Haunted (Poe album)

Haunted is the second album by American singer/songwriter Poe, released in 2000 (see 2000 in music) after a five-year hiatus from her debut album Hello in 1995. The self-produced album was created as a tribute to her father, and counterpart to her brother Mark Z. Danielewski's novel House of Leaves.

History

Haunted found Poe combining traditional pop notions with electronic, dance and hard rock music. A critical success and largely adored by her existing fanbase, it nonetheless flopped commercially, largely due to the manner in which it was marketed. The song "Hey Pretty" was released as a promo single, but Poe's vocals had been replaced with a chapter reading from her brother, as alternative radio of 2001 was not very willing to play female artists. It reached #13 on Billboard's US Modern Rock chart. The music video for the song was deemed too racy for MTV (it showed Poe writhing around in mud in nothing but a bra.) A follow up promo single, "Walk the Walk", was released because it had been chosen as the theme song to a new TV drama called Girls Club. However, the show was canceled after two episodes. "Wild" was released as a third single, garnering some radio play in the Chicago area. The single was never released commercially, but featured a shorter radio mix in addition to an acoustic/rock version of the song. The title track was used as the theme song to the film Book of Shadows: Blair Witch 2, a box-office failure. The commercial failure of Poe's second album contributed to the loss of her distribution contract with Atlantic Records.

List of programming syndicated by iHeartMedia

The majority of programming syndicated by iHeartMedia is distributed through its subsidiary, Premiere Networks. However, several iHeartMedia radio shows are syndicated by their local stations without the aid of Premiere. Talk shows of this type are generally broadcast through Orbital Media Networks, Inc. (formerly Clear Channel Satellite Services); music programs of this type are generally prerecorded and distributed through a company intranet service known as Premium Choice.

Talk shows

The following is a list of radio programs which are syndicated by iHeartMedia but are not distributed by its radio network subsidiary, Premiere Networks. In general, iHeartMedia syndicates a show outside of Premiere either as a cost-cutting measure, or because the show's talent has specifically requested syndication as condition to work for, or continue working for, the company. Talk shows currently syndicated by iHeartMedia are listed in the table below. Talk shows formerly syndicated by iHeartMedia (as Clear Channel Communications) include America's Trucking Network, Kidd Kraddick in the Morning, Lex and Terry, MJ Morning Show, Springer on the Radio, The Schnitt Show, and The War Room with Quinn and Rose. Talk shows syndicated by iHeartMedia that have moved to Premiere include Elvis Duran and the Morning Show and The Bobby Bones Show.

Nine Muses (band)

Nine Muses (Korean: 나인뮤지스, often stylized as 9MUSES or NINE MUSES) is a South Korean girl group under Star Empire Entertainment. The group derives its name from the nine Muses of the Greek Mythology. The group composed of eight (formerly nine) members: Hyuna, Euaerin, Sungah, Kyungri, Hyemi, Minha, Sojin, and Keumjo. They made their debut in 2010 with the single "No Playboy" from the single album, Let's Have a Party.

History

2010–2011: Debut, line-up changes and Figaro

The formation of Nine Muses was announced on March 26, 2010. Their first release was on August 12, 2010 with the single album Let's Have a Party. The lead track "No Playboy" is a song produced by composers Rainstone and Park Jin Young. In October, Jaekyung dropped out of the group to focus on her modeling career and was replaced by Hyuna. To advance into the Japanese market, on December 26, 2010, Nine Muses performed six songs on Seoul Train, an event in which K-pop artists and groups perform for their Japanese fans, alongside V.O.S. and ZE:A.

Thing (The Addams Family)

Thing T. Thing, often referred to as just Thing, is a fictional character in the The Addams Family series. Thing was originally conceived as a whole creature (always seen in the background watching the family) that was too horrible to see in person. The only part of him that was tolerable was his human hand (this can be seen in the 1964 television series. The Addams called him "Thing" because he was something that could not be identified. Thing was changed to a disembodied hand for the 1991 and 1993 Addams Family movies.

In Spain it was called Cosa ("Thing") while in other Spanish-speaking countries it was named Dedos ("Fingers"); in German-speaking countries das eiskalte Händchen ("the little ice-cold hand"); in Portuguese-speaking countries Mãozinha ("Little Hand") or Coisa ("Thing"); and in Italian was called Mano ("Hand"). It was also named "Ting" (An easy word for calling a dog in the Thai language).

Appearances

Thing was the creation of Charles Addams, who drew the Addams Family cartoons in The New Yorker magazine, beginning in the 1930s. He first appeared in Addams's 1954 book Homebodies. One of Addams's cartoons shows the Addams mansion with a sign at the front saying "Beware of the Thing." Additionally, Thing has been in the original television series (1964-66), the revived series The New Addams Family (1998), in the related movies The Addams Family (1991), Addams Family Values (1993) and Addams Family Reunion (1998), and the 1992 animated series.

The Thing (listening device)

The Thing, also known as the Great Seal bug, was one of the first covert listening devices (or "bugs") to use passive techniques to transmit an audio signal. It was concealed inside a gift given by the Soviets to the US Ambassador to Moscow on August 4, 1945. Because it was passive, being energized and activated by electromagnetic energy from an outside source, it is considered a predecessor of RFID technology.

Creation

The Thing was designed by Soviet Russian inventor Léon Theremin, whose best-known invention is the electronic musical instrument the theremin.

The principle used by The Thing, of a resonant cavity microphone, had been patented by Winfield R. Koch of the Radio Corporation of America (RCA) in 1941. In US patent 2,238,117 he describes the principle of a sound-modulated resonant cavity. High-frequency energy is inductively coupled to the cavity. The resonant frequency is varied by the change in capacitance resulting from the displacement of the acoustic diaphragm.

The Thing (1982 film)

The Thing (also known as John Carpenter's The Thing) is a 1982 American science fiction horror film directed by John Carpenter, written by Bill Lancaster, and starring Kurt Russell. The film's title refers to its primary antagonist: a parasitic extraterrestrial lifeform that assimilates other organisms and in turn imitates them. The Thing infiltrates an Antarctic research station, taking the appearance of the researchers that it absorbs, and paranoia develops within the group.

The film is based on John W. Campbell, Jr.'s novella Who Goes There?, which was more loosely adapted by Howard Hawks and Christian Nyby as the 1951 film The Thing from Another World. Carpenter considers The Thing to be the first part of his Apocalypse Trilogy, followed by Prince of Darkness and In the Mouth of Madness. Although the films are narratively unrelated, each features a potentially apocalyptic scenario; should "The Thing" ever reach civilization, it would be only a matter of time before it consumes humanity.

Lotna

Lotna is a Polish war film released in 1959 and directed by Andrzej Wajda.

Overview

This highly symbolic movie is both the director's tribute to the long and glorious history of the Polish cavalry, as well as a more ambiguous portrait of the passing of an era. Wajda was the son of a Polish Cavalry officer who was murdered by the Soviets during the Katyn massacre.

The horse Lotna represents the entire Romantic tradition in culture, a tradition that had a huge influence in the course of Polish history and the formation of Polish literature. Lotna is Wajda's meditation on the historical breaking point that was 1939, as well as a reflection on the ending of an entire era for literature and culture in Poland and in Europe as a whole. Writing of the film, Wajda states that it "held great hopes for him, perhaps more than any other." Sadly, Wajda came to think of Lotna "a failure as a film."

The film remains highly controversial, as Wajda includes a mythical scene in which Polish horsemen suicidally charge a unit of German tanks, an event that never actually happened.