Rush is a 2012 Bollywood thriller film directed by Shamin Desai. The film features Emraan Hashmi, Aditya Pancholi, Neha Dhupia and Sagarika Ghatge. The storyline is based on media and crime. The film released on 26 October 2012 on Dussehra. After the death of director Desai, the film was completed by his wife Priyanka Desai. It generally received negative response from critics and was declared a disaster at box-office.
The story follows media, politics, crime and sex at the point of life and death. Samar Grover (Emraan Hashmi) is a struggling news reporter. Even though his talk show is at the pinnacle of success, his personal life has turned upside down due to problems with his wife (Sagarika Ghatge). Seeing no way out, he accepts an assignment offered by a dynamic media tycoon named Lisa (Neha Dhupia), which he believes can make him millions. However, along with Lisa, one of India's most richest man, Roger Khanna (Aditya Pancholi), together play a game on Samar, which plunges him into a vortex of violence in a deadly game of cat and mouse. Beneath the veneer of glamour, money, power and the enviable life of media, lays a truth that is at once unbelievable and shocking.
In video games, rushing is a battle tactic similar to the blitzkrieg or the human wave attack tactics in real-world ground warfare, in which speed and surprise are used to overwhelm and/or cripple an enemy's ability to wage war, usually before the enemy is able to achieve an effective buildup of sizable defensive and/or expansionist capabilities.
In real-time strategy (RTS), real-time tactical (RTT), squad-based tactical shooter (TS), and team-based first-person shooter (FPS) computer games, a rush is an all-in alpha strike, fast attack or preemptive strike intended to overwhelm an unprepared opponent. In massively-multiplayer online first-person-shooters (MMOFPS), this also describes the masses of hundreds of players in massive, unorganized squabble in effort to win by gross numerical superiority. In these contexts, it is also known as swarming, cheese, mobbing, goblin tactics or zerging, referring to the Zerg rush tactic from StarCraft. In fighting games, this style of play is called rushdown. In sport games, this style of play is called blitz or red dog. This also has a different meaning in massively multiplayer online role-playing games (MMORPGs) and competitive online role-playing games (CORPGs), where characters frequently deploy summoned creatures (pets) for use in mob control tactics known as mob control, sapping tactics known as minion bombing, or use of tactics that involve repeatedly throwing themselves (dying and reviving) at a boss mob. Collectible card games (CCG) and trading card games (TCG) can employ a strategy of weening, flooding or aggroing the opposing player with small, cheap and expendable targets rather than strong, well-coordinated units.
Rush is the eponymous debut studio album by Canadian rock band Rush, released on March 1, 1974 and later remastered in 1997. Their first release shows much of the hard rock sound typical of many of the popular rock bands emerging earlier in the decade, and it is the only album to not have Neil Peart as drummer. Rush were fans of such bands as Led Zeppelin and Cream, and these influences can be heard in most of the songs on this album. Original drummer John Rutsey performed all drum parts on the album, but was unable to go on extended tours because of complications with his diabetes and was respectfully let go by the band after the album was released. Rutsey contributed to the album's lyrics, but never submitted the work to the other members of the band. The lyrics were instead entirely composed by Lee and Lifeson. Rutsey was soon replaced by Peart, who has remained the band's drummer ever since.
Originally the recording sessions were produced by Dave Stock at Eastern Sound in Toronto. They were scheduled late at night during the 'dead' time in studios because of the band's low budget and the rates during this period were the cheapest. Stock had also worked on the band's debut single (a cover of Buddy Holly's "Not Fade Away", with an original composition, "You Can't Fight It", on the B-side). "You Can't Fight It" was to be included on the album but was scrapped. Two of the Eastern Sound recordings, "In the Mood" and "Take a Friend" were included on the final album.
Jonathan Gooch (born 22 August 1984 in Hertfordshire, England), more commonly known by his stage names Feed Me and Spor, is a drum and bass, dubstep and electro house producer and DJ. He is currently managed by Three Six Zero Group.
Jon Gooch obtained the name Spor after an authentication of particular IP identities. After a successful partnership with Renegade Hardware and Barcode Recordings, and releases with Teebee's Subtitles Recordings, in 2006, Spor and long-term friend Chris Renegade launched Lifted Music and signed music from producers such as Apex, Evol Intent, Ewun and Phace.
On 24 February 2010, Spor released his second double EP, Conquerors and Commoners, on the Lifted Music label. In an interview with K Magazine, he said the title was inspired by a quote by Harlan Ellison. The album was well received by drum and bass fans, with two of the tracks from the album ("Halogen" and "Kingdom") being played on Andy C's Nightlife 5 mix CD. Spor has since then been playing his music at clubs across the world under the Lifted Music guise. Gooch was also involved in a second side project called "Seventh Stitch", which produced alternative IDM. Under this alias, he worked with another artist named Andrew Aker on a track entitled "Oceans".
[Intro: KRS - talking]
Yes, KRS. Revolution. You know what this is
We back in the building, straight up
Yo, look at 'em. Look at 'em runnin'
Look at 'em runnin' already. Out the door
Let's go. This is raw. Y'all know what time this is
[Verse 1:]
When KRS-One comes to spit
You DJ's with no breaks, I don't wanna hear that shit
The radio?
I can't even bare that shit
Gucci/Prada, I don't even wear that shit
I'm in the streets, holla, but y'all fear that shit
We blue collar DJ's, we're here to rip
900 number, we got two pairs of it
MP3 shit, I'm not sharin' it
Classic samples and loops, we not clearin' it
The life of DJ, there's no comparin' it
Many wanna be but many more are scared of it
Before they start they already plan to quit
The music? They no longer fans of it
They wanna use it, so they can get a grand and shit
The program director is handin' 'em strips
Make 'em play wack shit and lie from they lips!
[talking: DJ Premier]
You see, there's times like this.
When you need real motherfuckers like us to let you know what a DJ is
Listen man, I gotta pay you to play my shit? Check this out
My shit's already hot so I ain't gotta pay for shit
You can't tell a DJ what to do. We tell you what's really good
DJ Revolution, I got you. Fuck these clowns
[Verse 2:]
So, you wanna be a DJ live on the set?
Can't be travellin' back again, you should not forget
The beats in the street and you have been elected
To carry the tradition of records being selected
Check it
Your job is to break new records
Go to the club, get on man and wreck shit
Seemless mixin', blends undetected
The true DJ and MC are connected
Like me and DJ Revolution
Look at what we usin'
Beats and rhymes, no confusion
Who's in the house?
If my crew's in the house?
100's of people be groovin' it out
Cuttin', mixin', scratchin' non-stop
Party rockin', two hours non-stop
If you got Serrato
Bravo
But if you can't cut vinyl records, you won't be able to follow
A true MC, not a new MC
Fuck the computer it's you and me
And the crowd
And oh yes they want it loud
At the tombstone of Scott La Rock, I vow
Never to let a wack DJ mix me
And I'll be spittin' this way past 60
Ain't nothin' changed but the format
Funk, soul, jungle, maaaan, you gotta play all that
Mix it up, not lick it up
The mix, a DJ should pick you up
KRS-One
DJ Revolution
Tell me, what's the solution?
[Scratch chorus: "The DJ" - Common]
[Verse 3:]
Yeah, you're a D dot J dot, man don't even say that
We real in the field, y'all pressin' play back
DJ Revolution, watch how you say dat
Y'all gonna respect this DJ from way back
Yo, hey Jack, this the payback
Y'all far from home and forgot your way back
So bein' I'm the teacher and all this
Me and DJ Revolution put together this short list
For DJ's
So you can get on your job
A DJ is not an Ipod
A DJ is not a jukebox, fuck your requests
You come to hear the DJ rock
Just because you got 20, 000 songs in your computer and you call on them
Doesn't mean you should bore the crowd
Be selective, you don't have to play all of them
I really shouldn't have to say this
But don't build your set from your P.D. playlist
DJ's across the nation
What you play in your ride, play on the station
Needless to say
DJ's must love the music they play
And Mix
If you're good
Just because you can scratch doesn't mean you should
Cuttin' and scratchin' is seasonin' when you use it
Rock it, but people wanna hear the music
So #7
Let's get into this
Don't ever start a mix you can't finish
At #8
For DJ's to hear it
Don't shout your name over other rapper's lyrics
Or rhymes
Keep the party movin'
Play up to two verses only, keep the party movin'
Find a friend
A true MC that down with you till the end
Someone who can explain what you doin'
Sorta like KRS with DJ Revolution
What are we provin'?
DJin' with MCin' together is hip hop's true fusion
"The DJ"
[talking: KRS One]
Stand up for the culture. Don't just grab a check
These motherfuckers won't be here next year
What you gonna do when they fire yo' ass?
Man, you better stand with the people. DJ Revolution. The originator