Africa is an epic poem in Latin hexameters by the 14th century Italian poet Petrarch (Francesco Petrarca). It tells the story of the Second Punic War, in which the Carthaginian general Hannibal invaded Italy, but Roman forces were eventually victorious after an invasion of north Africa led by Publius Cornelius Scipio Africanus, the epic poem's hero.
Africa and De viris illustribus were partially inspired by Petrarch's visit to Rome in 1337. According to Bergin and Wilson (p. ix). It seems very likely that the inspirational vision of the Eternal City must have been the immediate spur to the design of the Africa and probably De viris illustribus as well. After returning from his grand tour, the first sections of Africa were written in the valley of Vaucluse. Petrarch recalls
The fact that he abandoned it early on is not entirely correct since it was far along when he received two invitations (from Rome and from Paris) in September 1340 each asking him to accept the crown as poet laureate. A preliminary form of the poem was completed in time for the laurel coronation April 8, 1341 (Easter Sunday).
Africa is 2009 Perpetuum Jazzile album. By large most successful song from the album is a capella version of Toto's "Africa", the performance video of which has received more than 15 million YouTube views since its publishing in May 2009 until September 2013.
Africa is a 1930 Walter Lantz cartoon short featuring Oswald the Lucky Rabbit.
Oswald was riding through the Egyptian desert on his camel. The camel, though looking real on the exterior, is actually mechanical because of the two ball-shaped pistons inside which Oswald manipulates with his feet like bike pedals. One day, a lion was running toward them. To defend himself, Oswald brought out a rifle but it malfunctioned. As a final resort, Oswald fired the ball pistons from the camel like a cannon and aimed into the lion's mouth. Terrified by its lumpy back, the lion runs away in panic.
Nearby where he is, Oswald saw an oasis and a palace. Upon seeing the apes dance and play instruments, the curious rabbit decides to join the fun. As he entered the palace, Oswald was greeted by the queen. The queen asked him who he is, and Oswald introduced himself in a song as well as giving advice for a possibly better lifestyle. Pleased by his visit, the queen asked Oswald if he would like to be her king. Oswald was at first uncertain, knowing he never met a queen, but immediately accepted. It turns out momentarily that the queen still has a king who shows up then throws Oswald out of the palace and into a pond full of crocodiles. Luckily, Oswald escapes unscathed and runs off into the desert.
The Chinese Elm cultivar Ulmus parvifolia 'Glory' is one of the early American selections, best known for its winter hardiness.
'Glory' can reach heights over 13 m.
The species and its cultivars are highly resistant, but not immune, to Dutch elm disease, and unaffected by the Elm Leaf Beetle Xanthogaleruca luteola.
'Glory' is common in the United States. The tree featured in the elm trials conducted by Northern Arizona University at Holbrook. It is not known to have been introduced to Europe or Australasia. Hardiness: USDA zones 5b–10a.
Free Weezy Album (abbreviated as FWA) is the eleventh studio album by American hip hop recording artist Lil Wayne. It was released on July 4, 2015, by Young Money Entertainment and Republic Records, exclusively on TIDAL.
On December 4, 2014, just five days before Lil Wayne's Tha Carter V was due to be released, Wayne issued a statement saying the album would not be released on its expected release date, due to his displeasure with Cash Money Records label-boss Birdman, not wanting to release the album although it had been completed. Wayne also expressed his feelings by stating he felt both he and his creativity were "being held prisoner". On January 20, 2015, Wayne self-released Sorry 4 the Wait 2, a mixtape to compensate for the continued delay of Tha Carter V. It is the sequel to 2011's Sorry 4 the Wait, which served for the same purpose during the delay of his ninth album, Tha Carter IV (2011). Upon Sorry for the Wait 2's release, it was noted Wayne disses Birdman and Cash Money Records, several times throughout the mixtape. On January 28, 2015, it was reported Wayne filed a $51 million lawsuit against Birdman and Cash Money Records over the delay of Tha Carter V.
Glory is a sculpture created by American artist Garry R. Bibbs in 1999. The sculpture resides on the corner of West Michigan Street in Indianapolis, Indiana. Glory is made from fabricated steel and bronze. Angels and trumpets are the two distinct images visible within the sculpture. The sculpture is very large, with dimensions of 80 ft x 40 ft x 1 ft, and it sits at the entrance to the J. F. Miller Center. Gibbs signed his name to the sculpture and included a copyright sign.
The sculpture was commissioned by Joseph F. Miller, founder of the J. F. Miller Center. The dedication date is listed as March 1999. The Joseph F. Miller Center on West Michigan Street used to house the Second Baptist Church, one of the city’s oldest African-American Baptist churches, until it moved in 2002. The building was renovated to become a place for offices and now houses the Miller Center, which commissioned the sculpture.
Bibbs drew inspiration from the Bible’s book of Ezekiel, from African-American heritage and from a historical African-American medical clinic located nearby.
Voices is the ninth studio album by Hall & Oates, released in 1980. It spent 100 weeks on the Billboard 200 Pop Albums Chart, peaking at #17.
The album slowly became a massive hit, spinning off four singles into the top 40 of the American pop charts: "How Does It Feel to Be Back" (#30 in fall, 1980), "You've Lost That Lovin' Feelin'" (#12 in winter, 1980), "Kiss on My List" (#1 for three weeks in spring, 1981), and "You Make My Dreams" (#5 in summer, 1981). "Everytime You Go Away" was not released as a single, but was covered by Paul Young in 1985, when it went to #1 on the Billboard Hot 100 charts. Singers Elisa Chan and Danny Summer covered this song in Cantonese in 1985 and 1986.
The album is seen as a revolution in the Hall & Oates sound, paving the way for future blockbusters like Private Eyes. It was the first album that Hall & Oates produced by themselves, working in conjunction with renowned engineer Neil Kernon.
The original LP album cover was in black & white and had several variations with the duo in different poses and the half circle, sound-like waves were embossed & raised; a marketing technique commonly used in late '70's record sleeve packaging. It was subsequently replaced in 1981 with a color photograph of the duo, excluding the original pose of Hall "escaping" from his white trench coat-like jacket. The album was re-released in 2004 as a remastered version with a slightly different cover photo but no additional tracks. The Japanese re-release version had two extra tracks: a remixed version of "Kiss on My List" that had previously appeared on the album 12 Inch Collection 2 and a remix of "Everytime You Go Away" that was also available on the album The Ballads Collection - RCA 100th Anniversary Series.