Radio edit

In music, a radio edit is a modification, typically truncated, to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version. However, not all "radio edit" tracks are played on radio.

Editing for time

Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. Another example is B.o.B's song, "Nothin' On You" featuring Bruno Mars, whose radio edit skips the first 5 seconds & starts with the 6th second in which Bruno Mars starts singing the first chorus. The second half of the first chorus is sometimes skipped, along with the last 24 seconds which is the normal fade-out part in which B.o.B says, "Yeah, and that's just how we do it/And I'ma let this ride/B.o.B and Bruno Mars", and the radio edit ends with the fourth and last chorus with an earlier fade-out. A 3rd example would be the song, "The Man" by Aloe Blacc, in which the radio edit skips the "I'm the man/Go ahead & tell everybody/What I'm saying ya all" part & the first 10 seconds. Also, the 3rd chorus of the song is shortened. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse. Another example for this case is Justin Timberlake's "Mirrors", where the radio edit cuts the entire "You are the love of my life" part.

TeachText

The TeachText application is a simple text editor made by Apple Computer bundled with System 7.1 and earlier. It was created by Apple programmer Bryan Stearns with later versions created by Stearns and Francis Stanbach. TeachText was one of the only applications included with the Mac system software, leading to its frequent role as the application to open "ReadMe" files. It was named "TeachText" as a nod to this role in tutorials and other introductory materials.

TeachText was derived from the Edit application, which was a simple text editor for the early pre-System 6 Apple Macintosh computers. Edit was included with early versions of the basic system software to demonstrate the use of the Macintosh user interface. While Edit was a demonstration program for developers, TeachText was used mainly by users to display Read Me documents.

Since the first Macintosh models came with a full-featured word processor, MacWrite, software publishers commonly shipped documentation in its native format. When Apple stopped bundling MacWrite, ownership was transferred to Claris, so developers could not distribute it on their programs' installation floppy disks. With no text program present on the disks, owners without a second floppy disk drive or hard disk could be left with no way to view documentation or installation instructions. Apple supplied TeachText as a small, freely-distributable program to address this need.

List of Battle Angel Alita characters

The Battle Angel Alita manga series features a cast of characters designed by Yukito Kishiro. The series takes place around the city of Scrapyard where residents, of whom many are heavily modified by cybernetics to better cope with the hard life, are forced to make a living.

The series focuses on Alita, the protagonist and title character, a young cyborg with amnesia struggling to uncover her forgotten past through the only thing she remembers from it: fighting. Early on in the story, Daisuke Ido, a bounty-hunting cybernetic doctor who finds and revives Alita plays a major role as well, but midway through the manga he becomes marginalized as focus begins to increasingly shift to Desty Nova, an eccentric nanotechnology scientist who has fled from Tiphares. Nova is the mastermind behind many of the enemies and trials that Alita faces, but does not make an actual appearance until more than two years into the story, although he is alluded to early on. Finally, Kaos, Desty Nova's son, a frail and troubled radio DJ with psychometric powers, also begins to play a crucial role after he comes in contact with Alita. He broadcasts his popular radio show from the wastelands outside the Scrapyard, staying away from the increasing conflict between Tiphares and the rebel army Barjack.

Sara (Fleetwood Mac song)

"Sara" is a song written by singer-songwriter Stevie Nicks by British-American pop/rock band Fleetwood Mac as a single from the 1979 Tusk double LP. The album version is 6:22 minutes and the edited version is 4:41 minutes. The song peaked at #7 on the U.S. charts for three weeks, #37 in the UK for two weeks, #11 in Australia and #2 in Canada. Its success has led to it being included in various later best-of albums such as 2002's The Very Best of Fleetwood Mac.

Origin

There were persistent rumors that the song is about an abortion Nicks had after getting pregnant from then boyfriend Don Henley. Henley himself has suggested this to be the meaning of the song. In a 1979 interview Nicks said “If I ever have a little girl, I will name her Sara. It's a very special name to me.” Now 35 years later, Nicks confirmed the rumor to be true in a September 2014 interview with Billboard magazine. "Had I married Don and had that baby, and had she been a girl, I would have named her Sara...It's accurate, but not the entirety of it"

Sara (Starship song)

"Sara" is a song recorded by the American rock band Starship which reached number-one on the U.S. Billboard Hot 100 chart on March 15, 1986. It was sung only by Mickey Thomas, of the newly renamed band Starship, from their first album Knee Deep in the Hoopla; for this single, Grace Slick only provided the backing vocals. The song debuted at number 39 on January 18, 1986 and stayed at the top position for one week. It was the band's second number-one hit after the song "We Built This City" hit the mark a few months earlier in 1985. It also became the band's first number-one song on the adult contemporary chart, where it remained for three weeks. Although written by Peter and Ina Wolf, the song was named for Thomas's wife at the time, Sara (née Kendrick).

Music video

The music video for "Sara" prominently features actress Rebecca De Mornay and Thomas in a storyline about a relationship ending, on a dust bowl farm in the midwest, with frequent flashbacks to what is presumably Thomas's character's childhood and the tornado that wrecked his home.

Andrew Project

The Andrew Project was a distributed computing environment developed at Carnegie Mellon University (CMU) beginning in 1982. It was an ambitious project for its time and resulted in an unprecedentedly vast and accessible university computing infrastructure.

History

The Information Technology Center, a partnership of Carnegie Mellon and IBM, began work on the Andrew Project in 1982. In its initial phase, the project involved both software and hardware, including wiring the campus for data and developing workstations to be distributed to students and faculty at CMU and elsewhere. The proposed "3M computer" workstations included a million pixel display and a megabyte of memory, running at a million instructions per second. Unfortunately a fourth M, cost on the order of a megapenny (US$10,000), made the computers beyond the reach of students' budgets. The initial hardware deployment in 1985 established a number of university-owned "clusters" of public workstations in various academic buildings and dormitories. The campus was fully wired and ready for the eventual availability of inexpensive personal computers.

Serenity (Firefly vessel)

Serenity is a fictional spaceship that appears in Joss Whedon's Firefly television series and related works. Set in the 26th century, the series follows the nine-person crew of the Firefly-class vessel, a small transport ship, as they earn a living through various legal and illegal means. The ship is the main setting; it appears in all fourteen episodes, the film, and several comics.

The ship was designed by director Joss Whedon, production designer Carey Meyer, and visual effects supervisor Loni Peristere. The collaboration led to more consistency between the live-action and digital effects representations of Serenity than is usual in science-fiction works. Two contiguous sets were built, between them containing the entirety of the ship's interior, which provided several advantages to the cast and crew during filming. The digital model of the ship was created by Zoic Studios, who also developed methods to digitally replicate live-action filming techniques, a first for television. These allowed digital renderings of the ship to blend in with the documentary/found-footage filming style of the live-action scenes.