013
- views: 782401
163:19
Bach, Matthäus-Passion BWV 244. Herreweghe
Johann Sebastian Bach (1685-1750)
Matthäus-Passion / Pasión según san Mateo, BWV 244
Inté...
published: 28 Mar 2013
Bach, Matthäus-Passion BWV 244. Herreweghe
Bach, Matthäus-Passion BWV 244. Herreweghe
- Report rights infringement
- published: 28 Mar 2013
- views: 2352544
174:48
Bach Matthäus Passion St Matthew BWV 244 John Eliot Gardiner & The English Baroque Soloists
Johann Sebastian Bach
Matthäus-Passion BWV 244
St Matthew Passion
John Eliot Gardiner cond...
published: 08 Aug 2016
Bach Matthäus Passion St Matthew BWV 244 John Eliot Gardiner & The English Baroque Soloists
Bach Matthäus Passion St Matthew BWV 244 John Eliot Gardiner & The English Baroque Soloists
- Report rights infringement
- published: 08 Aug 2016
- views: 7449
157:35
Bach: St. Matthew Passion (Gardiner)
Anthony Rolfe Johnson, Evangelist (tenor)
Andreas Schmidt, Jesus (baritone)
Barbara Bonne...
published: 01 Oct 2013
Bach: St. Matthew Passion (Gardiner)
Bach: St. Matthew Passion (Gardiner)
- Report rights infringement
- published: 01 Oct 2013
- views: 49818
196:49
Bach, Matthäus-Passion BWV 244. Karl Richter (1971)
Johann Sebastian Bach
Matthäus-Passion, BWV 244
[Pasión según Mateo, BWV 244]
Munchener Ba...
published: 08 Jun 2013
Bach, Matthäus-Passion BWV 244. Karl Richter (1971)
Bach, Matthäus-Passion BWV 244. Karl Richter (1971)
- Report rights infringement
- published: 08 Jun 2013
- views: 224696
9:55
St Matthew Passion, Final Chorus, J.S. Bach
Final Chorus of St Matthew Passion by J.S. Bach. Performed by Malmö Chamber Choir and orch...
published: 12 Apr 2009
St Matthew Passion, Final Chorus, J.S. Bach
St Matthew Passion, Final Chorus, J.S. Bach
- Report rights infringement
- published: 12 Apr 2009
- views: 431208
76:19
Bach - St. Matthew Passion, BWV 244 - Part One
The St Matthew Passion, BWV 244, (German: Matthäus-Passion), is a musical composition writ...
published: 16 Dec 2010
Bach - St. Matthew Passion, BWV 244 - Part One
Bach - St. Matthew Passion, BWV 244 - Part One
- Report rights infringement
- published: 16 Dec 2010
- views: 715948
203:59
Bach: St. Matthew Passion (Karajan)
Gundula Janowitz
Christa Ludwig
Peter Schreier
Horst Laubenthal
Dietrich Fischer-Dieskau
...
published: 08 May 2014
Bach: St. Matthew Passion (Karajan)
Bach: St. Matthew Passion (Karajan)
- Report rights infringement
- published: 08 May 2014
- views: 66375
159:06
Bach Matthäus Passion St Matthew BWV 244 Ton Koopman
Johann Sebastian Bach Matthäus-Passion (St Matthew Passion) BWV 244
Amsterdam Baroque Orc...
published: 17 Feb 2016
Bach Matthäus Passion St Matthew BWV 244 Ton Koopman
Bach Matthäus Passion St Matthew BWV 244 Ton Koopman
- Report rights infringement
- published: 17 Feb 2016
- views: 2110
11:00
Bach - St. Matthew Passion BWV 244 (Karl Richter, 1971) - 1/22
01. Chorus I & II, Chorale (S)
Kommt, ihr Töchter, helft mir klagen,
Sehet - Wen? - de...
published: 11 Jun 2009
Bach - St. Matthew Passion BWV 244 (Karl Richter, 1971) - 1/22
Bach - St. Matthew Passion BWV 244 (Karl Richter, 1971) - 1/22
- Report rights infringement
- published: 11 Jun 2009
- views: 519945
back
- Playlist
- Chat
6:24
JS Bach 'Erbarme Dich' from St Matthew Passion
JS Bach 'Erbarme Dich' (Lord, have mercy) from St Matthew Passion arranged for string quar...
published: 08 Nov 2016
JS Bach 'Erbarme Dich' from St Matthew Passion
JS Bach 'Erbarme Dich' from St Matthew Passion
- Report rights infringement
- published: 08 Nov 2016
- views: 4
9:48
ST MATTHEW PASSION BY BACH - XAVER VARNUS & BALAZS BARNKOPF (ORGAN)
"Kommt, ihr Töchter, helft mir klagen" - The opening chorus of the St Matthew Passion by J...
published: 30 Oct 2016
ST MATTHEW PASSION BY BACH - XAVER VARNUS & BALAZS BARNKOPF (ORGAN)
ST MATTHEW PASSION BY BACH - XAVER VARNUS & BALAZS BARNKOPF (ORGAN)
- Report rights infringement
- published: 30 Oct 2016
- views: 976
7:23
Marilyn Horne; "Erbarme dich, mein Gott"; St. Matthew Passion; Johann Sebastian Bach
Marilyn Horne--Mezzo-soprano
Henry Lewis--Conductor
Vienna Cantata Orchestra
1968
published: 23 Oct 2016
Marilyn Horne; "Erbarme dich, mein Gott"; St. Matthew Passion; Johann Sebastian Bach
172:34
Johann Sebastian Bach - St. Matthew Passion, BWV 244 Иоганн Себастьян Бах - Страсти по Матфею 2012
«Страсти по Матфею» (нем. Matthäus-Passion или Matthæus Passion), BWV 244 — музыкальное пр...
published: 22 Oct 2016
Johann Sebastian Bach - St. Matthew Passion, BWV 244 Иоганн Себастьян Бах - Страсти по Матфею 2012
Johann Sebastian Bach - St. Matthew Passion, BWV 244 Иоганн Себастьян Бах - Страсти по Матфею 2012
- Report rights infringement
- published: 22 Oct 2016
- views: 44
7:05
Stephanie Blythe; "Können Tränen meiner Wangen"; St. Matthew Passion; Johann Sebastian Bach
Stephanie Blythe--Mezzo-soprano
John Nelson--Conductor
Ensemble Orchestral de Paris
2000
published: 18 Oct 2016
Stephanie Blythe; "Können Tränen meiner Wangen"; St. Matthew Passion; Johann Sebastian Bach
Stephanie Blythe; "Können Tränen meiner Wangen"; St. Matthew Passion; Johann Sebastian Bach
- Report rights infringement
- published: 18 Oct 2016
- views: 15
6:25
Stephanie Blythe; "Erbarme dich, mein Gott"; St. Matthew Passion; Johann Sebastian Bach
Stephanie Blythe--Mezzo-soprano
John Nelson--Conductor
Ensemble Orchestral de Paris
2000
published: 18 Oct 2016
Stephanie Blythe; "Erbarme dich, mein Gott"; St. Matthew Passion; Johann Sebastian Bach
Stephanie Blythe; "Erbarme dich, mein Gott"; St. Matthew Passion; Johann Sebastian Bach
- Report rights infringement
- published: 18 Oct 2016
- views: 12
9:44
J.S. Bach - St. Matthew Passion Evangelist Excerpts - Brian Giebler
J.S. Bach - St. Matthew Passion
Evangelist Excerpts
Brian Giebler, Tenor
Trinity Wall Stre...
published: 04 Oct 2016
J.S. Bach - St. Matthew Passion Evangelist Excerpts - Brian Giebler
J.S. Bach - St. Matthew Passion Evangelist Excerpts - Brian Giebler
- Report rights infringement
- published: 04 Oct 2016
- views: 18
1:49
St. Matthew Passion in Full Score E-Book
Read your free e-book: http://hotaudiobook.com/mebk/50/en/B00DZX5SEW/book
One of the most ...
published: 29 Sep 2016
St. Matthew Passion in Full Score E-Book
St. Matthew Passion in Full Score E-Book
- Report rights infringement
- published: 29 Sep 2016
- views: 4
40:26
Telemann - Matthaus Passion; Part II (1746) - (St. Matthew Passion)
Collegium vocale Des Bach-Hores Siegen
Barock orchester "La stravaganza Koln"
Urlich Sto...
published: 24 Sep 2016
Telemann - Matthaus Passion; Part II (1746) - (St. Matthew Passion)
Telemann - Matthaus Passion; Part II (1746) - (St. Matthew Passion)
- Report rights infringement
- published: 24 Sep 2016
- views: 13
38:31
Telemann - Matthaus Passion; Part I (1746) - (St. Matthew Passion)
Collegium vocale Des Bach-Hores Siegen
Barock orchester "La stravaganza, Koln"
Urlich St...
published: 24 Sep 2016
Telemann - Matthaus Passion; Part I (1746) - (St. Matthew Passion)
Telemann - Matthaus Passion; Part I (1746) - (St. Matthew Passion)
- Report rights infringement
- published: 24 Sep 2016
- views: 39
back
- Playlist
- Chat
90:59
Bach : Critics'choice : St. Matthew Passion- Herreweghe II ***
Highlights of the ultime performance of the ultime masterwork.
published: 26 Jan 2013
Bach : Critics'choice : St. Matthew Passion- Herreweghe II ***
Bach : Critics'choice : St. Matthew Passion- Herreweghe II ***
- Report rights infringement
- published: 26 Jan 2013
- views: 40344
161:04
Bach St Matthew Matthäus Passion BWV 244, Herreweghe YouTube
published: 04 Mar 2014
Bach St Matthew Matthäus Passion BWV 244, Herreweghe YouTube
Bach St Matthew Matthäus Passion BWV 244, Herreweghe YouTube
- Report rights infringement
- published: 04 Mar 2014
- views: 23751
Bach : Critics'choice : St. Matthew Passion- Herr...
Bach St Matthew Matthäus Passion BWV 244, Herreweg...
-
Lyrics list:lyrics
-
St. Matthew, Monkees
St. Matthew
by Michael Nesmith
She walks around on brass rings that never touch her feet,
She speaks in conversations that never are complete,
And looking over past things that she has never done,
She calls herself St. Matthew when she is on the run.
She stoops down to gather partly-shattered men,
And knows that when it's over, it will start again,
Both the times she smiled, it was a portrait of the son,
She calls herself St. Matthew when she is on the run.
Part of it is loneliness and knowing how to steal,
But, most of it is weariness from standing up, trying not to kneel.
She discovered three new ways that she could help the dead,
Sometimes she must raise her hand to tell you what she said,
Then standing in a landslide she suddenly becomes
The girl that's named St. Matthew when she is on the run.
Part of it is loneliness and knowing how to steal,
But, most of it is weariness from standing up, trying not to kneel.
She discovered three new ways that she could help the dead,
Sometimes she must raise her hand to tell you what she said,
Then standing in a landslide she suddenly becomes
back
Michelle Obama 'ape in heels' post causes outrage
Edit BBC News 15 Nov 2016
"It will be refreshing to have a classy, beautiful, dignified first lady in the White House ... ....
back
Is bombing the s*** out of ISIS a strategy?
Edit CNN 15 Nov 2016
(CNN)"I will quickly and decisively bomb the hell out of ISIS, will rebuild our military and make it so strong no-one -- and I mean, no one -- will mess with us.". "I would bomb the s*** out of them.". "The attack on Mosul is turning out to be a total disaster. We gave them months of notice. US is looking so dumb." ... Trump pledged in September that on his first day in office he would issue his generals with a simple instruction ... Read More ... ....
back
We Are All Politicians Now – Which Is Why Republican Party Is Already In Revolt
Edit WorldNews.com 15 Nov 2016
Article by WN.com Correspondent Dallas DarlingBenjamin Franklin said after the American Revolution we are all politicians now. It was a memorable observation, since all humans are by nature politicians, and the political life requires people to always look for allies while assessing their place in groups. What’s more, to improve their standing and prestige in the same groups, they must scheme and use manipulation ... Rick Scott ... 203. ....
back
Bangladesh considering dropping Islam as state religion, according to senior minister
Edit The Independent 15 Nov 2016
Government officials in Bangladesh are considering dropping Islam as the country’s national religion after a senior politician claimed Bangladeshi people have embraced “a force of secularism”....
back
President-Elect Trump To Be Unelected On Dec. 19th If Democrats Have Their Way
Edit WorldNews.com 14 Nov 2016
Article by WN.com Correspondent Dallas DarlingIt’s often said the 2016 presidential election was unlike any other, starting with a barrier-breaking gender but corrupt candidate, and a political outsider who displayed lewd and vulgar behavior. But since power is never seized with the intentions of relinquishing it, don’t be surprised if on Dec. 19th the election gets even more outrageous when electors cast their votes....
Hurricane
Edit The Miami Herald 15 Nov 2016
Aerial footage of the devastation in Jeremie, Haiti after Hurricane >Matthew ... Plea for help for Haiti's devastated southern coast after Hurricane Matthew ... Hurricane Matthew pounds Nassau ... Hurricane Matthew slams Nassau, Bahamas ... Aerial footage shows impact on agriculture in Haiti after Hurricane Matthew ... Aftermath of Hurricane Matthew in St ... Storm surge from Hurricane Matthew slammed the Bayfront areas of St. ...
Floral designer honored for love & creativity (St Luke's Hospital)
Edit Public Technologies 15 Nov 2016
St Luke's Hospital) An anonymous donor wanted to do something special to recognize and thank an exceptional, caring angel so they made a Guardian Angel donation ... Thank you for putting your love and passion into every floral arrangement you design ... With the help of St ... For more information about the Guardian Angel Program, please call St ... St....
Dedication Ceremony for St. Paul the Apostle/Habitat for Humanity Home in Bangor Set for Sunday (Roman Catholic Diocese of Portland)
Edit Public Technologies 15 Nov 2016
BANGOR---Habitat for Humanity of Greater Bangor and St ... The entire project was funded by St. Paul the Apostle Parish (St. John Church, Bangor; St. Mary Church, Bangor; St. Joseph Church, Brewer; St. Teresa Church, Brewer; St. Matthew Church, Hampden; St ... Frank Murray, pastor of St ... Timothy Nadeau, the former pastor of St....
Chef's Corner: Matthew Riznyk (Delaware North Companies Inc)
Edit Public Technologies 15 Nov 2016
Delaware North Companies Inc) For the latest edition of Chef's Corner - which shines the light on Delaware North culinarians - we got to know Matthew Riznyk, who recently joined the company as executive chef at SunTrust Park, the future home of the Atlanta Braves ... Matthew Riznyk ... Delaware North is a titan in this industry and has forged its reputation on an incredible passion for food, guest experience and attention to detail....
SIEDLARCZYK, CLARE MARIE
Edit Richmond Times Dispatch 15 Nov 2016
She is survived by her children, Marian Gent (Peter), Jeannie Coaker and Matthew Siedlarczyk; six grandchildren, Sarah Werner-Ellis (Bradford), Daniel, Christa and Rachel Coaker and Kaitlyn and Victoria Siedlarczyk; a great-grandson, Briggs Werner Ellis; cousin, Dorothy Bogin and her family; numerous nieces, nephews and other loving family members. Clare graduated from St....
High lunar tide floods St. Johns County hurricane debris station
Edit The Florida Times Union 15 Nov 2016
The Matanzas River and Intracoastal Waterway got a literal taste of Hurricane >Matthew earlier this week after an unusually high lunar tide flooded a temporary debris station at Frank Butler boat ramp. Some Crescent Beach residents expressed frustration at St ... “The residents in the area have been trying to get movement on the issue,” said Adam Morley, a captain and environmental educator for St. ...
Tropical Storm Otto may form in last gasp of Atlantic hurricane season
Edit AOL 15 Nov 2016
ST MARKS, FL - SEPTEMBER 2. Law enforcement officers use an airboat to survey damage around homes from high winds and storm surge associated with Hurricane Hermine which made landfall overnight in the area on September 2, 2016 in St ... ST MARKS, FL - SEPTEMBER 2. A resident surveys damage around his home from high winds and storm surge associated with Hurricane Hermine which made landfall overnight in the area on September 2, 2016 in St....
B.C. man pleads not guilty to four terrorism-related charges
Edit Toronto Sun 15 Nov 2016
VANCOUVER — A British Columbia man charged with four terrorism-related offences over accusations that he posted Islamic State propaganda online was openly passionate about his views, says an RCMP officer who confronted the man about his Internet activity ... Travis Reed and his partner spoke with Hamdan at his home in Fort St ... “He was clearly passionate about what he was thinking about,” Reed said....
Kadri: It's all about the W
Edit Toronto Sun 15 Nov 2016
2 against St ... Much of the talk has been about the Leafs’ hotshot rookies, namely Auston Matthews, William Nylander and Mitch Marner. Kadri’s offensive consistency has helped the team get through a dual dry spell for Matthews and Nylander, as both go into Toronto’s game Tuesday against the Nashville Predators without a goal in nine games ... Auston Matthews vs....
Michael J. Fox Played Guitar With Dave Matthews Band: Rock On, McFly
Edit Inquisitr 15 Nov 2016
Fox played guitar and wowed the crowd in a welcome scene of deja-vu when he took to the stage with the Dave Matthews Band at a fundraising event in New York’s Waldorf-Astoria on Saturday ... It would seem that the future is now, as Fox took up a guitar to once again liven the stage alongside blues musician Dave Matthews ... Fox Played Guitar With Dave Matthews Band....
Matthews set to return as Royals' radio voice
Edit MLB 15 Nov 2016
KANSAS CITY -- Royals Hall of Fame announcer Denny Matthews turned 74 on Monday. Matthews celebrated with a round of golf during the day, a trip to Fiorella's Jack Stack Barbecue, and a quiet night with family. But come next spring, Matthews expects to be right back behind the radio microphone for his 49th straight year, which coincides with the inception of the Royals in 1969. "I'm good to go," Matthews told MLB.com....
- 1
- 2
- 3
- 4
- 5
- Next page »
