- published: 07 Oct 2013
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James Nicholas McGeganOBE (born 14 January 1950 in Sawbridgeworth, Hertfordshire, England) is a British harpsichordist, flautist, conductor and early music expert.
McGegan received his early education at Nottingham High School. He subsequently studied music at Corpus Christi College, Cambridge and at Magdalen College, Oxford. McGegan has participated in some of the earliest "authentic-performance" recordings during the 1970s as a baroque flautist, including Christopher Hogwood's seminal recordings of Mozart symphonies. He has taught music at such UK institutions as King's College, Cambridge, Oriel College, Oxford, and the Royal College of Music. In the USA, McGegan has served as artist-in-residence at Washington University in St. Louis, beginning in 1979 when he was initially scheduled for one semester in residence, but his residency extended into the mid-1980s.
Since 1985, McGegan has been music director of the Philharmonia Baroque Orchestra in San Francisco and Berkeley, California. In 1988, he served as Music Director of the Ojai Music Festival alongside Peter Maxwell Davies and Diane Wittry. From 1993-98 he was Principal Guest Conductor of the Scottish Opera in Glasgow. From 1991 to 2011, McGegan was also Artistic Director of the Göttingen International Handel Festival. He was music director of the Irish Chamber Orchestra from 2002 to 2005. Since 2013 he has been Principal Guest Conductor of the Pasadena Symphony, and in 2014 the became Artist in Association with Australia’s Adelaide Symphony. He has also held long-term appointments with the Drottningholm Theatre, where he served as principal conductor from 1993–96, the Milwaukee Symphony Orchestra, and the Saint Paul Chamber Orchestra. McGegan also founded the chamber music group, The Arcadian Academy.
Nicholas or Nikolas or Nicolas or Nickolas is a male given name, derived from the Greek name Νικόλαος (Nikolaos), a compound of νίκη nikē 'victory' and λαός; laos 'people', that is, victory of the people. The name became popular through Saint Nicholas, Bishop of Myra in Lycia, the inspiration for Santa Claus. The customary English version of spelling "Nicholas", using an "h", first came into use in the 12th century and has been firmly established since the Reformation, though "Nicolas" is occasionally used.
In the United States, Nicholas – and its variations – was the 17th most popular male name given to babies in 2006. Roughly 0.7151% of the baby boys born that year, or 15,414, were given that name. It is decreasing in popularity, from a high in 1997, when 27,248 males in the United States were given the name Nicholas. That year was the most popular year for Nicholas since 1880, when U.S. records were kept for given names.
The Eastern Orthodox Church, the Roman Catholic Church, and the Anglican Churches celebrate Saint Nicholas every year on December 6, which is the name day for "Nicholas". In Greece, the name and its derivatives are especially popular in maritime regions, as St. Nicholas is considered the protector saint of seafarers.
The Baroque orchestra is the type of orchestra that existed during the Baroque era, commonly identified as 1600-1750. Its origins were in France where Jean-Baptiste Lully added the newly re-designed hautbois and transverse flutes to his vingt-quatre violons du Roy. As well as violins and woodwinds, the baroque orchestra contained continuo instruments such as the theorbo and harpsichord.
In the Baroque period, the orchestra was not standardised in size. There were large differences in size, instrumentation and playing styles - and therefore orchestral soundscapes and palettes - between the various European regions. The 'Baroque orchestra' ranged from smaller orchestras (or ensembles) with one player per part, to larger scale orchestras with many players per part. Examples of the smaller variety were Bach's orchestras, for example in Koethen where he had access to an ensemble of up to 18 players. Examples of large scale Baroque orchestras would include Corelli's orchestra in Rome which ranged between 35 and 80 players for day-to-day performances, being enlarged to 150 players for special occasions.
Philharmonia Baroque Orchestra is an orchestra based in San Francisco, which is dedicated to historically informed performance of Baroque, Classical and early Romantic music on original instruments. It was founded in 1981 by harpsichordist, teacher, and early music pioneer Laurette Goldberg (1932-2005). The ensemble added the Philharmonia Chorale in 1995.
Nicholas McGegan has been Music Director of Philharmonia Baroque since 1985. In addition, Philharmonia Baroque has welcomed eminent guest conductors to its podium including William Christie, Andrew Parrott, Jordi Savall, Gustav Leonhardt, Trevor Pinnock, Monica Huggett and Stanley Ritchie.
Philharmonia performs a seven-concert subscription season in three cities in the San Francisco Bay Area -- San Francisco, Berkeley, and Atherton/Palo Alto—and is regularly heard on tour in United States and internationally. In 2005 Philharmonia debuted at the BBC Proms, Snape Maltings (UK) and the Concertgebouw in Amsterdam as part of its European tour. In August 2011, the Orchestra performed Handel’s opera Orlando at the Ravinia, Mostly Mozart, and Tanglewood festivals.
Nicholas McGegan talks about leading Handel's most famous work with the Philharmonia Baroque Orchestra and Chorale.
Members of the Academy Festival Orchestra; Voice Program fellows Nicholas McGegan, conductor Handel: selections from Rinaldo Mendelssohn: "Scottish" Symphony The Music Academy of the West is among the nation’s preeminent summer schools and festivals for gifted young classical musicians. At its ocean-side campus in Santa Barbara, the Academy provides these musicians with the opportunity for advanced study and performance under the guidance of internationally renowned faculty artists, guest conductors, and soloists. Admission to the Academy is strictly merit based, and fellows receive full scholarships (tuition, room, and board). The Academy’s distinguished teaching artists roster has included famed soprano Lotte Lehmann, composers Darius Milhaud and Arnold Schoenberg, cellist Gregor Piatig...
Conductor Nicholas McGegan talks about Frideric Handel's music
Conductor Nicholas McGegan returns to Juilliard to conduct the Juilliard Orchestra in works by Mozart (the Bassoon Concerto and the “Haffner” Symphony) and Beethoven (the “Pastoral” Symphony). Find out more about McGegan's love of putting "a twist" on beloved classical pieces as well as what excites him about working with student soloists in a concerto setting. Purchase tickets: https://events.juilliard.edu/event/805/juilliard-orchestra-925/?date=1011 Like us on Facebook: https://www.facebook.com/TheJuilliardSchool Follow us on Twitter: https://twitter.com/JuilliardSchool Follow us on Instagram: http://instagram.com/juilliardschool
George Frideric Handel (1685-1759) Water Music Suite No. 3, HWV 351 (1749) Music Academy of the West 2009 conducted by Nicholas McGegan with Martha Long, flute. Performed in Santa Barbara, CA
Arcangelo Corelli (1653~1713) - Concerti Grossi, Op.6 - Concerto Grosso No.1 in Re maggiore (per due Violini e Violoncello, Archi e Basso Continuo) I. Largo - Allegro - Largo - Allegro II. Largo III. Allegro IV. Allegro Philharmonia Baroque Orchestra Nicholas McGegan (conductor) Arcangelo Corelli was at work preparing his Opus Six in 1711 and wrote a dedication for the collection in 1712. However, the twelve "Concert Grossi with a Concertino of two Violins and Violoncello obbligati and two other Violins, Viola and Bass for the Concerto grosso that can be doubled at will" did not appear until 1714, the year after the composer's death, issued by the printer Etienne Roger of Amsterdam. As the title specifies, these works juxtapose the sound of a trio-sonata group (two ...
Jean-Marie Leclair (1697~1764) 《Scylla et Glaucus》tragèdie en musique, Op.11 (French Baroque tragedy Opera, written in 1746) (1) Prologue: Ouverture - 00:00 (2) Scène 1: Sarabande - 04:00 (3) Scène 1: Air Gracieux - 05:30 (4) Scène 3: Gigue - 06:50 (5) Acte 1, Scène 3: Marche des bergers et des silvains - 08:30 Philharmonia Baroque Orchestra Nicholas McGegan (conductor) (Live Recording - release date 2005)
Conductor Nicholas McGegan on Handel's "Royal Fireworks"
Nicholas McGegan, whose love of music's "little twists" is well known, talks about the era-bridging decade of the 1760s, and the stark contrast between the music of Telemann, a Baroque composer in the twilight of his career, and Haydn, whose music from this decade captures a young Classical hotshot showing off his prowess. McGegan conducts Juilliard415 in a program featuring works by Haydn and Telemann on November 16, 2015. The concert precedes Juilliard415's tour of the West Coast. Find out more about the concert here: https://events.juilliard.edu/event/772/nicholas-mcgegan-conducts-juilliard415/?date=978 Like us on Facebook: https://www.facebook.com/TheJuilliardSchool Follow us on Twitter: https://twitter.com/JuilliardSchool Follow us on Instagram: http://instagram.com/juilliardscho...
Conductor Nicholas McGegan talks about Frideric Handel's music
Nicholas McGegan conducts a rehearsal with Göteborgs Symfoniker. Music by Händel and Rameau. Interview with Karin Knutson
"It's not only that it's incredibly beautiful, it's got fantastic sound," says LA Phil guest conductor Nicholas McGegan about Walt Disney Concert Hall. See him perform at Walt Disney Concert Hall in two programs: "From Bach to Schubert" - March 31 and April 2 Tickets: http://laphil.com/tickets/from-bach-to-schubert/2016-03-31 "Philharmonia & Baroque: Handel & Pärt" - May 11 Tickets: http://laphil.com/tickets/philharmonia-baroque-handel-part/2016-05-11 For more information about the Los Angeles Philharmonic Association, visit http://laphil.com. LA Phil on Facebook — http://facebook.com/LAPhil LA Phil on Twitter — http://twitter.com/LAPhil LA Phil on Instagram — http://instagram.com/LAPhil
Nicholas McGegan talks about leading Handel's most famous work with the Philharmonia Baroque Orchestra and Chorale.
George Frideric Handel (1685-1759) Water Music Suite No. 3, HWV 351 (1749) Music Academy of the West 2009 conducted by Nicholas McGegan with Martha Long, flute. Performed in Santa Barbara, CA
Conductor Nicholas McGegan in conversation with WQXR's Jeff Spurgeon at Barnes & Noble Lincoln Triangle in New York City on March 25, 2009. (Part 1 of 7)
Conductor Nicholas McGegan on the March 26-28, 2009 Program featuring the music of Handel
Georg Friedrich Händel. Arminio. Si cadro ma sorgera. Georg Friedrich Händel. Arminio. Al par della mia sorte. Georg Friedrich Händel. Arminio. Fatto scorta al sentier Leonardo Leo (1694-1744). Demetrio. Dal suo gentil sembiante. Nicola (Antonio) Porpora (1686-1768). Germanico in Germania. Qual turbine che scende. Contratenor Max Emanuel Cencic (Max Emanuel Cenčić, Макс Эмануэль Ченчич). Солисты Екатерины Великой. Фестиваль Earlymusic-2015. Санкт-Петербург. 2.10.2015. Академическая капелла.
Highlights from Philharmonia Baroque Orchestra's first-ever SESSIONS event at SFJAZZ Center on February 6, 2014. Visit http://www.philharmonia.org/sessions for information about future SESSIONS concerts!
Conductor Nicholas McGegan on Handel's "Royal Fireworks"
Nicholas McGegan talks about leading Handel's most famous work with the Philharmonia Baroque Orchestra and Chorale.
Members of the Academy Festival Orchestra; Voice Program fellows Nicholas McGegan, conductor Handel: selections from Rinaldo Mendelssohn: "Scottish" Symphony The Music Academy of the West is among the nation’s preeminent summer schools and festivals for gifted young classical musicians. At its ocean-side campus in Santa Barbara, the Academy provides these musicians with the opportunity for advanced study and performance under the guidance of internationally renowned faculty artists, guest conductors, and soloists. Admission to the Academy is strictly merit based, and fellows receive full scholarships (tuition, room, and board). The Academy’s distinguished teaching artists roster has included famed soprano Lotte Lehmann, composers Darius Milhaud and Arnold Schoenberg, cellist Gregor Piatig...
Conductor Nicholas McGegan talks about Frideric Handel's music
Conductor Nicholas McGegan returns to Juilliard to conduct the Juilliard Orchestra in works by Mozart (the Bassoon Concerto and the “Haffner” Symphony) and Beethoven (the “Pastoral” Symphony). Find out more about McGegan's love of putting "a twist" on beloved classical pieces as well as what excites him about working with student soloists in a concerto setting. Purchase tickets: https://events.juilliard.edu/event/805/juilliard-orchestra-925/?date=1011 Like us on Facebook: https://www.facebook.com/TheJuilliardSchool Follow us on Twitter: https://twitter.com/JuilliardSchool Follow us on Instagram: http://instagram.com/juilliardschool
George Frideric Handel (1685-1759) Water Music Suite No. 3, HWV 351 (1749) Music Academy of the West 2009 conducted by Nicholas McGegan with Martha Long, flute. Performed in Santa Barbara, CA
Arcangelo Corelli (1653~1713) - Concerti Grossi, Op.6 - Concerto Grosso No.1 in Re maggiore (per due Violini e Violoncello, Archi e Basso Continuo) I. Largo - Allegro - Largo - Allegro II. Largo III. Allegro IV. Allegro Philharmonia Baroque Orchestra Nicholas McGegan (conductor) Arcangelo Corelli was at work preparing his Opus Six in 1711 and wrote a dedication for the collection in 1712. However, the twelve "Concert Grossi with a Concertino of two Violins and Violoncello obbligati and two other Violins, Viola and Bass for the Concerto grosso that can be doubled at will" did not appear until 1714, the year after the composer's death, issued by the printer Etienne Roger of Amsterdam. As the title specifies, these works juxtapose the sound of a trio-sonata group (two ...
Jean-Marie Leclair (1697~1764) 《Scylla et Glaucus》tragèdie en musique, Op.11 (French Baroque tragedy Opera, written in 1746) (1) Prologue: Ouverture - 00:00 (2) Scène 1: Sarabande - 04:00 (3) Scène 1: Air Gracieux - 05:30 (4) Scène 3: Gigue - 06:50 (5) Acte 1, Scène 3: Marche des bergers et des silvains - 08:30 Philharmonia Baroque Orchestra Nicholas McGegan (conductor) (Live Recording - release date 2005)
Conductor Nicholas McGegan on Handel's "Royal Fireworks"
Nicholas McGegan, whose love of music's "little twists" is well known, talks about the era-bridging decade of the 1760s, and the stark contrast between the music of Telemann, a Baroque composer in the twilight of his career, and Haydn, whose music from this decade captures a young Classical hotshot showing off his prowess. McGegan conducts Juilliard415 in a program featuring works by Haydn and Telemann on November 16, 2015. The concert precedes Juilliard415's tour of the West Coast. Find out more about the concert here: https://events.juilliard.edu/event/772/nicholas-mcgegan-conducts-juilliard415/?date=978 Like us on Facebook: https://www.facebook.com/TheJuilliardSchool Follow us on Twitter: https://twitter.com/JuilliardSchool Follow us on Instagram: http://instagram.com/juilliardscho...
Members of the Academy Festival Orchestra; Voice Program fellows Nicholas McGegan, conductor Handel: selections from Rinaldo Mendelssohn: "Scottish" Symphony The Music Academy of the West is among the nation’s preeminent summer schools and festivals for gifted young classical musicians. At its ocean-side campus in Santa Barbara, the Academy provides these musicians with the opportunity for advanced study and performance under the guidance of internationally renowned faculty artists, guest conductors, and soloists. Admission to the Academy is strictly merit based, and fellows receive full scholarships (tuition, room, and board). The Academy’s distinguished teaching artists roster has included famed soprano Lotte Lehmann, composers Darius Milhaud and Arnold Schoenberg, cellist Gregor Piatig...
George Frideric Händel (1685 † 1759) Cor fedele in vano speri (Clori, Tirsi e Fileno), comic cantata for 2 sopranos, alto & orchestra, HWV96 Written in Rome September or October 1707 Personaggi: Clori, a shepherdess: Lorraine Hunt Lieberson, soprano Tirsi, a shepherd: Jill Feldman, soprano Fileno, a shepherd: Drew Minter, countertenor Part I 01. Overture 02. Aria: Cor fedele, in vano speri (Tirsi) 03. Recitative: Povero Tirsi, quanto (Tirsi) 04. Aria: Quell'erbetta che smalta le sponde (Tirsi) 05. Recitative: Se il guardo non vaneggia, ecco Clori (Tirsi) 06. Aria: Va col canto lusingando (Clori) 07. Recitative: Debbua cosi, o Fileno (Clori, Fileno) 08. Aria: Sai perché l'onda del fume (Fileno) 09. Recitative: Vezzoso pastorello (Clori) 10. Aria: Conosco che mi piaci (Clori) 11. Recit...
Eltruda, Edith - Jennifer Smith, soprano Emma, Spirit – Christine Brandes, soprano Prince Edward – David Daniels Cirin, Alfred – Jamie MacDougall, tenor Philharmonia Chorale Philharmonia Baroque Orchestra Nicholas McGegan, conductor Published in 1999
1. Concerto in D Major, RV 427 2. Concerto in G Major, RV 438 3. Concerto in A Minor, RV 440 4. Concerto in C Major, RV 533 5. Concerto in D Major, RV 428 «Il Gardellino» 6. Concerto in G Major, RV 436 7. Concerto in D Major, RV 429 Janet See – baroque flute Marion Verbruggen – recorder Stephen Schultz – second flute Dennis Godburn – bassoon Philharmonia Baroque Orchestra Nicholas McGegan – director & harpsichord
Johannes Brahms: Serenade no. 1 op. 11 in D major, played on period instruments by Philharmonia Baroque Orchestra, conducted by Nicholas McGegan. 1. Allegro molto - 00:00 2. Scherzo: allegro non troppo - 13:00 3. Adagio - 20:54 4. Menuetto - 35:26 5. Scherzo: allegro - 39:33 6. Rondo: allegro - 42:26 Buy it here: http://www.philharmonia.org/shop/
Concerto in F Major, RV 433 «La Tempetsa di Mare»: 1. I. Allegro 2. II. Largo 3. III. Presto Concerto in C Minor, RV 441: 4. I. Allegro non molto 5. II. Largo 6. III. Allegro Concerto in C Major, RV 443: 7. I. Allegro 8. II. Largo 9. III. Allegro molto Concerto in G Minor, RV 104 «La Notte»: 10. I. Largo 11. II. Presto 12. III. Largo 13. IV. Allegro Concerto in F Major, RV 434: 14. I. Allegro 15. II. Largo 16. III. Allegro Concerto in C Major, RV 444: 17. I. Allegro non molto 18. II. Largo 19. III. Allegro Concerto in G Major, RV 435: 20. I. Allegro 21. II. Largo 22. III. Allegro Janet See – baroque flute Marion Verbruggen – recorder Stephen Schultz – second flute Dennis Godburn – bassoon Philharmonia Baroque Orchestra Nicholas McGegan – director & harpsichord
George Frideric Handel (1685-1759) Susanna (oratorio in three parts), HWV 66 (1748) Libretto: Newburgh Hamilton (?) Part I. 00:00 - 1. Overture 04:19 - 2. Scene 1: How long, oh Lord, shall Israel groan? (Choir) 07:51 - 3. Scene 1: Clouds o'ertake the brightest day (Joacim) 12:53 - 4. Scene 1: When thou art nigh (Joacim, Susanna) 17:07 - 5. Scene 1: Who fears the Lord may dare all foes (Chelsias) 21:31 - 6. Scene 1: When first I saw my lovely maid (Joacim) 26:10 - 7. Scene 1: Would custom bid (Susanna) 33:16 - 8. Scene 1: Peace crown'd with roses (Chelsias) 35:25 - 9. Scene 1: Without the swain's assiduous care (Susanna) 41:02 - 10. Scene 1: The parent bird in search of food (Joacim) 47:21 - 11. Scene 2: On Joacim may every joy attend (Susanna) 48:34 - 12. Scene 2: Bending to the throne ...
00:00:01 Act I 01:16:44 Act II 02:08:12 Act İ Rinaldo (HWV 7) is an opera by George Frideric Handel composed in 1711. It is the first Italian language opera . 00:00:01 Act I 01:16:44 Act II 02:08:12 Act İ Rinaldo (HWV 7) is an opera by George Frideric Handel composed in 1711. It is the first Italian language opera . Hogwood 2000; HWV 7a Original 1711 version; GOFFREDO: Bernarda Fink, ALMIRENA: Cecilia Bartoli, RINALDO: David Daniels, EUSTAZIO: Daniel Taylor, .
Johannes Brahms: Serenade no. 2 op. 16 in A major, played on period instruments by Philharmonia Baroque Orchestra, conducted by Nicholas McGegan. I. Allegro moderato - 00:00 II. Scherzo. Vivace - 08:54 III. Adagio non troppo - 11:50 IV. Quasi menuetto - 19:47 V. Rondo. Allegro - 25:08 Buy it here: http://www.philharmonia.org/shop/
Johannes Brahms: Serenade no. 1 op. 11 in D major, played on period instruments by Philharmonia Baroque Orchestra, conducted by Nicholas McGegan. 1. Johannes Brahms: Serenade no. 2 op. 16 in A major, played on period instruments by Philharmonia Baroque Orchestra, conducted by Nicholas McGegan. Johannes Brahms Work: Serenade No.1 in D-major, Op.11 (1857) for orchestra Mov.I: Allegro molto 00:00 Mov.II: Scherzo: Allegro non troppo 10:27 Mov. Niuniu Teo, piano Anna Wittstruck, conductor Stanford Philharmonia 2/14/2016, Bing Concert Hall.