- published: 12 Nov 2011
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A ballad /ˈbæləd/ is a form of verse, often a narrative set to music. Ballads derive from the medieval French chanson balladée or ballade, which were originally "dancing songs". Ballads were particularly characteristic of the popular poetry and song of the British Isles from the later medieval period until the 19th century and used extensively across Europe and later the Americas, Australia and North Africa.
Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century the term took on the meaning of a slow form of popular love song and is now often used for any love song, particularly the pop or rock sentimental ballad.
The ballad derives its name from medieval French dance songs or "ballares" (L: ballare, to dance), from which 'ballet' is also derived, as did the alternative rival form that became the French ballade. As a narrative song, their theme and function may originate from Scandinavian and Germanic traditions of storytelling that can be seen in poems such as Beowulf. Musically they were influenced by the Minnesinger. The earliest example of a recognisable ballad in form in England is "Judas" in a 13th-century manuscript.
Saint is the designation of a holy person.
Saint(s) may also refer to:
Oswald "Baba" Brooks (born c.1935) was a trumpet player who played jazz in the 1950s with the Eric Dean orchestra and recorded during the 1960s original Jamaican ska era for producers Duke Reid, Sonia Pottinger and her husband Lindon, King Edwards, and Prince Buster.
Brooks was born in Kingston, Jamaica, around 1935. He played trumpet on recording sessions from the late 1950s onwards, often uncredited, and formed his own band in the early 1960s, having a hit in 1962 with "Independence Ska", which celebrated Jamaica's break from colonialism. He also performed on several sessions with the Skatalites. He had further hits in 1964 with "Bus Strike" and "Musical Workshop". The band followed this in 1965 with "Guns Fever", recorded at Studio One. Brooks and his band continued to play on recording sessions until the early 1970s.
The Saints were an English instrumental band, that worked for the record producer, Joe Meek.
The band were made up of Tab Martin (fresh from his stint with The Tornados), Roy Phillips (playing guitar), and drummer Ricky Winter (born Richard Winter, 27 September 1940, in Aldershot, Hampshire). They worked as the house band for Meek's productions, and as such backed Heinz, Andy Cavell (born 20 April 1945, Piraeus, Greece) and others. Their most notable recording was their cover of The Surfaris', "Wipe Out". They appeared as themselves in the British film, Live It Up!.
Martin and Phillips went on to found The Peddlers in 1964.
The Ballad Send someone out to get me in I think it's starting to rain Don't be rough don't ask too many questions of me I don't think I can stand It's very late in the evening & I see the sun it refuses to shine if you believed everything you have said to me why don't you understand & I say to myself this world ain't doing me too much good I've lost my reasons I stand out in the falling rain I've been ten days in overdrive I crawl the nearest wall I don't know where it is I am going to or where I've just come from one more drink might make me feel better it is a friend when you are down but one more drink will only bring me closer to what it is I'm running from
Track 6 from the 1987 album All Fools Day.
Provided to YouTube by Universal Music Group The Ballad · The Saints All Times Through Paradise ℗ 2004 EMI Records Ltd Released on: 2009-01-01 Composer: Ed Kuepper Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Ballad For The Saints · Bheki Mseleku Star Seeding ℗ 1995 Decca Records France Released on: 1995-01-01 Associated Performer, Recording Arranger, Interprète Instrumental: Bheki Mseleku Associated Performer, Interprète Instrumental: Charlie Haden Associated Performer, Interprète Instrumental: Billy Higgins Composer Lyricist: Bheki Mseleku Auto-generated by YouTube.
Let It Bleed (50th Anniversary Edition) is out now: https://abkco.lnk.to/LetItBleed "Sympathy For The Devil" by The Rolling Stones Composers: Mick Jagger and Keith Richards Lyrics: Please allow me to introduce myself I'm a man of wealth and taste I've been around for a long, long year Stole many a man's soul and faith I was 'round when Jesus Christ Had his moment of doubt and pain Made damn sure that Pilate Washed his hands and sealed his fate Pleased to meet you Hope you guess my name But what's puzzling you Is the nature of my game I stuck around St. Petersberg When I saw it was a time for a change Killed the Czar and his ministers Anastasia screamed in vain I rode a tank Held a general's rank When the blitzkrieg raged And the bodies stank Pleased to meet you Hope you guess my na...
From Prodigal Son 1988
A ballad /ˈbæləd/ is a form of verse, often a narrative set to music. Ballads derive from the medieval French chanson balladée or ballade, which were originally "dancing songs". Ballads were particularly characteristic of the popular poetry and song of the British Isles from the later medieval period until the 19th century and used extensively across Europe and later the Americas, Australia and North Africa.
Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century the term took on the meaning of a slow form of popular love song and is now often used for any love song, particularly the pop or rock sentimental ballad.
The ballad derives its name from medieval French dance songs or "ballares" (L: ballare, to dance), from which 'ballet' is also derived, as did the alternative rival form that became the French ballade. As a narrative song, their theme and function may originate from Scandinavian and Germanic traditions of storytelling that can be seen in poems such as Beowulf. Musically they were influenced by the Minnesinger. The earliest example of a recognisable ballad in form in England is "Judas" in a 13th-century manuscript.
Well a-when the saints go marching in,
when the saints go marching in
mm I want to be, I'm gonna be in that number,
ooo when the saints go marching in.
Oh when the sun yeah begins to shine.
when that old sun begins to shine,
I tell you something I'm gonna be I'm gonna be in that number,
when the sun begins to shine.
Yeah when my lord calls me home again,
ah when my lord calls me home again,
I'll tell you I'm gonna be in that number,
oh when my lord calls me home again.
Oh when the saints go marching in,
when the saints go marching in
I tell you something I'm gonna be I'm gonna be in that number,
when the saints go marching in.
Well when the sun yeah begins to shine.
when that sun begins to shine,
I tell you something I'm gonna be I'm gonna be in that number,
when that old sun begins to shine.
Lazy one time.
Mm mm, yeh, alright, mm, yeah,
ooo when the saints go marching in.
Yeah when the saints go marching in,
yeah when the saints go marching in
I tell you something, I'm gonna be I'm gonna be in that number,
yeah when the saints go marching in.
Yeah when my lord calls me home again,
ah when my lord calls me home again,
I'll tell you I'm gonna be in that number,
oh when the saints go marching in.