-
Gus Dudgeon
This is a video I did for my recording certification class at Butte College back in 2011. It is intended for education use only. I used Cakewalk Sonar for the audio and Sony Vegas and Windows Movie Maker for the video.
-
Elton John - The Making of GBYBR - Candle In The Wind
Producer Gus Dudgeon and Elton's guitarist Davey Johnstone talk about the recording of iconic song
-
XTC Nonsuch - A Gus Dugeon's Home Movie- Chipping Norton Studios, England,-July-August 1991
XTC Nonsuch - A Gus Dugeon's Home Movie-
48 Minutes of studio footage shot during the recording of Nonsuch
Filmed at Chipping Norton Studios, Oxfordshire, England, July-August 1991
Extract from " Nonsuch 5.1 Surround Mix" (CD-Blu-Ray)
For more info and order please visit :
https://www.burningshed.com/store/ape/product/351/4999/
XTC : Colin Moulding,Andy Partridge,Dave Gregory
Drums : Dave Mat
-
DRIVING WITH DAVEY: CARIBOU
DRIVING WITH DAVEY: CARIBOU. Davey Johnstone talks about recording the Elton John album, 'Caribou.' 40 years ago this month, Davey went into the studio with Elton, Dee, Nigel and Ray to record Elton's fourth U.S chart-topping album, 'Caribou.' Once again, producer Gus Dudgeon was at the helm along with Elton's live sound engineer, Clive Franks. Recorded at breakneck speed at Caribou Ranch, Colorad
-
Gilbert O`Sullivan - WE WILL - Gus Dudgeon Remix
This is a subtle and beautiful remix of Gilbert`s classic song from 1971. The lyrics are inspired by his childhood memories of everyday family life. Some of these images are of Waterford in Ireland where young Raymond Edward O`Sullivan was born in 1946 and spent the first eight years of his life before the family moved to Swindon in England in 1953 . The first picture is of Gilbert ` himself `
-
Gus Dudgeon Postgraduate Audio Engineering Summer Course
The Gus Dudgeon Post Graduate Audio Engineering Summer Course, named after the legendary Elton John producer, provides gifted sound and music students from across the UK with the opportunity to learn advanced music production techniques.
-
Elton John - Hercules (1972) With Lyrics!
From Elton John's 1972 album "Honky Chateau." Elton had chosen "Hercules" as his middle name in 1971. Producer Gus Dudgeon made an unusual appearance as a back up vocalist and the Rhino Whistle player.
Dee Murray: bass & backing vocals
Davey Johnstone: guitar & backing vocals
Nigel Olsson: drums & backing vocals
David Henschel: A.R.P. Synthesizer
Gus Dudgeon: Rhino Whistle & backing vocals
Tony
-
Gilbert O'Sullivan Just Can't Get Enough unissued Gus Dudgeon
Gilbert O'Sullivan 'Just Can't Get Enough' Gus Dudgeon
This extremely rare unreleased (Gus) version was recorded along with (Ray's) issue 'Can't Get Enough Of You CBSA 1118 1981.The only way to hear Ray's version was the UK single, Every other release was the 'Off Centre' recording.
The only way to way the hear Gus Dudgeon version was to er, get the acetate.
Photo's are of the UK single, aceta
-
Gus Dudgeon Postgraduate Audio Engineering Summer Course 2012 - The Gear
The Gus Dudgeon Post Graduate Audio Engineering Summer Course, named after the legendary Elton John producer, provides gifted sound and music students from across the UK with the opportunity to learn advanced music production techniques.
Find out more about the equipment used on this year's course in the video.
Produced by Curig Huws
-
Andy Partridge and XTC - Nonsuch studio verite
The story goes that when Gus Dudgeon was producing XTC's Nonsuch he would leave the board recording in between takes to get all of the mad ad-libbing that Andy Partridge would do. Some of this, "That Wag," "Laugh Track," and the giraffe buggering (hidden in the pre-gap of v.5) showed up on Andy's Fuzzy Warbles demo series but I haven't found the rest of it here.
00:00 - My kingdom for a joss stic
-
Michael Chapman Mick Ronson Paul Buckmaster Aviator Rabbit Hills Pre Bowie Elton John Gus Dudgeon
Disclaimer - I do not own the copyright to any songs, music or pictures in this video. Not for use of profit. http://www.amazon.com/Fully-Qualified-Survivor-Michael-Chapman/dp/B004HIQWU8
Credits
Bass -- Rick Kemp
Drums, Congas -- Barry Morgan
Engineer -- Tom Allom
Guitar -- Mick Ronson
Producer, Scraper -- Gus Dudgeon
Vocals, Guitar, Piano, Written-By, Design -- Michael Chapman (2)
Ce
-
Elton John - Goodbye Yellow Brick Road (Classic Album)
This film tells the inside story of the making of this classic album. As well as interviews with Elton John himself and song writing partner Bernie Taupin, there are contributions from musicians Davey Johnstone and Nigel Olsson, Gus Dudgeon (producer), David Hentschel (engineer), Del Newman (orchestral arranger) along with comments from Sir Tim Rice and Paul Gambaccini amongst others.
Featuring
-
Elton John - Heartache All Over the World (1986) With Lyrics!
From Elton John's 1986 album "Leather Jackets," produced by Gus Dudgeon and also a single.
Elton John: Vocal
Davey Johnstone: Guitars & Backing Vocals
Charlie Morgan: Drums
Fred Mandel: Keyboards
Gus Dudgeon & Graham Dickson: Electronic Percussion
Vicky Brown, Alan Carvell & Gordon Neville: Backing Vocals
Words & Music by Elton John & Bernie Taupin
©1986 Big Pig Music Limited
-
Elton John - We All Fall in Love Sometimes/Curtains (1974) With Lyrics!
The final two tracks from the 1975 album "Captain Fantastic and the Brown Dirt Cowboy," recorded in the summer of 1974 at Caribou Ranch in Colorado, USA. Gus Dudgeon, producer. It is an autobiographical album, the songs telling the story of Elton John and Bernie Taupin's struggling years as songwriters, leading to their success in 1970. These two songs form the finale to the story. The first descr
-
Gilbert O`Sullivan - WE WILL - Cinemascope Version
This is a subtle and beautiful remix by Gus Dudgeon of Gilbert`s classic song from 1971. The lyrics are inspired by his childhood memories of everyday family life. Some of these images are of Waterford in Ireland where young Raymond Edward O`Sullivan was born in 1946 and spent the first eight years of his life before the family moved to Swindon in England in 1953 . The first picture is of Gilb
-
Elton John - Medley (Yell Help/Wednesday Night/Ugly) (1975) With Lyrics!
The opening track from Elton John's 1975 album "Rock of the Westies." Patti LaBelle features prominently in the backing vocals. LaBelle had worked with Reg Dwight in the sixties. Although not credited, Gus Dudgeon also contributed to the backing vocals at the end of the song, when at the final mix it seemed to be lacking the full sound he was after. He remembered, "I made myself an enormous joint,
-
Elton John and Kiki Dee - Don't Go Breaking My Heart
Produced by Gus Dudgeon and issued as Elton John and Kiki Dee, the million-selling "Don't Go Breakin' My Heart" went to number one pop for four weeks and number one adult contemporary in the fall of 1976. It earned the duo a Grammy nomination for Best Pop Vocal Performance By a Duo, Group or Chorus.
-
Elton John & George Michael - Wrap Her Up (1985) With Lyrics!
From Elton John's 1985 album "Ice on Fire." Also a top 40 single. The song was created out of a jam session with Elton John and George Michael and the band. Producer Gus Dudgeon remembered that the group began jamming on a version of Roy Orbison's "Dream Baby," which Elton had been thinking of including on the album. After the jam session Taupin finished up the lyrics.
Recorded and Produced by Gu
-
Elton John - Captain Fantastic and the Brown Dirt Cowboy (1974) With Lyrics!
The 1975 album "Captain Fantastic and the Brown Dirt Cowboy" was recorded in the summer of 1974 at Caribou Ranch in Colorado, USA. Gus Dudgeon, producer. It is an autobiographical album, the songs telling the story of Elton John and Bernie Taupin's struggling years as songwriters, leading to their success in 1970. This opening title song portrays the two of them in comic book format, describing th
-
Elton John - Where to Now St Peter? (1970) With Lyrics
On the 1970 album "Tumbleweed Connection." Bernie Taupin's lyrics tell of a dying soldier and Elton's music seems to capture the feeling of passing into the afterlife. Nigel Olsson and Dee Murray on backing vocals. Produced by Gus Dudgeon. Recorded at Trident Studios, London. Bass Guitar: Dave Glover; Drums: Roger Pope; Guitar: Caleb Quaye
Words & Music by Elton John & Bernie Taupin
©1970 Dick Jam
-
Lindisfarne - Run For Home (1978)
Lindisfarne with their single "Run for Home" taken from the "Back and Fourth" album, featured here on Top Of The Pops on 13th July 1978. The song made the nu...
-
Elton John - Burn Down the Mission (1970) With Lyrics!
On the 1970 album "Tumbleweed Connection." Lyrics and music inspired by The Band. Arranged by Paul Buckmaster; Produced by Gus Dudgeon. Recorded at Trident S...
-
Elton John Saturady Night's Alright for Fighting
Available on the album Goodbye Yellow Brick Road First released in 1973 Produced by Gus Dudgeon Recorded at Strawberry Studios in Château D'Hierouville, Fran...
Gus Dudgeon
This is a video I did for my recording certification class at Butte College back in 2011. It is intended for education use only. I used Cakewalk Sonar for the...
This is a video I did for my recording certification class at Butte College back in 2011. It is intended for education use only. I used Cakewalk Sonar for the audio and Sony Vegas and Windows Movie Maker for the video.
wn.com/Gus Dudgeon
This is a video I did for my recording certification class at Butte College back in 2011. It is intended for education use only. I used Cakewalk Sonar for the audio and Sony Vegas and Windows Movie Maker for the video.
- published: 25 May 2014
- views: 338
Elton John - The Making of GBYBR - Candle In The Wind
Producer Gus Dudgeon and Elton's guitarist Davey Johnstone talk about the recording of iconic song...
Producer Gus Dudgeon and Elton's guitarist Davey Johnstone talk about the recording of iconic song
wn.com/Elton John The Making Of Gbybr Candle In The Wind
Producer Gus Dudgeon and Elton's guitarist Davey Johnstone talk about the recording of iconic song
- published: 07 Aug 2015
- views: 16
XTC Nonsuch - A Gus Dugeon's Home Movie- Chipping Norton Studios, England,-July-August 1991
XTC Nonsuch - A Gus Dugeon's Home Movie-
48 Minutes of studio footage shot during the recording of Nonsuch
Filmed at Chipping Norton Studios, Oxfordshire, En...
XTC Nonsuch - A Gus Dugeon's Home Movie-
48 Minutes of studio footage shot during the recording of Nonsuch
Filmed at Chipping Norton Studios, Oxfordshire, England, July-August 1991
Extract from " Nonsuch 5.1 Surround Mix" (CD-Blu-Ray)
For more info and order please visit :
https://www.burningshed.com/store/ape/product/351/4999/
XTC : Colin Moulding,Andy Partridge,Dave Gregory
Drums : Dave Mattacks
Producer and cameraman : Gus Dugeon
Studio Engineer : Barry Hammond
wn.com/Xtc Nonsuch A Gus Dugeon's Home Movie Chipping Norton Studios, England, July August 1991
XTC Nonsuch - A Gus Dugeon's Home Movie-
48 Minutes of studio footage shot during the recording of Nonsuch
Filmed at Chipping Norton Studios, Oxfordshire, England, July-August 1991
Extract from " Nonsuch 5.1 Surround Mix" (CD-Blu-Ray)
For more info and order please visit :
https://www.burningshed.com/store/ape/product/351/4999/
XTC : Colin Moulding,Andy Partridge,Dave Gregory
Drums : Dave Mattacks
Producer and cameraman : Gus Dugeon
Studio Engineer : Barry Hammond
- published: 11 Mar 2014
- views: 23681
DRIVING WITH DAVEY: CARIBOU
DRIVING WITH DAVEY: CARIBOU. Davey Johnstone talks about recording the Elton John album, 'Caribou.' 40 years ago this month, Davey went into the studio with Elt...
DRIVING WITH DAVEY: CARIBOU. Davey Johnstone talks about recording the Elton John album, 'Caribou.' 40 years ago this month, Davey went into the studio with Elton, Dee, Nigel and Ray to record Elton's fourth U.S chart-topping album, 'Caribou.' Once again, producer Gus Dudgeon was at the helm along with Elton's live sound engineer, Clive Franks. Recorded at breakneck speed at Caribou Ranch, Colorado, Elton and the band were under enormous pressure to complete the album before immediately embarking on a tour of Japan. Gus Dudgeon would add additional overdubs including contributions from Dusty Springfield, various Beach Boys and the Tower Of Power horns while Elton and the band were on the road. The album, released in June 1974 and featuring the hit singles, "The Bitch Is Back" and "Don't Let The Sun Go Down On Me" was the first of three albums that Elton recorded at Caribou Ranch. http://www.daveyjohnstone.com
wn.com/Driving With Davey Caribou
DRIVING WITH DAVEY: CARIBOU. Davey Johnstone talks about recording the Elton John album, 'Caribou.' 40 years ago this month, Davey went into the studio with Elton, Dee, Nigel and Ray to record Elton's fourth U.S chart-topping album, 'Caribou.' Once again, producer Gus Dudgeon was at the helm along with Elton's live sound engineer, Clive Franks. Recorded at breakneck speed at Caribou Ranch, Colorado, Elton and the band were under enormous pressure to complete the album before immediately embarking on a tour of Japan. Gus Dudgeon would add additional overdubs including contributions from Dusty Springfield, various Beach Boys and the Tower Of Power horns while Elton and the band were on the road. The album, released in June 1974 and featuring the hit singles, "The Bitch Is Back" and "Don't Let The Sun Go Down On Me" was the first of three albums that Elton recorded at Caribou Ranch. http://www.daveyjohnstone.com
- published: 27 Jan 2014
- views: 3325
Gilbert O`Sullivan - WE WILL - Gus Dudgeon Remix
This is a subtle and beautiful remix of Gilbert`s classic song from 1971. The lyrics are inspired by his childhood memories of everyday family life. Some of th...
This is a subtle and beautiful remix of Gilbert`s classic song from 1971. The lyrics are inspired by his childhood memories of everyday family life. Some of these images are of Waterford in Ireland where young Raymond Edward O`Sullivan was born in 1946 and spent the first eight years of his life before the family moved to Swindon in England in 1953 . The first picture is of Gilbert ` himself ` as a toddler in Ireland !
On a sad note - Gus Dudgeon was a great record producer who worked extensively with Elton John and many other artists including Chris Rea and Elkie Brooks . He produced Gilbert`s 1980 album OFF CENTRE . Gus and his wife Sheila both tragically died in a motorway accident in 2002 . This one`s for you Gus - thanks for the legacy.
Uncut Magazine reviewing this song in 2004 -
" Eerie things happen here. Eire-born Jersey resident Gilbert created classics of lonely whimsy, of child-like innocence that's so innocent it's sinister. On the haunting and haunted epic "We Will", he outdid anything written by Dennis Potter—albeit with a lovely tune and ethereal strings. It's as sublime, frozen and freaky as, say, Big Star's "Holocaust". So he used to enjoy smiling on Top Of The Pops? Look for the clown's tears, friends, and see that his peak work is tragic, which we mean as the highest compliment. These songs will rise like a ghostly fog when 99 per cent of 20th-century pop music is burned to cinders. And for me, the breathtaking Proustian madeleines of "We Will"—"I bagsy being in goal...Do we all agree? Hands up those who do, Hands up those who don't...I see"—induce (given his impeccable phrasing and the perfect descending chord) a great big sissy lump in the throat .
Eccentric British pop, from that genre's insanely brilliant golden age, at its best. "
LYRICS TO WE WILL -
It's over now you've had your fun
Get up them stairs go on quickly
Don't run
Take off your shoes the both of you's
Leave them down outside the door turn the landing light off,
No wait, leave it on it might make the night that much easier to be gone
And in the morning who'll be wide awake and eating snow flakes as
Opposed to those flakes. (We Will) We Will (We Will) We will
That afternoon we spent the day with Uncle Frank (remember?) and
His wife Auntie May well do you know since then I've recieved
Up to four letters all of which repeat the same they say
Thrilled to bits can't believe you came we`ve relived it both
Over time and time again and if there's
Even a chance or even half you might be our way
Would you promise to stay (We will) We will (We will) We Will
Yeah..yeah..yeah
Oh its not easy pretending that you
Cannot hear once you've suffered the afliction within
It's no use in an ending to proclaim from the start that the
Moral of the stories to begin.
On Sunday next if the weather holds we'll have that game
But I bagsy-being-in-goal not because I'm good
Or because I think I should it's just that well at
My age I think standing still would really suit me best
Do we all agree?
Hands up those who do hands up those who don't
I see well in that case will we please be kind enough if not
On Sunday to go to mass on Monday (We will) We will
(We will ) We will yeah yeah (We will)
wn.com/Gilbert O`Sullivan We Will Gus Dudgeon Remix
This is a subtle and beautiful remix of Gilbert`s classic song from 1971. The lyrics are inspired by his childhood memories of everyday family life. Some of these images are of Waterford in Ireland where young Raymond Edward O`Sullivan was born in 1946 and spent the first eight years of his life before the family moved to Swindon in England in 1953 . The first picture is of Gilbert ` himself ` as a toddler in Ireland !
On a sad note - Gus Dudgeon was a great record producer who worked extensively with Elton John and many other artists including Chris Rea and Elkie Brooks . He produced Gilbert`s 1980 album OFF CENTRE . Gus and his wife Sheila both tragically died in a motorway accident in 2002 . This one`s for you Gus - thanks for the legacy.
Uncut Magazine reviewing this song in 2004 -
" Eerie things happen here. Eire-born Jersey resident Gilbert created classics of lonely whimsy, of child-like innocence that's so innocent it's sinister. On the haunting and haunted epic "We Will", he outdid anything written by Dennis Potter—albeit with a lovely tune and ethereal strings. It's as sublime, frozen and freaky as, say, Big Star's "Holocaust". So he used to enjoy smiling on Top Of The Pops? Look for the clown's tears, friends, and see that his peak work is tragic, which we mean as the highest compliment. These songs will rise like a ghostly fog when 99 per cent of 20th-century pop music is burned to cinders. And for me, the breathtaking Proustian madeleines of "We Will"—"I bagsy being in goal...Do we all agree? Hands up those who do, Hands up those who don't...I see"—induce (given his impeccable phrasing and the perfect descending chord) a great big sissy lump in the throat .
Eccentric British pop, from that genre's insanely brilliant golden age, at its best. "
LYRICS TO WE WILL -
It's over now you've had your fun
Get up them stairs go on quickly
Don't run
Take off your shoes the both of you's
Leave them down outside the door turn the landing light off,
No wait, leave it on it might make the night that much easier to be gone
And in the morning who'll be wide awake and eating snow flakes as
Opposed to those flakes. (We Will) We Will (We Will) We will
That afternoon we spent the day with Uncle Frank (remember?) and
His wife Auntie May well do you know since then I've recieved
Up to four letters all of which repeat the same they say
Thrilled to bits can't believe you came we`ve relived it both
Over time and time again and if there's
Even a chance or even half you might be our way
Would you promise to stay (We will) We will (We will) We Will
Yeah..yeah..yeah
Oh its not easy pretending that you
Cannot hear once you've suffered the afliction within
It's no use in an ending to proclaim from the start that the
Moral of the stories to begin.
On Sunday next if the weather holds we'll have that game
But I bagsy-being-in-goal not because I'm good
Or because I think I should it's just that well at
My age I think standing still would really suit me best
Do we all agree?
Hands up those who do hands up those who don't
I see well in that case will we please be kind enough if not
On Sunday to go to mass on Monday (We will) We will
(We will ) We will yeah yeah (We will)
- published: 10 Oct 2010
- views: 22455
Gus Dudgeon Postgraduate Audio Engineering Summer Course
The Gus Dudgeon Post Graduate Audio Engineering Summer Course, named after the legendary Elton John producer, provides gifted sound and music students from acro...
The Gus Dudgeon Post Graduate Audio Engineering Summer Course, named after the legendary Elton John producer, provides gifted sound and music students from across the UK with the opportunity to learn advanced music production techniques.
wn.com/Gus Dudgeon Postgraduate Audio Engineering Summer Course
The Gus Dudgeon Post Graduate Audio Engineering Summer Course, named after the legendary Elton John producer, provides gifted sound and music students from across the UK with the opportunity to learn advanced music production techniques.
- published: 09 Aug 2012
- views: 222
Elton John - Hercules (1972) With Lyrics!
From Elton John's 1972 album "Honky Chateau." Elton had chosen "Hercules" as his middle name in 1971. Producer Gus Dudgeon made an unusual appearance as a back ...
From Elton John's 1972 album "Honky Chateau." Elton had chosen "Hercules" as his middle name in 1971. Producer Gus Dudgeon made an unusual appearance as a back up vocalist and the Rhino Whistle player.
Dee Murray: bass & backing vocals
Davey Johnstone: guitar & backing vocals
Nigel Olsson: drums & backing vocals
David Henschel: A.R.P. Synthesizer
Gus Dudgeon: Rhino Whistle & backing vocals
Tony Hazzard: backing vocals
Words & Music by Elton John & Bernie Taupin
©1972 Dick James Music Limited
wn.com/Elton John Hercules (1972) With Lyrics
From Elton John's 1972 album "Honky Chateau." Elton had chosen "Hercules" as his middle name in 1971. Producer Gus Dudgeon made an unusual appearance as a back up vocalist and the Rhino Whistle player.
Dee Murray: bass & backing vocals
Davey Johnstone: guitar & backing vocals
Nigel Olsson: drums & backing vocals
David Henschel: A.R.P. Synthesizer
Gus Dudgeon: Rhino Whistle & backing vocals
Tony Hazzard: backing vocals
Words & Music by Elton John & Bernie Taupin
©1972 Dick James Music Limited
- published: 04 May 2014
- views: 932
Gilbert O'Sullivan Just Can't Get Enough unissued Gus Dudgeon
Gilbert O'Sullivan 'Just Can't Get Enough' Gus Dudgeon
This extremely rare unreleased (Gus) version was recorded along with (Ray's) issue 'Can't Get Enough Of Y...
Gilbert O'Sullivan 'Just Can't Get Enough' Gus Dudgeon
This extremely rare unreleased (Gus) version was recorded along with (Ray's) issue 'Can't Get Enough Of You CBSA 1118 1981.The only way to hear Ray's version was the UK single, Every other release was the 'Off Centre' recording.
The only way to way the hear Gus Dudgeon version was to er, get the acetate.
Photo's are of the UK single, acetates and the European single sleeve
Please Note If You Feel The Need To Borrow This Recording There Is Little I Do About It, However If You Intend To Add It To Your Own You Tube Video PLEASE Give Some Acknowledgement Of Where You Got It...Thank You.
wn.com/Gilbert O'Sullivan Just Can't Get Enough Unissued Gus Dudgeon
Gilbert O'Sullivan 'Just Can't Get Enough' Gus Dudgeon
This extremely rare unreleased (Gus) version was recorded along with (Ray's) issue 'Can't Get Enough Of You CBSA 1118 1981.The only way to hear Ray's version was the UK single, Every other release was the 'Off Centre' recording.
The only way to way the hear Gus Dudgeon version was to er, get the acetate.
Photo's are of the UK single, acetates and the European single sleeve
Please Note If You Feel The Need To Borrow This Recording There Is Little I Do About It, However If You Intend To Add It To Your Own You Tube Video PLEASE Give Some Acknowledgement Of Where You Got It...Thank You.
- published: 19 Jan 2014
- views: 432
Gus Dudgeon Postgraduate Audio Engineering Summer Course 2012 - The Gear
The Gus Dudgeon Post Graduate Audio Engineering Summer Course, named after the legendary Elton John producer, provides gifted sound and music students from acro...
The Gus Dudgeon Post Graduate Audio Engineering Summer Course, named after the legendary Elton John producer, provides gifted sound and music students from across the UK with the opportunity to learn advanced music production techniques.
Find out more about the equipment used on this year's course in the video.
Produced by Curig Huws
wn.com/Gus Dudgeon Postgraduate Audio Engineering Summer Course 2012 The Gear
The Gus Dudgeon Post Graduate Audio Engineering Summer Course, named after the legendary Elton John producer, provides gifted sound and music students from across the UK with the opportunity to learn advanced music production techniques.
Find out more about the equipment used on this year's course in the video.
Produced by Curig Huws
- published: 19 Jul 2012
- views: 220
Andy Partridge and XTC - Nonsuch studio verite
The story goes that when Gus Dudgeon was producing XTC's Nonsuch he would leave the board recording in between takes to get all of the mad ad-libbing that Andy ...
The story goes that when Gus Dudgeon was producing XTC's Nonsuch he would leave the board recording in between takes to get all of the mad ad-libbing that Andy Partridge would do. Some of this, "That Wag," "Laugh Track," and the giraffe buggering (hidden in the pre-gap of v.5) showed up on Andy's Fuzzy Warbles demo series but I haven't found the rest of it here.
00:00 - My kingdom for a joss stick
00:36 - That's the trouble with you meeses
01:08 - Anthoney Newley and walking the high-wire
02:10 - A microphone, a captive audience, and too much coffee
02:20 Bulgarian National Omnibus Company
02:31 Cost me four camels and a goat
02:43 'fore that lad gets back with with his plonkers
03:22 It's no fun being a Dalek, audio problems,
03:53 A dramatic reading of Omnibus
05:18 - it kept coming out as "Hey Bude"
05:51 Tony The Hun
06:55 The Laugh Track
09:42 The goat laugh
10:20 Take him outside and have the giraffe bugger him
10:30 That Wag
15:13 Drum Solo!
15:47 Grip the post
wn.com/Andy Partridge And Xtc Nonsuch Studio Verite
The story goes that when Gus Dudgeon was producing XTC's Nonsuch he would leave the board recording in between takes to get all of the mad ad-libbing that Andy Partridge would do. Some of this, "That Wag," "Laugh Track," and the giraffe buggering (hidden in the pre-gap of v.5) showed up on Andy's Fuzzy Warbles demo series but I haven't found the rest of it here.
00:00 - My kingdom for a joss stick
00:36 - That's the trouble with you meeses
01:08 - Anthoney Newley and walking the high-wire
02:10 - A microphone, a captive audience, and too much coffee
02:20 Bulgarian National Omnibus Company
02:31 Cost me four camels and a goat
02:43 'fore that lad gets back with with his plonkers
03:22 It's no fun being a Dalek, audio problems,
03:53 A dramatic reading of Omnibus
05:18 - it kept coming out as "Hey Bude"
05:51 Tony The Hun
06:55 The Laugh Track
09:42 The goat laugh
10:20 Take him outside and have the giraffe bugger him
10:30 That Wag
15:13 Drum Solo!
15:47 Grip the post
- published: 09 Nov 2013
- views: 4090
Michael Chapman Mick Ronson Paul Buckmaster Aviator Rabbit Hills Pre Bowie Elton John Gus Dudgeon
Disclaimer - I do not own the copyright to any songs, music or pictures in this video. Not for use of profit. http://www.amazon.com/Fully-Qualified-Survivor-Mi...
Disclaimer - I do not own the copyright to any songs, music or pictures in this video. Not for use of profit. http://www.amazon.com/Fully-Qualified-Survivor-Michael-Chapman/dp/B004HIQWU8
Credits
Bass -- Rick Kemp
Drums, Congas -- Barry Morgan
Engineer -- Tom Allom
Guitar -- Mick Ronson
Producer, Scraper -- Gus Dudgeon
Vocals, Guitar, Piano, Written-By, Design -- Michael Chapman (2)
Cello & String Arrangements -- Paul Buckmaster
Gnomic songwriter from Leeds teams up with David Bowie's future guitarist (Mick Ronson), and Elton John's future producer (Gus Dudgeon) and string arranger (Paul Buckmaster) to record Fully Qualified Survivor in August 1969 (released in 1970).
Aviator
Michael Chapman
Intro - F# Em F# Em D
D Em G D D Em G D G D G D
Desperation sits just like a friend upon the floor / My britches are all torn around my feet.
Mr. Madness points his eyes, a finger from his chair / And an angry crowd is gathering in the street
To take my time away / To take my time away
If I'm the man they say I am, then why am I still here / My portrait seems to make me look quite sane
There's no hair inside my helm and no scars upon my face / But the crowd is knocking on the door again
To take my time away / To take my time away
And the music is so loud that I have lost all sense of time / A phone rings but no one makes a sound
The storm's a'falling on the roof and smashing all the tiles / And the banners are a'waltzing 'round and 'round.
To take my time away / To take my time away
In all of my life you know I've done no man no wrong / And yet to some that is the only mortal sin.
And so I stand accused of the crime of being poor / While my thoughts are confused by the din.
The din that takes my time away / It takes my time away.
I light a cigarette just to try and slow my thoughts / My throat is awful dry but I can't drink
There's a clamoring within now, and a clamoring without / So much going on that I can't think
It take my time away / Yes it takes my time away
And meanwhile in the wood watch what they're doing to the trees / Why must they let them spark and let them burn
It takes such a long long time for trees like that to grow /Some people, just never-ever learn
And yet they take my time away / They take my time away.
There will be nothing left if this madness runs its course / Except the gleaming buildings to the sky.
With solitude and all and every friendly word / With the sound of feet as the old world shuffles by.
Taking my time away / Taking my time away.
No concessions to my past no this song that I can make / If I had my time I'd do it all again
I'd just make a few adjustments to the way I treated you / And let myself be washed by the rain.
The rain that takes my time Ãhay / It takes my time ahÃy.
http://www.michaelchapman.co.uk/albums/survivor.htm
Rabbit Hills by Mike Chapman.
1.It's a long long road from here down to the sea
But it's the only thing that keeps your love with me
Where the water meets the trees and the long grass turns to sand
The Bluebirds skip the wavestones like jewels in your hand
Or is it my imagination again.......?
2.At the end of the road there's a clearing in the shade
And it's there many times my love and I have laid
The path there's a bitch and the garden's overgrown
But at least it was somewhere for us to call our own
Or was it my imagination again.......?
Bridge: The water is so cold today, I sit beyond the hill
And conjure up my memories like motion picture stills
Waiting for the tide to rise and wash away all trace
Of my footsteps on the beach, and etch away your face.
3.Repeat verse 1.
http://mudcat.org/thread.cfm?threadid=10774
wn.com/Michael Chapman Mick Ronson Paul Buckmaster Aviator Rabbit Hills Pre Bowie Elton John Gus Dudgeon
Disclaimer - I do not own the copyright to any songs, music or pictures in this video. Not for use of profit. http://www.amazon.com/Fully-Qualified-Survivor-Michael-Chapman/dp/B004HIQWU8
Credits
Bass -- Rick Kemp
Drums, Congas -- Barry Morgan
Engineer -- Tom Allom
Guitar -- Mick Ronson
Producer, Scraper -- Gus Dudgeon
Vocals, Guitar, Piano, Written-By, Design -- Michael Chapman (2)
Cello & String Arrangements -- Paul Buckmaster
Gnomic songwriter from Leeds teams up with David Bowie's future guitarist (Mick Ronson), and Elton John's future producer (Gus Dudgeon) and string arranger (Paul Buckmaster) to record Fully Qualified Survivor in August 1969 (released in 1970).
Aviator
Michael Chapman
Intro - F# Em F# Em D
D Em G D D Em G D G D G D
Desperation sits just like a friend upon the floor / My britches are all torn around my feet.
Mr. Madness points his eyes, a finger from his chair / And an angry crowd is gathering in the street
To take my time away / To take my time away
If I'm the man they say I am, then why am I still here / My portrait seems to make me look quite sane
There's no hair inside my helm and no scars upon my face / But the crowd is knocking on the door again
To take my time away / To take my time away
And the music is so loud that I have lost all sense of time / A phone rings but no one makes a sound
The storm's a'falling on the roof and smashing all the tiles / And the banners are a'waltzing 'round and 'round.
To take my time away / To take my time away
In all of my life you know I've done no man no wrong / And yet to some that is the only mortal sin.
And so I stand accused of the crime of being poor / While my thoughts are confused by the din.
The din that takes my time away / It takes my time away.
I light a cigarette just to try and slow my thoughts / My throat is awful dry but I can't drink
There's a clamoring within now, and a clamoring without / So much going on that I can't think
It take my time away / Yes it takes my time away
And meanwhile in the wood watch what they're doing to the trees / Why must they let them spark and let them burn
It takes such a long long time for trees like that to grow /Some people, just never-ever learn
And yet they take my time away / They take my time away.
There will be nothing left if this madness runs its course / Except the gleaming buildings to the sky.
With solitude and all and every friendly word / With the sound of feet as the old world shuffles by.
Taking my time away / Taking my time away.
No concessions to my past no this song that I can make / If I had my time I'd do it all again
I'd just make a few adjustments to the way I treated you / And let myself be washed by the rain.
The rain that takes my time Ãhay / It takes my time ahÃy.
http://www.michaelchapman.co.uk/albums/survivor.htm
Rabbit Hills by Mike Chapman.
1.It's a long long road from here down to the sea
But it's the only thing that keeps your love with me
Where the water meets the trees and the long grass turns to sand
The Bluebirds skip the wavestones like jewels in your hand
Or is it my imagination again.......?
2.At the end of the road there's a clearing in the shade
And it's there many times my love and I have laid
The path there's a bitch and the garden's overgrown
But at least it was somewhere for us to call our own
Or was it my imagination again.......?
Bridge: The water is so cold today, I sit beyond the hill
And conjure up my memories like motion picture stills
Waiting for the tide to rise and wash away all trace
Of my footsteps on the beach, and etch away your face.
3.Repeat verse 1.
http://mudcat.org/thread.cfm?threadid=10774
- published: 23 Dec 2013
- views: 1210
Elton John - Goodbye Yellow Brick Road (Classic Album)
This film tells the inside story of the making of this classic album. As well as interviews with Elton John himself and song writing partner Bernie Taupin, ther...
This film tells the inside story of the making of this classic album. As well as interviews with Elton John himself and song writing partner Bernie Taupin, there are contributions from musicians Davey Johnstone and Nigel Olsson, Gus Dudgeon (producer), David Hentschel (engineer), Del Newman (orchestral arranger) along with comments from Sir Tim Rice and Paul Gambaccini amongst others.
Featuring new and archive footage performances from Elton John as well as rare archive footage from the original recording sessions, this programme provides a unique insight into the creation of this truly Classic Album.
To buy this on DVD, use the following links:
UK: http://www.amazon.co.uk/dp/B00005O41O/?tag=wwweaglerockc-21
US: http://www.amazon.com/dp/B00005Q2Z4/?tag=eaglrockente-20
wn.com/Elton John Goodbye Yellow Brick Road (Classic Album)
This film tells the inside story of the making of this classic album. As well as interviews with Elton John himself and song writing partner Bernie Taupin, there are contributions from musicians Davey Johnstone and Nigel Olsson, Gus Dudgeon (producer), David Hentschel (engineer), Del Newman (orchestral arranger) along with comments from Sir Tim Rice and Paul Gambaccini amongst others.
Featuring new and archive footage performances from Elton John as well as rare archive footage from the original recording sessions, this programme provides a unique insight into the creation of this truly Classic Album.
To buy this on DVD, use the following links:
UK: http://www.amazon.co.uk/dp/B00005O41O/?tag=wwweaglerockc-21
US: http://www.amazon.com/dp/B00005Q2Z4/?tag=eaglrockente-20
- published: 17 Jun 2009
- views: 144715
Elton John - Heartache All Over the World (1986) With Lyrics!
From Elton John's 1986 album "Leather Jackets," produced by Gus Dudgeon and also a single.
Elton John: Vocal
Davey Johnstone: Guitars & Backing Vocals
Charlie ...
From Elton John's 1986 album "Leather Jackets," produced by Gus Dudgeon and also a single.
Elton John: Vocal
Davey Johnstone: Guitars & Backing Vocals
Charlie Morgan: Drums
Fred Mandel: Keyboards
Gus Dudgeon & Graham Dickson: Electronic Percussion
Vicky Brown, Alan Carvell & Gordon Neville: Backing Vocals
Words & Music by Elton John & Bernie Taupin
©1986 Big Pig Music Limited
wn.com/Elton John Heartache All Over The World (1986) With Lyrics
From Elton John's 1986 album "Leather Jackets," produced by Gus Dudgeon and also a single.
Elton John: Vocal
Davey Johnstone: Guitars & Backing Vocals
Charlie Morgan: Drums
Fred Mandel: Keyboards
Gus Dudgeon & Graham Dickson: Electronic Percussion
Vicky Brown, Alan Carvell & Gordon Neville: Backing Vocals
Words & Music by Elton John & Bernie Taupin
©1986 Big Pig Music Limited
- published: 15 Jun 2015
- views: 10
Elton John - We All Fall in Love Sometimes/Curtains (1974) With Lyrics!
The final two tracks from the 1975 album "Captain Fantastic and the Brown Dirt Cowboy," recorded in the summer of 1974 at Caribou Ranch in Colorado, USA. Gus Du...
The final two tracks from the 1975 album "Captain Fantastic and the Brown Dirt Cowboy," recorded in the summer of 1974 at Caribou Ranch in Colorado, USA. Gus Dudgeon, producer. It is an autobiographical album, the songs telling the story of Elton John and Bernie Taupin's struggling years as songwriters, leading to their success in 1970. These two songs form the finale to the story. The first describes the fateful writing of "Your Song," in 1969, and the second alludes to earlier Elton/Taupin songs: "Scarecrow," "Angel Tree," and "A Dandelion Dies in the Wind." The entire piece is full of joy and satisfaction at finally having arrived as successful artists, as well as great hope for the future to come. Musically it is hymn-like and Elton is credited with providing "Lum-de-Lums." Many times in concert Elton has expressed that the song tells of the loving friendship he has shared with Taupin.
The album debuted at #1 on the US Pop Albums chart, the first album ever to do so, and stayed there for seven weeks. Unlike Elton's previous albums, which were usually written and recorded rather quickly, "Captain Fantastic" was well-planned and labored over for several months. After receiving the lyrics from Taupin, Elton wrote the music alone on a cruise ship sailing from England to New York. Great attention and detail was given to the recording process over several weeks at Caribou Ranch. The cover art was designed by Alan Aldridge.
We All Fall in Love Sometimes/Curtains
Words & Music by Elton John & Bernie Taupin
©1975 Big Pig Music Limited
Elton John: Vocals, Piano, Harpsichord, Mellotron & "Lum-de-lums"
Dee Murray: Bass Guitar & Backing Vocals
Nigel Olsson: Drums & Backing Vocals
Davey Johnstone: Guitars & Backing Vocals
Ray Cooper: Tambourine, Bells & Congas
David Hentchel: ARP Synthesizer
wn.com/Elton John We All Fall In Love Sometimes Curtains (1974) With Lyrics
The final two tracks from the 1975 album "Captain Fantastic and the Brown Dirt Cowboy," recorded in the summer of 1974 at Caribou Ranch in Colorado, USA. Gus Dudgeon, producer. It is an autobiographical album, the songs telling the story of Elton John and Bernie Taupin's struggling years as songwriters, leading to their success in 1970. These two songs form the finale to the story. The first describes the fateful writing of "Your Song," in 1969, and the second alludes to earlier Elton/Taupin songs: "Scarecrow," "Angel Tree," and "A Dandelion Dies in the Wind." The entire piece is full of joy and satisfaction at finally having arrived as successful artists, as well as great hope for the future to come. Musically it is hymn-like and Elton is credited with providing "Lum-de-Lums." Many times in concert Elton has expressed that the song tells of the loving friendship he has shared with Taupin.
The album debuted at #1 on the US Pop Albums chart, the first album ever to do so, and stayed there for seven weeks. Unlike Elton's previous albums, which were usually written and recorded rather quickly, "Captain Fantastic" was well-planned and labored over for several months. After receiving the lyrics from Taupin, Elton wrote the music alone on a cruise ship sailing from England to New York. Great attention and detail was given to the recording process over several weeks at Caribou Ranch. The cover art was designed by Alan Aldridge.
We All Fall in Love Sometimes/Curtains
Words & Music by Elton John & Bernie Taupin
©1975 Big Pig Music Limited
Elton John: Vocals, Piano, Harpsichord, Mellotron & "Lum-de-lums"
Dee Murray: Bass Guitar & Backing Vocals
Nigel Olsson: Drums & Backing Vocals
Davey Johnstone: Guitars & Backing Vocals
Ray Cooper: Tambourine, Bells & Congas
David Hentchel: ARP Synthesizer
- published: 01 Sep 2014
- views: 668
Gilbert O`Sullivan - WE WILL - Cinemascope Version
This is a subtle and beautiful remix by Gus Dudgeon of Gilbert`s classic song from 1971. The lyrics are inspired by his childhood memories of everyday family l...
This is a subtle and beautiful remix by Gus Dudgeon of Gilbert`s classic song from 1971. The lyrics are inspired by his childhood memories of everyday family life. Some of these images are of Waterford in Ireland where young Raymond Edward O`Sullivan was born in 1946 and spent the first eight years of his life before the family moved to Swindon in England in 1953 . The first picture is of Gilbert ` himself ` as a toddler in Ireland !
On a sad note - Gus Dudgeon was a great record producer who worked extensively with Elton John and many other artists including Chris Rea and Elkie Brooks . He produced Gilbert`s 1980 album OFF CENTRE . Gus and his wife Sheila both tragically died in a motorway accident in 2002 . This one`s for you Gus - thanks for the legacy.
Uncut Magazine reviewing this song in 2004 -
" Eerie things happen here. Eire-born Jersey resident Gilbert created classics of lonely whimsy, of child-like innocence that's so innocent it's sinister. On the haunting and haunted epic "We Will", he outdid anything written by Dennis Potter—albeit with a lovely tune and ethereal strings. It's as sublime, frozen and freaky as, say, Big Star's "Holocaust". So he used to enjoy smiling on Top Of The Pops? Look for the clown's tears, friends, and see that his peak work is tragic, which we mean as the highest compliment. These songs will rise like a ghostly fog when 99 per cent of 20th-century pop music is burned to cinders. And for me, the breathtaking Proustian madeleines of "We Will"—"I bagsy being in goal...Do we all agree? Hands up those who do, Hands up those who don't...I see"—induce (given his impeccable phrasing and the perfect descending chord) a great big sissy lump in the throat .
Eccentric British pop, from that genre's insanely brilliant golden age, at its best. "
LYRICS TO WE WILL -
It's over now you've had your fun
Get up them stairs go on quickly
Don't run
Take off your shoes the both of you's
Leave them down outside the door turn the landing light off,
No wait, leave it on it might make the night that much easier to be gone
And in the morning who'll be wide awake and eating snow flakes as
Opposed to those flakes. (We Will) We Will (We Will) We will
That afternoon we spent the day with Uncle Frank (remember?) and
His wife Auntie May well do you know since then I've recieved
Up to four letters all of which repeat the same they say
Thrilled to bits can't believe you came we`ve relived it both
Over time and time again and if there's
Even a chance or even half you might be our way
Would you promise to stay (We will) We will (We will) We Will
Yeah..yeah..yeah
Oh its not easy pretending that you
Cannot hear once you've suffered the afliction within
It's no use in an ending to proclaim from the start that the
Moral of the stories to begin.
On Sunday next if the weather holds we'll have that game
But I bagsy-being-in-goal not because I'm good
Or because I think I should it's just that well at
My age I think standing still would really suit me best
Do we all agree?
Hands up those who do hands up those who don't
I see well in that case will we please be kind enough if not
On Sunday to go to mass on Monday (We will) We will
(We will ) We will yeah yeah (We will)
wn.com/Gilbert O`Sullivan We Will Cinemascope Version
This is a subtle and beautiful remix by Gus Dudgeon of Gilbert`s classic song from 1971. The lyrics are inspired by his childhood memories of everyday family life. Some of these images are of Waterford in Ireland where young Raymond Edward O`Sullivan was born in 1946 and spent the first eight years of his life before the family moved to Swindon in England in 1953 . The first picture is of Gilbert ` himself ` as a toddler in Ireland !
On a sad note - Gus Dudgeon was a great record producer who worked extensively with Elton John and many other artists including Chris Rea and Elkie Brooks . He produced Gilbert`s 1980 album OFF CENTRE . Gus and his wife Sheila both tragically died in a motorway accident in 2002 . This one`s for you Gus - thanks for the legacy.
Uncut Magazine reviewing this song in 2004 -
" Eerie things happen here. Eire-born Jersey resident Gilbert created classics of lonely whimsy, of child-like innocence that's so innocent it's sinister. On the haunting and haunted epic "We Will", he outdid anything written by Dennis Potter—albeit with a lovely tune and ethereal strings. It's as sublime, frozen and freaky as, say, Big Star's "Holocaust". So he used to enjoy smiling on Top Of The Pops? Look for the clown's tears, friends, and see that his peak work is tragic, which we mean as the highest compliment. These songs will rise like a ghostly fog when 99 per cent of 20th-century pop music is burned to cinders. And for me, the breathtaking Proustian madeleines of "We Will"—"I bagsy being in goal...Do we all agree? Hands up those who do, Hands up those who don't...I see"—induce (given his impeccable phrasing and the perfect descending chord) a great big sissy lump in the throat .
Eccentric British pop, from that genre's insanely brilliant golden age, at its best. "
LYRICS TO WE WILL -
It's over now you've had your fun
Get up them stairs go on quickly
Don't run
Take off your shoes the both of you's
Leave them down outside the door turn the landing light off,
No wait, leave it on it might make the night that much easier to be gone
And in the morning who'll be wide awake and eating snow flakes as
Opposed to those flakes. (We Will) We Will (We Will) We will
That afternoon we spent the day with Uncle Frank (remember?) and
His wife Auntie May well do you know since then I've recieved
Up to four letters all of which repeat the same they say
Thrilled to bits can't believe you came we`ve relived it both
Over time and time again and if there's
Even a chance or even half you might be our way
Would you promise to stay (We will) We will (We will) We Will
Yeah..yeah..yeah
Oh its not easy pretending that you
Cannot hear once you've suffered the afliction within
It's no use in an ending to proclaim from the start that the
Moral of the stories to begin.
On Sunday next if the weather holds we'll have that game
But I bagsy-being-in-goal not because I'm good
Or because I think I should it's just that well at
My age I think standing still would really suit me best
Do we all agree?
Hands up those who do hands up those who don't
I see well in that case will we please be kind enough if not
On Sunday to go to mass on Monday (We will) We will
(We will ) We will yeah yeah (We will)
- published: 14 Oct 2011
- views: 12248
Elton John - Medley (Yell Help/Wednesday Night/Ugly) (1975) With Lyrics!
The opening track from Elton John's 1975 album "Rock of the Westies." Patti LaBelle features prominently in the backing vocals. LaBelle had worked with Reg Dwig...
The opening track from Elton John's 1975 album "Rock of the Westies." Patti LaBelle features prominently in the backing vocals. LaBelle had worked with Reg Dwight in the sixties. Although not credited, Gus Dudgeon also contributed to the backing vocals at the end of the song, when at the final mix it seemed to be lacking the full sound he was after. He remembered, "I made myself an enormous joint, walked into the studio and imitated LaBelle!"
"Rock of the Westies" debuted a new Elton John Band. Drummer Nigel Olsson and bass player Dee Murray were dismissed. Elton was in need of a new sound, a new feel. Davey Johnstone and Ray Cooper from the old band, however, were part of the new lineup. On drums in the new band was Roger Pope, and additional guitars by Caleb Quaye, both of whom had played on several of Elton's earliest albums, but had not been part of a touring band before. On bass, Kenny Passarelli, who had been playing with Joe Walsh, and on keyboards session musician James Newton Howard.
Elton John, piano & vocals
Roger Pope, drums
Kenny Passarelli, bass
Caleb Quaye, guitars
Davey Johnstone, guitars
Ray Cooper, percussion
James Newton Howard, keyboards
Labelle, Ann Orson (Elton John) & Gus Dudgeon (uncredited), backing vocals
Words & Music by Elton John, Bernie Taupin & Davey Johnstone
©1975 Big Pig Music Ltd & Rocket Music Ltd
wn.com/Elton John Medley (Yell Help Wednesday Night Ugly) (1975) With Lyrics
The opening track from Elton John's 1975 album "Rock of the Westies." Patti LaBelle features prominently in the backing vocals. LaBelle had worked with Reg Dwight in the sixties. Although not credited, Gus Dudgeon also contributed to the backing vocals at the end of the song, when at the final mix it seemed to be lacking the full sound he was after. He remembered, "I made myself an enormous joint, walked into the studio and imitated LaBelle!"
"Rock of the Westies" debuted a new Elton John Band. Drummer Nigel Olsson and bass player Dee Murray were dismissed. Elton was in need of a new sound, a new feel. Davey Johnstone and Ray Cooper from the old band, however, were part of the new lineup. On drums in the new band was Roger Pope, and additional guitars by Caleb Quaye, both of whom had played on several of Elton's earliest albums, but had not been part of a touring band before. On bass, Kenny Passarelli, who had been playing with Joe Walsh, and on keyboards session musician James Newton Howard.
Elton John, piano & vocals
Roger Pope, drums
Kenny Passarelli, bass
Caleb Quaye, guitars
Davey Johnstone, guitars
Ray Cooper, percussion
James Newton Howard, keyboards
Labelle, Ann Orson (Elton John) & Gus Dudgeon (uncredited), backing vocals
Words & Music by Elton John, Bernie Taupin & Davey Johnstone
©1975 Big Pig Music Ltd & Rocket Music Ltd
- published: 18 Sep 2014
- views: 299
Elton John and Kiki Dee - Don't Go Breaking My Heart
Produced by Gus Dudgeon and issued as Elton John and Kiki Dee, the million-selling "Don't Go Breakin' My Heart" went to number one pop for four weeks and number...
Produced by Gus Dudgeon and issued as Elton John and Kiki Dee, the million-selling "Don't Go Breakin' My Heart" went to number one pop for four weeks and number one adult contemporary in the fall of 1976. It earned the duo a Grammy nomination for Best Pop Vocal Performance By a Duo, Group or Chorus.
wn.com/Elton John And Kiki Dee Don't Go Breaking My Heart
Produced by Gus Dudgeon and issued as Elton John and Kiki Dee, the million-selling "Don't Go Breakin' My Heart" went to number one pop for four weeks and number one adult contemporary in the fall of 1976. It earned the duo a Grammy nomination for Best Pop Vocal Performance By a Duo, Group or Chorus.
- published: 08 Jun 2014
- views: 9138
Elton John & George Michael - Wrap Her Up (1985) With Lyrics!
From Elton John's 1985 album "Ice on Fire." Also a top 40 single. The song was created out of a jam session with Elton John and George Michael and the band. Pro...
From Elton John's 1985 album "Ice on Fire." Also a top 40 single. The song was created out of a jam session with Elton John and George Michael and the band. Producer Gus Dudgeon remembered that the group began jamming on a version of Roy Orbison's "Dream Baby," which Elton had been thinking of including on the album. After the jam session Taupin finished up the lyrics.
Recorded and Produced by Gus Dudgeon in England.
Words & Music by Elton John & Bernie Taupin
©1985 Big Pig Music Limited
wn.com/Elton John George Michael Wrap Her Up (1985) With Lyrics
From Elton John's 1985 album "Ice on Fire." Also a top 40 single. The song was created out of a jam session with Elton John and George Michael and the band. Producer Gus Dudgeon remembered that the group began jamming on a version of Roy Orbison's "Dream Baby," which Elton had been thinking of including on the album. After the jam session Taupin finished up the lyrics.
Recorded and Produced by Gus Dudgeon in England.
Words & Music by Elton John & Bernie Taupin
©1985 Big Pig Music Limited
- published: 23 May 2015
- views: 11
Elton John - Captain Fantastic and the Brown Dirt Cowboy (1974) With Lyrics!
The 1975 album "Captain Fantastic and the Brown Dirt Cowboy" was recorded in the summer of 1974 at Caribou Ranch in Colorado, USA. Gus Dudgeon, producer. It is ...
The 1975 album "Captain Fantastic and the Brown Dirt Cowboy" was recorded in the summer of 1974 at Caribou Ranch in Colorado, USA. Gus Dudgeon, producer. It is an autobiographical album, the songs telling the story of Elton John and Bernie Taupin's struggling years as songwriters, leading to their success in 1970. This opening title song portrays the two of them in comic book format, describing their different backgrounds and telling how they teamed up to become the amazing songwriting team that they are.
The album debuted at #1 on the US Pop Albums chart, the first album ever to do so, and stayed there for seven weeks. Unlike Elton's previous albums, which were usually written and recorded rather quickly, "Captain Fantastic" was well-planned and labored over for several months. After receiving the lyrics from Taupin, Elton wrote the music alone on a cruise ship sailing from England to New York. Great attention and detail was given to the recording process over several weeks at Caribou Ranch. The cover art was designed by Alan Aldridge.
Captain Fantastic and the Brown Dirt Cowboy
Words & Music by Elton John & Bernie Taupin
©1975 Big Pig Music Limited
Elton John: Vocals & Pianos
Dee Murray: Bass Guitar
Nigel Olsson: Drums
Davey Johnstone: Guitars & Mandolin
Ray Cooper: Shaker, Congas, Gong, Jawbone & Tambourine
wn.com/Elton John Captain Fantastic And The Brown Dirt Cowboy (1974) With Lyrics
The 1975 album "Captain Fantastic and the Brown Dirt Cowboy" was recorded in the summer of 1974 at Caribou Ranch in Colorado, USA. Gus Dudgeon, producer. It is an autobiographical album, the songs telling the story of Elton John and Bernie Taupin's struggling years as songwriters, leading to their success in 1970. This opening title song portrays the two of them in comic book format, describing their different backgrounds and telling how they teamed up to become the amazing songwriting team that they are.
The album debuted at #1 on the US Pop Albums chart, the first album ever to do so, and stayed there for seven weeks. Unlike Elton's previous albums, which were usually written and recorded rather quickly, "Captain Fantastic" was well-planned and labored over for several months. After receiving the lyrics from Taupin, Elton wrote the music alone on a cruise ship sailing from England to New York. Great attention and detail was given to the recording process over several weeks at Caribou Ranch. The cover art was designed by Alan Aldridge.
Captain Fantastic and the Brown Dirt Cowboy
Words & Music by Elton John & Bernie Taupin
©1975 Big Pig Music Limited
Elton John: Vocals & Pianos
Dee Murray: Bass Guitar
Nigel Olsson: Drums
Davey Johnstone: Guitars & Mandolin
Ray Cooper: Shaker, Congas, Gong, Jawbone & Tambourine
- published: 23 Aug 2014
- views: 2950
Elton John - Where to Now St Peter? (1970) With Lyrics
On the 1970 album "Tumbleweed Connection." Bernie Taupin's lyrics tell of a dying soldier and Elton's music seems to capture the feeling of passing into the aft...
On the 1970 album "Tumbleweed Connection." Bernie Taupin's lyrics tell of a dying soldier and Elton's music seems to capture the feeling of passing into the afterlife. Nigel Olsson and Dee Murray on backing vocals. Produced by Gus Dudgeon. Recorded at Trident Studios, London. Bass Guitar: Dave Glover; Drums: Roger Pope; Guitar: Caleb Quaye
Words & Music by Elton John & Bernie Taupin
©1970 Dick James Music Limited
wn.com/Elton John Where To Now St Peter (1970) With Lyrics
On the 1970 album "Tumbleweed Connection." Bernie Taupin's lyrics tell of a dying soldier and Elton's music seems to capture the feeling of passing into the afterlife. Nigel Olsson and Dee Murray on backing vocals. Produced by Gus Dudgeon. Recorded at Trident Studios, London. Bass Guitar: Dave Glover; Drums: Roger Pope; Guitar: Caleb Quaye
Words & Music by Elton John & Bernie Taupin
©1970 Dick James Music Limited
- published: 06 Feb 2014
- views: 1710
Lindisfarne - Run For Home (1978)
Lindisfarne with their single "Run for Home" taken from the "Back and Fourth" album, featured here on Top Of The Pops on 13th July 1978. The song made the nu......
Lindisfarne with their single "Run for Home" taken from the "Back and Fourth" album, featured here on Top Of The Pops on 13th July 1978. The song made the nu...
wn.com/Lindisfarne Run For Home (1978)
Lindisfarne with their single "Run for Home" taken from the "Back and Fourth" album, featured here on Top Of The Pops on 13th July 1978. The song made the nu...
Elton John - Burn Down the Mission (1970) With Lyrics!
On the 1970 album "Tumbleweed Connection." Lyrics and music inspired by The Band. Arranged by Paul Buckmaster; Produced by Gus Dudgeon. Recorded at Trident S......
On the 1970 album "Tumbleweed Connection." Lyrics and music inspired by The Band. Arranged by Paul Buckmaster; Produced by Gus Dudgeon. Recorded at Trident S...
wn.com/Elton John Burn Down The Mission (1970) With Lyrics
On the 1970 album "Tumbleweed Connection." Lyrics and music inspired by The Band. Arranged by Paul Buckmaster; Produced by Gus Dudgeon. Recorded at Trident S...
Elton John Saturady Night's Alright for Fighting
Available on the album Goodbye Yellow Brick Road First released in 1973 Produced by Gus Dudgeon Recorded at Strawberry Studios in Château D'Hierouville, Fran......
Available on the album Goodbye Yellow Brick Road First released in 1973 Produced by Gus Dudgeon Recorded at Strawberry Studios in Château D'Hierouville, Fran...
wn.com/Elton John Saturady Night's Alright For Fighting
Available on the album Goodbye Yellow Brick Road First released in 1973 Produced by Gus Dudgeon Recorded at Strawberry Studios in Château D'Hierouville, Fran...
-
Space Oddity live - Fauxie Bowie and the Reality Tourists
Filmed live in Seoul in February 2014, this 1969 classic from David Bowie (no relation) tells the story of Major Tom, a simple farm girl from Kent who falls in love with Gus Dudgeon and spends the 1970's searching for a decent cappuccino in Tunbridge Wells. She never finds it. This lends the song its searching, not-finding, tumbling though space aura. Bowie would revisit the Major Tom character ag
-
ROBIN GEORGE'S DANGEROUS MUSIC
This is the opening track of Robin George´s Dangerous Music II Produced by Gus Dudgeon (Bowie, Elton John), featuring Pino Palladino (The Who), Charlie Morgan (The Elton John Band). Recorded live in 85 at Camden Roundhouse, London, England with Dangerous Music; Kex Gorin (Magnum), Jon Camp (Renaissance), Hughie Lucas and Alan Nelson.
-
Elton John - The Greatest Discovery (1970) With Lyrics!
From the album "Elton John" in 1970. Recorded virtually live, Elton singing with the orchestra, at Trident Studios. Produced by Gus Dudgeon and arranged by Paul Buckmaster, who is featured on the cello solo. Bernie Taupin's lyrics tell of his own birth through the eyes of his older brother, though Elton has often in later years erroneously introduced the song as being about the birth of Taupin's y
-
Elton John - The King Must Die (1970) With Lyrics!
From the album "Elton John" in 1970. Recorded virtually live, Elton singing with the orchestra, at Trident Studios. Produced by Gus Dudgeon and arranged by Paul Buckmaster.
Words & Music by Elton John & Bernie Taupin
©1969 Dick James Music Limited
-
Elton John - I've Seen the Saucers (1974) With Lyrics!
From Elton John's 1974 album "Caribou."
Elton John: Piano & Vocals
Dee Murray: Bass & Backing Vocals
Nigel Olsson: Drums & Backing Vocals
Davey Johnstone: Guitars & Backing Vocals
Ray Cooper: Congas, Gong, Vibes & Tambourine
Gus Dudgeon: Producer & Tambourine
Words & Music by Elton John & Bernie Taupin
©1974 Big Pig Music Limited
-
Step Into Christmas [HQ audio]
Sound recording © 1973 This Record Company Ltd. • Administered by Warner Music Group Written by Elton John & Bernie Taupin • Produced by Gus Dudgeon "Step in...
-
Elton John: Rocket Man (live) - HD
-
Elton John - Funeral for a Friend/Love Lies Bleeding (1973) With Lyrics!
The opening track of Elton John's 1973 album "Goodbye Yellow Brick Road," recorded in France. Elton had written the instrumental piece (where the piano starts), then synthesizer engineer David Hentschel wrote and recorded the opening segment using chords and melodies from several of the album's songs, mainly "I've Seen That Movie too," "Ballad of Danny Bailey" and "Candle in the Wind." Producer Gu
-
Mark Connors "Thinking About You" Outlaw Radio Live Mix
Recorded Nashville Tn. Produced by Mark Connors and Kevin Beamish. Kevin Beamish is an internationally successful and respected Producer, Engineer, and Mixer with credits on 100 million records sold worldwide. He has made hit music in many different genres including Rock, Pop, Country, R&B; and more. He's the person who produces the albums that you love to play so much. It's not an easy job. You ha
-
Elton John - Amoreena (1970) With Lyrics!
On the 1970 album "Tumbleweed Connection." The lyricist Bernie Taupin suggested that Ray Williams, the man who introduced Elton and Bernie, name his daughter Amoreena. He did, and Taupin then wrote this song. The song was also used in the opening of the film "Dog Day Afternoon." On the album, it was the first recording of Elton backed by Dee Murray and Nigel Olsson, who were already touring with h
-
Elton John - Cry to Heaven (1985) With Lyrics!
From Elton John's 1985 album "Ice on Fire."
Recorded and Produced by Gus Dudgeon in England.
Words & Music by Elton John & Bernie Taupin
©1985 Big Pig Music Limited
-
Elton John & John Lennon - 1974 - Madison Square Garden - Full Album
Elton John & John Lennon - 1974 - Madison Square Garden - Full Album
01 - Funeral For A Friend ( 0:00 )
02 - Rocket Man ( 11:53 )
03 - Take Me To The Pilot ( 16:57 )
04 - Bennie And The Jets ( 22:57 )
05 - Grey Seal ( 28:57 )
06 - Daniel ( 34:25 )
07 - You're So Static ( 38:31 )
08 - Whatever Gets You Through The Night ( 43:03 )
09 - Lucy In The Sky ( 47:43 )
10 - I Saw Her Standing There ( 53:59
Space Oddity live - Fauxie Bowie and the Reality Tourists
Filmed live in Seoul in February 2014, this 1969 classic from David Bowie (no relation) tells the story of Major Tom, a simple farm girl from Kent who falls in ...
Filmed live in Seoul in February 2014, this 1969 classic from David Bowie (no relation) tells the story of Major Tom, a simple farm girl from Kent who falls in love with Gus Dudgeon and spends the 1970's searching for a decent cappuccino in Tunbridge Wells. She never finds it. This lends the song its searching, not-finding, tumbling though space aura. Bowie would revisit the Major Tom character again in such songs as "Major Tom Got Married", "Major Tom's Turn to Cry", and "Space Oddi-two: the Sequel".
Why, yes: that IS the lovely Jessica Adel on backing vocals.
wn.com/Space Oddity Live Fauxie Bowie And The Reality Tourists
Filmed live in Seoul in February 2014, this 1969 classic from David Bowie (no relation) tells the story of Major Tom, a simple farm girl from Kent who falls in love with Gus Dudgeon and spends the 1970's searching for a decent cappuccino in Tunbridge Wells. She never finds it. This lends the song its searching, not-finding, tumbling though space aura. Bowie would revisit the Major Tom character again in such songs as "Major Tom Got Married", "Major Tom's Turn to Cry", and "Space Oddi-two: the Sequel".
Why, yes: that IS the lovely Jessica Adel on backing vocals.
- published: 04 Jun 2014
- views: 201
ROBIN GEORGE'S DANGEROUS MUSIC
This is the opening track of Robin George´s Dangerous Music II Produced by Gus Dudgeon (Bowie, Elton John), featuring Pino Palladino (The Who), Charlie Morgan (...
This is the opening track of Robin George´s Dangerous Music II Produced by Gus Dudgeon (Bowie, Elton John), featuring Pino Palladino (The Who), Charlie Morgan (The Elton John Band). Recorded live in 85 at Camden Roundhouse, London, England with Dangerous Music; Kex Gorin (Magnum), Jon Camp (Renaissance), Hughie Lucas and Alan Nelson.
wn.com/Robin George'S Dangerous Music
This is the opening track of Robin George´s Dangerous Music II Produced by Gus Dudgeon (Bowie, Elton John), featuring Pino Palladino (The Who), Charlie Morgan (The Elton John Band). Recorded live in 85 at Camden Roundhouse, London, England with Dangerous Music; Kex Gorin (Magnum), Jon Camp (Renaissance), Hughie Lucas and Alan Nelson.
- published: 27 Mar 2015
- views: 72
Elton John - The Greatest Discovery (1970) With Lyrics!
From the album "Elton John" in 1970. Recorded virtually live, Elton singing with the orchestra, at Trident Studios. Produced by Gus Dudgeon and arranged by Paul...
From the album "Elton John" in 1970. Recorded virtually live, Elton singing with the orchestra, at Trident Studios. Produced by Gus Dudgeon and arranged by Paul Buckmaster, who is featured on the cello solo. Bernie Taupin's lyrics tell of his own birth through the eyes of his older brother, though Elton has often in later years erroneously introduced the song as being about the birth of Taupin's younger brother.
Words & Music by Elton John & Bernie Taupin
©1969 Dick James Music Limited
wn.com/Elton John The Greatest Discovery (1970) With Lyrics
From the album "Elton John" in 1970. Recorded virtually live, Elton singing with the orchestra, at Trident Studios. Produced by Gus Dudgeon and arranged by Paul Buckmaster, who is featured on the cello solo. Bernie Taupin's lyrics tell of his own birth through the eyes of his older brother, though Elton has often in later years erroneously introduced the song as being about the birth of Taupin's younger brother.
Words & Music by Elton John & Bernie Taupin
©1969 Dick James Music Limited
- published: 22 Jan 2014
- views: 3294
Elton John - The King Must Die (1970) With Lyrics!
From the album "Elton John" in 1970. Recorded virtually live, Elton singing with the orchestra, at Trident Studios. Produced by Gus Dudgeon and arranged by Paul...
From the album "Elton John" in 1970. Recorded virtually live, Elton singing with the orchestra, at Trident Studios. Produced by Gus Dudgeon and arranged by Paul Buckmaster.
Words & Music by Elton John & Bernie Taupin
©1969 Dick James Music Limited
wn.com/Elton John The King Must Die (1970) With Lyrics
From the album "Elton John" in 1970. Recorded virtually live, Elton singing with the orchestra, at Trident Studios. Produced by Gus Dudgeon and arranged by Paul Buckmaster.
Words & Music by Elton John & Bernie Taupin
©1969 Dick James Music Limited
- published: 26 Jan 2014
- views: 973
Elton John - I've Seen the Saucers (1974) With Lyrics!
From Elton John's 1974 album "Caribou."
Elton John: Piano & Vocals
Dee Murray: Bass & Backing Vocals
Nigel Olsson: Drums & Backing Vocals
Davey Johnstone: Guita...
From Elton John's 1974 album "Caribou."
Elton John: Piano & Vocals
Dee Murray: Bass & Backing Vocals
Nigel Olsson: Drums & Backing Vocals
Davey Johnstone: Guitars & Backing Vocals
Ray Cooper: Congas, Gong, Vibes & Tambourine
Gus Dudgeon: Producer & Tambourine
Words & Music by Elton John & Bernie Taupin
©1974 Big Pig Music Limited
wn.com/Elton John I've Seen The Saucers (1974) With Lyrics
From Elton John's 1974 album "Caribou."
Elton John: Piano & Vocals
Dee Murray: Bass & Backing Vocals
Nigel Olsson: Drums & Backing Vocals
Davey Johnstone: Guitars & Backing Vocals
Ray Cooper: Congas, Gong, Vibes & Tambourine
Gus Dudgeon: Producer & Tambourine
Words & Music by Elton John & Bernie Taupin
©1974 Big Pig Music Limited
- published: 14 Jun 2014
- views: 924
Step Into Christmas [HQ audio]
Sound recording © 1973 This Record Company Ltd. • Administered by Warner Music Group Written by Elton John & Bernie Taupin • Produced by Gus Dudgeon "Step in......
Sound recording © 1973 This Record Company Ltd. • Administered by Warner Music Group Written by Elton John & Bernie Taupin • Produced by Gus Dudgeon "Step in...
wn.com/Step Into Christmas Hq Audio
Sound recording © 1973 This Record Company Ltd. • Administered by Warner Music Group Written by Elton John & Bernie Taupin • Produced by Gus Dudgeon "Step in...
- published: 08 Dec 2010
- views: 24242
-
author: AbsoluteNow
Elton John - Funeral for a Friend/Love Lies Bleeding (1973) With Lyrics!
The opening track of Elton John's 1973 album "Goodbye Yellow Brick Road," recorded in France. Elton had written the instrumental piece (where the piano starts),...
The opening track of Elton John's 1973 album "Goodbye Yellow Brick Road," recorded in France. Elton had written the instrumental piece (where the piano starts), then synthesizer engineer David Hentschel wrote and recorded the opening segment using chords and melodies from several of the album's songs, mainly "I've Seen That Movie too," "Ballad of Danny Bailey" and "Candle in the Wind." Producer Gus Dudgeon fused the whole piece with "Love Lies Bleeding," which was originally a separate song, and Elton loved it. Elton then wrote the instrumental segue. He has opened many concerts with this song ever since.
Elton John - Piano, Vocals
Davey Johnstone - Electric Guitars, Backing Vocals
Dee Murray - Bass, Backing Vocals
Nigel Olsson - Drums, Backing Vocals
David Hentschel - A.R.P. Synthesizer
Words & Music by Elton John & Bernie Taupin
©1973 Dick James Music Limited
This upload is taken from the newly remastered box-set.
wn.com/Elton John Funeral For A Friend Love Lies Bleeding (1973) With Lyrics
The opening track of Elton John's 1973 album "Goodbye Yellow Brick Road," recorded in France. Elton had written the instrumental piece (where the piano starts), then synthesizer engineer David Hentschel wrote and recorded the opening segment using chords and melodies from several of the album's songs, mainly "I've Seen That Movie too," "Ballad of Danny Bailey" and "Candle in the Wind." Producer Gus Dudgeon fused the whole piece with "Love Lies Bleeding," which was originally a separate song, and Elton loved it. Elton then wrote the instrumental segue. He has opened many concerts with this song ever since.
Elton John - Piano, Vocals
Davey Johnstone - Electric Guitars, Backing Vocals
Dee Murray - Bass, Backing Vocals
Nigel Olsson - Drums, Backing Vocals
David Hentschel - A.R.P. Synthesizer
Words & Music by Elton John & Bernie Taupin
©1973 Dick James Music Limited
This upload is taken from the newly remastered box-set.
- published: 24 May 2014
- views: 32886
Mark Connors "Thinking About You" Outlaw Radio Live Mix
Recorded Nashville Tn. Produced by Mark Connors and Kevin Beamish. Kevin Beamish is an internationally successful and respected Producer, Engineer, and Mixer wi...
Recorded Nashville Tn. Produced by Mark Connors and Kevin Beamish. Kevin Beamish is an internationally successful and respected Producer, Engineer, and Mixer with credits on 100 million records sold worldwide. He has made hit music in many different genres including Rock, Pop, Country, R&B; and more. He's the person who produces the albums that you love to play so much. It's not an easy job. You have to deal with deadlines, egos and budget restraints, not an easy thing to do. But in the end you sometimes get a finished product that turns into a masterpiece that lives on forever.
Below are highlights from an interview by Keith McDonald:
I was classically trained as a child on clarinet and woodwind instruments, and took up the guitar at age twelve. Inspired by the Beatles and English Invasion bands of my youth, I played in several bands during high school in Modesto (CA), one of which, The Weathervane, was good enough to be signed to a small label in Los Angeles, where at age 16, my band recorded a single that was released regionally in central California. This was my first time in a recording studio and I was hooked for life.
During my high school years, living in Modesto, CA, I would go up to the San Francisco Bay area to check out the music scene that was flourishing there, including the Grateful Dead and Jefferson Airplane. It was in San Francisco that I got a musical education seeing live concerts by Jimi Hendrix (several times), Cream, Led Zeppelin, Santana, etc., and it galvanized my desire to someday work in the music business.
After high school I enrolled at the University of California Berkeley, where I studied Math and Music Theory and continued to play in bands.
After graduating college, I moved to Los Angeles and was hired at Crystal Recording Studio as a trainee. I would work 40 hours answering phones and cleaning toilets, but would actually spend every other waking hour learning studio engineering "by fire", bringing in friend's bands and recording them on weekends or off hours.
In the middle to late '70's, the majority of the work that we recorded at Crystal was R&B; music. I received a wonderful education in musical heart, soul and feel during these years, as it was a Motown factory going through there daily, with Diana Ross, Jackson 5, Temptations, Miracles and many more.
As a very young man, in 1975 I engineered and mixed the Miracles' "Love Machine (Part 1)" (my first Number One single) , which was a huge international hit and was Number 1 in just about every country that had a pop chart. On the strength of that hit, I commanded production credit on the Miracles' next two releases, "The Power of Music" (1976), and "Love Crazy" (1977). It was always a situation where I wasn't just a technical engineer - I was a creative, musical one.
In 1977, I left Crystal to try my luck as an independent engineer/producer. One of my first projects as an independent was Eric Carmen's "Boats Against The Current". For this record I hooked up with the English producer Gus Dudgeon, who had produced all the Elton John records, early David Bowie and much more. He became a good friend of mine and we worked together for a several years. (Unfortunately, Gus was killed a few years ago in a car crash in England).
The turning point in my young production career came in 1979, when I hooked up with the rock band REO Speedwagon, producing, engineering, and mixing four albums with them, including 1981's "Hi Infidelity" which has sold over 10 million records in the U.S. and more than 15 million worldwide, and spawned two Number 1 singles, "Keep On Loving You" and "Take It On The Run". With this success, I had now made the transition to producer/engineer.
In the eighties I produced notable albums such as Jefferson Starship's "Winds of Change" (1982), Saxon's "Crusader" (1984), and Y&T;'s "Contagious" and the Number One airplay single "Summertime Girls" (1987). I started doing heavier rock like Keel, Leatherwolf, D'Molls, and into the nineties with Contraband and Michael Schenker Group.
In 1994 my house in the Woodland Hills suburb of Los Angeles was destroyed by the huge Northridge earthquake, so I moved to Nashville, where I started mixing records for big-time country music stars. While still producing Rock music, I have mixed more than 45 Number One Country singles that have sold close to 50 million records with many of the biggest stars of country such as Kenny Chesney, Clint Black, Reba McEntire, Brooks and Dunn, etc.
I can honestly say that although I've been making records for decades, every day when I wake up I can't wait to get to the studio. It's the only job I've ever known, and I feel blessed that I've been able to spend my life and career doing what I love and loving what I do.
wn.com/Mark Connors Thinking About You Outlaw Radio Live Mix
Recorded Nashville Tn. Produced by Mark Connors and Kevin Beamish. Kevin Beamish is an internationally successful and respected Producer, Engineer, and Mixer with credits on 100 million records sold worldwide. He has made hit music in many different genres including Rock, Pop, Country, R&B; and more. He's the person who produces the albums that you love to play so much. It's not an easy job. You have to deal with deadlines, egos and budget restraints, not an easy thing to do. But in the end you sometimes get a finished product that turns into a masterpiece that lives on forever.
Below are highlights from an interview by Keith McDonald:
I was classically trained as a child on clarinet and woodwind instruments, and took up the guitar at age twelve. Inspired by the Beatles and English Invasion bands of my youth, I played in several bands during high school in Modesto (CA), one of which, The Weathervane, was good enough to be signed to a small label in Los Angeles, where at age 16, my band recorded a single that was released regionally in central California. This was my first time in a recording studio and I was hooked for life.
During my high school years, living in Modesto, CA, I would go up to the San Francisco Bay area to check out the music scene that was flourishing there, including the Grateful Dead and Jefferson Airplane. It was in San Francisco that I got a musical education seeing live concerts by Jimi Hendrix (several times), Cream, Led Zeppelin, Santana, etc., and it galvanized my desire to someday work in the music business.
After high school I enrolled at the University of California Berkeley, where I studied Math and Music Theory and continued to play in bands.
After graduating college, I moved to Los Angeles and was hired at Crystal Recording Studio as a trainee. I would work 40 hours answering phones and cleaning toilets, but would actually spend every other waking hour learning studio engineering "by fire", bringing in friend's bands and recording them on weekends or off hours.
In the middle to late '70's, the majority of the work that we recorded at Crystal was R&B; music. I received a wonderful education in musical heart, soul and feel during these years, as it was a Motown factory going through there daily, with Diana Ross, Jackson 5, Temptations, Miracles and many more.
As a very young man, in 1975 I engineered and mixed the Miracles' "Love Machine (Part 1)" (my first Number One single) , which was a huge international hit and was Number 1 in just about every country that had a pop chart. On the strength of that hit, I commanded production credit on the Miracles' next two releases, "The Power of Music" (1976), and "Love Crazy" (1977). It was always a situation where I wasn't just a technical engineer - I was a creative, musical one.
In 1977, I left Crystal to try my luck as an independent engineer/producer. One of my first projects as an independent was Eric Carmen's "Boats Against The Current". For this record I hooked up with the English producer Gus Dudgeon, who had produced all the Elton John records, early David Bowie and much more. He became a good friend of mine and we worked together for a several years. (Unfortunately, Gus was killed a few years ago in a car crash in England).
The turning point in my young production career came in 1979, when I hooked up with the rock band REO Speedwagon, producing, engineering, and mixing four albums with them, including 1981's "Hi Infidelity" which has sold over 10 million records in the U.S. and more than 15 million worldwide, and spawned two Number 1 singles, "Keep On Loving You" and "Take It On The Run". With this success, I had now made the transition to producer/engineer.
In the eighties I produced notable albums such as Jefferson Starship's "Winds of Change" (1982), Saxon's "Crusader" (1984), and Y&T;'s "Contagious" and the Number One airplay single "Summertime Girls" (1987). I started doing heavier rock like Keel, Leatherwolf, D'Molls, and into the nineties with Contraband and Michael Schenker Group.
In 1994 my house in the Woodland Hills suburb of Los Angeles was destroyed by the huge Northridge earthquake, so I moved to Nashville, where I started mixing records for big-time country music stars. While still producing Rock music, I have mixed more than 45 Number One Country singles that have sold close to 50 million records with many of the biggest stars of country such as Kenny Chesney, Clint Black, Reba McEntire, Brooks and Dunn, etc.
I can honestly say that although I've been making records for decades, every day when I wake up I can't wait to get to the studio. It's the only job I've ever known, and I feel blessed that I've been able to spend my life and career doing what I love and loving what I do.
- published: 07 Apr 2015
- views: 16
Elton John - Amoreena (1970) With Lyrics!
On the 1970 album "Tumbleweed Connection." The lyricist Bernie Taupin suggested that Ray Williams, the man who introduced Elton and Bernie, name his daughter Am...
On the 1970 album "Tumbleweed Connection." The lyricist Bernie Taupin suggested that Ray Williams, the man who introduced Elton and Bernie, name his daughter Amoreena. He did, and Taupin then wrote this song. The song was also used in the opening of the film "Dog Day Afternoon." On the album, it was the first recording of Elton backed by Dee Murray and Nigel Olsson, who were already touring with him as a live band. Caleb Quaye played guitar and Elton added organ.
Produced by Gus Dudgeon. Recorded at Trident Studios, London.
Words & Music by Elton John & Bernie Taupin
©1970 Dick James Music Limited
wn.com/Elton John Amoreena (1970) With Lyrics
On the 1970 album "Tumbleweed Connection." The lyricist Bernie Taupin suggested that Ray Williams, the man who introduced Elton and Bernie, name his daughter Amoreena. He did, and Taupin then wrote this song. The song was also used in the opening of the film "Dog Day Afternoon." On the album, it was the first recording of Elton backed by Dee Murray and Nigel Olsson, who were already touring with him as a live band. Caleb Quaye played guitar and Elton added organ.
Produced by Gus Dudgeon. Recorded at Trident Studios, London.
Words & Music by Elton John & Bernie Taupin
©1970 Dick James Music Limited
- published: 11 Feb 2014
- views: 2658
Elton John - Cry to Heaven (1985) With Lyrics!
From Elton John's 1985 album "Ice on Fire."
Recorded and Produced by Gus Dudgeon in England.
Words & Music by Elton John & Bernie Taupin
©1985 Big Pig Music L...
From Elton John's 1985 album "Ice on Fire."
Recorded and Produced by Gus Dudgeon in England.
Words & Music by Elton John & Bernie Taupin
©1985 Big Pig Music Limited
wn.com/Elton John Cry To Heaven (1985) With Lyrics
From Elton John's 1985 album "Ice on Fire."
Recorded and Produced by Gus Dudgeon in England.
Words & Music by Elton John & Bernie Taupin
©1985 Big Pig Music Limited
- published: 23 May 2015
- views: 9
Elton John & John Lennon - 1974 - Madison Square Garden - Full Album
Elton John & John Lennon - 1974 - Madison Square Garden - Full Album
01 - Funeral For A Friend ( 0:00 )
02 - Rocket Man ( 11:53 )
03 - Take Me To The Pilot ( 1...
Elton John & John Lennon - 1974 - Madison Square Garden - Full Album
01 - Funeral For A Friend ( 0:00 )
02 - Rocket Man ( 11:53 )
03 - Take Me To The Pilot ( 16:57 )
04 - Bennie And The Jets ( 22:57 )
05 - Grey Seal ( 28:57 )
06 - Daniel ( 34:25 )
07 - You're So Static ( 38:31 )
08 - Whatever Gets You Through The Night ( 43:03 )
09 - Lucy In The Sky ( 47:43 )
10 - I Saw Her Standing There ( 53:59 )
11 - Don't Let The Sun Go Down On Me ( 57:16 )
12 - Your Song ( 1:03:14 )
13 - The Bitch Is Back ( 1:07:12 )
Credits
Art Direction, Design [Cover] – Gerd Huss
Bass, Backing Vocals – Dee Murray
Drums, Backing Vocals – Nigel Olsson
Guitar, Backing Vocals – Davey Johnstone
Liner Notes – Paul Gambaccini
Percussion – Ray Cooper
Photography By – Chuck Pullin
Piano, Vocals – Elton John
Producer, Compiled By – Gus Dudgeon
Vocals, Rhythm Guitar – John Lennon (tracks: 08, 09, 10 )
Notes
Recorded 28. November, 1974 at Madison Square Garden, New York
wn.com/Elton John John Lennon 1974 Madison Square Garden Full Album
Elton John & John Lennon - 1974 - Madison Square Garden - Full Album
01 - Funeral For A Friend ( 0:00 )
02 - Rocket Man ( 11:53 )
03 - Take Me To The Pilot ( 16:57 )
04 - Bennie And The Jets ( 22:57 )
05 - Grey Seal ( 28:57 )
06 - Daniel ( 34:25 )
07 - You're So Static ( 38:31 )
08 - Whatever Gets You Through The Night ( 43:03 )
09 - Lucy In The Sky ( 47:43 )
10 - I Saw Her Standing There ( 53:59 )
11 - Don't Let The Sun Go Down On Me ( 57:16 )
12 - Your Song ( 1:03:14 )
13 - The Bitch Is Back ( 1:07:12 )
Credits
Art Direction, Design [Cover] – Gerd Huss
Bass, Backing Vocals – Dee Murray
Drums, Backing Vocals – Nigel Olsson
Guitar, Backing Vocals – Davey Johnstone
Liner Notes – Paul Gambaccini
Percussion – Ray Cooper
Photography By – Chuck Pullin
Piano, Vocals – Elton John
Producer, Compiled By – Gus Dudgeon
Vocals, Rhythm Guitar – John Lennon (tracks: 08, 09, 10 )
Notes
Recorded 28. November, 1974 at Madison Square Garden, New York
- published: 15 Aug 2015
- views: 38
-
Solution - 1977 Fully Interlocking
Fully Interlocking is the fourth album by the Dutch symphonic rock group Solution. It was released in 1977 by The Rocket Record Company. The line "Fully interlocking" appears on jigsaw puzzle boxes, as referenced on the album cover.
00:00 Give Some More 5:21
05:21 Carousel 7:16
12:37 Sonic Sea 7:17
19:54 Free Inside 6:17
26:11 French Melodie 4:34
30:45 Empty Faces 6:32
Tom Barlage: alto
-
SOLUTION -- Cordon Bleu -- 1975
SOLUTION -- Cordon Bleu -- 1975 ( Netherlands )
01. Chappaqua 00:00
02. Third Line Part 1 10:36
03. Third Line Part 2 12:14
04. A Song For You 17:59
05. Whirligig 21:55
06. Last Detail Part 1 30:58
07. Last Detail Part 2 33:47
08. Black Pearl Part 1 36:30
09. Black Pearl Part 2 37:44
Tom Barlage -- alto sax, soprano sax, flute, percussion, backing vocals
Willem Ennes -- electric pia
-
Tea & Symphony-1969 - An Asylum For The Musically Insane [Full Album]
I do not own the copyright to this recording so if it needs to be removed, I will remove it.
If you like this album please buy it for the full experience
01. Armchair Theatre -00:00
02. Feel How So Cool The Wind -03:57
03. Sometime -07:20
04. Maybe My Mind (With Egg) (Jeff Daw) -11:36
05. The Come On -15:24
06. Terror In My Soul (Jeff Daw, Nigel Phillips) -19:59
07. Travelling Shoes (Fred Neil)
-
Tea & Symphony-1969 - An Asylum For The Musically Insane [Full Hd]
01. Armchair Theatre -00:00
02. Feel How So Cool The Wind -03:57
03. Sometime -07:20
04. Maybe My Mind (With Egg) (Jeff Daw) -11:36
05. The Come On -15:24
06. Terror In My Soul (Jeff Daw, Nigel Phillips) -19:59
07. Travelling Shoes (Fred Neil) -26:11
08. Winter (James Langston) -30:42
09. Nothing Will Come To Nothing (Nigel Phillips) -34:02
Personnel:
- Jeff Daw - lead guitar, flute, triangle, vo
-
John Mayall and The Bluesbreakers with Eric Clapton
John Mayall & The Bluesbreakers with Eric Clapton
Álbum Original - Full Album
01. "All Your Love" (Willie Dixon/Otis Rush) -– 0:00
02. "Hideaway" (Freddie King/Sonny Thompson) –- 3:35
03. "Little Girl" (Mayall) –- 6:50
04. "Another Man" (Mayall) –- 9:24
05. "Double Crossing Time" (Clapton/Mayall) –- 11:09
06. "What'd I Say" (Ray Charles; interpolando com "Day Tripper" de John Lennon/Paul McCartn
-
Stuart Epps on LiveWire with LadySpitfire Episode 59 05182015
Stuart Epps' musical career began in 1967 as a 15-year old office junior at Dick James Music. He quickly moved up the industry ladder to become Chief Engineer at DJM Studios, then later toured the USA with Elton John as personal assistant.
Stuart was involved from the start when Elton's producer, the late Gus Dudgeon, built The Mill Studios on the banks of the Thames, near Maidenhead. It was not
-
Elton John - Classic Album: Goodbye Yellow Brick Road
Goodbye Yellow Brick Road gave Elton John his second number one album in both the American and British charts and provided him with four top ten singles. Interviews with Elton John himself, as well as with songwriting partner Bernie Taupin, there are contributions from musicians Davey Johnstone and Nigel Olsson, Gus Dudgeon (producer), David Hentschel (engineer), Del Newman (orchestral arranger) a
-
Jimmy Page
James Patrick "Jimmy" Page, OBE is an English musician, songwriter and record producer who achieved international success as the guitarist and leader of the rock band Led Zeppelin.
This video targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
-
Gilbert O'Sullivan - Interview
Neil McCormick's Needle Time
-
Arturo San Agustín, autor de 'Cuando se jodió lo nuestro'. 30-5-2014
El periodista Arturo San Agustín ha publicado 'Cuando se jodió lo nuestro. Cataluña-España: crónica de un portazo' (Península), que analiza cómo se ha llegad...
-
Robin Sloan, "Mr. Penumbra's 24-Hour Bookstore" | Authors at Google
A gleeful and exhilarating tale of global conspiracy, complex code-breaking, high-tech data visualization, young love, rollicking adventure, and the secret t...
Solution - 1977 Fully Interlocking
Fully Interlocking is the fourth album by the Dutch symphonic rock group Solution. It was released in 1977 by The Rocket Record Company. The line "Fully interlo...
Fully Interlocking is the fourth album by the Dutch symphonic rock group Solution. It was released in 1977 by The Rocket Record Company. The line "Fully interlocking" appears on jigsaw puzzle boxes, as referenced on the album cover.
00:00 Give Some More 5:21
05:21 Carousel 7:16
12:37 Sonic Sea 7:17
19:54 Free Inside 6:17
26:11 French Melodie 4:34
30:45 Empty Faces 6:32
Tom Barlage: alto sax, soprano sax, flutes, string-ensemble, organ, percussion, electric piano
Willem Ennes: electric piano, acoustic piano, organ, synthesizer, string-ensemble
Guus Willemse: bass guitar, lead vocals
Hans Waterman: drums
All backing vocals by Tom, Willem and Guus.
Ray Cooper - congas and percussion on "Give Some More" and "Free Inside"
Stuart Epps - additional backing vocal on "Empty Faces"
Producer: Gus Dudgeon.
wn.com/Solution 1977 Fully Interlocking
Fully Interlocking is the fourth album by the Dutch symphonic rock group Solution. It was released in 1977 by The Rocket Record Company. The line "Fully interlocking" appears on jigsaw puzzle boxes, as referenced on the album cover.
00:00 Give Some More 5:21
05:21 Carousel 7:16
12:37 Sonic Sea 7:17
19:54 Free Inside 6:17
26:11 French Melodie 4:34
30:45 Empty Faces 6:32
Tom Barlage: alto sax, soprano sax, flutes, string-ensemble, organ, percussion, electric piano
Willem Ennes: electric piano, acoustic piano, organ, synthesizer, string-ensemble
Guus Willemse: bass guitar, lead vocals
Hans Waterman: drums
All backing vocals by Tom, Willem and Guus.
Ray Cooper - congas and percussion on "Give Some More" and "Free Inside"
Stuart Epps - additional backing vocal on "Empty Faces"
Producer: Gus Dudgeon.
- published: 23 Feb 2015
- views: 60
SOLUTION -- Cordon Bleu -- 1975
SOLUTION -- Cordon Bleu -- 1975 ( Netherlands )
01. Chappaqua 00:00
02. Third Line Part 1 10:36
03. Third Line Part 2 12:14
04. A Song For You 17:59
05...
SOLUTION -- Cordon Bleu -- 1975 ( Netherlands )
01. Chappaqua 00:00
02. Third Line Part 1 10:36
03. Third Line Part 2 12:14
04. A Song For You 17:59
05. Whirligig 21:55
06. Last Detail Part 1 30:58
07. Last Detail Part 2 33:47
08. Black Pearl Part 1 36:30
09. Black Pearl Part 2 37:44
Tom Barlage -- alto sax, soprano sax, flute, percussion, backing vocals
Willem Ennes -- electric piano, acoustic piano, organ, Elka Rhapsody
Guus Willemse -- bass, electric guitar, lead & backing vocals
Hans Waterman -- drums
Michiel Pos - tenor saxophone (02,03,05), acoustic guitar (06,07)
Frankie Fish - backing vocals
Gus Dudgeon - producer
wn.com/Solution Cordon Bleu 1975
SOLUTION -- Cordon Bleu -- 1975 ( Netherlands )
01. Chappaqua 00:00
02. Third Line Part 1 10:36
03. Third Line Part 2 12:14
04. A Song For You 17:59
05. Whirligig 21:55
06. Last Detail Part 1 30:58
07. Last Detail Part 2 33:47
08. Black Pearl Part 1 36:30
09. Black Pearl Part 2 37:44
Tom Barlage -- alto sax, soprano sax, flute, percussion, backing vocals
Willem Ennes -- electric piano, acoustic piano, organ, Elka Rhapsody
Guus Willemse -- bass, electric guitar, lead & backing vocals
Hans Waterman -- drums
Michiel Pos - tenor saxophone (02,03,05), acoustic guitar (06,07)
Frankie Fish - backing vocals
Gus Dudgeon - producer
- published: 12 Dec 2012
- views: 27094
Tea & Symphony-1969 - An Asylum For The Musically Insane [Full Album]
I do not own the copyright to this recording so if it needs to be removed, I will remove it.
If you like this album please buy it for the full experience
01....
I do not own the copyright to this recording so if it needs to be removed, I will remove it.
If you like this album please buy it for the full experience
01. Armchair Theatre -00:00
02. Feel How So Cool The Wind -03:57
03. Sometime -07:20
04. Maybe My Mind (With Egg) (Jeff Daw) -11:36
05. The Come On -15:24
06. Terror In My Soul (Jeff Daw, Nigel Phillips) -19:59
07. Travelling Shoes (Fred Neil) -26:11
08. Winter (James Langston) -30:42
09. Nothing Will Come To Nothing (Nigel Phillips) -34:02
Personnel:
- Jeff Daw - lead guitar, flute, triangle, vocals
- James Langston - lead vocals, rhythm guitar, kazoo, bells, cymbal
- Nigel Phillips - drums, recorder, mandolin, organ, piano, vocals
+
- Mick Hincks - bass (05)
- Bob Lamb - drums (05)
- Clem Clempson - lead guitar (05)
- Ron Chesterman - bass (07)
- Gus Dudgeon - percussion, producer
All tracks written by Jeff Daw except where noted.
wn.com/Tea Symphony 1969 An Asylum For The Musically Insane Full Album
I do not own the copyright to this recording so if it needs to be removed, I will remove it.
If you like this album please buy it for the full experience
01. Armchair Theatre -00:00
02. Feel How So Cool The Wind -03:57
03. Sometime -07:20
04. Maybe My Mind (With Egg) (Jeff Daw) -11:36
05. The Come On -15:24
06. Terror In My Soul (Jeff Daw, Nigel Phillips) -19:59
07. Travelling Shoes (Fred Neil) -26:11
08. Winter (James Langston) -30:42
09. Nothing Will Come To Nothing (Nigel Phillips) -34:02
Personnel:
- Jeff Daw - lead guitar, flute, triangle, vocals
- James Langston - lead vocals, rhythm guitar, kazoo, bells, cymbal
- Nigel Phillips - drums, recorder, mandolin, organ, piano, vocals
+
- Mick Hincks - bass (05)
- Bob Lamb - drums (05)
- Clem Clempson - lead guitar (05)
- Ron Chesterman - bass (07)
- Gus Dudgeon - percussion, producer
All tracks written by Jeff Daw except where noted.
- published: 10 Mar 2013
- views: 37936
Tea & Symphony-1969 - An Asylum For The Musically Insane [Full Hd]
01. Armchair Theatre -00:00
02. Feel How So Cool The Wind -03:57
03. Sometime -07:20
04. Maybe My Mind (With Egg) (Jeff Daw) -11:36
05. The Come On -15:24
06. T...
01. Armchair Theatre -00:00
02. Feel How So Cool The Wind -03:57
03. Sometime -07:20
04. Maybe My Mind (With Egg) (Jeff Daw) -11:36
05. The Come On -15:24
06. Terror In My Soul (Jeff Daw, Nigel Phillips) -19:59
07. Travelling Shoes (Fred Neil) -26:11
08. Winter (James Langston) -30:42
09. Nothing Will Come To Nothing (Nigel Phillips) -34:02
Personnel:
- Jeff Daw - lead guitar, flute, triangle, vocals
- James Langston - lead vocals, rhythm guitar, kazoo, bells, cymbal
- Nigel Phillips - drums, recorder, mandolin, organ, piano, vocals
+
- Mick Hincks - bass (05)
- Bob Lamb - drums (05)
- Clem Clempson - lead guitar (05)
- Ron Chesterman - bass (07)
- Gus Dudgeon - percussion, producer
All tracks written by Jeff Daw except where noted.
wn.com/Tea Symphony 1969 An Asylum For The Musically Insane Full Hd
01. Armchair Theatre -00:00
02. Feel How So Cool The Wind -03:57
03. Sometime -07:20
04. Maybe My Mind (With Egg) (Jeff Daw) -11:36
05. The Come On -15:24
06. Terror In My Soul (Jeff Daw, Nigel Phillips) -19:59
07. Travelling Shoes (Fred Neil) -26:11
08. Winter (James Langston) -30:42
09. Nothing Will Come To Nothing (Nigel Phillips) -34:02
Personnel:
- Jeff Daw - lead guitar, flute, triangle, vocals
- James Langston - lead vocals, rhythm guitar, kazoo, bells, cymbal
- Nigel Phillips - drums, recorder, mandolin, organ, piano, vocals
+
- Mick Hincks - bass (05)
- Bob Lamb - drums (05)
- Clem Clempson - lead guitar (05)
- Ron Chesterman - bass (07)
- Gus Dudgeon - percussion, producer
All tracks written by Jeff Daw except where noted.
- published: 31 Jan 2014
- views: 866
John Mayall and The Bluesbreakers with Eric Clapton
John Mayall & The Bluesbreakers with Eric Clapton
Álbum Original - Full Album
01. "All Your Love" (Willie Dixon/Otis Rush) -– 0:00
02. "Hideaway" (Freddie Kin...
John Mayall & The Bluesbreakers with Eric Clapton
Álbum Original - Full Album
01. "All Your Love" (Willie Dixon/Otis Rush) -– 0:00
02. "Hideaway" (Freddie King/Sonny Thompson) –- 3:35
03. "Little Girl" (Mayall) –- 6:50
04. "Another Man" (Mayall) –- 9:24
05. "Double Crossing Time" (Clapton/Mayall) –- 11:09
06. "What'd I Say" (Ray Charles; interpolando com "Day Tripper" de John Lennon/Paul McCartney) -– 14:10
07. "Key to Love" (Mayall) –- 18:37
08. "Parchman Farm" (Mose Allison) –- 20:43
09. "Have You Heard" (Mayall) –- 23:05
10. "Ramblin' on My Mind" (Robert Johnson/Tradicional) –- 28:59
11. "Steppin' Out" (James Bracken) –- 32:05
12. "It Ain't Right" (Walter Jacobs) –- 34:33
Músicos
- John Mayall – vocal principal, piano, órgão hammond B3, harmônica;
- Eric Clapton – guitarra, vocal principal em "Ramblin' on My Mind";
- John McVie – baixo;
- Hughie Flint – bateria.
Músicos adicionais
- Jack Bruce – baixo (faixas do lançamento de 2006, não apresentadas no álbum original);
- Alan Skidmore – saxofone tenor;
- John Almond – saxofone barítono;
- Dennis Healey – trompete.
Produção
- Gus Dudgeon – engenheiro de gravação;
- Mike Vernon – produtor.
wn.com/John Mayall And The Bluesbreakers With Eric Clapton
John Mayall & The Bluesbreakers with Eric Clapton
Álbum Original - Full Album
01. "All Your Love" (Willie Dixon/Otis Rush) -– 0:00
02. "Hideaway" (Freddie King/Sonny Thompson) –- 3:35
03. "Little Girl" (Mayall) –- 6:50
04. "Another Man" (Mayall) –- 9:24
05. "Double Crossing Time" (Clapton/Mayall) –- 11:09
06. "What'd I Say" (Ray Charles; interpolando com "Day Tripper" de John Lennon/Paul McCartney) -– 14:10
07. "Key to Love" (Mayall) –- 18:37
08. "Parchman Farm" (Mose Allison) –- 20:43
09. "Have You Heard" (Mayall) –- 23:05
10. "Ramblin' on My Mind" (Robert Johnson/Tradicional) –- 28:59
11. "Steppin' Out" (James Bracken) –- 32:05
12. "It Ain't Right" (Walter Jacobs) –- 34:33
Músicos
- John Mayall – vocal principal, piano, órgão hammond B3, harmônica;
- Eric Clapton – guitarra, vocal principal em "Ramblin' on My Mind";
- John McVie – baixo;
- Hughie Flint – bateria.
Músicos adicionais
- Jack Bruce – baixo (faixas do lançamento de 2006, não apresentadas no álbum original);
- Alan Skidmore – saxofone tenor;
- John Almond – saxofone barítono;
- Dennis Healey – trompete.
Produção
- Gus Dudgeon – engenheiro de gravação;
- Mike Vernon – produtor.
- published: 07 Nov 2014
- views: 311
Stuart Epps on LiveWire with LadySpitfire Episode 59 05182015
Stuart Epps' musical career began in 1967 as a 15-year old office junior at Dick James Music. He quickly moved up the industry ladder to become Chief Engineer a...
Stuart Epps' musical career began in 1967 as a 15-year old office junior at Dick James Music. He quickly moved up the industry ladder to become Chief Engineer at DJM Studios, then later toured the USA with Elton John as personal assistant.
Stuart was involved from the start when Elton's producer, the late Gus Dudgeon, built The Mill Studios on the banks of the Thames, near Maidenhead. It was not long before Dudgeon asked Epps to become Chief Engineer, Studio Manager and Producer.
In recent years he has continued to work with big name artists to great acclaim, as well as helping a host of promising new and up-and-coming artists to sound their best, both on demo recordings and in full studio productions.
With decades of experienced garnered from working with the very best musicians at the top of the industry, coupled with a real love for music, Stuart has an intuitive knack for knowing just what will make each track sound most authentic, a deep understanding of musicians and their needs and a clearheaded, dedicated approach to getting the job done. The Flower Power era – and a 15-year-old music fanatic living right in the midst of it. Just out of school, Stuart Epps landed a job which was to influence the rest of his life. He took his first step into the music business as an errand boy for Dick James, the man who discovered the Beatles. Stuart says about the beginnings of his career: “Even though I was only the errand boy, I had stepped into an exciting world”. With a lot of ambition he worked his way up through being a disc cutter / tape copier and assistant engineer to the position of producer in only two years. During that time he became friends with the still relatively unknown Elton John and his manager Steve Brown and decided to become part of his career. At 18 years of age, he accompanied Elton John as his personal assistant on his US tour and experienced Elton’s sky rocketing career at first hand. Stuart was also A&R; Manager for Rocket Records where he also co-managed Kiki Dee. In 1974, producer Gus Dudgeon asked him if he would like to work in his studio – the now legendary Mill Studios – which he was just in the process of building. “Construction took two years and resulted in the most noble, and most modern studio of its time”, says Stuart. There he rediscovered his true passion for recording and producing. “To experience an album or a song taking shape from the demo version to the final master is a great feeling”, Stuart said. He worked on many projects with artists including Elton John and Chris Rea. Later, Jimmy Page bought the studio in the early 80’s and Stuart became the Studio Manager and began to work with Heavy Rock artists like Led Zeppelin.
After gathering enough experience, he took over Alvin Lee’s private studio “Wheeler End” in 1994 and turned it into a residential commercial studio. Among his customers were John Leckie (Beatles, Stone Roses, Muse) and Craig Leon (The Ramones, Blondie). He also worked on his projects with Oasis, Robbie Williams , Mark Owen and Paul Weller. Up to this day, Stuart is actively involved in the music business and also instructs students at the SAE in Oxford He says: ”I have always felt privileged to have a career that I am passionate about”.
http://www.stuartepps.co.uk/
http://www.eppsmusicproductions.com/index.html
wn.com/Stuart Epps On Livewire With Ladyspitfire Episode 59 05182015
Stuart Epps' musical career began in 1967 as a 15-year old office junior at Dick James Music. He quickly moved up the industry ladder to become Chief Engineer at DJM Studios, then later toured the USA with Elton John as personal assistant.
Stuart was involved from the start when Elton's producer, the late Gus Dudgeon, built The Mill Studios on the banks of the Thames, near Maidenhead. It was not long before Dudgeon asked Epps to become Chief Engineer, Studio Manager and Producer.
In recent years he has continued to work with big name artists to great acclaim, as well as helping a host of promising new and up-and-coming artists to sound their best, both on demo recordings and in full studio productions.
With decades of experienced garnered from working with the very best musicians at the top of the industry, coupled with a real love for music, Stuart has an intuitive knack for knowing just what will make each track sound most authentic, a deep understanding of musicians and their needs and a clearheaded, dedicated approach to getting the job done. The Flower Power era – and a 15-year-old music fanatic living right in the midst of it. Just out of school, Stuart Epps landed a job which was to influence the rest of his life. He took his first step into the music business as an errand boy for Dick James, the man who discovered the Beatles. Stuart says about the beginnings of his career: “Even though I was only the errand boy, I had stepped into an exciting world”. With a lot of ambition he worked his way up through being a disc cutter / tape copier and assistant engineer to the position of producer in only two years. During that time he became friends with the still relatively unknown Elton John and his manager Steve Brown and decided to become part of his career. At 18 years of age, he accompanied Elton John as his personal assistant on his US tour and experienced Elton’s sky rocketing career at first hand. Stuart was also A&R; Manager for Rocket Records where he also co-managed Kiki Dee. In 1974, producer Gus Dudgeon asked him if he would like to work in his studio – the now legendary Mill Studios – which he was just in the process of building. “Construction took two years and resulted in the most noble, and most modern studio of its time”, says Stuart. There he rediscovered his true passion for recording and producing. “To experience an album or a song taking shape from the demo version to the final master is a great feeling”, Stuart said. He worked on many projects with artists including Elton John and Chris Rea. Later, Jimmy Page bought the studio in the early 80’s and Stuart became the Studio Manager and began to work with Heavy Rock artists like Led Zeppelin.
After gathering enough experience, he took over Alvin Lee’s private studio “Wheeler End” in 1994 and turned it into a residential commercial studio. Among his customers were John Leckie (Beatles, Stone Roses, Muse) and Craig Leon (The Ramones, Blondie). He also worked on his projects with Oasis, Robbie Williams , Mark Owen and Paul Weller. Up to this day, Stuart is actively involved in the music business and also instructs students at the SAE in Oxford He says: ”I have always felt privileged to have a career that I am passionate about”.
http://www.stuartepps.co.uk/
http://www.eppsmusicproductions.com/index.html
- published: 18 May 2015
- views: 1
Elton John - Classic Album: Goodbye Yellow Brick Road
Goodbye Yellow Brick Road gave Elton John his second number one album in both the American and British charts and provided him with four top ten singles. Interv...
Goodbye Yellow Brick Road gave Elton John his second number one album in both the American and British charts and provided him with four top ten singles. Interviews with Elton John himself, as well as with songwriting partner Bernie Taupin, there are contributions from musicians Davey Johnstone and Nigel Olsson, Gus Dudgeon (producer), David Hentschel (engineer), Del Newman (orchestral arranger) along with comments from Sir Tim Rice and Paul Gambaccini amongst others.
Track List:
1. Funeral For A Friend 00:29
2. Goodbye Yellow Brick Road 05:01
3. Your Song 10:05
4. Rocket Man 12:44
5. Jamaica Jerk-Off 15:38
6. The Ballad of Danny Bailey 17:39
7. Saturday Night's Alright for Fighting 24:31
8. Bennie and the Jets 29:19
9. Sweet Painted Lady 33:14
10. Roy Rodgers 35:31
11. Candle in the Wind 38:50
12. Harmony 45:50
wn.com/Elton John Classic Album Goodbye Yellow Brick Road
Goodbye Yellow Brick Road gave Elton John his second number one album in both the American and British charts and provided him with four top ten singles. Interviews with Elton John himself, as well as with songwriting partner Bernie Taupin, there are contributions from musicians Davey Johnstone and Nigel Olsson, Gus Dudgeon (producer), David Hentschel (engineer), Del Newman (orchestral arranger) along with comments from Sir Tim Rice and Paul Gambaccini amongst others.
Track List:
1. Funeral For A Friend 00:29
2. Goodbye Yellow Brick Road 05:01
3. Your Song 10:05
4. Rocket Man 12:44
5. Jamaica Jerk-Off 15:38
6. The Ballad of Danny Bailey 17:39
7. Saturday Night's Alright for Fighting 24:31
8. Bennie and the Jets 29:19
9. Sweet Painted Lady 33:14
10. Roy Rodgers 35:31
11. Candle in the Wind 38:50
12. Harmony 45:50
- published: 06 May 2013
- views: 0
Jimmy Page
James Patrick "Jimmy" Page, OBE is an English musician, songwriter and record producer who achieved international success as the guitarist and leader of the ro...
James Patrick "Jimmy" Page, OBE is an English musician, songwriter and record producer who achieved international success as the guitarist and leader of the rock band Led Zeppelin.
This video targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
wn.com/Jimmy Page
James Patrick "Jimmy" Page, OBE is an English musician, songwriter and record producer who achieved international success as the guitarist and leader of the rock band Led Zeppelin.
This video targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
- published: 03 May 2014
- views: 364
Gilbert O'Sullivan - Interview
Neil McCormick's Needle Time...
Neil McCormick's Needle Time
wn.com/Gilbert O'Sullivan Interview
Neil McCormick's Needle Time
- published: 29 Sep 2015
- views: 15
Arturo San Agustín, autor de 'Cuando se jodió lo nuestro'. 30-5-2014
El periodista Arturo San Agustín ha publicado 'Cuando se jodió lo nuestro. Cataluña-España: crónica de un portazo' (Península), que analiza cómo se ha llegad......
El periodista Arturo San Agustín ha publicado 'Cuando se jodió lo nuestro. Cataluña-España: crónica de un portazo' (Península), que analiza cómo se ha llegad...
wn.com/Arturo San AgustíN, Autor De 'Cuando Se Jodió Lo Nuestro'. 30 5 2014
El periodista Arturo San Agustín ha publicado 'Cuando se jodió lo nuestro. Cataluña-España: crónica de un portazo' (Península), que analiza cómo se ha llegad...
Robin Sloan, "Mr. Penumbra's 24-Hour Bookstore" | Authors at Google
A gleeful and exhilarating tale of global conspiracy, complex code-breaking, high-tech data visualization, young love, rollicking adventure, and the secret t......
A gleeful and exhilarating tale of global conspiracy, complex code-breaking, high-tech data visualization, young love, rollicking adventure, and the secret t...
wn.com/Robin Sloan, Mr. Penumbra's 24 Hour Bookstore | Authors At Google
A gleeful and exhilarating tale of global conspiracy, complex code-breaking, high-tech data visualization, young love, rollicking adventure, and the secret t...
-
Elton John Interview 17th October 1986 - Leather Jackets - Radio 1 - Andy Peebles
A snippet from The Leather Jackets Interview with Andy Peebles - Radio 1 October 17th 1986 - Elton in this segment talks about the Gus Dudgeon remix of some of his greatest hits on " The Superior Sound of Elton John " CD. Elton wonders off into one of his comical voices.
I am currently going through all my radio recordings of the 70's and 80's that I made of Elton.
I will be making this full one
-
Davey Johnstone -Bay Area Backstage- Guitar Legends Series
David William Logan "Davey" Johnstone (born 6 May 1951, Edinburgh, Scotland), is a Scottish rock guitarist and vocalist, best known for his work with Elton John.
Johnstone's first work was with Noel Murphy in 1968, where he received his first album credit on the album Another Round. By 1969, Johnstone had secured regular work as a session musician, where he began to branch out and explore differin
-
Chris Rea - Fool (If You Think It's Over), Documentary
This is a part clip from the masterpiece DVD, "Dancing Down The Stony Road" , made mainly at Miraval Studios in Provence, France.
This DVD includes a superb 75-minutes documentary about recording "Stony Road" album, one short 23 min live/interview featurette from Cologne and a collection of Chris Rea paintings.
Rea's understanding of how the blues evolved from the Delta up to Chicago is a revel
-
Elton John - Rocket Man
"Rocket Man" is a song composed by Elton John and Bernie Taupin and originally performed by John. The song echoes the theme of David Bowie's 1969 song "Space Oddity" (both recordings were produced by Gus Dudgeon), but according to an account in Elizabeth Rosenthal's book His Song: The Musical Journey of Elton John, the song was inspired by Taupin's sighting of either a shooting star or a distant a
-
Chris Rea - Whatever Happened To Benny Santini? (OGWT First TV appearance)
From the album "Whatever Happened To Benny Santini", 1978.
Chris Rea live at OGWT (The Old Grey Whistle Test) 16-5-1978, doing Benny Santini first TV appearance.
Whatever Happened to Benny Santini? is the debut album by Chris Rea, released in 1978.
The first single lifted from the album, "Fool (If You Think It's Over)", is arguably Rea's best known song, and remains his biggest hit in the United
-
Tonight ┈━═☆
Shooting Star ✫ 1979
hai, Here's the original music video for Shooting Star's fantastic song Tonight. From their '79 debut album 'Shooting Star'. The way rock was meant to be : )
This entire album is an great compilation of beautifully crafted songs played with excellent musicianship. The arrangement of intricate guitar riffs, coupled with melodic voice lines makes this album a classic, and a mu
-
XTC - That Wave (in the studio)
Doesn't get any better than this, me thinks. This is Gus Dudgeon (RIP) footage.
-
The Golden ( Andy Partridge) -Then She Appeared- Fuzzy Warbles Volume Two
Demo version. Performed by The Golden.
Released on 2 December 2002 on Fuzzy Warbles Volume Two in the U.K.
“. . . another one which I claimed was by a group called The Golden, and that was called ‘Then She Appeared’. . . . I've since played ‘Then She Appeared’ to Gus Dudgeon, because he's a Dukes fan, and he said, ‘God, you should do that seriously!’ So I'm now at the dilemma where, do I rewrite
-
Interview With Record Producer Youth - Extended Version
Extended version of interview with record producer Youth (The Orb, Killing Joke, The Verve, Paul McCartney) who owns El Mirador residential recording studio ...
-
Sir Elton John
The Gus Dudgeon Studio was officially opened on Friday 13th November 2009 by Gus's close friend and recording artist Joan Armatrading. Sir Elton John gave a heartfelt speech; Muff Winwood donated a beautifully framed picture of Gus from his personal collection.
-
Elton John - "Bennie and the Jets" (Piano Cover)
My brief cover of Bennie and the Jets on piano.
Via Wikipedia:
"Bennie and the Jets" is a song composed by Elton John and Bernie Taupin. The song is written in the key of G major and first appeared on the Goodbye Yellow Brick Road album in 1973. "Bennie and the Jets" has been one of John's most popular songs and was performed during John's appearance at Live Aid. The track is spelled Bennie on t
-
GILBERT O`SULLIVAN - A PROFILE - ( A ` MUST SEE ` for Gilbert fans ! )
A great introduction to Gilbert for newer fans - or a nostalgic look back for older fans. Taken from a TV show called " Kings of 70`s Romance " . Enjoy !! Fa...
Elton John Interview 17th October 1986 - Leather Jackets - Radio 1 - Andy Peebles
A snippet from The Leather Jackets Interview with Andy Peebles - Radio 1 October 17th 1986 - Elton in this segment talks about the Gus Dudgeon remix of some of ...
A snippet from The Leather Jackets Interview with Andy Peebles - Radio 1 October 17th 1986 - Elton in this segment talks about the Gus Dudgeon remix of some of his greatest hits on " The Superior Sound of Elton John " CD. Elton wonders off into one of his comical voices.
I am currently going through all my radio recordings of the 70's and 80's that I made of Elton.
I will be making this full one hour intrview available at some time in the future when time permits.
Keep up to date with other YouTube videos's I will be uploading join my facebook group https://www.facebook.com/groups/eltonjohnonline/
wn.com/Elton John Interview 17Th October 1986 Leather Jackets Radio 1 Andy Peebles
A snippet from The Leather Jackets Interview with Andy Peebles - Radio 1 October 17th 1986 - Elton in this segment talks about the Gus Dudgeon remix of some of his greatest hits on " The Superior Sound of Elton John " CD. Elton wonders off into one of his comical voices.
I am currently going through all my radio recordings of the 70's and 80's that I made of Elton.
I will be making this full one hour intrview available at some time in the future when time permits.
Keep up to date with other YouTube videos's I will be uploading join my facebook group https://www.facebook.com/groups/eltonjohnonline/
- published: 25 Oct 2013
- views: 228
Davey Johnstone -Bay Area Backstage- Guitar Legends Series
David William Logan "Davey" Johnstone (born 6 May 1951, Edinburgh, Scotland), is a Scottish rock guitarist and vocalist, best known for his work with Elton John...
David William Logan "Davey" Johnstone (born 6 May 1951, Edinburgh, Scotland), is a Scottish rock guitarist and vocalist, best known for his work with Elton John.
Johnstone's first work was with Noel Murphy in 1968, where he received his first album credit on the album Another Round. By 1969, Johnstone had secured regular work as a session musician, where he began to branch out and explore differing genres of music, and experiment with a variety of instruments. In 1970, when Lyell Tranter, one of the two guitarists in the acoustic British folk group Magna Carta, left the band, Johnstone took his place as a member. He recorded several albums with them beginning in 1970 on Seasons, (1970) and continued to contribute to Songs from Wasties Orchard (1971), (named after the street where he lived in Long Hanborough, Oxfordshire), and a live album entitled In Concert.
During his stint with Magna Carta, Johnstone played a wide variety of instruments including guitar, mandolin, sitar, and dulcimer. It was during his work with Magna Carta that he caught the attention of producer Gus Dudgeon who asked Johnstone to play on Bernie Taupin's eponymous 1970 solo album, which resulted in a meeting with Elton John and Johnstone playing on his 1971 album Madman Across the Water. After playing on Madman Across the Water, he was invited to join Elton John's band as a full member.
wn.com/Davey Johnstone Bay Area Backstage Guitar Legends Series
David William Logan "Davey" Johnstone (born 6 May 1951, Edinburgh, Scotland), is a Scottish rock guitarist and vocalist, best known for his work with Elton John.
Johnstone's first work was with Noel Murphy in 1968, where he received his first album credit on the album Another Round. By 1969, Johnstone had secured regular work as a session musician, where he began to branch out and explore differing genres of music, and experiment with a variety of instruments. In 1970, when Lyell Tranter, one of the two guitarists in the acoustic British folk group Magna Carta, left the band, Johnstone took his place as a member. He recorded several albums with them beginning in 1970 on Seasons, (1970) and continued to contribute to Songs from Wasties Orchard (1971), (named after the street where he lived in Long Hanborough, Oxfordshire), and a live album entitled In Concert.
During his stint with Magna Carta, Johnstone played a wide variety of instruments including guitar, mandolin, sitar, and dulcimer. It was during his work with Magna Carta that he caught the attention of producer Gus Dudgeon who asked Johnstone to play on Bernie Taupin's eponymous 1970 solo album, which resulted in a meeting with Elton John and Johnstone playing on his 1971 album Madman Across the Water. After playing on Madman Across the Water, he was invited to join Elton John's band as a full member.
- published: 13 Nov 2014
- views: 917
Chris Rea - Fool (If You Think It's Over), Documentary
This is a part clip from the masterpiece DVD, "Dancing Down The Stony Road" , made mainly at Miraval Studios in Provence, France.
This DVD includes a superb 7...
This is a part clip from the masterpiece DVD, "Dancing Down The Stony Road" , made mainly at Miraval Studios in Provence, France.
This DVD includes a superb 75-minutes documentary about recording "Stony Road" album, one short 23 min live/interview featurette from Cologne and a collection of Chris Rea paintings.
Rea's understanding of how the blues evolved from the Delta up to Chicago is a revelation.
Millions of people can sing "Fool (If You Think It's Over)" but only one man knows how it is supposed to sung...
Chris Rea: "I've loved Studio MIRAVAL for quite a while because it has a completely different atmosphere from all those high-tech studios. For example, for years they've been collecting fantastic microphones that you can't buy anywhere else any more. As a consequence, they're hardly available in other studios. And then, the heat and the landscape there, well, you know - it's almost like being way down South...
In April 1978 he released his single "Fool (If You Think It's Over)" which charted both in the UK and the USA.
The original version of his first global success "Fool (If You Think It's Over)" was conceived as a blues track....
Whatever Happened to Benny Santini? was Rea's debut album.
It was released in June 1978 and produced by Elton John's music producer Gus Dudgeon.
Rea was reportedly dissatisfied with the final mix of the album; he later went some way to supposedly rectify this to his satisfaction, starting with 1988's greatest hits compilation New Light Through Old Windows, which featured a re-recorded version of "Fool..." and several other of his back-catalogue tracks.
The title of the album was a reference to "Benjamin Santini", the stage name that Rea's record label suggested he should adopt.
The first single taken from the album, "Fool (If You Think It's Over)", was Rea's biggest hit in the US, peaking at 12 on the Billboard Hot 100 and reaching 1 on the Adult Contemporary Singles chart.
Chris wrote "Fool (If You Think It's Over)" about his little sister who just had her first big blowout.
"Fool (If You Think It's Over)" was nominated for a Song of the Year Grammy, losing out to Billy Joel's "Just the Way You Are".
Like most of Rea's early singles, "Fool (If You Think It's Over)" failed to appear on the UK Singles Chart on its first release and only reached 30 when re-released in late 1978 to capitalise on its US achievement.
The singer Elkie Brooks enjoyed greater success with the song in 1982 when she charted her cover version at 17.
It was also the first record played by Radio Caroline after a long period off the air. Another cover of "Fool (If You Think It's Over)" by Kenny Craddock was used as the theme tune for BBC sitcom Joking Apart.
Personnel:
Chris Rea - vocals, guitars, producer, paintings
Robert Ahwai - guitar
Sylvin Marc - bass
Ed Hession - accordion
Gerry O'Connor - banjo
Martin Ditcham - drums
Stewart Eales - engineer
John Kelly - mastering
Peacock - design
Olaf Heine - photography
Lyrics:
A dying flame, you're free again
Who could love and do that to you
All dressed in black, he won't be coming back
Save your tears, you've got years and years
The pains of seventeen's
Unreal they're only dreams
Save your crying for the day
Fool if you think it's over
'Cos you said goodbye
Fool if you think it's over
I'll tell you why
New born eyes always cry with pain
At the first look at the morning sun
You're a fool if you think it's over
It's just begun
Miss teenage dream, such a tragic scene
he knocked your crown and ran away
First wound of pride and how you cried and cried
But save your tears you've got years and years
Fool if you think it's over
'Cos you said goodbye
Fool if you think it's over
I'll tell you why
New born eyes always cry with pain
At the first look at the morning sun
You're a fool if you think it's over
It's just begun
I'll buy your first good wine
We'll have a real good time
Save your crying for the day
That may not come but anyone
Who had to pay would laugh at you and say
Fool if you think it's over
'Cos you said goodbye
Fool if you think it's over
I'll tell you why...
wn.com/Chris Rea Fool (If You Think It's Over), Documentary
This is a part clip from the masterpiece DVD, "Dancing Down The Stony Road" , made mainly at Miraval Studios in Provence, France.
This DVD includes a superb 75-minutes documentary about recording "Stony Road" album, one short 23 min live/interview featurette from Cologne and a collection of Chris Rea paintings.
Rea's understanding of how the blues evolved from the Delta up to Chicago is a revelation.
Millions of people can sing "Fool (If You Think It's Over)" but only one man knows how it is supposed to sung...
Chris Rea: "I've loved Studio MIRAVAL for quite a while because it has a completely different atmosphere from all those high-tech studios. For example, for years they've been collecting fantastic microphones that you can't buy anywhere else any more. As a consequence, they're hardly available in other studios. And then, the heat and the landscape there, well, you know - it's almost like being way down South...
In April 1978 he released his single "Fool (If You Think It's Over)" which charted both in the UK and the USA.
The original version of his first global success "Fool (If You Think It's Over)" was conceived as a blues track....
Whatever Happened to Benny Santini? was Rea's debut album.
It was released in June 1978 and produced by Elton John's music producer Gus Dudgeon.
Rea was reportedly dissatisfied with the final mix of the album; he later went some way to supposedly rectify this to his satisfaction, starting with 1988's greatest hits compilation New Light Through Old Windows, which featured a re-recorded version of "Fool..." and several other of his back-catalogue tracks.
The title of the album was a reference to "Benjamin Santini", the stage name that Rea's record label suggested he should adopt.
The first single taken from the album, "Fool (If You Think It's Over)", was Rea's biggest hit in the US, peaking at 12 on the Billboard Hot 100 and reaching 1 on the Adult Contemporary Singles chart.
Chris wrote "Fool (If You Think It's Over)" about his little sister who just had her first big blowout.
"Fool (If You Think It's Over)" was nominated for a Song of the Year Grammy, losing out to Billy Joel's "Just the Way You Are".
Like most of Rea's early singles, "Fool (If You Think It's Over)" failed to appear on the UK Singles Chart on its first release and only reached 30 when re-released in late 1978 to capitalise on its US achievement.
The singer Elkie Brooks enjoyed greater success with the song in 1982 when she charted her cover version at 17.
It was also the first record played by Radio Caroline after a long period off the air. Another cover of "Fool (If You Think It's Over)" by Kenny Craddock was used as the theme tune for BBC sitcom Joking Apart.
Personnel:
Chris Rea - vocals, guitars, producer, paintings
Robert Ahwai - guitar
Sylvin Marc - bass
Ed Hession - accordion
Gerry O'Connor - banjo
Martin Ditcham - drums
Stewart Eales - engineer
John Kelly - mastering
Peacock - design
Olaf Heine - photography
Lyrics:
A dying flame, you're free again
Who could love and do that to you
All dressed in black, he won't be coming back
Save your tears, you've got years and years
The pains of seventeen's
Unreal they're only dreams
Save your crying for the day
Fool if you think it's over
'Cos you said goodbye
Fool if you think it's over
I'll tell you why
New born eyes always cry with pain
At the first look at the morning sun
You're a fool if you think it's over
It's just begun
Miss teenage dream, such a tragic scene
he knocked your crown and ran away
First wound of pride and how you cried and cried
But save your tears you've got years and years
Fool if you think it's over
'Cos you said goodbye
Fool if you think it's over
I'll tell you why
New born eyes always cry with pain
At the first look at the morning sun
You're a fool if you think it's over
It's just begun
I'll buy your first good wine
We'll have a real good time
Save your crying for the day
That may not come but anyone
Who had to pay would laugh at you and say
Fool if you think it's over
'Cos you said goodbye
Fool if you think it's over
I'll tell you why...
- published: 08 Apr 2014
- views: 1859
Elton John - Rocket Man
"Rocket Man" is a song composed by Elton John and Bernie Taupin and originally performed by John. The song echoes the theme of David Bowie's 1969 song "Space Od...
"Rocket Man" is a song composed by Elton John and Bernie Taupin and originally performed by John. The song echoes the theme of David Bowie's 1969 song "Space Oddity" (both recordings were produced by Gus Dudgeon), but according to an account in Elizabeth Rosenthal's book His Song: The Musical Journey of Elton John, the song was inspired by Taupin's sighting of either a shooting star or a distant airplane. The account goes on to relate that the notion of astronauts no longer being perceived as heroes, but in fact as an "everyday occupation" led him to the song's opening lines, "She packed my bags last night, pre-flight. Zero hour: 9 a.m. And I'm gonna be high as a kite by then."
The song first appeared on John's 1972 album Honky Château (under the title "Rocket Man (I Think It's Going to Be a Long, Long Time)") and became a hit single, rising to #2 in the UK and #6 in the U.S.
Song information:
The lyrics in the song, inspired by a short story written by Ray Bradbury and written by John's longtime collaborator Bernie Taupin, describe a Mars-bound astronaut's mixed feelings at leaving his family in order to do his job. Musically, the song is a highly arranged pop ballad anchored by piano, with atmospheric texture added by synthesizer (played on the recording by engineer Dave Hentschel) and processed slide guitar. It is also known for being the first song in John's catalog to feature what would become the signature backing vocal combination of his band at the time, Dee Murray, Nigel Olsson and Davey Johnstone.
"Rocket Man" was ranked #242 in the 2004 list of Rolling Stone's 500 Greatest Songs of All Time. It was later changed to #245 in the list's 2010 revision.
Another song called "Rocket Man" (and also based on Bradbury's short story)[clarification needed] was released by the musical group Pearls Before Swine on their 1970 album The Use of Ashes. In an interview in Billboard magazine, Taupin acknowledged that the song, written by Tom Rapp, had been a direct inspiration for his own lyrics. Rosenthal's account indicates that Rapp's version was inspired by the writings of noted science-fiction author Ray Bradbury. Due to some similarities in Elton John's "Rocket Man," some presume this song might also be an allusion to David Bowie's character Major Tom. Bowie himself made the connection during live performances of "Space Oddity" in which he called out, "Oh, Rocket Man!"
The first stanza of "Rocket Man" was thought of by Bernie Taupin whilst he was on the motorway heading to his parents' home and had to "repeat it to himself for two hours," which he states was "unfortunate" but then later stated in later interviews that since it gave him a hit, it was all worthwhile.
The song has been a staple of John's concerts. Among numerous other performances, John played "Rocket Man" at the launch site of Space Shuttle Discovery in 1998.
wn.com/Elton John Rocket Man
"Rocket Man" is a song composed by Elton John and Bernie Taupin and originally performed by John. The song echoes the theme of David Bowie's 1969 song "Space Oddity" (both recordings were produced by Gus Dudgeon), but according to an account in Elizabeth Rosenthal's book His Song: The Musical Journey of Elton John, the song was inspired by Taupin's sighting of either a shooting star or a distant airplane. The account goes on to relate that the notion of astronauts no longer being perceived as heroes, but in fact as an "everyday occupation" led him to the song's opening lines, "She packed my bags last night, pre-flight. Zero hour: 9 a.m. And I'm gonna be high as a kite by then."
The song first appeared on John's 1972 album Honky Château (under the title "Rocket Man (I Think It's Going to Be a Long, Long Time)") and became a hit single, rising to #2 in the UK and #6 in the U.S.
Song information:
The lyrics in the song, inspired by a short story written by Ray Bradbury and written by John's longtime collaborator Bernie Taupin, describe a Mars-bound astronaut's mixed feelings at leaving his family in order to do his job. Musically, the song is a highly arranged pop ballad anchored by piano, with atmospheric texture added by synthesizer (played on the recording by engineer Dave Hentschel) and processed slide guitar. It is also known for being the first song in John's catalog to feature what would become the signature backing vocal combination of his band at the time, Dee Murray, Nigel Olsson and Davey Johnstone.
"Rocket Man" was ranked #242 in the 2004 list of Rolling Stone's 500 Greatest Songs of All Time. It was later changed to #245 in the list's 2010 revision.
Another song called "Rocket Man" (and also based on Bradbury's short story)[clarification needed] was released by the musical group Pearls Before Swine on their 1970 album The Use of Ashes. In an interview in Billboard magazine, Taupin acknowledged that the song, written by Tom Rapp, had been a direct inspiration for his own lyrics. Rosenthal's account indicates that Rapp's version was inspired by the writings of noted science-fiction author Ray Bradbury. Due to some similarities in Elton John's "Rocket Man," some presume this song might also be an allusion to David Bowie's character Major Tom. Bowie himself made the connection during live performances of "Space Oddity" in which he called out, "Oh, Rocket Man!"
The first stanza of "Rocket Man" was thought of by Bernie Taupin whilst he was on the motorway heading to his parents' home and had to "repeat it to himself for two hours," which he states was "unfortunate" but then later stated in later interviews that since it gave him a hit, it was all worthwhile.
The song has been a staple of John's concerts. Among numerous other performances, John played "Rocket Man" at the launch site of Space Shuttle Discovery in 1998.
- published: 15 Jun 2014
- views: 1295
Chris Rea - Whatever Happened To Benny Santini? (OGWT First TV appearance)
From the album "Whatever Happened To Benny Santini", 1978.
Chris Rea live at OGWT (The Old Grey Whistle Test) 16-5-1978, doing Benny Santini first TV appearanc...
From the album "Whatever Happened To Benny Santini", 1978.
Chris Rea live at OGWT (The Old Grey Whistle Test) 16-5-1978, doing Benny Santini first TV appearance.
Whatever Happened to Benny Santini? is the debut album by Chris Rea, released in 1978.
The first single lifted from the album, "Fool (If You Think It's Over)", is arguably Rea's best known song, and remains his biggest hit in the United States, peaking at number twelve on the Billboard Hot 100 and reaching number one on the Adult Contemporary Singles chart. Unlike most of Rea's other singles, "Fool..." was not a great success on the UK Singles Chart, failing to chart on its first release and only reaching number thirty when re-released in early 1979 to capitalise on its U.S. success. This success was also helped by being played extensively by Radio Caroline, as it was dedicated to the British Home Office, who were trying to put the station off the air.
The title of the album is a reference to a name Rea's UK record label (Magnet) had considered christening him with to make him sound more attractive commercially.
Whatever Happened to Benny Santini? was produced by Gus Dudgeon, who's perhaps most famous for producing most of Elton John's album output in the 1970s. Rea was reportedly dissatisfied with the final mix of the album; he later went some way to rectify this to his satisfaction starting with 1988s greatest hits compilation New Light Through Old Windows, where "Fool..." was presented in a newly recorded version.
Personnel
Chris Rea - vocals, guitar, keyboards, synthesizer
Robert Ahwai - guitar
Eddie Guy - guitar
Paul Keogh - guitar
Phil Curtis - bass
Pat Donaldson - bass
Dave Markee - bass
Eoghan O'Neill - bass
Rod Argent - keyboards, electric piano
Kevin Leach - keyboards
Max Middleton - keyboards
Pete Wingfield - keyboards, piano
Steve Gregory - saxophone
Dave Mattacks - drums
Norman Nosebait - drums
Adrian Rea - drums
Martin Ditcham - percussion
Gus Dudgeon - percussion, tambourine, producer
Frank Ricotti - percussion, conga, tabla
George Woodhead - percussion
Doreen Chanter - backing vocals
Irene Chanter - backing vocals
Stuart Epps - backing vocals
The Old Grey Whistle Test first went on air in September 1971 and became one of the most influential music shows for a generation. When the Old Grey Whistle Test went on air in 1971 it was unique. In a world accustomed to Top of the Pops, here was a show on which the bands performed album tracks and were interviewed after they had played. This was before the days of miming. The music was live and, since the idea was to air new sounds, many of the bands were making their first television appearance. Presenter Bob Harris recalls how the show's name was inspired by the doormen (in grey suits) who worked at the music publishing houses in London's Denmark Street, known as 'tin pan alley':
"It was a 'tin pan alley' phrase from years ago. When they got the first pressing of a record they would play it to people they called the old greys. The ones they could remember and could whistle having heard it just once or twice had passed the old grey whistle test".
The programme went out on BBC2, last thing on a Friday night, from a tiny studio on the fourth floor of Television centre. In the days before 24 hour television the station would close down at the end of the evening. This gave the last programme of the day some flexibility. If things were going well for the Old Grey Whistle Test they could stay on air. Some shows ended after 25 minutes while particularly good ones sometimes extended to an hour and a half.
They had a budget of £500 per show, which was very low even in those days. In addition to the technical costs the artists themselves had to be paid. David Bowie, for example, played three songs and was paid £50. John Lennon refused to accept his fee in cash, insisting that he should be rewarded instead with chocolate Bath Oliver biscuits!
The titles sequence featured an animation of a man kicking a star. He was to become affectionately known as The Starkicker. The show's title music, with it's distinctive harmonica, was a track called Stone Fox Chase by a Nashville band, Area code 615.
When bands were performing the sound was often so loud that the camera crew could not hear what the director was saying in their headphones.
The programme makers continually broke new ground. The first ever 'simulcast' of radio and television , the first live transatlantic broadcast of a rock concert and the television coverage of Live Aid were all achieved by the Whistle Test team.
Sadly, the programme is no more, having ended it's run in 1987, but it passed the musical baton to it's successors. A succession of programmes such as 'Later with Jools Holland', 'The Tube' and 'The White Room' have all drawn inspiration from Whispering Bob Harris's Old Grey Whistle Test.
wn.com/Chris Rea Whatever Happened To Benny Santini (Ogwt First Tv Appearance)
From the album "Whatever Happened To Benny Santini", 1978.
Chris Rea live at OGWT (The Old Grey Whistle Test) 16-5-1978, doing Benny Santini first TV appearance.
Whatever Happened to Benny Santini? is the debut album by Chris Rea, released in 1978.
The first single lifted from the album, "Fool (If You Think It's Over)", is arguably Rea's best known song, and remains his biggest hit in the United States, peaking at number twelve on the Billboard Hot 100 and reaching number one on the Adult Contemporary Singles chart. Unlike most of Rea's other singles, "Fool..." was not a great success on the UK Singles Chart, failing to chart on its first release and only reaching number thirty when re-released in early 1979 to capitalise on its U.S. success. This success was also helped by being played extensively by Radio Caroline, as it was dedicated to the British Home Office, who were trying to put the station off the air.
The title of the album is a reference to a name Rea's UK record label (Magnet) had considered christening him with to make him sound more attractive commercially.
Whatever Happened to Benny Santini? was produced by Gus Dudgeon, who's perhaps most famous for producing most of Elton John's album output in the 1970s. Rea was reportedly dissatisfied with the final mix of the album; he later went some way to rectify this to his satisfaction starting with 1988s greatest hits compilation New Light Through Old Windows, where "Fool..." was presented in a newly recorded version.
Personnel
Chris Rea - vocals, guitar, keyboards, synthesizer
Robert Ahwai - guitar
Eddie Guy - guitar
Paul Keogh - guitar
Phil Curtis - bass
Pat Donaldson - bass
Dave Markee - bass
Eoghan O'Neill - bass
Rod Argent - keyboards, electric piano
Kevin Leach - keyboards
Max Middleton - keyboards
Pete Wingfield - keyboards, piano
Steve Gregory - saxophone
Dave Mattacks - drums
Norman Nosebait - drums
Adrian Rea - drums
Martin Ditcham - percussion
Gus Dudgeon - percussion, tambourine, producer
Frank Ricotti - percussion, conga, tabla
George Woodhead - percussion
Doreen Chanter - backing vocals
Irene Chanter - backing vocals
Stuart Epps - backing vocals
The Old Grey Whistle Test first went on air in September 1971 and became one of the most influential music shows for a generation. When the Old Grey Whistle Test went on air in 1971 it was unique. In a world accustomed to Top of the Pops, here was a show on which the bands performed album tracks and were interviewed after they had played. This was before the days of miming. The music was live and, since the idea was to air new sounds, many of the bands were making their first television appearance. Presenter Bob Harris recalls how the show's name was inspired by the doormen (in grey suits) who worked at the music publishing houses in London's Denmark Street, known as 'tin pan alley':
"It was a 'tin pan alley' phrase from years ago. When they got the first pressing of a record they would play it to people they called the old greys. The ones they could remember and could whistle having heard it just once or twice had passed the old grey whistle test".
The programme went out on BBC2, last thing on a Friday night, from a tiny studio on the fourth floor of Television centre. In the days before 24 hour television the station would close down at the end of the evening. This gave the last programme of the day some flexibility. If things were going well for the Old Grey Whistle Test they could stay on air. Some shows ended after 25 minutes while particularly good ones sometimes extended to an hour and a half.
They had a budget of £500 per show, which was very low even in those days. In addition to the technical costs the artists themselves had to be paid. David Bowie, for example, played three songs and was paid £50. John Lennon refused to accept his fee in cash, insisting that he should be rewarded instead with chocolate Bath Oliver biscuits!
The titles sequence featured an animation of a man kicking a star. He was to become affectionately known as The Starkicker. The show's title music, with it's distinctive harmonica, was a track called Stone Fox Chase by a Nashville band, Area code 615.
When bands were performing the sound was often so loud that the camera crew could not hear what the director was saying in their headphones.
The programme makers continually broke new ground. The first ever 'simulcast' of radio and television , the first live transatlantic broadcast of a rock concert and the television coverage of Live Aid were all achieved by the Whistle Test team.
Sadly, the programme is no more, having ended it's run in 1987, but it passed the musical baton to it's successors. A succession of programmes such as 'Later with Jools Holland', 'The Tube' and 'The White Room' have all drawn inspiration from Whispering Bob Harris's Old Grey Whistle Test.
- published: 15 Apr 2013
- views: 2558
Tonight ┈━═☆
Shooting Star ✫ 1979
hai, Here's the original music video for Shooting Star's fantastic song Tonight. From their '79 debut album 'Shooting Star'. The way rock ...
Shooting Star ✫ 1979
hai, Here's the original music video for Shooting Star's fantastic song Tonight. From their '79 debut album 'Shooting Star'. The way rock was meant to be : )
This entire album is an great compilation of beautifully crafted songs played with excellent musicianship. The arrangement of intricate guitar riffs, coupled with melodic voice lines makes this album a classic, and a must for everyone's collection. You will most certainly not be disappointed! especially the vinyl LP the sound is ALLIIVE!
Shooting Star is a rock band from Kansas City. They were formed in the late seventies. After quickly gaining enormous popularity in the Kansas City area, Shooting Star became the first American group to be signed with Virgin Records. They recorded their 1979 debut album in England with legendary producer Gus Dudgeon, best known for his work with Elton John and David Bowie. The band gained national exposure when a number of songs garnered moderate air-play on Album-oriented rock radio stations in the US. Their initial line-up included Van McClain on guitar and vocals, Charles Waltz on violin, keyboards and vocals, Bill Guffey on keyboards, Gary West on guitar and vocals, Ron Verlin on bass, and Steve Thomas on drums.
20 Years and counting
----------------------
Shooting Star celebrated their 20th year as recording artists in the new millennium, with the release of Leap of Faith and a fall tour. The band continues to display its resilience and its love of music, while never forgetting this could be your Last Chance!
In 2006, the group released the album Circles. Their current lineup is:
Steve Thomas (drums)
Shane Michaels (violin)
Ron Verlin (bass)
Van McLain (guitar)
Dennis Laffoon (keyboards)
& Kevin Chalfant (lead vocals)
Sadly original Keyboardist Bill Guffey (William Guffey III) - Died 4-12-2007 [Born 7-28-1952 in Inglewood, CA, U.S.]
Vocalist Ronnie Platt joined the band in April 2007 to take over where Kevin Chalfant left off.
-=Discography=-
* Shooting Star, 1979 (Billboard Top Album #147, on chart for 14 weeks)
* Hang on for Your Life, 1981 (Billboard Top Album #92, on chart for 30 weeks)
* Ill Wishes, 1982. (Billboard Top Album #82, on chart for 9 weeks)
* Burning, 1983. (Billboard Top Album #162, on chart for 6 weeks)
* Silent Scream, 1985.
* Best of Shooting Star, 1989.
* It's Not Over, 1991.
* Shooting Star Live, 1996.
* Leap of Faith, 2000.
* Best of...V2, 2001.
* Circles, 2006.
Official website:
http://www.shootingstarmaniacs.com/
History of the band:
http://www.shootingstarmaniac.com/history.html
Interesting interview with the band's founder. Up as of 9/16/2005:
http://www.strutter.8m.com/SHOOTINGSTARINTERVIEW.htm
A mailing list of Shooting Star fans and with occasional appearances by band members:
http://launch.groups.yahoo.com/group/ssmaniac/
Shooting Star Forum - An e-mail discussion list for Shooting Star Fans:
http://launch.groups.yahoo.com/group/shootingstarforum
Shooting Star Forum's MySpace page:
http://www.myspace.com/shootingstarforum
Wikipedia band info:
http://tinyurl.com/gwydf
ENJOY THE MUSIC!: )-~
┈━==≡≡≡∎∎°∴~ ♪ ♫
wn.com/Tonight ┈━═☆
Shooting Star ✫ 1979
hai, Here's the original music video for Shooting Star's fantastic song Tonight. From their '79 debut album 'Shooting Star'. The way rock was meant to be : )
This entire album is an great compilation of beautifully crafted songs played with excellent musicianship. The arrangement of intricate guitar riffs, coupled with melodic voice lines makes this album a classic, and a must for everyone's collection. You will most certainly not be disappointed! especially the vinyl LP the sound is ALLIIVE!
Shooting Star is a rock band from Kansas City. They were formed in the late seventies. After quickly gaining enormous popularity in the Kansas City area, Shooting Star became the first American group to be signed with Virgin Records. They recorded their 1979 debut album in England with legendary producer Gus Dudgeon, best known for his work with Elton John and David Bowie. The band gained national exposure when a number of songs garnered moderate air-play on Album-oriented rock radio stations in the US. Their initial line-up included Van McClain on guitar and vocals, Charles Waltz on violin, keyboards and vocals, Bill Guffey on keyboards, Gary West on guitar and vocals, Ron Verlin on bass, and Steve Thomas on drums.
20 Years and counting
----------------------
Shooting Star celebrated their 20th year as recording artists in the new millennium, with the release of Leap of Faith and a fall tour. The band continues to display its resilience and its love of music, while never forgetting this could be your Last Chance!
In 2006, the group released the album Circles. Their current lineup is:
Steve Thomas (drums)
Shane Michaels (violin)
Ron Verlin (bass)
Van McLain (guitar)
Dennis Laffoon (keyboards)
& Kevin Chalfant (lead vocals)
Sadly original Keyboardist Bill Guffey (William Guffey III) - Died 4-12-2007 [Born 7-28-1952 in Inglewood, CA, U.S.]
Vocalist Ronnie Platt joined the band in April 2007 to take over where Kevin Chalfant left off.
-=Discography=-
* Shooting Star, 1979 (Billboard Top Album #147, on chart for 14 weeks)
* Hang on for Your Life, 1981 (Billboard Top Album #92, on chart for 30 weeks)
* Ill Wishes, 1982. (Billboard Top Album #82, on chart for 9 weeks)
* Burning, 1983. (Billboard Top Album #162, on chart for 6 weeks)
* Silent Scream, 1985.
* Best of Shooting Star, 1989.
* It's Not Over, 1991.
* Shooting Star Live, 1996.
* Leap of Faith, 2000.
* Best of...V2, 2001.
* Circles, 2006.
Official website:
http://www.shootingstarmaniacs.com/
History of the band:
http://www.shootingstarmaniac.com/history.html
Interesting interview with the band's founder. Up as of 9/16/2005:
http://www.strutter.8m.com/SHOOTINGSTARINTERVIEW.htm
A mailing list of Shooting Star fans and with occasional appearances by band members:
http://launch.groups.yahoo.com/group/ssmaniac/
Shooting Star Forum - An e-mail discussion list for Shooting Star Fans:
http://launch.groups.yahoo.com/group/shootingstarforum
Shooting Star Forum's MySpace page:
http://www.myspace.com/shootingstarforum
Wikipedia band info:
http://tinyurl.com/gwydf
ENJOY THE MUSIC!: )-~
┈━==≡≡≡∎∎°∴~ ♪ ♫
- published: 12 Nov 2007
- views: 86753
XTC - That Wave (in the studio)
Doesn't get any better than this, me thinks. This is Gus Dudgeon (RIP) footage....
Doesn't get any better than this, me thinks. This is Gus Dudgeon (RIP) footage.
wn.com/Xtc That Wave (In The Studio)
Doesn't get any better than this, me thinks. This is Gus Dudgeon (RIP) footage.
The Golden ( Andy Partridge) -Then She Appeared- Fuzzy Warbles Volume Two
Demo version. Performed by The Golden.
Released on 2 December 2002 on Fuzzy Warbles Volume Two in the U.K.
“. . . another one which I claimed was by a group c...
Demo version. Performed by The Golden.
Released on 2 December 2002 on Fuzzy Warbles Volume Two in the U.K.
“. . . another one which I claimed was by a group called The Golden, and that was called ‘Then She Appeared’. . . . I've since played ‘Then She Appeared’ to Gus Dudgeon, because he's a Dukes fan, and he said, ‘God, you should do that seriously!’ So I'm now at the dilemma where, do I rewrite these ludicrous forgery lyrics to be more personal or do we just do it as a copy of The Dukes? So I've got myself into a real fifth dimension of a dilemma here.”
: “A gloriously colourful glossy magazine, called Strange Things Are Happening, interviewed us about the whole Dukes thing in the 80's, but in August 1990, myself and Happenings' Phil Smee, cooked up a scheme. I would record two songs that the magazine would claim came from 67/68 (by two different bands). A double ‘A’ side flexi disc sporting both tunes would then be given away with a forthcoming issue. This track was to have been by a foppish bunch called ‘The Golden’ [see also ‘It's Snowing Angels’ by Choc Cigar Chief Champion]. Forgery can be fun.”
Andy Partridge
wn.com/The Golden ( Andy Partridge) Then She Appeared Fuzzy Warbles Volume Two
Demo version. Performed by The Golden.
Released on 2 December 2002 on Fuzzy Warbles Volume Two in the U.K.
“. . . another one which I claimed was by a group called The Golden, and that was called ‘Then She Appeared’. . . . I've since played ‘Then She Appeared’ to Gus Dudgeon, because he's a Dukes fan, and he said, ‘God, you should do that seriously!’ So I'm now at the dilemma where, do I rewrite these ludicrous forgery lyrics to be more personal or do we just do it as a copy of The Dukes? So I've got myself into a real fifth dimension of a dilemma here.”
: “A gloriously colourful glossy magazine, called Strange Things Are Happening, interviewed us about the whole Dukes thing in the 80's, but in August 1990, myself and Happenings' Phil Smee, cooked up a scheme. I would record two songs that the magazine would claim came from 67/68 (by two different bands). A double ‘A’ side flexi disc sporting both tunes would then be given away with a forthcoming issue. This track was to have been by a foppish bunch called ‘The Golden’ [see also ‘It's Snowing Angels’ by Choc Cigar Chief Champion]. Forgery can be fun.”
Andy Partridge
- published: 04 Aug 2014
- views: 354
Interview With Record Producer Youth - Extended Version
Extended version of interview with record producer Youth (The Orb, Killing Joke, The Verve, Paul McCartney) who owns El Mirador residential recording studio ......
Extended version of interview with record producer Youth (The Orb, Killing Joke, The Verve, Paul McCartney) who owns El Mirador residential recording studio ...
wn.com/Interview With Record Producer Youth Extended Version
Extended version of interview with record producer Youth (The Orb, Killing Joke, The Verve, Paul McCartney) who owns El Mirador residential recording studio ...
Sir Elton John
The Gus Dudgeon Studio was officially opened on Friday 13th November 2009 by Gus's close friend and recording artist Joan Armatrading. Sir Elton John gave a h...
The Gus Dudgeon Studio was officially opened on Friday 13th November 2009 by Gus's close friend and recording artist Joan Armatrading. Sir Elton John gave a heartfelt speech; Muff Winwood donated a beautifully framed picture of Gus from his personal collection.
wn.com/Sir Elton John
The Gus Dudgeon Studio was officially opened on Friday 13th November 2009 by Gus's close friend and recording artist Joan Armatrading. Sir Elton John gave a heartfelt speech; Muff Winwood donated a beautifully framed picture of Gus from his personal collection.
- published: 04 Jun 2014
- views: 218
Elton John - "Bennie and the Jets" (Piano Cover)
My brief cover of Bennie and the Jets on piano.
Via Wikipedia:
"Bennie and the Jets" is a song composed by Elton John and Bernie Taupin. The song is written i...
My brief cover of Bennie and the Jets on piano.
Via Wikipedia:
"Bennie and the Jets" is a song composed by Elton John and Bernie Taupin. The song is written in the key of G major and first appeared on the Goodbye Yellow Brick Road album in 1973. "Bennie and the Jets" has been one of John's most popular songs and was performed during John's appearance at Live Aid. The track is spelled Bennie on the sleeve of the single and in the track listing of the album, but Benny on the album vinyl disc label.
Produced by Gus Dudgeon, the song was recorded during the "Goodbye Yellow Brick Road" sessions in France at Château d'Hérouville's Strawberry Studios, where John and Taupin had recorded their previous two albums, Honky Chateau and Don't Shoot Me I'm Only the Piano Player.
After recording the song in the studio, John and the band worried that it was too plain and unoriginal. In the Eagle Vision documentary on the making of "Goodbye Yellow Brick Road," John himself recalled, "I fought tooth and nail against 'Bennie' coming out as a single." According to guitarist Davey Johnstone, "'Bennie and the Jets' was one of the oddest songs we ever recorded. We just sat back and said, 'This is really odd.'" While mixing the album, Dudgeon came up with the idea of creating a "live from Playhouse Theatre" sound for the track. He added reverb effects, applause and other audience sounds from John's previous concerts and a loop from the Jimi Hendrix live album Isle of Wight, plus whistles, giving it the "live concert recording" feel that has since become a sort of trademark.[citation needed]
John rarely plays the song verbatim to the studio version, and often makes subtle or even drastic changes. Live, the piano solo in the middle of the song has been played in all sorts of variations, from very close to the original to wildly improvised and extended versions, such as the elaborate version during a Central Park concert in 1980 and another memorable take on it during the "Elton and his band" part of the show recorded for what would become "Live in Australia" in December 1986. (It can be seen on various Laserdisc releases of the show.) He's also been known to end the song in a wide range of styles, including classical, swing, boogie-woogie and even using the signature five-note phrase from John Williams' score for Close Encounters of the Third Kind.
The song tells of "Bennie and the Jets", a fictional band of whom the song's narrator is a fan. In interviews, Taupin has said that the song's lyrics are a satire on the music industry of the 1970s.[citation needed] The greed and glitz of the early '70s music scene is portrayed by Taupin's words:
We'll kill the fatted calf tonight, so stick around,
you're gonna hear electric music, solid walls of sound.
Taupin also goes on to describe the flashy wardrobe of "Bennie," the leader of the band:
She's got electric boots, a mohair suit
You know I read it in a magazine Ohh...
wn.com/Elton John Bennie And The Jets (Piano Cover)
My brief cover of Bennie and the Jets on piano.
Via Wikipedia:
"Bennie and the Jets" is a song composed by Elton John and Bernie Taupin. The song is written in the key of G major and first appeared on the Goodbye Yellow Brick Road album in 1973. "Bennie and the Jets" has been one of John's most popular songs and was performed during John's appearance at Live Aid. The track is spelled Bennie on the sleeve of the single and in the track listing of the album, but Benny on the album vinyl disc label.
Produced by Gus Dudgeon, the song was recorded during the "Goodbye Yellow Brick Road" sessions in France at Château d'Hérouville's Strawberry Studios, where John and Taupin had recorded their previous two albums, Honky Chateau and Don't Shoot Me I'm Only the Piano Player.
After recording the song in the studio, John and the band worried that it was too plain and unoriginal. In the Eagle Vision documentary on the making of "Goodbye Yellow Brick Road," John himself recalled, "I fought tooth and nail against 'Bennie' coming out as a single." According to guitarist Davey Johnstone, "'Bennie and the Jets' was one of the oddest songs we ever recorded. We just sat back and said, 'This is really odd.'" While mixing the album, Dudgeon came up with the idea of creating a "live from Playhouse Theatre" sound for the track. He added reverb effects, applause and other audience sounds from John's previous concerts and a loop from the Jimi Hendrix live album Isle of Wight, plus whistles, giving it the "live concert recording" feel that has since become a sort of trademark.[citation needed]
John rarely plays the song verbatim to the studio version, and often makes subtle or even drastic changes. Live, the piano solo in the middle of the song has been played in all sorts of variations, from very close to the original to wildly improvised and extended versions, such as the elaborate version during a Central Park concert in 1980 and another memorable take on it during the "Elton and his band" part of the show recorded for what would become "Live in Australia" in December 1986. (It can be seen on various Laserdisc releases of the show.) He's also been known to end the song in a wide range of styles, including classical, swing, boogie-woogie and even using the signature five-note phrase from John Williams' score for Close Encounters of the Third Kind.
The song tells of "Bennie and the Jets", a fictional band of whom the song's narrator is a fan. In interviews, Taupin has said that the song's lyrics are a satire on the music industry of the 1970s.[citation needed] The greed and glitz of the early '70s music scene is portrayed by Taupin's words:
We'll kill the fatted calf tonight, so stick around,
you're gonna hear electric music, solid walls of sound.
Taupin also goes on to describe the flashy wardrobe of "Bennie," the leader of the band:
She's got electric boots, a mohair suit
You know I read it in a magazine Ohh...
- published: 24 Jun 2014
- views: 288
GILBERT O`SULLIVAN - A PROFILE - ( A ` MUST SEE ` for Gilbert fans ! )
A great introduction to Gilbert for newer fans - or a nostalgic look back for older fans. Taken from a TV show called " Kings of 70`s Romance " . Enjoy !! Fa......
A great introduction to Gilbert for newer fans - or a nostalgic look back for older fans. Taken from a TV show called " Kings of 70`s Romance " . Enjoy !! Fa...
wn.com/Gilbert O`Sullivan A Profile ( A ` Must See ` For Gilbert Fans )
A great introduction to Gilbert for newer fans - or a nostalgic look back for older fans. Taken from a TV show called " Kings of 70`s Romance " . Enjoy !! Fa...
- published: 09 Aug 2010
- views: 16983
-
author: mohawk3881