Trust You is the thirteenth Japanese-language single by American pop singer Yuna Ito. The title song, "Trust You" is the theme to Japanese anime Mobile Suit Gundam 00 season 2, while "Brand New World" was used as a tie-up song for the Commercial of Hawkins Sport.
In its first week, the single sold 27,254 copies, making it the third highest selling first week single sales by Ito as of March 2009, behind Endless Story and Precious. "Trust You" is Ito's first Top 5 single since the release of her previous single Mahaloha in June 2007. "Trust You" also gave Ito her highest first-week sales since 2006's Precious.
E.S.P. (Extra Sexual Persuasion) is a Millie Jackson album released in 1983. In addition to her signature soul music songs, it also includes somewhat more Hi-NRG and Funk dance song production popular at the time such as "This Girl Could Be Dangerous", "Sexercise" and the title track.
In a contemporary review for The Village Voice, music critic Robert Christgau gave the album a "B-" and wrote that, despite her mannerisms and persuasive parodies of sexercise, Jackson lacks the redeeming slow songs of her past work, and both "Slow Tongue" and the title track sound contrived.
Recorded in January 1965, E.S.P. is the first album by what is often referred to as Miles Davis's second great quintet. The quintet comprising Davis, Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams would be the most long-lived of all Davis's groups, and this was their first studio recording together.
Unlike the majority of previous Davis albums, E.S.P. consisted entirely of new compositions written by members of the group. Despite the profusion of new material, only two of the tunes, "Agitation" and "R.J." are known to have appeared in the group's live performances, the latter only appearing in one extant recording. "Agitation", by contrast, was still being performed as late as the fall of 1969.
"Little One" might be best known for being revisited on Hancock's landmark album, Maiden Voyage, recorded a few weeks later. This version is somewhat more embryonic; Carter's bass is halting, and Davis and Shorter state the theme with winding, interlocking contrapuntal lines that evoke Davis and Coltrane's version of "Round Midnight". Hancock's solo on Carter's composition, "Eighty-One", also presages his work on that LP - particularly its title track. This is reflected in the liner notes of the 1999 reissue.
Separase, also known as separin, is a cysteine protease responsible for triggering anaphase by hydrolysing cohesin, which is the protein responsible for binding sister chromatids during the early stage of anaphase. In humans, separin is encoded by the ESPL1 gene.
In S. cerevisiae, separase is encoded by the esp1 gene. Esp1 was discovered by Kim Nasmyth and coworkers in 1998.
Stable cohesion between sister chromatids before anaphase and their timely separation during anaphase are critical for cell division and chromosome inheritance. In vertebrates, sister chromatid cohesion is released in 2 steps via distinct mechanisms. The first step involves phosphorylation of STAG1 or STAG2 in the cohesin complex. The second step involves cleavage of the cohesin subunit SCC1 (RAD21) by separase, which initiates the final separation of sister chromatids.
In S. cerevisiae, Esp1 is coded by ESP1 and is regulated by the securin Pds1. The two sister chromatids are initially bound together by the cohesin complex until the beginning of anaphase, at which point the mitotic spindle pulls the two sister chromatids apart, leaving each of the two daughter cells with an equivalent number of sister chromatids. The proteins that bind the two sister chromatids, disallowing any premature sister chromatid separation, are a part of the cohesin protein family. One of these cohesin proteins crucial for sister chromatid cohesion is Scc1. Esp1 is a separase protein that cleaves the cohesin subunit Scc1 (RAD21), allowing sister chromatids to separate at the onset of anaphase during mitosis.
A trust or corporate trust is an American English term for a large business with significant market power. It is often used in a historical sense to refer to monopolies or near-monopolies in the United States during the Second Industrial Revolution in the 19th century and early 20th century.
Originally, the corporate trust was a legal device used to consolidate power in large American corporate enterprises. In January 1882, Samuel C. T. Dodd, Standard Oil’s General Solicitor, conceived of the corporate trust to help John D. Rockefeller consolidate his control over the many acquisitions of Standard Oil, which was already the largest corporation in the world. The Standard Oil Trust was formed pursuant to a "trust agreement" in which the individual shareholders of many separate corporations agreed to convey their shares to the trust; it ended up entirely owning 14 corporations and also exercised majority control over 26 others. Nine individuals held trust certificates and acted as the trust's board of trustees. Of course, one of those trustees was Rockefeller himself, who held 41% of the trust certificates; the next most powerful trustee only held about 12%. This kind of arrangement became popular and soon had many imitators.
The Stargate Program is a fictional special access program that plays a key role in the Stargate franchise: it surrounds the operations of the Stargate on Earth. The core of the Stargate Program is Stargate Command (SGC), based at the Cheyenne Mountain Air Force Station near Colorado Springs, Colorado. During the run of Stargate SG-1, the NID is most critical of the Stargate Program, while the program is extended through the establishment of the Office of Homeworld Security/Homeworld Command and the International Oversight Advisory (IOA). The Atlantis Project as seen in Stargate Atlantis is part of the Stargate Program but works independently during season 1 of the show.
Despite alien attacks such as in "Lost City" and "Ex Deus Machina", all attempts are made throughout the series to keep the existence of the Stargate Program secret, assuming there would be mass panic if the public found out. Several alternate-universe episodes address the public reaction to the revelation of the Stargate Program. Nevertheless, some conspiracy theorists in the series assume extraterrestrial activity at the highest levels of the military. A very few select civilians such as Pete Shanahan and Jeannie Miller are also aware of the existence of the Program.
"Trust" is a 1990 single by British boy band / pop group Brother Beyond, taken from their second album, also entitled Trust, released in 1989. It made the Top 60 on the UK Singles Chart, peaking at Number 53, in March 1990. After six consecutive hits to peak inside the Top 50, this song failed to extend that record, but it was, anyway, their ninth consecutive Top 60 hit (having their first single, "I Should Have Lied" failed to chart in the UK Top 75, back in 1986, while their second single, "How Many Times", had only reached Number 62, in 1987). The follow-up to the Trust single, the tune called "The Girl I Used to Know", charting at Number 48, would be their tenth consecutive Top 60, and seventh Top 50 hit in general. Released in January 1991, this latter song would be their very last single, since the group disbanded soon after, though attaining some success with that track in the USA.
I said, "what time you get off?"
She said, "when you get me off"
I kinda laughed but it turned into a cough
Because I swallowed down the wrong pipe
Whatever that mean, you know old people say it so it sounds right
So I'm standing there embarrassed, if we were both in pairs
I would have grabbed her by the waist and kissed her, but
We in the middle of whole foods, and those foods
Ain't supposed to beef, but you'd think I hate tofu
Check-in line got rowdy, my vision got cloudy
I started seeing some circles like some Audi
Emblem, I'm hearing them say, come on man
Do this own your own time, get the hell on, man
I walked out, hm, I got bout
Half-way to my car when I heard shorty shout
"3000, forgot your credit card, smart move
By the way, my little sister loves your cartoon"
Well, here's my name and numb
If I ain't the one, lose it, if I am, use it
If a man chooses, and he can, does it
And he don't, don't take it personal, he might be might be swamped
With making mozzarella - no, making laws better
Cheese will come, believe me, I'm, never focused on the cash
Ask Mel Gibson, Jesus Christ, I'm bout the pass... ion
Tired, baby bring that thing back
You know where my heart at
Shorty, would you press some love
Cause I'm about to lose it
With the way you move it
It's been making me do it
Girl tell me what it do
I'll change the game for you
I'm a player, yes it's true, but...
Can I be for real?
This is how I feel
I'm in need of love
So let's dip up out of here
Oh, you just my type
Everything so right
And I just wanna chill
So let's dip up out of here
Let's dip up out of here
Ah, ah-ah, ah-ah...
She's fine too, but I want you...
Ah, ah-ah, ah-ah...
She's fine too, but I want you...
I'll admit it, this just ain't no game
These just ain't words that I'm spitting
If you could see that thoughts that's in my head
I'm tripping, I'm a player, it's true
But I'll change the game for you
Wanna see what it do, oooh...
Can I be for real?
This is how I feel
I'm in need of love
So let's dip up out of here
Oh, you just my type
Everything so right
And I just wanna chill
So let's dip up out of here
Let's dip up out of here...
Ah, ah, ah-oh, ah...
She's fine too, but I want you...
Ah, ah, ah-oh, ah...
She's fine too, but I want you...
Yeah, Nas be in the crib low, strip poling it
Cold Guinness, bitter taste, slim waist, I'm gon' hit it
We low-key baby, like a baritone
Apple computer, e-mail me to come scoop ya
Run through ya, undo ya bra, gimme medulla, uh
Ya cute as a movie star, in sin city, Hennessey, my love slave
Loving is pimping, no rest have, with none of 'em
I would leave every one of em, you just say it
Just leave it where it is, he ain't aware of sleep and dogs lie
But keep a sharp eye on him, cause I'm the wrong guy
To wanna put this four-five on em, let's get it on, ma
You got my nose wide open
You already locked down and rot down, but so delicious
If he get suspicious, bring up his old mistress
I ain't dry-snitching, but why should you be feeling bad
Cause I be killing that, huh?
Can I be for real?
This is how I feel
I'm in need of love
So let's dip up out of here
Oh, you just my type
Everything so right
And I just wanna chill
So let's dip up out of here
Let's dip up out of here...
Ah, ah, ah-oh, ah...
She's fine too, but I want you...
Ah, ah, ah-oh, ah...