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Monteverdi - Vespers, "Vespro della Beata Vergine" | John Eliot Gardiner, Palace of Versailles [HD]
Claudio Monteverdi - Vespro della Beata Vergine, 1610. Sir John Eliot Gardiner at the Versailles Chapelle Royale with the Monteverdi Choir, the English Baroque Soloists and the Pages du Centre de musique Baroque de Versailles, Palace of Versailles, 2014. In 1964, Gardiner conducted it for the first time, and then he decided to found the Monteverdi Choir. This concert actually marks the 50th annive
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Monteverdi / Il quarto libro dei madrigali (Concerto Italiano)
Claudio Monteverdi (1567-1643)
Il quarto libro dei madrigali, à 5 voci [The Fourth Book of Madrigals] (1603)
1. Ah dolente partita
2. Cor mio, mentre vi miro - 03:35
3. Cor mio, non mori? e mori! - 05:53
4. Sfogava con le stelle un infermo d'amore - 08:41
5. Volgea l'anima mia soavemente - 12:12
6. Anima mia perdona [prima parte] - 16:02
7. Che se tu se'il cor mio [seconda parte] - 18:57
8. Luci
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Claudio Monteverdi - Magnificat (complete)
Claudio Giovanni Antonio Monteverdi (Italian pronunciation: [ˈklaudjo monteˈverdi]; 15 May 1567 (baptized) -- 29 November 1643) was an Italian composer, gamb...
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Claudio Monteverdi - Il ritorno di Ulisse in Patria
Credits:
http://www.allmusic.com/album/monteverdi-il-ritorno-dulisse-in-patria-mw0001414814/credits
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Claudio Monteverdi Vespro della Beata Vergine 1610,Nikolaus Harnoncourt
http://www.amazon.com/Monteverdi-Vespro-Della-Beata-Vergine/dp/B00000E8OK?SubscriptionId=AKIAJ5K7PY4I6TJRVFLQ&tag;=httpwwwcrimco-20&linkCode;=xm2&camp;=2025&creative;=165953&creativeASIN;=B00000E8OK
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C.Monteverdi - Messa a quattro voci da cappella (Gabriel Garrido)
Claudio Monteverdi (1567-1643) 'Selva morale e spirituale' Messa a quattro voci da cappella 1.Kyrie 00:42 2.Gloria 03:17 3.Credo/ Sanctus 07:06 4.Benedictus ...
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BBC Documentary - the Genius of Monteverdi's Vespers (HD)
BBC Documentary talks about Monteverdi's Vespers and about his relationship with the Duke of Mantua, 4th April 2015.
Click SHOW MORE for more information on this broadcast...
► Archive broadcasts || https://www.youtube.com/playlist?list=PLJzKMBrrjkfRmFqrpU0HtZlrdDGdGwUdP
► 2014 broadcasts || https://www.youtube.com/playlist?list=PLJzKMBrrjkfQj67Eg8gbjc53H69h5nHLT
► 2015 broadcasts || https://www
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Orfeo Monteverdi Savall Liceo divxclasico.avi
El Orfeo de Claudio Monteverdi, versión de Jordi Savall, con Le Concert des Nations, La Capella Reial y solistas.
Todo un portento de interpretación operística y una versión referencial monteverdiana.
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Monteverdi / Il sesto libro dei madrigali (Concerto Italiano)
Claudio Monteverdi (1567-1643)
Il sesto libro dei madrigali [The Sixth Book of Madrigals] (1614)
1. Lamento d'Arianna à 5 - Ottavio Rinuccini: Lasciatemi morire [Prima parte]
2. Lamento d'Arianna à 5: O Teseo, Teseo mio [Seconda parte] 02:13
3. Lamento d'Arianna à 5: Dove, dove è la fede [Terza parte] 08:07
4. Lamento d'Arianna à 5: Ahi ch'ei non pur risponde [Quarta e ultima parte] 11:14
5. Zef
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Claudio Monteverdi Vespro della Beata Vergine 1610 Vespers for The Blessed Virgin J.E. Gardiner
Claudio Monteverdi Vespro della Beata Vergine 1610 Vespers for The Blessed Virgin
John Eliot Gardine, conductor
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Monteverdi - Pianto della Madonna et autres motets
Monteverdi - Pianto della Madonna et autres motets Maria Cristina Kiehr Concerto Soave.
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Monteverdi: L'Incoronazione di Poppea "Pur ti Miro" _ Max Emanuel Cencic- Sonya Yoncheva
Monteverdi: L'Incoronazione di Poppea "Pur ti Miro" _ Max Emanuel Cencic- Sonya Yoncheva DVD available at: http://www.smarturl.it/MonteverdiLinc One Roman em...
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Bach: Mass in B minor, BWV 232 | John Eliot Gardiner & Monteverdi Choir
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• Bach: Mass in B minor, BWV 232
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00:01:48 • Kyrie
00:19:52 • Gloria
00:54:53 • Credo
01:25:18 • Sanctus
01:30:28 • Osanna & Benedictus
01:41:42 • Agnus Dei & Dona Nobis Pacem
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English Baroque Soloists & Monteverdi Choir
Conducted by John Eliot Gardiner
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L' ORFEO: Favola in Musica (Claudio Monteverdi) - Representación de Jordi Savall
L' ORFEO: Favola in Musica (1607) - Claudio Monteverdi (1567 - 1643).
(Representación de Jordi Savall y La Capella Reial de Catalunya en el Gran Teatro del Liceo de Barcelona, 2002)
Intérpretes:
- Montserrat Figueras (La Música)
- Furio Zanasi (Orfeo)
- Arianna Savall (Eurídice)
- Sara Mingardo (La Mensajera)
- Cécile van de Sant (La Esperanza)
- Antonio Abete (Caronte)
- Adriana Fernández (Pro
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Zefiro torna (Monteverdi) - Rial & Jaroussky
Claudio Monteverdi "Zefiro torna" Nuria Rial (soprano) Philippe Jaroussky (countertenor) L'Arpeggiata (direction: Christina Pluhar)
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Monteverdi: Lamento della Ninfa
Le Poème Harmonique Claire Lefilliatre, Soprano.
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Monteverdi - L'Orfeo (complet - ST it-eng-fr-de-esp)
"Fable en musique" ("favola in musica") en 1 prologue et 5 actes de Claudio Monteverdi, créé le 24 février 1607 au Théâtre de la Cour à Mantoue
Livret en italien : Alessandro Striggio, d'après la légende grecque
ST : italiano, english, deutsch, français, español
Direction musicale : Nikolaus Harnoncourt
Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich
Ballet des Opernhauses Z
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Monteverdi - L'Incoronazione di Poppea - La Venexiana
Claudio Monteverdi
L'Incoronazione di Poppea
Emanuela Galli, Poppea
Roberta Mameli, Nerone
Claudio Cavina, Ottone
Xenia Mejier, Ottavia
Makoto Sakurada, Nourrice de Ottavia
Matteo Belloto, Seneca
Letizia Calandra, La Fortuna, Damigella, Venere
Francesca Cassinari, La Virtu, Drusilla
Pamela Luccarini, Armore, Valetto
Andrea Favari, Mercurio, Littore
Ian Honeyman, Arnalta
Giovanni Caccamo, Liberto,
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Claudio Monteverdi /// Settimo Libro dei Madrigali
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Monteverdi Vespers (Vespro della Beata Vergine, 1610)
CLAUDIO MONTEVERDI (1567-1643) VESPRO DELLA BEATA VERGINE (1610) [Svētās Jaunavas Marijas vesperes] (Heinrich Schütz version) Performed in meantone pitch a=4...
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(HD) Monteverdi: II sesto libro de Madrigali | Les arts florissants
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Claudio Monteverdi. Vespro della Beata Vergine.
Claudio Monteverdi (1567 - 1663) Vespro della Beata Vergine. L'Arpeggiata Christina Pluhar conductor. Festival de Saint - Denis, 2012.
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Philippe Jaroussky - Danielle de Niese: Monteverdi, L'Incoronazione di Poppea
Monteverdi - L'Incoronazione di Poppea " Pur ti miro, Pur ti godo". DVD available on: http://bit.ly/DVDIncoronazionediPoppea https://www.facebook.com/Philipp...
Monteverdi - Vespers, "Vespro della Beata Vergine" | John Eliot Gardiner, Palace of Versailles [HD]
Claudio Monteverdi - Vespro della Beata Vergine, 1610. Sir John Eliot Gardiner at the Versailles Chapelle Royale with the Monteverdi Choir, the English Baroque ...
Claudio Monteverdi - Vespro della Beata Vergine, 1610. Sir John Eliot Gardiner at the Versailles Chapelle Royale with the Monteverdi Choir, the English Baroque Soloists and the Pages du Centre de musique Baroque de Versailles, Palace of Versailles, 2014. In 1964, Gardiner conducted it for the first time, and then he decided to found the Monteverdi Choir. This concert actually marks the 50th anniversary of this world-renowned vocal ensemble. Monteverdi Choir & Orchestras, please visit the support section of our website http://www.monteverdi.co.uk/support
Parts:
2:10 Domine ad adiuvandum
4:38 Dixit Dominus
13:13 Nigra sum sed formosa
17:58 Laudate, pueri, Dominum
24:15 Pulchra es, amica mea
28:32 Laetatus sum
36:24 Duo Seraphim clamabant
43:53 Nisi Dominus aedificaverit domum
48:54 Audi, coelum, verba mea
58:08 Lauda, Jerusalem, Dominum
1:03:33 Sonata sopra 'Sancta Maria' ora pro nobis
1:11:01 Ave maris stella
1:21:20 Magnificat
The historical interest of this work is almost as great as its inherent qualities. Vespers are part of the daily Offices, or Canonical Hours, of the church, music for the Offices including psalms (with antiphons), hymns, and canticles, as well as chanted lessons (with responsories). Although inspired by the Church Office, Monteverdi's Vespers in many ways transcends the original concept, perfectly exemplifying the transition between austere Renaissance polyphony and sheer Baroque splendor. Monteverdi makes his characteristic contribution to sacred music in a bold, almost operatic, style, complete with daring stereophonic and echo effects, and includes a suite of instrumental dances, concerti sections for both voices and orchestra, and a love song. To what extent this is liturgical music is debatable in view of the choice of texts, which some in Monteverdi's time considered blasphemous. Completed in 1610, the Vespers was written for the court of the Gonzaga family in Mantua, where Monteverdi was employed from 1590 to 1612, and dedicated to Pope Paul V. But the composition's true home is undoubtedly the cathedral of St. Mark in Venice, where Monteverdi was appointed maestro di cappella in 1613. Indeed, the Vespers could well have been conceived with its echoing spaces, galleries, balconies, organ, and choir lofts in mind.
The sections contain striking contrasts, but the unity and continuity of Monteverdi's grand design is maintained theatrically as well as musically. The overture, for choir and orchestra, is manifestly operatic, and close to that of Monteverdi's first opera, Orfeo - an upsurge of joyous energy, interposed by an orchestral toccata and ending with a jubilant Alleluia. The instrumentation (cornets, sackbuts, a variety of single and double reeds, recorders, strings, organ, and harpsichord) is, with the exception of the instrumental ritornelli, mainly intended to contribute to the formal structure of the choral sections, coloring the choir in the manner of organ stops, as in the "Dixit Dominus," "Laetatus sum," "Audi, coelum," and the beginning and end of the closing Magnificat, the climax of the whole work. The ways in which Monteverdi treats the cantus firmus by incorporating it into the counterpoint of the choral writing, as in "Dixit Dominus" (Psalm 109), is not found in earlier choral literature, nor is the flowing, unfettered parlando (recitation) style used in "Nigra sum," a metrically free poem with allusions to the biblical Song of Solomon. The concerto "Due Seraphim" is probably the most interesting section in the Vespers. It is set for two "answering" voices - a sort of singing competition for angels - and almost exceeds the limits of human vocal technique. The choral writing is also demanding in its splendor and complexity, much of it in six, seven, and, as in the psalm "Laudate pueri," eight parts; yet the simplicity of the two-part hymn Ave Maris stella is also among the many treasures of this magnificent work.
Back in 2010, Gardiner had already conducted the Vespro at Versailles' Chapelle Royale, winning broad acclaim; this is the reason why it was decided to film the 2014 concert. The title page of the first edition is inscribed "ad Sacella sive Principum Cubicula accomodata Opera" (for use in princely rooms and chapels). According to the conductor, Versailles Chapelle Royale is the perfect place to perform this masterpiece, because the spatial disposition makes the audience experience the feeling of Renaissance concerts: the architecture and the various levels enhance the echo and the dialogs between the singers, performing from different heights.
Silvia Frigato, Emanuela Galli, sopranos
Raffaele Pè, alto
Krystian Adam, Nicholas Mulroy, Gareth Treseder, tenors
Alexander Ashworth, Robert Davies, bass
The Monteverdi Choir
The English Baroque Soloists
Les Pages du Centre de musique baroque de Versailles
John Eliot Gardiner
Location: Royal Chapel at Versailles (Versailles, France)
Movie director: Stéphan Aubé
Production: Wahoo - Château de Versailles
wn.com/Monteverdi Vespers, Vespro Della Beata Vergine | John Eliot Gardiner, Palace Of Versailles Hd
Claudio Monteverdi - Vespro della Beata Vergine, 1610. Sir John Eliot Gardiner at the Versailles Chapelle Royale with the Monteverdi Choir, the English Baroque Soloists and the Pages du Centre de musique Baroque de Versailles, Palace of Versailles, 2014. In 1964, Gardiner conducted it for the first time, and then he decided to found the Monteverdi Choir. This concert actually marks the 50th anniversary of this world-renowned vocal ensemble. Monteverdi Choir & Orchestras, please visit the support section of our website http://www.monteverdi.co.uk/support
Parts:
2:10 Domine ad adiuvandum
4:38 Dixit Dominus
13:13 Nigra sum sed formosa
17:58 Laudate, pueri, Dominum
24:15 Pulchra es, amica mea
28:32 Laetatus sum
36:24 Duo Seraphim clamabant
43:53 Nisi Dominus aedificaverit domum
48:54 Audi, coelum, verba mea
58:08 Lauda, Jerusalem, Dominum
1:03:33 Sonata sopra 'Sancta Maria' ora pro nobis
1:11:01 Ave maris stella
1:21:20 Magnificat
The historical interest of this work is almost as great as its inherent qualities. Vespers are part of the daily Offices, or Canonical Hours, of the church, music for the Offices including psalms (with antiphons), hymns, and canticles, as well as chanted lessons (with responsories). Although inspired by the Church Office, Monteverdi's Vespers in many ways transcends the original concept, perfectly exemplifying the transition between austere Renaissance polyphony and sheer Baroque splendor. Monteverdi makes his characteristic contribution to sacred music in a bold, almost operatic, style, complete with daring stereophonic and echo effects, and includes a suite of instrumental dances, concerti sections for both voices and orchestra, and a love song. To what extent this is liturgical music is debatable in view of the choice of texts, which some in Monteverdi's time considered blasphemous. Completed in 1610, the Vespers was written for the court of the Gonzaga family in Mantua, where Monteverdi was employed from 1590 to 1612, and dedicated to Pope Paul V. But the composition's true home is undoubtedly the cathedral of St. Mark in Venice, where Monteverdi was appointed maestro di cappella in 1613. Indeed, the Vespers could well have been conceived with its echoing spaces, galleries, balconies, organ, and choir lofts in mind.
The sections contain striking contrasts, but the unity and continuity of Monteverdi's grand design is maintained theatrically as well as musically. The overture, for choir and orchestra, is manifestly operatic, and close to that of Monteverdi's first opera, Orfeo - an upsurge of joyous energy, interposed by an orchestral toccata and ending with a jubilant Alleluia. The instrumentation (cornets, sackbuts, a variety of single and double reeds, recorders, strings, organ, and harpsichord) is, with the exception of the instrumental ritornelli, mainly intended to contribute to the formal structure of the choral sections, coloring the choir in the manner of organ stops, as in the "Dixit Dominus," "Laetatus sum," "Audi, coelum," and the beginning and end of the closing Magnificat, the climax of the whole work. The ways in which Monteverdi treats the cantus firmus by incorporating it into the counterpoint of the choral writing, as in "Dixit Dominus" (Psalm 109), is not found in earlier choral literature, nor is the flowing, unfettered parlando (recitation) style used in "Nigra sum," a metrically free poem with allusions to the biblical Song of Solomon. The concerto "Due Seraphim" is probably the most interesting section in the Vespers. It is set for two "answering" voices - a sort of singing competition for angels - and almost exceeds the limits of human vocal technique. The choral writing is also demanding in its splendor and complexity, much of it in six, seven, and, as in the psalm "Laudate pueri," eight parts; yet the simplicity of the two-part hymn Ave Maris stella is also among the many treasures of this magnificent work.
Back in 2010, Gardiner had already conducted the Vespro at Versailles' Chapelle Royale, winning broad acclaim; this is the reason why it was decided to film the 2014 concert. The title page of the first edition is inscribed "ad Sacella sive Principum Cubicula accomodata Opera" (for use in princely rooms and chapels). According to the conductor, Versailles Chapelle Royale is the perfect place to perform this masterpiece, because the spatial disposition makes the audience experience the feeling of Renaissance concerts: the architecture and the various levels enhance the echo and the dialogs between the singers, performing from different heights.
Silvia Frigato, Emanuela Galli, sopranos
Raffaele Pè, alto
Krystian Adam, Nicholas Mulroy, Gareth Treseder, tenors
Alexander Ashworth, Robert Davies, bass
The Monteverdi Choir
The English Baroque Soloists
Les Pages du Centre de musique baroque de Versailles
John Eliot Gardiner
Location: Royal Chapel at Versailles (Versailles, France)
Movie director: Stéphan Aubé
Production: Wahoo - Château de Versailles
- published: 22 Mar 2014
- views: 192419
Monteverdi / Il quarto libro dei madrigali (Concerto Italiano)
Claudio Monteverdi (1567-1643)
Il quarto libro dei madrigali, à 5 voci [The Fourth Book of Madrigals] (1603)
1. Ah dolente partita
2. Cor mio, mentre vi miro ...
Claudio Monteverdi (1567-1643)
Il quarto libro dei madrigali, à 5 voci [The Fourth Book of Madrigals] (1603)
1. Ah dolente partita
2. Cor mio, mentre vi miro - 03:35
3. Cor mio, non mori? e mori! - 05:53
4. Sfogava con le stelle un infermo d'amore - 08:41
5. Volgea l'anima mia soavemente - 12:12
6. Anima mia perdona [prima parte] - 16:02
7. Che se tu se'il cor mio [seconda parte] - 18:57
8. Luci serene e chiare, voi m'incendete - 22:19
9. La piaga c'ho nel core - 25:50
10. Voi pur da me partite, anima dura - 28:19
11. A un giro sol de' begl'occhi lucenti - 32:30
12. Ohimè, se tanto amate di sentir dir ohimè - 34:47
13. Io mi son giovinetta - 37:46
14. Quel augellin che canta si dolcemente - 40:05
15. Non più guerra, pietate - 42:00
16. Si ch'io vorrei morire - 44:40
17. Anima dolorosa che vivendo - 48:52
18. Anima del cor mio - 52:05
19. Longe da te cor mio - 54:27
20. Piagn' e sospira - 57:16
Concerto Italiano, dir. Rinaldo Alessandrini (1993)
(S) Rossana Bertini & Cristina Miatello
(M) Bianca Simone
(Haute contre) Claudio Cavina
(T) Giuseppe Maletto & Sandro Naglia
(B) Marcello Vargetto
Painting: Venus of Cythera [detail], Jan Massys
wn.com/Monteverdi Il Quarto Libro Dei Madrigali (Concerto Italiano)
Claudio Monteverdi (1567-1643)
Il quarto libro dei madrigali, à 5 voci [The Fourth Book of Madrigals] (1603)
1. Ah dolente partita
2. Cor mio, mentre vi miro - 03:35
3. Cor mio, non mori? e mori! - 05:53
4. Sfogava con le stelle un infermo d'amore - 08:41
5. Volgea l'anima mia soavemente - 12:12
6. Anima mia perdona [prima parte] - 16:02
7. Che se tu se'il cor mio [seconda parte] - 18:57
8. Luci serene e chiare, voi m'incendete - 22:19
9. La piaga c'ho nel core - 25:50
10. Voi pur da me partite, anima dura - 28:19
11. A un giro sol de' begl'occhi lucenti - 32:30
12. Ohimè, se tanto amate di sentir dir ohimè - 34:47
13. Io mi son giovinetta - 37:46
14. Quel augellin che canta si dolcemente - 40:05
15. Non più guerra, pietate - 42:00
16. Si ch'io vorrei morire - 44:40
17. Anima dolorosa che vivendo - 48:52
18. Anima del cor mio - 52:05
19. Longe da te cor mio - 54:27
20. Piagn' e sospira - 57:16
Concerto Italiano, dir. Rinaldo Alessandrini (1993)
(S) Rossana Bertini & Cristina Miatello
(M) Bianca Simone
(Haute contre) Claudio Cavina
(T) Giuseppe Maletto & Sandro Naglia
(B) Marcello Vargetto
Painting: Venus of Cythera [detail], Jan Massys
- published: 23 Mar 2013
- views: 85463
Claudio Monteverdi - Magnificat (complete)
Claudio Giovanni Antonio Monteverdi (Italian pronunciation: [ˈklaudjo monteˈverdi]; 15 May 1567 (baptized) -- 29 November 1643) was an Italian composer, gamb......
Claudio Giovanni Antonio Monteverdi (Italian pronunciation: [ˈklaudjo monteˈverdi]; 15 May 1567 (baptized) -- 29 November 1643) was an Italian composer, gamb...
wn.com/Claudio Monteverdi Magnificat (Complete)
Claudio Giovanni Antonio Monteverdi (Italian pronunciation: [ˈklaudjo monteˈverdi]; 15 May 1567 (baptized) -- 29 November 1643) was an Italian composer, gamb...
- published: 04 Apr 2012
- views: 99718
-
author: S. Quimas
Claudio Monteverdi - Il ritorno di Ulisse in Patria
Credits:
http://www.allmusic.com/album/monteverdi-il-ritorno-dulisse-in-patria-mw0001414814/credits...
Credits:
http://www.allmusic.com/album/monteverdi-il-ritorno-dulisse-in-patria-mw0001414814/credits
wn.com/Claudio Monteverdi Il Ritorno Di Ulisse In Patria
Credits:
http://www.allmusic.com/album/monteverdi-il-ritorno-dulisse-in-patria-mw0001414814/credits
- published: 21 May 2012
- views: 91192
Claudio Monteverdi Vespro della Beata Vergine 1610,Nikolaus Harnoncourt
http://www.amazon.com/Monteverdi-Vespro-Della-Beata-Vergine/dp/B00000E8OK?SubscriptionId=AKIAJ5K7PY4I6TJRVFLQ&tag;=httpwwwcrimco-20&linkCode;=xm2&camp;=2025&creati...;
http://www.amazon.com/Monteverdi-Vespro-Della-Beata-Vergine/dp/B00000E8OK?SubscriptionId=AKIAJ5K7PY4I6TJRVFLQ&tag;=httpwwwcrimco-20&linkCode;=xm2&camp;=2025&creative;=165953&creativeASIN;=B00000E8OK
wn.com/Claudio Monteverdi Vespro Della Beata Vergine 1610,Nikolaus Harnoncourt
http://www.amazon.com/Monteverdi-Vespro-Della-Beata-Vergine/dp/B00000E8OK?SubscriptionId=AKIAJ5K7PY4I6TJRVFLQ&tag;=httpwwwcrimco-20&linkCode;=xm2&camp;=2025&creative;=165953&creativeASIN;=B00000E8OK
- published: 11 Feb 2013
- views: 54101
C.Monteverdi - Messa a quattro voci da cappella (Gabriel Garrido)
Claudio Monteverdi (1567-1643) 'Selva morale e spirituale' Messa a quattro voci da cappella 1.Kyrie 00:42 2.Gloria 03:17 3.Credo/ Sanctus 07:06 4.Benedictus ......
Claudio Monteverdi (1567-1643) 'Selva morale e spirituale' Messa a quattro voci da cappella 1.Kyrie 00:42 2.Gloria 03:17 3.Credo/ Sanctus 07:06 4.Benedictus ...
wn.com/C.Monteverdi Messa A Quattro Voci Da Cappella (Gabriel Garrido)
Claudio Monteverdi (1567-1643) 'Selva morale e spirituale' Messa a quattro voci da cappella 1.Kyrie 00:42 2.Gloria 03:17 3.Credo/ Sanctus 07:06 4.Benedictus ...
BBC Documentary - the Genius of Monteverdi's Vespers (HD)
BBC Documentary talks about Monteverdi's Vespers and about his relationship with the Duke of Mantua, 4th April 2015.
Click SHOW MORE for more information on th...
BBC Documentary talks about Monteverdi's Vespers and about his relationship with the Duke of Mantua, 4th April 2015.
Click SHOW MORE for more information on this broadcast...
► Archive broadcasts || https://www.youtube.com/playlist?list=PLJzKMBrrjkfRmFqrpU0HtZlrdDGdGwUdP
► 2014 broadcasts || https://www.youtube.com/playlist?list=PLJzKMBrrjkfQj67Eg8gbjc53H69h5nHLT
► 2015 broadcasts || https://www.youtube.com/playlist?list=PLJzKMBrrjkfSod7XbL3ruEtWGMaK_c2FB
► Trinity College, Cambridge || https://www.youtube.com/playlist?list=PLJzKMBrrjkfQxocEqax_vtX5EN1Pyj4yq
► Televised broadcasts || https://www.youtube.com/playlist?list=PLJzKMBrrjkfQI1xoejK0vhjn6TPvak75L
► Links to individual pieces || http://www.collegiumregale.cf
► Facebook || https://www.facebook.com/pages/Collegium-Regale
Simon Russell Beale travels to Italy to explore the story of the notorious Duke of Mantua and his long-suffering court composer Claudio Monteverdi during the turbulent times of the late Italian Renaissance. Out of the volatile relationship between the duke and the composer came Monteverdi's Vespers of 1610, a major turning point in western music. The Sixteen, led by Harry Christophers, explore some of the radical and beautiful choral music in this dramatic composition.
wn.com/BBC Documentary The Genius Of Monteverdi's Vespers (Hd)
BBC Documentary talks about Monteverdi's Vespers and about his relationship with the Duke of Mantua, 4th April 2015.
Click SHOW MORE for more information on this broadcast...
► Archive broadcasts || https://www.youtube.com/playlist?list=PLJzKMBrrjkfRmFqrpU0HtZlrdDGdGwUdP
► 2014 broadcasts || https://www.youtube.com/playlist?list=PLJzKMBrrjkfQj67Eg8gbjc53H69h5nHLT
► 2015 broadcasts || https://www.youtube.com/playlist?list=PLJzKMBrrjkfSod7XbL3ruEtWGMaK_c2FB
► Trinity College, Cambridge || https://www.youtube.com/playlist?list=PLJzKMBrrjkfQxocEqax_vtX5EN1Pyj4yq
► Televised broadcasts || https://www.youtube.com/playlist?list=PLJzKMBrrjkfQI1xoejK0vhjn6TPvak75L
► Links to individual pieces || http://www.collegiumregale.cf
► Facebook || https://www.facebook.com/pages/Collegium-Regale
Simon Russell Beale travels to Italy to explore the story of the notorious Duke of Mantua and his long-suffering court composer Claudio Monteverdi during the turbulent times of the late Italian Renaissance. Out of the volatile relationship between the duke and the composer came Monteverdi's Vespers of 1610, a major turning point in western music. The Sixteen, led by Harry Christophers, explore some of the radical and beautiful choral music in this dramatic composition.
- published: 04 May 2015
- views: 8935
Orfeo Monteverdi Savall Liceo divxclasico.avi
El Orfeo de Claudio Monteverdi, versión de Jordi Savall, con Le Concert des Nations, La Capella Reial y solistas.
Todo un portento de interpretación operística...
El Orfeo de Claudio Monteverdi, versión de Jordi Savall, con Le Concert des Nations, La Capella Reial y solistas.
Todo un portento de interpretación operística y una versión referencial monteverdiana.
wn.com/Orfeo Monteverdi Savall Liceo Divxclasico.Avi
El Orfeo de Claudio Monteverdi, versión de Jordi Savall, con Le Concert des Nations, La Capella Reial y solistas.
Todo un portento de interpretación operística y una versión referencial monteverdiana.
- published: 01 Mar 2011
- views: 271144
Monteverdi / Il sesto libro dei madrigali (Concerto Italiano)
Claudio Monteverdi (1567-1643)
Il sesto libro dei madrigali [The Sixth Book of Madrigals] (1614)
1. Lamento d'Arianna à 5 - Ottavio Rinuccini: Lasciatemi mori...
Claudio Monteverdi (1567-1643)
Il sesto libro dei madrigali [The Sixth Book of Madrigals] (1614)
1. Lamento d'Arianna à 5 - Ottavio Rinuccini: Lasciatemi morire [Prima parte]
2. Lamento d'Arianna à 5: O Teseo, Teseo mio [Seconda parte] 02:13
3. Lamento d'Arianna à 5: Dove, dove è la fede [Terza parte] 08:07
4. Lamento d'Arianna à 5: Ahi ch'ei non pur risponde [Quarta e ultima parte] 11:14
5. Zefiro torna el bel tempo rimena - Petrarch 15:28
6. Una donna fra l'altre honesta e bella (Concertato nel Clavicimbalo) - Anonymous 19:17
7. A dio Florida bella il cor piagato (Concertato) - Giambattista Marino 23:12
8. Lagrime d'Amante al Sepolcro dell'Amata - Scipione Agnelli: Incenerite spoglie [Prima parte] 27:49
9. Lagrime d'Amante al Sepolcro dell'Amata: Ditelo voi [Seconda parte] 30:15
10. Lagrime d'Amante al Sepolcro dell'Amata: Darà la notte il sol [Terza parte] 32:23
11. Lagrime d'Amante al Sepolcro dell'Amata: Ma te raccoglie [Quarta parte] 35:04
12. Lagrime d'Amante al Sepolcro dell'Amata: O chiome d'or [Quinta parte] 38:20
13. Lagrime d'Amante al Sepolcro dell'Amata: Dunque amate reliquie [Sesta et ultima parte] 41:19
14. Ohimè il bel viso, ohimè il soave sguardo - Petrarch 45:20
15. Qui rise o Tirsi e qui ver me rivolse (Concertato) - Giambattista Marino 50:47
16. Misero Alceo dal caro albergo fore (Concertato) - Giambattista Marino 57:32
17. Batto qui pianse Ergasto, ecco la riva (Concertato nel Clavicembano) - Giambattista Marino 1:03:00
18. Presso un fiume tranquillo disse a Filena (Dialogo à 7. Concertato) - Giambattista Marino 1:07:10
Concerto Italiano, dir. Rinaldo Alessandrini (1992)
(S) Cristina Miatello (5 to 17) & Rossana Bertini (1 to 4, 14 to 18)
(M) Bianca Simone (1 to 13, 18)
(Haute contre) Claudio Cavina (1 to 5, 7 to 14, 17, 18)
(T) Sandro Naglia (1 to 4, 6, 7, 15, 16, 18) & Giuseppe Naglia (5, 6, 8 to 18)
(B) Daniel Carnovich (1 to 18)
Harp: Mara Galassi (5 to 18)
Lute & Theorbo: Andrea Damiani (1 to 7, 14 to 18)
Harpsichord: Rinaldo Alessandrini (6, 7, 15 to 18)
Painting: Artemisia Mourning, Anonymous (17th cen., French)
wn.com/Monteverdi Il Sesto Libro Dei Madrigali (Concerto Italiano)
Claudio Monteverdi (1567-1643)
Il sesto libro dei madrigali [The Sixth Book of Madrigals] (1614)
1. Lamento d'Arianna à 5 - Ottavio Rinuccini: Lasciatemi morire [Prima parte]
2. Lamento d'Arianna à 5: O Teseo, Teseo mio [Seconda parte] 02:13
3. Lamento d'Arianna à 5: Dove, dove è la fede [Terza parte] 08:07
4. Lamento d'Arianna à 5: Ahi ch'ei non pur risponde [Quarta e ultima parte] 11:14
5. Zefiro torna el bel tempo rimena - Petrarch 15:28
6. Una donna fra l'altre honesta e bella (Concertato nel Clavicimbalo) - Anonymous 19:17
7. A dio Florida bella il cor piagato (Concertato) - Giambattista Marino 23:12
8. Lagrime d'Amante al Sepolcro dell'Amata - Scipione Agnelli: Incenerite spoglie [Prima parte] 27:49
9. Lagrime d'Amante al Sepolcro dell'Amata: Ditelo voi [Seconda parte] 30:15
10. Lagrime d'Amante al Sepolcro dell'Amata: Darà la notte il sol [Terza parte] 32:23
11. Lagrime d'Amante al Sepolcro dell'Amata: Ma te raccoglie [Quarta parte] 35:04
12. Lagrime d'Amante al Sepolcro dell'Amata: O chiome d'or [Quinta parte] 38:20
13. Lagrime d'Amante al Sepolcro dell'Amata: Dunque amate reliquie [Sesta et ultima parte] 41:19
14. Ohimè il bel viso, ohimè il soave sguardo - Petrarch 45:20
15. Qui rise o Tirsi e qui ver me rivolse (Concertato) - Giambattista Marino 50:47
16. Misero Alceo dal caro albergo fore (Concertato) - Giambattista Marino 57:32
17. Batto qui pianse Ergasto, ecco la riva (Concertato nel Clavicembano) - Giambattista Marino 1:03:00
18. Presso un fiume tranquillo disse a Filena (Dialogo à 7. Concertato) - Giambattista Marino 1:07:10
Concerto Italiano, dir. Rinaldo Alessandrini (1992)
(S) Cristina Miatello (5 to 17) & Rossana Bertini (1 to 4, 14 to 18)
(M) Bianca Simone (1 to 13, 18)
(Haute contre) Claudio Cavina (1 to 5, 7 to 14, 17, 18)
(T) Sandro Naglia (1 to 4, 6, 7, 15, 16, 18) & Giuseppe Naglia (5, 6, 8 to 18)
(B) Daniel Carnovich (1 to 18)
Harp: Mara Galassi (5 to 18)
Lute & Theorbo: Andrea Damiani (1 to 7, 14 to 18)
Harpsichord: Rinaldo Alessandrini (6, 7, 15 to 18)
Painting: Artemisia Mourning, Anonymous (17th cen., French)
- published: 30 Mar 2013
- views: 51536
Claudio Monteverdi Vespro della Beata Vergine 1610 Vespers for The Blessed Virgin J.E. Gardiner
Claudio Monteverdi Vespro della Beata Vergine 1610 Vespers for The Blessed Virgin
John Eliot Gardine, conductor...
Claudio Monteverdi Vespro della Beata Vergine 1610 Vespers for The Blessed Virgin
John Eliot Gardine, conductor
wn.com/Claudio Monteverdi Vespro Della Beata Vergine 1610 Vespers For The Blessed Virgin J.E. Gardiner
Claudio Monteverdi Vespro della Beata Vergine 1610 Vespers for The Blessed Virgin
John Eliot Gardine, conductor
- published: 31 Jul 2014
- views: 1800
Monteverdi - Pianto della Madonna et autres motets
Monteverdi - Pianto della Madonna et autres motets Maria Cristina Kiehr Concerto Soave....
Monteverdi - Pianto della Madonna et autres motets Maria Cristina Kiehr Concerto Soave.
wn.com/Monteverdi Pianto Della Madonna Et Autres Motets
Monteverdi - Pianto della Madonna et autres motets Maria Cristina Kiehr Concerto Soave.
Monteverdi: L'Incoronazione di Poppea "Pur ti Miro" _ Max Emanuel Cencic- Sonya Yoncheva
Monteverdi: L'Incoronazione di Poppea "Pur ti Miro" _ Max Emanuel Cencic- Sonya Yoncheva DVD available at: http://www.smarturl.it/MonteverdiLinc One Roman em......
Monteverdi: L'Incoronazione di Poppea "Pur ti Miro" _ Max Emanuel Cencic- Sonya Yoncheva DVD available at: http://www.smarturl.it/MonteverdiLinc One Roman em...
wn.com/Monteverdi L'Incoronazione Di Poppea Pur Ti Miro Max Emanuel Cencic Sonya Yoncheva
Monteverdi: L'Incoronazione di Poppea "Pur ti Miro" _ Max Emanuel Cencic- Sonya Yoncheva DVD available at: http://www.smarturl.it/MonteverdiLinc One Roman em...
Bach: Mass in B minor, BWV 232 | John Eliot Gardiner & Monteverdi Choir
__
• Bach: Mass in B minor, BWV 232
__
00:01:48 • Kyrie
00:19:52 • Gloria
00:54:53 • Credo
01:25:18 • Sanctus
01:30:28 • Osanna & Benedictus
01:41:42 • Agnus ...
__
• Bach: Mass in B minor, BWV 232
__
00:01:48 • Kyrie
00:19:52 • Gloria
00:54:53 • Credo
01:25:18 • Sanctus
01:30:28 • Osanna & Benedictus
01:41:42 • Agnus Dei & Dona Nobis Pacem
__
English Baroque Soloists & Monteverdi Choir
Conducted by John Eliot Gardiner
__
wn.com/Bach Mass In B Minor, Bwv 232 | John Eliot Gardiner Monteverdi Choir
__
• Bach: Mass in B minor, BWV 232
__
00:01:48 • Kyrie
00:19:52 • Gloria
00:54:53 • Credo
01:25:18 • Sanctus
01:30:28 • Osanna & Benedictus
01:41:42 • Agnus Dei & Dona Nobis Pacem
__
English Baroque Soloists & Monteverdi Choir
Conducted by John Eliot Gardiner
__
- published: 05 Apr 2015
- views: 443
L' ORFEO: Favola in Musica (Claudio Monteverdi) - Representación de Jordi Savall
L' ORFEO: Favola in Musica (1607) - Claudio Monteverdi (1567 - 1643).
(Representación de Jordi Savall y La Capella Reial de Catalunya en el Gran Teatro del Lice...
L' ORFEO: Favola in Musica (1607) - Claudio Monteverdi (1567 - 1643).
(Representación de Jordi Savall y La Capella Reial de Catalunya en el Gran Teatro del Liceo de Barcelona, 2002)
Intérpretes:
- Montserrat Figueras (La Música)
- Furio Zanasi (Orfeo)
- Arianna Savall (Eurídice)
- Sara Mingardo (La Mensajera)
- Cécile van de Sant (La Esperanza)
- Antonio Abete (Caronte)
- Adriana Fernández (Proserpina)
- Daniele Carnovich (Plutón)
- Fulvio Bettini (Apolo)
- Marília Vargas (Ninfa)
- Francesc Garrigosa, Carlos Mena, Gerd Türk, Iván García (Pastores / Espíritus)
(http://www.alia-vox.com/)
Jordi Savall on Spotify: https://play.spotify.com/artist/3faEZMpTmZFXpELU1EwWNL
Jordi Savall on Facebook: https://www.facebook.com/JordiSavallOfficialPage
El libreto es obra de Alessandro Striggio (el Joven) (1535 - 1590) y se basa en la obra de Rinuccini "L'Euridice" que ya había servido de base a las óperas de Peri y Caccini. Striggio amplió el pequeño poema de Rinuccini hasta convertirlo en un libreto de cinco actos, con un sentido teatral más dramático y emocionante.
"El Orfeo" se considera la primera gran ópera de la historia de la Lírica y punto de arranque fundamental en el desarrollo del género durante los siglos posteriores.
El texto de "El Orfeo" con traducción al español se puede ver en el siguiente enlace:
http://www.el-atril.com/cantares/opera/Monteverdi/orfeo.htm
ARGUMENTO: ( La acción se desarrolla en Grecia y las regiones subterráneas del mundo de los espíritus, en una antigüedad mítica).
[PRÓLOGO]
Tras una tocata instrumental de metales en RE Mayor con carácter estruendoso, aparece la Música, haciendo alabanzas de los presentes e instándolos a guardar silencio, mientras se narra la historia de Orfeo, hijo del dios Apolo y la musa Calíope.
[ACTO PRIMERO]
En un prado en medio del campo, ninfas y pastores celebran con alegría el día esplendoroso en que se casarán el mítico cantor de la Tracia, Orfeo, y su amada, la ninfa Eurídice; cantan uno de los pasajes corales más representativos de la época, «Lasciate i monti».
Orfeo relata cómo se enamoró de ella y ésta responde con el mismo ardor. Luego va con sus compañeras a recoger guirnaldas de flores. Pastores y ninfas continúan con sus danzas y alegres cantos, mientras reinan el regocijo y la felicidad.
[ACTO SEGUNDO]
Rodeado por los pastores, Orfeo entona un canto a la naturaleza y cuenta cómo corría por los sombríos bosques antes de haberse enamorado.
La alegría se interrumpe cuando llega la Mensajera, quién anuncia a Orfeo que una serpiente venenosa ha mordido a su amada Euridice causándole la muerte.
La propia Mensajera lamenta tener que dar semejante noticia. Orfeo decide descender a los infiernos a rescatar a Eurídice (al descenso voluntario al infierno se lo denomina catábasis), entonando un desesperado lamento.
[ACTO TERCERO]
Orfeo llega a la laguna Estigia acompañado por la Esperanza, Pero ésta le anuncia que no puede llevarlo mas allá porque vio grabado en la piedra el texto que cita a la Divina Comedia de Dante: "Abandonad toda esperanza los que entráis".
Caronte se niega a darle paso en su barca, pero Orfeo logra dormir al vigilante con su canto, y robándole la barca cruza la laguna entrando directamente en el infierno. Mientras, un coro de espíritus infernales celebra al Hombre, esa criatura que no intenta ninguna empresa en vano, y contra el cual la Naturaleza no sabe armarse.
[ACTO CUARTO]
Orfeo ha llegado a los infiernos, y con su canto logra emocionar a Proserpina.
Ésta le ruega a Plutón que le permita a Orfeo recuperar a su amada Euridice, haciendo referencia a su antiguo amor, por el cual él la raptara y la llevó a los infiernos.
El dios reconoce también haberse conmovido con el canto de Orfeo, y finalmente acepta y permite que Eurídice le siga, con la condición de que Orfeo no vuelva la mirada a su amada hasta que hayan salido del infierno.
Orfeo parte de los infiernos seguido por Eurídice. Pronto le entra la duda de si ella realmente lo sigue y, al oír un ruido, no resiste la tentación de girar la cabeza para cerciorarse. En ese momento ella comienza a desvanecerse y un espíritu, ministro de Plutón, le amonesta:"Roto has la ley, e indigno eres de gracia". Orfeo intenta seguirla, pero es expulsado del infierno. El coro cierra el acto con esta observación: "Venció al infierno Orfeo y fue vencido por sus propias pasiones".
[ACTO QUINTO]
Orfeo regresa al campo de Tracia lamentando su soledad, vagando sin rumbo y llorando su amor perdido.
El eco repite su lamento trágico y Apolo, dolido por el sufrimiento que aqueja a su hijo, desciende del Olimpo y le dice que lo acompañe al cielo, donde encontrará la bella semblanza de Euridice en el sol y en las estrellas.
Padre e hijo cantan un alegre dúo, mientras ascienden al cielo donde alcanzaran la alegría eterna.
http://es.wikipedia.org/wiki/Claudio_Monteverdi
wn.com/L' Orfeo Favola In Musica (Claudio Monteverdi) Representación De Jordi Savall
L' ORFEO: Favola in Musica (1607) - Claudio Monteverdi (1567 - 1643).
(Representación de Jordi Savall y La Capella Reial de Catalunya en el Gran Teatro del Liceo de Barcelona, 2002)
Intérpretes:
- Montserrat Figueras (La Música)
- Furio Zanasi (Orfeo)
- Arianna Savall (Eurídice)
- Sara Mingardo (La Mensajera)
- Cécile van de Sant (La Esperanza)
- Antonio Abete (Caronte)
- Adriana Fernández (Proserpina)
- Daniele Carnovich (Plutón)
- Fulvio Bettini (Apolo)
- Marília Vargas (Ninfa)
- Francesc Garrigosa, Carlos Mena, Gerd Türk, Iván García (Pastores / Espíritus)
(http://www.alia-vox.com/)
Jordi Savall on Spotify: https://play.spotify.com/artist/3faEZMpTmZFXpELU1EwWNL
Jordi Savall on Facebook: https://www.facebook.com/JordiSavallOfficialPage
El libreto es obra de Alessandro Striggio (el Joven) (1535 - 1590) y se basa en la obra de Rinuccini "L'Euridice" que ya había servido de base a las óperas de Peri y Caccini. Striggio amplió el pequeño poema de Rinuccini hasta convertirlo en un libreto de cinco actos, con un sentido teatral más dramático y emocionante.
"El Orfeo" se considera la primera gran ópera de la historia de la Lírica y punto de arranque fundamental en el desarrollo del género durante los siglos posteriores.
El texto de "El Orfeo" con traducción al español se puede ver en el siguiente enlace:
http://www.el-atril.com/cantares/opera/Monteverdi/orfeo.htm
ARGUMENTO: ( La acción se desarrolla en Grecia y las regiones subterráneas del mundo de los espíritus, en una antigüedad mítica).
[PRÓLOGO]
Tras una tocata instrumental de metales en RE Mayor con carácter estruendoso, aparece la Música, haciendo alabanzas de los presentes e instándolos a guardar silencio, mientras se narra la historia de Orfeo, hijo del dios Apolo y la musa Calíope.
[ACTO PRIMERO]
En un prado en medio del campo, ninfas y pastores celebran con alegría el día esplendoroso en que se casarán el mítico cantor de la Tracia, Orfeo, y su amada, la ninfa Eurídice; cantan uno de los pasajes corales más representativos de la época, «Lasciate i monti».
Orfeo relata cómo se enamoró de ella y ésta responde con el mismo ardor. Luego va con sus compañeras a recoger guirnaldas de flores. Pastores y ninfas continúan con sus danzas y alegres cantos, mientras reinan el regocijo y la felicidad.
[ACTO SEGUNDO]
Rodeado por los pastores, Orfeo entona un canto a la naturaleza y cuenta cómo corría por los sombríos bosques antes de haberse enamorado.
La alegría se interrumpe cuando llega la Mensajera, quién anuncia a Orfeo que una serpiente venenosa ha mordido a su amada Euridice causándole la muerte.
La propia Mensajera lamenta tener que dar semejante noticia. Orfeo decide descender a los infiernos a rescatar a Eurídice (al descenso voluntario al infierno se lo denomina catábasis), entonando un desesperado lamento.
[ACTO TERCERO]
Orfeo llega a la laguna Estigia acompañado por la Esperanza, Pero ésta le anuncia que no puede llevarlo mas allá porque vio grabado en la piedra el texto que cita a la Divina Comedia de Dante: "Abandonad toda esperanza los que entráis".
Caronte se niega a darle paso en su barca, pero Orfeo logra dormir al vigilante con su canto, y robándole la barca cruza la laguna entrando directamente en el infierno. Mientras, un coro de espíritus infernales celebra al Hombre, esa criatura que no intenta ninguna empresa en vano, y contra el cual la Naturaleza no sabe armarse.
[ACTO CUARTO]
Orfeo ha llegado a los infiernos, y con su canto logra emocionar a Proserpina.
Ésta le ruega a Plutón que le permita a Orfeo recuperar a su amada Euridice, haciendo referencia a su antiguo amor, por el cual él la raptara y la llevó a los infiernos.
El dios reconoce también haberse conmovido con el canto de Orfeo, y finalmente acepta y permite que Eurídice le siga, con la condición de que Orfeo no vuelva la mirada a su amada hasta que hayan salido del infierno.
Orfeo parte de los infiernos seguido por Eurídice. Pronto le entra la duda de si ella realmente lo sigue y, al oír un ruido, no resiste la tentación de girar la cabeza para cerciorarse. En ese momento ella comienza a desvanecerse y un espíritu, ministro de Plutón, le amonesta:"Roto has la ley, e indigno eres de gracia". Orfeo intenta seguirla, pero es expulsado del infierno. El coro cierra el acto con esta observación: "Venció al infierno Orfeo y fue vencido por sus propias pasiones".
[ACTO QUINTO]
Orfeo regresa al campo de Tracia lamentando su soledad, vagando sin rumbo y llorando su amor perdido.
El eco repite su lamento trágico y Apolo, dolido por el sufrimiento que aqueja a su hijo, desciende del Olimpo y le dice que lo acompañe al cielo, donde encontrará la bella semblanza de Euridice en el sol y en las estrellas.
Padre e hijo cantan un alegre dúo, mientras ascienden al cielo donde alcanzaran la alegría eterna.
http://es.wikipedia.org/wiki/Claudio_Monteverdi
- published: 20 Sep 2011
- views: 346558
Zefiro torna (Monteverdi) - Rial & Jaroussky
Claudio Monteverdi "Zefiro torna" Nuria Rial (soprano) Philippe Jaroussky (countertenor) L'Arpeggiata (direction: Christina Pluhar)...
Claudio Monteverdi "Zefiro torna" Nuria Rial (soprano) Philippe Jaroussky (countertenor) L'Arpeggiata (direction: Christina Pluhar)
wn.com/Zefiro Torna (Monteverdi) Rial Jaroussky
Claudio Monteverdi "Zefiro torna" Nuria Rial (soprano) Philippe Jaroussky (countertenor) L'Arpeggiata (direction: Christina Pluhar)
Monteverdi: Lamento della Ninfa
Le Poème Harmonique Claire Lefilliatre, Soprano....
Le Poème Harmonique Claire Lefilliatre, Soprano.
wn.com/Monteverdi Lamento Della Ninfa
Le Poème Harmonique Claire Lefilliatre, Soprano.
- published: 25 Jan 2011
- views: 121543
-
author: egmdokttor
Monteverdi - L'Orfeo (complet - ST it-eng-fr-de-esp)
"Fable en musique" ("favola in musica") en 1 prologue et 5 actes de Claudio Monteverdi, créé le 24 février 1607 au Théâtre de la Cour à Mantoue
Livret en itali...
"Fable en musique" ("favola in musica") en 1 prologue et 5 actes de Claudio Monteverdi, créé le 24 février 1607 au Théâtre de la Cour à Mantoue
Livret en italien : Alessandro Striggio, d'après la légende grecque
ST : italiano, english, deutsch, français, español
Direction musicale : Nikolaus Harnoncourt
Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich
Ballet des Opernhauses Zürich
Mise en scène et réalisation (1978) : Jean-Pierre Ponnelle
Orphée : Philippe Huttenlocher (baryton)
Eurydice : Dietlinde Turban (soprano)
La Musique - L'Espérance : Trudeliese Schmidt (soprano)
Apollon : Roland Hermann (ténor)
Proserpine - Une messagère : Glenys Linos (soprano)
Pluton : Werner Gröschel (basse)
Charon : Hans Franzen (basse)
Une nymphe : Suzanne Calabro (soprano)
Bergers : Peter Keller, Francesco Araiza, Rudolf A. Hartmann, Christian Boesch, József Dene
Esprits : Francesco Araiza, Rudolf A. Hartmann, József Dene
Chœurs de nymphes, de bergers,d'esprits infernaux
wn.com/Monteverdi L'Orfeo (Complet St It Eng Fr De Esp)
"Fable en musique" ("favola in musica") en 1 prologue et 5 actes de Claudio Monteverdi, créé le 24 février 1607 au Théâtre de la Cour à Mantoue
Livret en italien : Alessandro Striggio, d'après la légende grecque
ST : italiano, english, deutsch, français, español
Direction musicale : Nikolaus Harnoncourt
Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich
Ballet des Opernhauses Zürich
Mise en scène et réalisation (1978) : Jean-Pierre Ponnelle
Orphée : Philippe Huttenlocher (baryton)
Eurydice : Dietlinde Turban (soprano)
La Musique - L'Espérance : Trudeliese Schmidt (soprano)
Apollon : Roland Hermann (ténor)
Proserpine - Une messagère : Glenys Linos (soprano)
Pluton : Werner Gröschel (basse)
Charon : Hans Franzen (basse)
Une nymphe : Suzanne Calabro (soprano)
Bergers : Peter Keller, Francesco Araiza, Rudolf A. Hartmann, Christian Boesch, József Dene
Esprits : Francesco Araiza, Rudolf A. Hartmann, József Dene
Chœurs de nymphes, de bergers,d'esprits infernaux
- published: 10 Aug 2013
- views: 110743
Monteverdi - L'Incoronazione di Poppea - La Venexiana
Claudio Monteverdi
L'Incoronazione di Poppea
Emanuela Galli, Poppea
Roberta Mameli, Nerone
Claudio Cavina, Ottone
Xenia Mejier, Ottavia
Makoto Sakurada, Nourri...
Claudio Monteverdi
L'Incoronazione di Poppea
Emanuela Galli, Poppea
Roberta Mameli, Nerone
Claudio Cavina, Ottone
Xenia Mejier, Ottavia
Makoto Sakurada, Nourrice de Ottavia
Matteo Belloto, Seneca
Letizia Calandra, La Fortuna, Damigella, Venere
Francesca Cassinari, La Virtu, Drusilla
Pamela Luccarini, Armore, Valetto
Andrea Favari, Mercurio, Littore
Ian Honeyman, Arnalta
Giovanni Caccamo, Liberto, Soldati Pretoriani
Mario Cecchetti, Soldati Pretoriani, Lucano
La Venexiana
Claudio Cavina, director
Live recording.
wn.com/Monteverdi L'Incoronazione Di Poppea La Venexiana
Claudio Monteverdi
L'Incoronazione di Poppea
Emanuela Galli, Poppea
Roberta Mameli, Nerone
Claudio Cavina, Ottone
Xenia Mejier, Ottavia
Makoto Sakurada, Nourrice de Ottavia
Matteo Belloto, Seneca
Letizia Calandra, La Fortuna, Damigella, Venere
Francesca Cassinari, La Virtu, Drusilla
Pamela Luccarini, Armore, Valetto
Andrea Favari, Mercurio, Littore
Ian Honeyman, Arnalta
Giovanni Caccamo, Liberto, Soldati Pretoriani
Mario Cecchetti, Soldati Pretoriani, Lucano
La Venexiana
Claudio Cavina, director
Live recording.
- published: 19 Nov 2013
- views: 162
Monteverdi Vespers (Vespro della Beata Vergine, 1610)
CLAUDIO MONTEVERDI (1567-1643) VESPRO DELLA BEATA VERGINE (1610) [Svētās Jaunavas Marijas vesperes] (Heinrich Schütz version) Performed in meantone pitch a=4......
CLAUDIO MONTEVERDI (1567-1643) VESPRO DELLA BEATA VERGINE (1610) [Svētās Jaunavas Marijas vesperes] (Heinrich Schütz version) Performed in meantone pitch a=4...
wn.com/Monteverdi Vespers (Vespro Della Beata Vergine, 1610)
CLAUDIO MONTEVERDI (1567-1643) VESPRO DELLA BEATA VERGINE (1610) [Svētās Jaunavas Marijas vesperes] (Heinrich Schütz version) Performed in meantone pitch a=4...
Claudio Monteverdi. Vespro della Beata Vergine.
Claudio Monteverdi (1567 - 1663) Vespro della Beata Vergine. L'Arpeggiata Christina Pluhar conductor. Festival de Saint - Denis, 2012....
Claudio Monteverdi (1567 - 1663) Vespro della Beata Vergine. L'Arpeggiata Christina Pluhar conductor. Festival de Saint - Denis, 2012.
wn.com/Claudio Monteverdi. Vespro Della Beata Vergine.
Claudio Monteverdi (1567 - 1663) Vespro della Beata Vergine. L'Arpeggiata Christina Pluhar conductor. Festival de Saint - Denis, 2012.
- published: 26 Jul 2013
- views: 6730
-
author: Sororio
Philippe Jaroussky - Danielle de Niese: Monteverdi, L'Incoronazione di Poppea
Monteverdi - L'Incoronazione di Poppea " Pur ti miro, Pur ti godo". DVD available on: http://bit.ly/DVDIncoronazionediPoppea https://www.facebook.com/Philipp......
Monteverdi - L'Incoronazione di Poppea " Pur ti miro, Pur ti godo". DVD available on: http://bit.ly/DVDIncoronazionediPoppea https://www.facebook.com/Philipp...
wn.com/Philippe Jaroussky Danielle De Niese Monteverdi, L'Incoronazione Di Poppea
Monteverdi - L'Incoronazione di Poppea " Pur ti miro, Pur ti godo". DVD available on: http://bit.ly/DVDIncoronazionediPoppea https://www.facebook.com/Philipp...
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Trio Heuvelman - Claudio Monteverdi - Sherele - Live - HD
Trio Heuvelman speelde tijdens het afscheid van Maartje van Weegen. Claudio Monteverdi: Si dolce e'l tormento Sherele (The Mean Wedding), klezmer huwelijksda...
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Si dolce è il tormento - Magdalena Kožená LIVE - Claudio Monteverdi
From this concert in Aix en Provence, 6th July 2009 http://liveweb.arte.tv/de/video/Magdalena_Kozena_beim_Festival_d_Aix-en-Provence/ The concert was repeate...
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Claudio Monteverdi's Magnificat I
Live performance by The Green Mountain Project on January 3, 2013 at the Church of St. Mary the Virgin, New York City. The Green Mountain Project (honoring t...
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Elena Bertuzzi Claudio Monteverdi - O quam pulchra es - Ensemble MusicaVenezia Live 2012 HD 720p
Elena Bertuzzi soprano http://www.arcadellamemoria.blogspot.com/search/label/Elena-Bertuzzi - Claudio Monteverdi (1567-1643) - O quam pulchra es amica mea - Pier Paolo Ciurlia Tiorba Ensemble MusicaVenezia Live 2012 - Video Bonazeta - ArcaDellaMemoria Elena Bertuzzi Soprano - Baroque music - Playlist di ArcaDellaMemoria http://www.youtube.com/playlist?list=PLC8F40D499DE8F221 -
- Baroque
-
Claudio Monteverdi, Sì dolce è 'l tormento
Silvia Frigato, soprano Marta Graziolino, arpa Live - Teatro Bibiena, Mantova - Festival MiTo 2011 Sì dolce è 'l tormento Si dolce è'l tormento Ch'in seno mi...
-
Claudio Monteverdi - Laudate Dominum (Live and Unedited)
Jolaine Kerley, soprano Josephine van Lier, bass viola da gamba (bass viol) John Brough, harpsichord Part of Early Music Alberta Fundraising Concert and Art ...
-
Claudio Monteverdi - Maledetto sia l'aspetto (Live and Unedited)
Jolaine Kerley, soprano Josephine van Lier, bass viola da gamba (bass viol) John Brough, harpsichord Part of Early Music Alberta Fundraising Concert and Art ...
-
Se i languidi miei sguardi by Claudio Monteverdi - Live Performance
Se i languidi miei sguardi by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the Sari Carel/MOC (with Eric Legris) Art Installment at La Mama Gallery in SoHo, New York City.
An interesting opportunity, the ensemble performed this work with each member in a in different corner of the gallery. The installment included
-
Claudio Monteverdi - Quel sguardo sdegnosetto (Live and Unedited)
Jolaine Kerley, soprano Josephine van Lier, bass viola da gamba (bass viol) John Brough, harpsichord Part of Early Music Alberta Fundraising Concert and Art ...
-
Claudio Monteverdi - Madrigali amorosi, Lamento della ninfa - Live in Dubrovnik
Claudio Monteverdi - Madrigali amorosi, Lamento della ninfa: 'Amor, dicea, il ciel' Soloists of Croatian Radio Television Choir (Ivana Kladarin - soprano, Hr...
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Baci soavi e cari (Claudio Monteverdi) - Musica Dulce live 2010
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Jubilet - Claudio Monteverdi - Silentia Lunae live in concert, Maria Caruso, soprano
Jubilet, dalla "Selva morale e spirituale" di Claudio Monteverdi registrato live in concert a Mantova, Chiesa di Santa Barbara, 30 ottobre 2010 Silentia Luna...
-
Claudio Monteverdi, Lamento della Ninfa
Claudio Monteverdi, Lamento della Ninfa Emanuela Galli, soprano Luca Dordolo, Peter De' Laurentiis, tenori Tomáš Král, basso Concerto Live, Teatro Ponchielli...
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Quel sguardo sdegnosetto by Claudio Monteverdi - Live Performance
Quel sguardo sdegnosetto by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the Sari Carel/MOC (with Eric Legris) Art Installment at La Mama Gallery in SoHo, New York City.
An interesting opportunity, the ensemble performed this work with each member in a in different corner of the gallery. The installment included a
-
Vespro Della Beata Vergine - Claudio Monteverdi - ( 1 )
High resolution:
http://br.youtube.com/watch?v=WQCOr8UiS7I&feature;=email&fmt;=18
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )-
part 1
Basilica di San Marco, Venice
1989 - Live Recording
The Monteverdi Choir
The London Oratory Junior Choir
The English Baroque Soloists
John Eliot Gardiner
This performance, which takes place in the Basilica of San Marco, Venice, includes the following gr
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Vespro Della Beata Vergine - Claudio Monteverdi - ( 4 )
High resolution:
http://br.youtube.com/watch?v=xiGjF91UcOE&fmt;=18
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )-
part 4
Basilica di San Marco, Venice
1989 - Live Recording
The Monteverdi Choir
The London Oratory Junior Choir
The English Baroque Soloists
John Eliot Gardiner
This performance, which takes place in the Basilica of San Marco, Venice, includes the following groups in addition
-
Vespro Della Beata Vergine - Claudio Monteverdi - ( 5 )
Video in high resolution: http://br.youtube.com/watch?v=0z-hq8l2LM8&fmt;=18 Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 5 Basilica di San M...
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Vespro Della Beata Vergine - Claudio Monteverdi - ( 8 )
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 8 Basilica di San Marco, Venice 1989 - Live Recording The Monteverdi Choir The London Oratory ...
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Vespro Della Beata Vergine - Claudio Monteverdi - ( 9 )
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 9 Basilica di San Marco, Venice 1989 - Live Recording The Monteverdi Choir The London Oratory ...
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Green Mountain Project 2014: Claudio Monteverdi's Vespers of 1610
Vespro della Beata Vergine by Claudio Monteverdi (1567-1643) with plainchant antiphons for the First Vespers on the Feast of the Visitation (July 2), recorded live at Church of St. Jean Baptiste, NYC on June 18, 2014.
Recorded Live by Tom Durack, Michael McGuinnes with video editing by Anthony Indelicato.
Green Mountain Project
Jolle Greenleaf, artistic director
Scott Metcalfe, music director
J
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Claudio Monteverdi: Cantate Domino
http://www.cuchorus.org.hk/ 蒙台威爾第:向主高歌古育仲指揮香港中文大學合唱團Claudio Monteverdi: Cantate Domino Johnny Yu-chung Ku conducts The Chinese University of Hong Kong Chor...
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Eri gia tutta mia by Claudio Monteverdi - Live Performance
Eri già tutta mia by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the Sari Carel/MOC (with Eric Legris) Art Installment at La Mama Gallery in SoHo, New York City.
An interesting opportunity, the ensemble performed this work with each member in a in different corner of the gallery. The installment included an audio
-
Et e pur dunque vero by Claudio Monteverdi - Live Performance
Et e pur dunque vero by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the Sari Carel/MOC (with Eric Legris) Art Installment at La Mama Gallery in SoHo, New York City.
An interesting opportunity, the ensemble performed this work with each member in a in different corner of the gallery. The installment included an a
Trio Heuvelman - Claudio Monteverdi - Sherele - Live - HD
Trio Heuvelman speelde tijdens het afscheid van Maartje van Weegen. Claudio Monteverdi: Si dolce e'l tormento Sherele (The Mean Wedding), klezmer huwelijksda......
Trio Heuvelman speelde tijdens het afscheid van Maartje van Weegen. Claudio Monteverdi: Si dolce e'l tormento Sherele (The Mean Wedding), klezmer huwelijksda...
wn.com/Trio Heuvelman Claudio Monteverdi Sherele Live Hd
Trio Heuvelman speelde tijdens het afscheid van Maartje van Weegen. Claudio Monteverdi: Si dolce e'l tormento Sherele (The Mean Wedding), klezmer huwelijksda...
Si dolce è il tormento - Magdalena Kožená LIVE - Claudio Monteverdi
From this concert in Aix en Provence, 6th July 2009 http://liveweb.arte.tv/de/video/Magdalena_Kozena_beim_Festival_d_Aix-en-Provence/ The concert was repeate......
From this concert in Aix en Provence, 6th July 2009 http://liveweb.arte.tv/de/video/Magdalena_Kozena_beim_Festival_d_Aix-en-Provence/ The concert was repeate...
wn.com/Si Dolce È Il Tormento Magdalena Kožená Live Claudio Monteverdi
From this concert in Aix en Provence, 6th July 2009 http://liveweb.arte.tv/de/video/Magdalena_Kozena_beim_Festival_d_Aix-en-Provence/ The concert was repeate...
- published: 07 Oct 2009
- views: 15542
-
author: Gudrun74
Claudio Monteverdi's Magnificat I
Live performance by The Green Mountain Project on January 3, 2013 at the Church of St. Mary the Virgin, New York City. The Green Mountain Project (honoring t......
Live performance by The Green Mountain Project on January 3, 2013 at the Church of St. Mary the Virgin, New York City. The Green Mountain Project (honoring t...
wn.com/Claudio Monteverdi's Magnificat I
Live performance by The Green Mountain Project on January 3, 2013 at the Church of St. Mary the Virgin, New York City. The Green Mountain Project (honoring t...
Elena Bertuzzi Claudio Monteverdi - O quam pulchra es - Ensemble MusicaVenezia Live 2012 HD 720p
Elena Bertuzzi soprano http://www.arcadellamemoria.blogspot.com/search/label/Elena-Bertuzzi - Claudio Monteverdi (1567-1643) - O quam pulchra es amica mea - Pie...
Elena Bertuzzi soprano http://www.arcadellamemoria.blogspot.com/search/label/Elena-Bertuzzi - Claudio Monteverdi (1567-1643) - O quam pulchra es amica mea - Pier Paolo Ciurlia Tiorba Ensemble MusicaVenezia Live 2012 - Video Bonazeta - ArcaDellaMemoria Elena Bertuzzi Soprano - Baroque music - Playlist di ArcaDellaMemoria http://www.youtube.com/playlist?list=PLC8F40D499DE8F221 -
- Baroque music
Giulio Caccini http://www.facebook.com/ArcaDellaMemoria -
ilm
Claudio Monteverdi, "Pulchra es" dal Vespro della Beata Vergine, voce ensemble Les cembalo
C
original "Film original" Bertuzzi dulcem cinemascope
Elena Bertuzzi - Francesca Caccini "Maria, dolce Maria" P.P. Ciurlia Tiorba Ensemble MusicaVenezia
Elena Bertuzzi - Giulio Caccini "Maria dolce Maria" Pier P. Ciurlia Tiorba Ensemble MusicaVenezia http://youtu.be/0SzahSKQ7Y0
Claudio Monteverdi (1567-1643)
O quam pulchra es amica mea
Girolamo Cavazzoni (ca.1525-ca.1577)
Missa de Beata Virgine
Giovanni Battista Riccio (fl. 1609 - 1621)
Salve Regina
Claudio Monteverdi
Nigra sum
Giovanni Rovetta (1596--1668)
O Maria quam pulchra es
Giovanni Gabrieli (1557-1612)
Toccata
Claudio Monteverdi
Salve o Regina
Girolamo Cavazzoni
Ave Maris Stella
Alessandro Grandi (1586--1630)
O quam tu pulchra es
Girolamo Frescobaldi (1583-1643)
Ave Maris Stella
Francesco Cavalli (1602-1676)
O quam suavis et decora
Girolamo Frescobaldi (1583-1643)
Canzona Ottava detta La Vincenti
Giacomo Finetti (1605--1631)
Beata es virgo Maria
Giovanni Gabrieli
Sancta et immaculata Virginitas a 7
Maurizio Cazzati (1620-1677)
Ave virgo Maria
Film original "Film original" Bertuzzi dulcem Music 0SzahSKQ7Y0 Video Bonazeta - ArcaDellaMemoria
2 Bertuzzi pulcra MVI_1371 soft.mov - Original video 2012 - Monteverdi Vespro musica musica sacra seicento barocco Elena Bertuzzi Claudio Monteverdi - O quam pulchra es - Ensemble MusicaVenezia Live 2012
Elena Bertuzzi Claudio Monteverdi - O quam pulchra es - Ensemble MusicaVenezia Live 2012 HD 720p
Bertuzzi pulcra Original video 2012 Singer Song Monteverdi Vespro musica sacra seicento barocco "Elena Bertuzzi" "Claudio Monteverdi" "quam pulchraes" Ensemble MusicaVenezia Live
wn.com/Elena Bertuzzi Claudio Monteverdi O Quam Pulchra Es Ensemble Musicavenezia Live 2012 Hd 720P
Elena Bertuzzi soprano http://www.arcadellamemoria.blogspot.com/search/label/Elena-Bertuzzi - Claudio Monteverdi (1567-1643) - O quam pulchra es amica mea - Pier Paolo Ciurlia Tiorba Ensemble MusicaVenezia Live 2012 - Video Bonazeta - ArcaDellaMemoria Elena Bertuzzi Soprano - Baroque music - Playlist di ArcaDellaMemoria http://www.youtube.com/playlist?list=PLC8F40D499DE8F221 -
- Baroque music
Giulio Caccini http://www.facebook.com/ArcaDellaMemoria -
ilm
Claudio Monteverdi, "Pulchra es" dal Vespro della Beata Vergine, voce ensemble Les cembalo
C
original "Film original" Bertuzzi dulcem cinemascope
Elena Bertuzzi - Francesca Caccini "Maria, dolce Maria" P.P. Ciurlia Tiorba Ensemble MusicaVenezia
Elena Bertuzzi - Giulio Caccini "Maria dolce Maria" Pier P. Ciurlia Tiorba Ensemble MusicaVenezia http://youtu.be/0SzahSKQ7Y0
Claudio Monteverdi (1567-1643)
O quam pulchra es amica mea
Girolamo Cavazzoni (ca.1525-ca.1577)
Missa de Beata Virgine
Giovanni Battista Riccio (fl. 1609 - 1621)
Salve Regina
Claudio Monteverdi
Nigra sum
Giovanni Rovetta (1596--1668)
O Maria quam pulchra es
Giovanni Gabrieli (1557-1612)
Toccata
Claudio Monteverdi
Salve o Regina
Girolamo Cavazzoni
Ave Maris Stella
Alessandro Grandi (1586--1630)
O quam tu pulchra es
Girolamo Frescobaldi (1583-1643)
Ave Maris Stella
Francesco Cavalli (1602-1676)
O quam suavis et decora
Girolamo Frescobaldi (1583-1643)
Canzona Ottava detta La Vincenti
Giacomo Finetti (1605--1631)
Beata es virgo Maria
Giovanni Gabrieli
Sancta et immaculata Virginitas a 7
Maurizio Cazzati (1620-1677)
Ave virgo Maria
Film original "Film original" Bertuzzi dulcem Music 0SzahSKQ7Y0 Video Bonazeta - ArcaDellaMemoria
2 Bertuzzi pulcra MVI_1371 soft.mov - Original video 2012 - Monteverdi Vespro musica musica sacra seicento barocco Elena Bertuzzi Claudio Monteverdi - O quam pulchra es - Ensemble MusicaVenezia Live 2012
Elena Bertuzzi Claudio Monteverdi - O quam pulchra es - Ensemble MusicaVenezia Live 2012 HD 720p
Bertuzzi pulcra Original video 2012 Singer Song Monteverdi Vespro musica sacra seicento barocco "Elena Bertuzzi" "Claudio Monteverdi" "quam pulchraes" Ensemble MusicaVenezia Live
- published: 13 May 2012
- views: 2316
Claudio Monteverdi, Sì dolce è 'l tormento
Silvia Frigato, soprano Marta Graziolino, arpa Live - Teatro Bibiena, Mantova - Festival MiTo 2011 Sì dolce è 'l tormento Si dolce è'l tormento Ch'in seno mi......
Silvia Frigato, soprano Marta Graziolino, arpa Live - Teatro Bibiena, Mantova - Festival MiTo 2011 Sì dolce è 'l tormento Si dolce è'l tormento Ch'in seno mi...
wn.com/Claudio Monteverdi, Sì Dolce È 'l Tormento
Silvia Frigato, soprano Marta Graziolino, arpa Live - Teatro Bibiena, Mantova - Festival MiTo 2011 Sì dolce è 'l tormento Si dolce è'l tormento Ch'in seno mi...
Claudio Monteverdi - Laudate Dominum (Live and Unedited)
Jolaine Kerley, soprano Josephine van Lier, bass viola da gamba (bass viol) John Brough, harpsichord Part of Early Music Alberta Fundraising Concert and Art ......
Jolaine Kerley, soprano Josephine van Lier, bass viola da gamba (bass viol) John Brough, harpsichord Part of Early Music Alberta Fundraising Concert and Art ...
wn.com/Claudio Monteverdi Laudate Dominum (Live And Unedited)
Jolaine Kerley, soprano Josephine van Lier, bass viola da gamba (bass viol) John Brough, harpsichord Part of Early Music Alberta Fundraising Concert and Art ...
Claudio Monteverdi - Maledetto sia l'aspetto (Live and Unedited)
Jolaine Kerley, soprano Josephine van Lier, bass viola da gamba (bass viol) John Brough, harpsichord Part of Early Music Alberta Fundraising Concert and Art ......
Jolaine Kerley, soprano Josephine van Lier, bass viola da gamba (bass viol) John Brough, harpsichord Part of Early Music Alberta Fundraising Concert and Art ...
wn.com/Claudio Monteverdi Maledetto Sia L'Aspetto (Live And Unedited)
Jolaine Kerley, soprano Josephine van Lier, bass viola da gamba (bass viol) John Brough, harpsichord Part of Early Music Alberta Fundraising Concert and Art ...
Se i languidi miei sguardi by Claudio Monteverdi - Live Performance
Se i languidi miei sguardi by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at th...
Se i languidi miei sguardi by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the Sari Carel/MOC (with Eric Legris) Art Installment at La Mama Gallery in SoHo, New York City.
An interesting opportunity, the ensemble performed this work with each member in a in different corner of the gallery. The installment included an audio piece consisting of bird calls recorded and played back during the performance.
wn.com/Se I Languidi Miei Sguardi By Claudio Monteverdi Live Performance
Se i languidi miei sguardi by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the Sari Carel/MOC (with Eric Legris) Art Installment at La Mama Gallery in SoHo, New York City.
An interesting opportunity, the ensemble performed this work with each member in a in different corner of the gallery. The installment included an audio piece consisting of bird calls recorded and played back during the performance.
- published: 16 Sep 2014
- views: 0
Claudio Monteverdi - Quel sguardo sdegnosetto (Live and Unedited)
Jolaine Kerley, soprano Josephine van Lier, bass viola da gamba (bass viol) John Brough, harpsichord Part of Early Music Alberta Fundraising Concert and Art ......
Jolaine Kerley, soprano Josephine van Lier, bass viola da gamba (bass viol) John Brough, harpsichord Part of Early Music Alberta Fundraising Concert and Art ...
wn.com/Claudio Monteverdi Quel Sguardo Sdegnosetto (Live And Unedited)
Jolaine Kerley, soprano Josephine van Lier, bass viola da gamba (bass viol) John Brough, harpsichord Part of Early Music Alberta Fundraising Concert and Art ...
Claudio Monteverdi - Madrigali amorosi, Lamento della ninfa - Live in Dubrovnik
Claudio Monteverdi - Madrigali amorosi, Lamento della ninfa: 'Amor, dicea, il ciel' Soloists of Croatian Radio Television Choir (Ivana Kladarin - soprano, Hr......
Claudio Monteverdi - Madrigali amorosi, Lamento della ninfa: 'Amor, dicea, il ciel' Soloists of Croatian Radio Television Choir (Ivana Kladarin - soprano, Hr...
wn.com/Claudio Monteverdi Madrigali Amorosi, Lamento Della Ninfa Live In Dubrovnik
Claudio Monteverdi - Madrigali amorosi, Lamento della ninfa: 'Amor, dicea, il ciel' Soloists of Croatian Radio Television Choir (Ivana Kladarin - soprano, Hr...
Jubilet - Claudio Monteverdi - Silentia Lunae live in concert, Maria Caruso, soprano
Jubilet, dalla "Selva morale e spirituale" di Claudio Monteverdi registrato live in concert a Mantova, Chiesa di Santa Barbara, 30 ottobre 2010 Silentia Luna......
Jubilet, dalla "Selva morale e spirituale" di Claudio Monteverdi registrato live in concert a Mantova, Chiesa di Santa Barbara, 30 ottobre 2010 Silentia Luna...
wn.com/Jubilet Claudio Monteverdi Silentia Lunae Live In Concert, Maria Caruso, Soprano
Jubilet, dalla "Selva morale e spirituale" di Claudio Monteverdi registrato live in concert a Mantova, Chiesa di Santa Barbara, 30 ottobre 2010 Silentia Luna...
Claudio Monteverdi, Lamento della Ninfa
Claudio Monteverdi, Lamento della Ninfa Emanuela Galli, soprano Luca Dordolo, Peter De' Laurentiis, tenori Tomáš Král, basso Concerto Live, Teatro Ponchielli......
Claudio Monteverdi, Lamento della Ninfa Emanuela Galli, soprano Luca Dordolo, Peter De' Laurentiis, tenori Tomáš Král, basso Concerto Live, Teatro Ponchielli...
wn.com/Claudio Monteverdi, Lamento Della Ninfa
Claudio Monteverdi, Lamento della Ninfa Emanuela Galli, soprano Luca Dordolo, Peter De' Laurentiis, tenori Tomáš Král, basso Concerto Live, Teatro Ponchielli...
Quel sguardo sdegnosetto by Claudio Monteverdi - Live Performance
Quel sguardo sdegnosetto by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the ...
Quel sguardo sdegnosetto by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the Sari Carel/MOC (with Eric Legris) Art Installment at La Mama Gallery in SoHo, New York City.
An interesting opportunity, the ensemble performed this work with each member in a in different corner of the gallery. The installment included an audio piece consisting of bird calls recorded and played back during the performance.
wn.com/Quel Sguardo Sdegnosetto By Claudio Monteverdi Live Performance
Quel sguardo sdegnosetto by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the Sari Carel/MOC (with Eric Legris) Art Installment at La Mama Gallery in SoHo, New York City.
An interesting opportunity, the ensemble performed this work with each member in a in different corner of the gallery. The installment included an audio piece consisting of bird calls recorded and played back during the performance.
- published: 16 Sep 2014
- views: 1
Vespro Della Beata Vergine - Claudio Monteverdi - ( 1 )
High resolution:
http://br.youtube.com/watch?v=WQCOr8UiS7I&feature;=email&fmt;=18
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )-
part 1
Basilica di S...
High resolution:
http://br.youtube.com/watch?v=WQCOr8UiS7I&feature;=email&fmt;=18
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )-
part 1
Basilica di San Marco, Venice
1989 - Live Recording
The Monteverdi Choir
The London Oratory Junior Choir
The English Baroque Soloists
John Eliot Gardiner
This performance, which takes place in the Basilica of San Marco, Venice, includes the following groups in addition to the Choir and Baroque Soloists: His Magesties Sagbutts and Cornetts-London Oratory Junior Choir and vocal solists: Ann Monoyios & Marinella Pennicchi (sopranos); Michael Chance (countertenor); Mark Tucker,Nigel Robson,Sandro Naglia (tenors); Bryn Terfel, Alastair Miles (basses).
wn.com/Vespro Della Beata Vergine Claudio Monteverdi ( 1 )
High resolution:
http://br.youtube.com/watch?v=WQCOr8UiS7I&feature;=email&fmt;=18
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )-
part 1
Basilica di San Marco, Venice
1989 - Live Recording
The Monteverdi Choir
The London Oratory Junior Choir
The English Baroque Soloists
John Eliot Gardiner
This performance, which takes place in the Basilica of San Marco, Venice, includes the following groups in addition to the Choir and Baroque Soloists: His Magesties Sagbutts and Cornetts-London Oratory Junior Choir and vocal solists: Ann Monoyios & Marinella Pennicchi (sopranos); Michael Chance (countertenor); Mark Tucker,Nigel Robson,Sandro Naglia (tenors); Bryn Terfel, Alastair Miles (basses).
- published: 07 Mar 2008
- views: 137890
Vespro Della Beata Vergine - Claudio Monteverdi - ( 4 )
High resolution:
http://br.youtube.com/watch?v=xiGjF91UcOE&fmt;=18
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )-
part 4
Basilica di San Marco, Venice...
High resolution:
http://br.youtube.com/watch?v=xiGjF91UcOE&fmt;=18
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )-
part 4
Basilica di San Marco, Venice
1989 - Live Recording
The Monteverdi Choir
The London Oratory Junior Choir
The English Baroque Soloists
John Eliot Gardiner
This performance, which takes place in the Basilica of San Marco, Venice, includes the following groups in addition to the Choir and Baroque Soloists: His Magesties Sagbutts and Cornetts-London Oratory Junior Choir and vocal solists: Ann Monoyios & Marinella Pennicchi (sopranos); Michael Chance (countertenor); Mark Tucker,Nigel Robson,Sandro Naglia (tenors); Bryn Terfel, Alastair Miles (basses).
wn.com/Vespro Della Beata Vergine Claudio Monteverdi ( 4 )
High resolution:
http://br.youtube.com/watch?v=xiGjF91UcOE&fmt;=18
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )-
part 4
Basilica di San Marco, Venice
1989 - Live Recording
The Monteverdi Choir
The London Oratory Junior Choir
The English Baroque Soloists
John Eliot Gardiner
This performance, which takes place in the Basilica of San Marco, Venice, includes the following groups in addition to the Choir and Baroque Soloists: His Magesties Sagbutts and Cornetts-London Oratory Junior Choir and vocal solists: Ann Monoyios & Marinella Pennicchi (sopranos); Michael Chance (countertenor); Mark Tucker,Nigel Robson,Sandro Naglia (tenors); Bryn Terfel, Alastair Miles (basses).
- published: 08 Mar 2008
- views: 39154
Vespro Della Beata Vergine - Claudio Monteverdi - ( 5 )
Video in high resolution: http://br.youtube.com/watch?v=0z-hq8l2LM8&fmt;=18 Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 5 Basilica di San M......
Video in high resolution: http://br.youtube.com/watch?v=0z-hq8l2LM8&fmt;=18 Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 5 Basilica di San M...
wn.com/Vespro Della Beata Vergine Claudio Monteverdi ( 5 )
Video in high resolution: http://br.youtube.com/watch?v=0z-hq8l2LM8&fmt;=18 Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 5 Basilica di San M...
- published: 09 Mar 2008
- views: 43613
-
author: codonauta
Vespro Della Beata Vergine - Claudio Monteverdi - ( 8 )
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 8 Basilica di San Marco, Venice 1989 - Live Recording The Monteverdi Choir The London Oratory ......
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 8 Basilica di San Marco, Venice 1989 - Live Recording The Monteverdi Choir The London Oratory ...
wn.com/Vespro Della Beata Vergine Claudio Monteverdi ( 8 )
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 8 Basilica di San Marco, Venice 1989 - Live Recording The Monteverdi Choir The London Oratory ...
- published: 18 Mar 2008
- views: 21284
-
author: codonauta
Vespro Della Beata Vergine - Claudio Monteverdi - ( 9 )
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 9 Basilica di San Marco, Venice 1989 - Live Recording The Monteverdi Choir The London Oratory ......
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 9 Basilica di San Marco, Venice 1989 - Live Recording The Monteverdi Choir The London Oratory ...
wn.com/Vespro Della Beata Vergine Claudio Monteverdi ( 9 )
Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 9 Basilica di San Marco, Venice 1989 - Live Recording The Monteverdi Choir The London Oratory ...
- published: 19 Mar 2008
- views: 30298
-
author: codonauta
Green Mountain Project 2014: Claudio Monteverdi's Vespers of 1610
Vespro della Beata Vergine by Claudio Monteverdi (1567-1643) with plainchant antiphons for the First Vespers on the Feast of the Visitation (July 2), recorded l...
Vespro della Beata Vergine by Claudio Monteverdi (1567-1643) with plainchant antiphons for the First Vespers on the Feast of the Visitation (July 2), recorded live at Church of St. Jean Baptiste, NYC on June 18, 2014.
Recorded Live by Tom Durack, Michael McGuinnes with video editing by Anthony Indelicato.
Green Mountain Project
Jolle Greenleaf, artistic director
Scott Metcalfe, music director
Jolle Greenleaf, soprano
Molly Quinn, soprano
Luthien Brackett, alto
Virginia Warnken, alto
Owen McIntosh, tenor
Jason McStoots, tenor
Aaron Sheehan, tenor
Lawrence Jones, tenor
David McFerrin, baritone
Jesse Blumberg, baritone
Mischa Bouvier, bass
Steven Hrycelak, bass
Thomas McCargar, bass
Jonathan Woody, bass
Scott Metcalfe, violin
Ingrid Matthews, violin
Daniel Elyar, viola
Dongmyung Ahn, viola
Emily Walhout, bass violin
Anne Trout, violone
Kiri Tollaksen, cornetto
Alexandra Opsahl, cornetto
Greg Ingles, sackbut
Erik Schmalz, sackbut
Mack Ramsey, sackbut
Hank Heijink, theorbo
Daniel Swenberg, theorbo
Jory Vinikour, organ
Versicle & Response:
Deus in adjutorium / Domine ad adiuvandum (0:00)
Antiphon I: Exurgens Maria (2:23)
Psalm 109: Dixit dominus (2:55)
Motet for one voice: Nigra sum (11:33)
Aaron Sheehan
Antiphon II: Intravit Maria in domum Zachariae (15:32)
Psalm 112: Laudate pueri (15:59)
Motet for two voices: Pulchra es (22:59)
Jolle Greenleaf & Molly Quinn
Antiphon III: Ut audivit salutationem (26:50)
Psalm 121: Laetatus sum (27:44)
Motet for three voices: Duo seraphim (35:25)
Owen McIntosh, Jason McStoots, and Lawrence Jones
Antiphon IV: Benedicta tu inter mulieres (42:05)
Psalm 126: Nisi dominus (42:26)
Motet for one voice, and at the end for six voices: Audi coelum (47:50)
Jesse Blumberg (David McFerrin, echo)
Antiphon V: Ex quo facta est vox (56:24)
Psalm 147: Lauda Jerusalem (57:06)
Sonata sopra Santa Maria Ora pro nobis (1:02:58)
Hymn: Ave maris stella (1:10:23)
Solo verses: Virginia Warnken, Luthien Brackett, & David McFerrin
Antiphon to Magnificat: Beata es Maria (1:19:32)
Magnificat (1:20:10)
Et exultavit (1:21:03)
Quia respexit (1:22:18)
Quia fecit (1:24:14)
Et misericordia (1:25:30)
Fecit potentiam (1:27:41)
Deposuit potentes (1:28:41)
Esurientes (1:31:13)
Suscepit Israel (1:33:03)
Sicut locutus est (1:34:29)
Gloria Patri (1:35:38)
Sicut erat in principio (1:38:17)
Amen (1:40:15)
For more info, visit www.tenetnyc.com.
wn.com/Green Mountain Project 2014 Claudio Monteverdi's Vespers Of 1610
Vespro della Beata Vergine by Claudio Monteverdi (1567-1643) with plainchant antiphons for the First Vespers on the Feast of the Visitation (July 2), recorded live at Church of St. Jean Baptiste, NYC on June 18, 2014.
Recorded Live by Tom Durack, Michael McGuinnes with video editing by Anthony Indelicato.
Green Mountain Project
Jolle Greenleaf, artistic director
Scott Metcalfe, music director
Jolle Greenleaf, soprano
Molly Quinn, soprano
Luthien Brackett, alto
Virginia Warnken, alto
Owen McIntosh, tenor
Jason McStoots, tenor
Aaron Sheehan, tenor
Lawrence Jones, tenor
David McFerrin, baritone
Jesse Blumberg, baritone
Mischa Bouvier, bass
Steven Hrycelak, bass
Thomas McCargar, bass
Jonathan Woody, bass
Scott Metcalfe, violin
Ingrid Matthews, violin
Daniel Elyar, viola
Dongmyung Ahn, viola
Emily Walhout, bass violin
Anne Trout, violone
Kiri Tollaksen, cornetto
Alexandra Opsahl, cornetto
Greg Ingles, sackbut
Erik Schmalz, sackbut
Mack Ramsey, sackbut
Hank Heijink, theorbo
Daniel Swenberg, theorbo
Jory Vinikour, organ
Versicle & Response:
Deus in adjutorium / Domine ad adiuvandum (0:00)
Antiphon I: Exurgens Maria (2:23)
Psalm 109: Dixit dominus (2:55)
Motet for one voice: Nigra sum (11:33)
Aaron Sheehan
Antiphon II: Intravit Maria in domum Zachariae (15:32)
Psalm 112: Laudate pueri (15:59)
Motet for two voices: Pulchra es (22:59)
Jolle Greenleaf & Molly Quinn
Antiphon III: Ut audivit salutationem (26:50)
Psalm 121: Laetatus sum (27:44)
Motet for three voices: Duo seraphim (35:25)
Owen McIntosh, Jason McStoots, and Lawrence Jones
Antiphon IV: Benedicta tu inter mulieres (42:05)
Psalm 126: Nisi dominus (42:26)
Motet for one voice, and at the end for six voices: Audi coelum (47:50)
Jesse Blumberg (David McFerrin, echo)
Antiphon V: Ex quo facta est vox (56:24)
Psalm 147: Lauda Jerusalem (57:06)
Sonata sopra Santa Maria Ora pro nobis (1:02:58)
Hymn: Ave maris stella (1:10:23)
Solo verses: Virginia Warnken, Luthien Brackett, & David McFerrin
Antiphon to Magnificat: Beata es Maria (1:19:32)
Magnificat (1:20:10)
Et exultavit (1:21:03)
Quia respexit (1:22:18)
Quia fecit (1:24:14)
Et misericordia (1:25:30)
Fecit potentiam (1:27:41)
Deposuit potentes (1:28:41)
Esurientes (1:31:13)
Suscepit Israel (1:33:03)
Sicut locutus est (1:34:29)
Gloria Patri (1:35:38)
Sicut erat in principio (1:38:17)
Amen (1:40:15)
For more info, visit www.tenetnyc.com.
- published: 26 Dec 2014
- views: 701
Claudio Monteverdi: Cantate Domino
http://www.cuchorus.org.hk/ 蒙台威爾第:向主高歌古育仲指揮香港中文大學合唱團Claudio Monteverdi: Cantate Domino Johnny Yu-chung Ku conducts The Chinese University of Hong Kong Chor......
http://www.cuchorus.org.hk/ 蒙台威爾第:向主高歌古育仲指揮香港中文大學合唱團Claudio Monteverdi: Cantate Domino Johnny Yu-chung Ku conducts The Chinese University of Hong Kong Chor...
wn.com/Claudio Monteverdi Cantate Domino
http://www.cuchorus.org.hk/ 蒙台威爾第:向主高歌古育仲指揮香港中文大學合唱團Claudio Monteverdi: Cantate Domino Johnny Yu-chung Ku conducts The Chinese University of Hong Kong Chor...
- published: 27 Sep 2011
- views: 528
-
author: CU Chorus
Eri gia tutta mia by Claudio Monteverdi - Live Performance
Eri già tutta mia by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the Sari Ca...
Eri già tutta mia by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the Sari Carel/MOC (with Eric Legris) Art Installment at La Mama Gallery in SoHo, New York City.
An interesting opportunity, the ensemble performed this work with each member in a in different corner of the gallery. The installment included an audio piece consisting of bird calls recorded and played back during the performance.
wn.com/Eri Gia Tutta Mia By Claudio Monteverdi Live Performance
Eri già tutta mia by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the Sari Carel/MOC (with Eric Legris) Art Installment at La Mama Gallery in SoHo, New York City.
An interesting opportunity, the ensemble performed this work with each member in a in different corner of the gallery. The installment included an audio piece consisting of bird calls recorded and played back during the performance.
- published: 16 Sep 2014
- views: 0
Et e pur dunque vero by Claudio Monteverdi - Live Performance
Et e pur dunque vero by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the Sar...
Et e pur dunque vero by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the Sari Carel/MOC (with Eric Legris) Art Installment at La Mama Gallery in SoHo, New York City.
An interesting opportunity, the ensemble performed this work with each member in a in different corner of the gallery. The installment included an audio piece consisting of bird calls recorded and played back during the performance.
wn.com/Et E Pur Dunque Vero By Claudio Monteverdi Live Performance
Et e pur dunque vero by Claudio Monteverdi
As performed by the C I R C E Ensemble (Laura Kay, soprano; Isabel Fairbanks, cellist; Zach Mo, pianist) at the Sari Carel/MOC (with Eric Legris) Art Installment at La Mama Gallery in SoHo, New York City.
An interesting opportunity, the ensemble performed this work with each member in a in different corner of the gallery. The installment included an audio piece consisting of bird calls recorded and played back during the performance.
- published: 16 Sep 2014
- views: 2
-
Claudio Monteverdi - L'Orfeo
- Composer: Claudio Giovanni Antonio Monteverdi (15 May 1567 -- 29 November 1643)
- Ensemble: Concentus Musicus Wien
- Choir: Capella Antiqua München
- Conductor: Nikolaus Harnoncourt
- Soloists:
Lajos Kozma (Orfeo)
Rotraud Hansmann (La Musica/Euridice)
Cathy Berberian (Messaggiera/Speranza)
Eiko Katanosaka (Proserpina/Ninfa)
- Year of recording: 1969
L'Orfeo (SV 318) "Favola in musica",
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Claudio Monteverdi - Vespro della Beata Vergine & Magnificat (1610) - La Fenice, Jean Tubéry
La Fenice, dir. Jean Tubéry.
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Claudio Monteverdi /// Secondo Libro dei Madrigali
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"Selva Morale e Spirituale" (Claudio Monteverdi) - Concierto de Gabriel Garrido y Ensemble Elyma
"Selva Morale e Spirituale" (Venecia, 1640), Claudio Monteverdi - Concierto de Gabriel Garrido y Ensemble Elyma.
[Concierto celebrado en 2004, dentro del XXV Festival de Ambronay (Francia)]
Intérpretes: Ensemble Elyma - Director: Gabriel Garrido.
- Coro de niños Les Petits Chanteurs de Saint-Marc (Director: Nicolas Porte).
(http://www.elyma.net/)
En música la época Barroca fue el primer perio
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CLAUDIO MONTEVERDI.- 1567-1643.- Altri Canti. Madrigales extraídos de VII y VIII libro.
CLAUDIO MONTEVERDI.- 1567-1643.-
Altri Canti. Madrigales extraídos de VII y VIII libro.
Altri canti di Marte
a 6 voces con violín ( libro VIII)
Perché t´en fuggi o Fillide
a 3 voces ( libro VIII)
Chiome d´oro, Canzonetta
a 4 voci con violini ( libro VII)
Hor ch´el ciel e la terra
a 6 voces con violín ( libro VIII)
Non havea Febo ancora- Lamento della Ninfa.
a 4 voces ( libro VIII)
Gira i
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Claudio Monteverdi L'Orfeo,favola in musica,Mantua 1607
http://en.wikipedia.org/wiki/L'Orfeo
http://www.glossamusic.com/glossa/reference.aspx?id=99
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Claudio MONTEVERDI, L'incoronazione di Poppea (1993)
Teatro Comunale di Bologna, 1993
Conductor: Ivor Bolton
Director: Graham Vick
Cast:
Anna Caterina Antonacci (Poppea), Patricia Schumann (Nerone), Jennifer Larmore (Ottavia), Bernadette Manca di Nissa (Ottone), Carlo Colombara (Seneca), Adelina Scarabelli (Drusilla), Stefano Rinaldi Miliani (Mercurio), Max-René Cosotti, Francesco Piccoli
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Claudio Monteverdi /// Quinto Libro dei Madrigali
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Claudio Monteverdi Vespro Della Beata Vergine Nikolaus Harnoncourt Concentus Musicus Wien
Claudio Monteverdi (1567-1643) Vespro della Beata Vergine (1610)
Concentus Musicus Wien
Conductor : Nikolaus Harnoncourt
0:00 Intonatio: Deus in adiutorium / Responsorium: Domine ad adiuvandum (Glory to the Father, the Son and the Holy Ghost)
2:52 Psalmus 109: Dixit Dominus
11:28 Concerto: Nigra sum
16:07 Psalmus 112: Laudate pueri
22:50 Concerto: Pulchra es
26:45 Psalmus 121: Laetatus sum
35:01 D
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CLAUDIO MONTEVERDI.-Visperas de la Beata Virgen María-(Completo)
CLAUDIO MONTEVERDI.-
Visperas de la Beata Virgen María-(Completo)
Responsorio (Salmo 69:1):
V: Deus in adjutorium meum intende
R: Domine ad adjuvandum me festina. Este movimiento hace uso de elementos musicales provenientes de la obertura de la ópera Orfeo
Salmo: Dixit Dominus (Salmo 110): Seis voces, coro e instrumentos
Motete: Nigra sum (del Cantar de los cantares): Solo tenor con coro
Salmo:
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Claudio Monteverdi /// Primo & Nono Libro dei Madrigali
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Claudio Monteverdi /// Quarto Libro dei Madrigali
Claudio Monteverdi - L'Orfeo
- Composer: Claudio Giovanni Antonio Monteverdi (15 May 1567 -- 29 November 1643)
- Ensemble: Concentus Musicus Wien
- Choir: Capella Antiqua München
- Condu...
- Composer: Claudio Giovanni Antonio Monteverdi (15 May 1567 -- 29 November 1643)
- Ensemble: Concentus Musicus Wien
- Choir: Capella Antiqua München
- Conductor: Nikolaus Harnoncourt
- Soloists:
Lajos Kozma (Orfeo)
Rotraud Hansmann (La Musica/Euridice)
Cathy Berberian (Messaggiera/Speranza)
Eiko Katanosaka (Proserpina/Ninfa)
- Year of recording: 1969
L'Orfeo (SV 318) "Favola in musica", written in 1607.
Prologo
00:00:00 - 1. Toccata
00:02:04 - 2. Ritornello-Dal mio Permesso amato
Act I
00:07:31 - 1. In questo lieto e fortunato giorno
00:09:29 - 2. Vieni Imeneo, deh vieni
00:11:33 - 3. Lasciate i monti
00:14:13 - 4. Rosa del Ciel, vita del mondo
00:17:15 - 5. Lasciate i monti
00:20:05 - 6. Ritornello-Alcun non sia che disperato
Act II
00:24:32 - 1. Sinfonia-Ecco pur ch'a voi ritorno
00:28:01 - 2. Ritornello-Vi ricorda o bosch'ombrosi
00:30:40 - 3. Mira, deh mira Orfeo
00:33:36 - 4. Donde vieni? Ove vai?
00:38:39 - 5. Tu se' morta
00:40:42 - 6. Ahi caso acerbo
00:43:08 - 7. Sinfonia-Chi ne consola ahi lassi?
Act III
00:49:14 - 1. Sinfonia
00:49:56 - 2. Scorta da te mio Nume
00:51:24 - 3. Ecco l'altra palude
00:55:11 - 4. O tu ch'innanzi morte
00:57:35 - 5. Possente spirto
01:03:33 - 6. Orfeo son io
01:06:36 - 7. Ben mi lusinga al quanto
01:09:18 - 8. "Ei dorme, e la mia cetra"
01:11:30 - 9. Sinfonia-Nulla impresa per huom
Act IV
01:15:10 - 1. Signor quell'infelice
01:17:42 - 2. Benché severo ed immutabil fato
01:20:50 - 3. Quali grazie ti rendo
01:22:56 - 4. Ecco il gentil cantore
01:26:03 - 5. O dolcissimi lumi io pur vi veggio
01:29:30 - 6. Sinfonia-É la virtite un raggio
Act V
01:32:54 - 1. Ritornello-Questi i campi di Tracia
01:37:40 - 2. Ma tu, anima mia, se mai ritorna
01:40:23 - 3. Sinfonia-Perch'a lo sdegno ed al dolor
01:42:54 - 4. Troppo, troppo gioisti
01:46:01 - 5. Ritornello-Vanne Orfeo felice a pieno
01:47:14 - 6. Moresca
L'Orfeo is a late Renaissance/early Baroque opera, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. Written in 1607 for a court performance during the annual Carnival at Mantua, L'Orfeo is one of the earliest music dramas still regularly performed.
During the early 17th century, the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's L'Orfeo moved this process out of its experimental era and provided the first fully developed example of the new genre. After its initial performance the work was staged again in Mantua, and possibly in other Italian centres in the next few years. Its score was published by Monteverdi in 1609 and again in 1615. After the composer's death in 1643 the opera went unperformed for many years, and was largely forgotten until a revival of interest in the late 19th century led to a spate of modern editions and performances. At first these tended to be unstaged versions within institutes and music societies, but following the first modern dramatised performance in Paris, in 1911, the work began to be seen increasingly often in theatres. After the Second World War most new editions sought authenticity through the use of period instruments, like this version by Harnoncourt. Many recordings were issued, and the opera was increasingly staged in opera houses. In 2007 the quatercentenary of the premiere was celebrated by performances throughout the world.
In his published score Monteverdi lists around 41 instruments to be deployed, with distinct groups of instruments used to depict particular scenes and characters. Thus strings, harpsichords and recorders represent the pastoral fields of Thrace with their nymphs and shepherds, while heavy brass illustrates the underworld and its denizens. Composed at the point of transition from the Renaissance era to the Baroque, L'Orfeo employs all the resources then known within the art of music, with particularly daring use of polyphony. The work is not orchestrated as such; in the Renaissance tradition instrumentalists followed the composer's general instructions but were given considerable freedom to improvise. This separates Monteverdi's work from the later opera canon, and makes each performance of L'Orfeo a uniquely individual occasion.
wn.com/Claudio Monteverdi L'Orfeo
- Composer: Claudio Giovanni Antonio Monteverdi (15 May 1567 -- 29 November 1643)
- Ensemble: Concentus Musicus Wien
- Choir: Capella Antiqua München
- Conductor: Nikolaus Harnoncourt
- Soloists:
Lajos Kozma (Orfeo)
Rotraud Hansmann (La Musica/Euridice)
Cathy Berberian (Messaggiera/Speranza)
Eiko Katanosaka (Proserpina/Ninfa)
- Year of recording: 1969
L'Orfeo (SV 318) "Favola in musica", written in 1607.
Prologo
00:00:00 - 1. Toccata
00:02:04 - 2. Ritornello-Dal mio Permesso amato
Act I
00:07:31 - 1. In questo lieto e fortunato giorno
00:09:29 - 2. Vieni Imeneo, deh vieni
00:11:33 - 3. Lasciate i monti
00:14:13 - 4. Rosa del Ciel, vita del mondo
00:17:15 - 5. Lasciate i monti
00:20:05 - 6. Ritornello-Alcun non sia che disperato
Act II
00:24:32 - 1. Sinfonia-Ecco pur ch'a voi ritorno
00:28:01 - 2. Ritornello-Vi ricorda o bosch'ombrosi
00:30:40 - 3. Mira, deh mira Orfeo
00:33:36 - 4. Donde vieni? Ove vai?
00:38:39 - 5. Tu se' morta
00:40:42 - 6. Ahi caso acerbo
00:43:08 - 7. Sinfonia-Chi ne consola ahi lassi?
Act III
00:49:14 - 1. Sinfonia
00:49:56 - 2. Scorta da te mio Nume
00:51:24 - 3. Ecco l'altra palude
00:55:11 - 4. O tu ch'innanzi morte
00:57:35 - 5. Possente spirto
01:03:33 - 6. Orfeo son io
01:06:36 - 7. Ben mi lusinga al quanto
01:09:18 - 8. "Ei dorme, e la mia cetra"
01:11:30 - 9. Sinfonia-Nulla impresa per huom
Act IV
01:15:10 - 1. Signor quell'infelice
01:17:42 - 2. Benché severo ed immutabil fato
01:20:50 - 3. Quali grazie ti rendo
01:22:56 - 4. Ecco il gentil cantore
01:26:03 - 5. O dolcissimi lumi io pur vi veggio
01:29:30 - 6. Sinfonia-É la virtite un raggio
Act V
01:32:54 - 1. Ritornello-Questi i campi di Tracia
01:37:40 - 2. Ma tu, anima mia, se mai ritorna
01:40:23 - 3. Sinfonia-Perch'a lo sdegno ed al dolor
01:42:54 - 4. Troppo, troppo gioisti
01:46:01 - 5. Ritornello-Vanne Orfeo felice a pieno
01:47:14 - 6. Moresca
L'Orfeo is a late Renaissance/early Baroque opera, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. Written in 1607 for a court performance during the annual Carnival at Mantua, L'Orfeo is one of the earliest music dramas still regularly performed.
During the early 17th century, the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's L'Orfeo moved this process out of its experimental era and provided the first fully developed example of the new genre. After its initial performance the work was staged again in Mantua, and possibly in other Italian centres in the next few years. Its score was published by Monteverdi in 1609 and again in 1615. After the composer's death in 1643 the opera went unperformed for many years, and was largely forgotten until a revival of interest in the late 19th century led to a spate of modern editions and performances. At first these tended to be unstaged versions within institutes and music societies, but following the first modern dramatised performance in Paris, in 1911, the work began to be seen increasingly often in theatres. After the Second World War most new editions sought authenticity through the use of period instruments, like this version by Harnoncourt. Many recordings were issued, and the opera was increasingly staged in opera houses. In 2007 the quatercentenary of the premiere was celebrated by performances throughout the world.
In his published score Monteverdi lists around 41 instruments to be deployed, with distinct groups of instruments used to depict particular scenes and characters. Thus strings, harpsichords and recorders represent the pastoral fields of Thrace with their nymphs and shepherds, while heavy brass illustrates the underworld and its denizens. Composed at the point of transition from the Renaissance era to the Baroque, L'Orfeo employs all the resources then known within the art of music, with particularly daring use of polyphony. The work is not orchestrated as such; in the Renaissance tradition instrumentalists followed the composer's general instructions but were given considerable freedom to improvise. This separates Monteverdi's work from the later opera canon, and makes each performance of L'Orfeo a uniquely individual occasion.
- published: 22 Oct 2015
- views: 76
"Selva Morale e Spirituale" (Claudio Monteverdi) - Concierto de Gabriel Garrido y Ensemble Elyma
"Selva Morale e Spirituale" (Venecia, 1640), Claudio Monteverdi - Concierto de Gabriel Garrido y Ensemble Elyma.
[Concierto celebrado en 2004, dentro del XXV F...
"Selva Morale e Spirituale" (Venecia, 1640), Claudio Monteverdi - Concierto de Gabriel Garrido y Ensemble Elyma.
[Concierto celebrado en 2004, dentro del XXV Festival de Ambronay (Francia)]
Intérpretes: Ensemble Elyma - Director: Gabriel Garrido.
- Coro de niños Les Petits Chanteurs de Saint-Marc (Director: Nicolas Porte).
(http://www.elyma.net/)
En música la época Barroca fue el primer periodo, hablando en términos generales, en el que se hicieron esfuerzos deliberados y conscientes por preservar un estilo que ya no era de vanguardia. El estilo que se conservó fue principalmente el derivado de la polifonía sacra de la escuela romana del siglo XVI, conocida tanto como 'prima prattica', 'stile antico' o 'stile alla Palestrina' por el que existía veneración debido a su asociación con la liturgia católica y la posibilidad de ser sintetizado dentro de reglas didácticas.
Durante el siglo XVII y bien entrado el XVIII se mantuvo este estilo -con algunas modificaciones- como corriente subterránea dentro de los más espectaculares desarrollos de la ópera, el oratorio, la cantata y la música instrumental virtuosística.
Después de la época palestriniana hubo numerosos compositores en Italia que, además de escribir en un idioma más progresista, ocasionalmente hacían uso de los procedimientos más modestos de la 'prima prattica' en obras de índole estrictamente litúrgica. Monteverdi, por ejemplo, en su primera colección de música sagrada (1610), incluyó una Misa parodia a seis voces basada en un motete de Gombert. En cada una de sus dos colecciones posteriores, la "Selva morale e spirituale" (Venecia, 1640) y en la "Messa a quattro voce, et Salmi" (editada póstumamente, Venecia 1650), incluyó una Misa a cuatro voces en el estilo de prima prattica.
La obra "Selva morale e spirituale", publicada en 1640, es un enorme compendio de música sacra donde vuelve a apreciarse toda la gama de estilos que usaba Monteverdi.
Claudio Giovanni Antonio Monteverdi (1567, Cremona - 1643, Venecia) fue un compositor, gambista y cantante italiano.
Marcó la transición entre la tradición polifónica y madrigalista del siglo XVI y el nacimiento del drama lírico y de la ópera en el siglo XVII. Es la figura más importante en la transición entre la música del Renacimiento y del Barroco.
Inició sus estudios de música con Marco Antonio Ingegnieri, maestro de capilla de la Catedral de Cremona, y a los 15 años publicó sus primeras obras. Entre 1587 y 1638 publicó ocho colecciones de madrigales, en los que muestra su dominio de la técnica madrigalista. Combina las escrituras homofónica y contrapuntística, donde utiliza libremente armonías y disonancias.
En 1599 se casó con Claudia de Cataneis, que murió en 1607 y en ese mismo año se estrenó "L' Orfeo, favola in musica, su primer drama musical, considerado la primera ópera de la historia, como la entendemos hoy día.
Su siguiente ópera Arianna (1608), cuya música se ha perdido, excepto el famoso "Lamento", consolidó su fama.
En 1613 fue maestro de coro y director de la catedral de San Marcos de Venecia, ciudad en la que compuso la mayoría de su obra sacra. Para inaugurar el primer teatro de esta ciudad, compuso más óperas.
En su música religiosa utilizó gran variedad de estilos, que iban desde la polifonía de su Misa de 1610 a la música vocal operística de gran virtuosismo y las composiciones corales antifonales de sus "Vísperas de la beata Vírgen", también de 1610, tal vez su obra hoy más famosa.
http://es.wikipedia.org/wiki/Claudio_Monteverdi
wn.com/Selva Morale E Spirituale (Claudio Monteverdi) Concierto De Gabriel Garrido Y Ensemble Elyma
"Selva Morale e Spirituale" (Venecia, 1640), Claudio Monteverdi - Concierto de Gabriel Garrido y Ensemble Elyma.
[Concierto celebrado en 2004, dentro del XXV Festival de Ambronay (Francia)]
Intérpretes: Ensemble Elyma - Director: Gabriel Garrido.
- Coro de niños Les Petits Chanteurs de Saint-Marc (Director: Nicolas Porte).
(http://www.elyma.net/)
En música la época Barroca fue el primer periodo, hablando en términos generales, en el que se hicieron esfuerzos deliberados y conscientes por preservar un estilo que ya no era de vanguardia. El estilo que se conservó fue principalmente el derivado de la polifonía sacra de la escuela romana del siglo XVI, conocida tanto como 'prima prattica', 'stile antico' o 'stile alla Palestrina' por el que existía veneración debido a su asociación con la liturgia católica y la posibilidad de ser sintetizado dentro de reglas didácticas.
Durante el siglo XVII y bien entrado el XVIII se mantuvo este estilo -con algunas modificaciones- como corriente subterránea dentro de los más espectaculares desarrollos de la ópera, el oratorio, la cantata y la música instrumental virtuosística.
Después de la época palestriniana hubo numerosos compositores en Italia que, además de escribir en un idioma más progresista, ocasionalmente hacían uso de los procedimientos más modestos de la 'prima prattica' en obras de índole estrictamente litúrgica. Monteverdi, por ejemplo, en su primera colección de música sagrada (1610), incluyó una Misa parodia a seis voces basada en un motete de Gombert. En cada una de sus dos colecciones posteriores, la "Selva morale e spirituale" (Venecia, 1640) y en la "Messa a quattro voce, et Salmi" (editada póstumamente, Venecia 1650), incluyó una Misa a cuatro voces en el estilo de prima prattica.
La obra "Selva morale e spirituale", publicada en 1640, es un enorme compendio de música sacra donde vuelve a apreciarse toda la gama de estilos que usaba Monteverdi.
Claudio Giovanni Antonio Monteverdi (1567, Cremona - 1643, Venecia) fue un compositor, gambista y cantante italiano.
Marcó la transición entre la tradición polifónica y madrigalista del siglo XVI y el nacimiento del drama lírico y de la ópera en el siglo XVII. Es la figura más importante en la transición entre la música del Renacimiento y del Barroco.
Inició sus estudios de música con Marco Antonio Ingegnieri, maestro de capilla de la Catedral de Cremona, y a los 15 años publicó sus primeras obras. Entre 1587 y 1638 publicó ocho colecciones de madrigales, en los que muestra su dominio de la técnica madrigalista. Combina las escrituras homofónica y contrapuntística, donde utiliza libremente armonías y disonancias.
En 1599 se casó con Claudia de Cataneis, que murió en 1607 y en ese mismo año se estrenó "L' Orfeo, favola in musica, su primer drama musical, considerado la primera ópera de la historia, como la entendemos hoy día.
Su siguiente ópera Arianna (1608), cuya música se ha perdido, excepto el famoso "Lamento", consolidó su fama.
En 1613 fue maestro de coro y director de la catedral de San Marcos de Venecia, ciudad en la que compuso la mayoría de su obra sacra. Para inaugurar el primer teatro de esta ciudad, compuso más óperas.
En su música religiosa utilizó gran variedad de estilos, que iban desde la polifonía de su Misa de 1610 a la música vocal operística de gran virtuosismo y las composiciones corales antifonales de sus "Vísperas de la beata Vírgen", también de 1610, tal vez su obra hoy más famosa.
http://es.wikipedia.org/wiki/Claudio_Monteverdi
- published: 23 Mar 2012
- views: 57455
CLAUDIO MONTEVERDI.- 1567-1643.- Altri Canti. Madrigales extraídos de VII y VIII libro.
CLAUDIO MONTEVERDI.- 1567-1643.-
Altri Canti. Madrigales extraídos de VII y VIII libro.
Altri canti di Marte
a 6 voces con violín ( libro VIII)
Perché t´en ...
CLAUDIO MONTEVERDI.- 1567-1643.-
Altri Canti. Madrigales extraídos de VII y VIII libro.
Altri canti di Marte
a 6 voces con violín ( libro VIII)
Perché t´en fuggi o Fillide
a 3 voces ( libro VIII)
Chiome d´oro, Canzonetta
a 4 voci con violini ( libro VII)
Hor ch´el ciel e la terra
a 6 voces con violín ( libro VIII)
Non havea Febo ancora- Lamento della Ninfa.
a 4 voces ( libro VIII)
Gira il nemico insidioso
a 3 voces ( libro VIII)
Amor che deggio far
a 4 voces con violín (Libro VII)
Tirsi e Clori. Ballo concertato
con5 voces e instrumenti ( libro VII)
Ensemble Vocal et Instrumental
Les Arts Florissants
Director: William Christie
wn.com/Claudio Monteverdi. 1567 1643. Altri Canti. Madrigales Extraídos De Vii Y Viii Libro.
CLAUDIO MONTEVERDI.- 1567-1643.-
Altri Canti. Madrigales extraídos de VII y VIII libro.
Altri canti di Marte
a 6 voces con violín ( libro VIII)
Perché t´en fuggi o Fillide
a 3 voces ( libro VIII)
Chiome d´oro, Canzonetta
a 4 voci con violini ( libro VII)
Hor ch´el ciel e la terra
a 6 voces con violín ( libro VIII)
Non havea Febo ancora- Lamento della Ninfa.
a 4 voces ( libro VIII)
Gira il nemico insidioso
a 3 voces ( libro VIII)
Amor che deggio far
a 4 voces con violín (Libro VII)
Tirsi e Clori. Ballo concertato
con5 voces e instrumenti ( libro VII)
Ensemble Vocal et Instrumental
Les Arts Florissants
Director: William Christie
- published: 10 Jun 2012
- views: 16618
Claudio Monteverdi L'Orfeo,favola in musica,Mantua 1607
http://en.wikipedia.org/wiki/L'Orfeo
http://www.glossamusic.com/glossa/reference.aspx?id=99...
http://en.wikipedia.org/wiki/L'Orfeo
http://www.glossamusic.com/glossa/reference.aspx?id=99
wn.com/Claudio Monteverdi L'Orfeo,Favola In Musica,Mantua 1607
http://en.wikipedia.org/wiki/L'Orfeo
http://www.glossamusic.com/glossa/reference.aspx?id=99
- published: 04 May 2013
- views: 10989
Claudio MONTEVERDI, L'incoronazione di Poppea (1993)
Teatro Comunale di Bologna, 1993
Conductor: Ivor Bolton
Director: Graham Vick
Cast:
Anna Caterina Antonacci (Poppea), Patricia Schumann (Nerone), Jennifer Larmo...
Teatro Comunale di Bologna, 1993
Conductor: Ivor Bolton
Director: Graham Vick
Cast:
Anna Caterina Antonacci (Poppea), Patricia Schumann (Nerone), Jennifer Larmore (Ottavia), Bernadette Manca di Nissa (Ottone), Carlo Colombara (Seneca), Adelina Scarabelli (Drusilla), Stefano Rinaldi Miliani (Mercurio), Max-René Cosotti, Francesco Piccoli
wn.com/Claudio Monteverdi, L'Incoronazione Di Poppea (1993)
Teatro Comunale di Bologna, 1993
Conductor: Ivor Bolton
Director: Graham Vick
Cast:
Anna Caterina Antonacci (Poppea), Patricia Schumann (Nerone), Jennifer Larmore (Ottavia), Bernadette Manca di Nissa (Ottone), Carlo Colombara (Seneca), Adelina Scarabelli (Drusilla), Stefano Rinaldi Miliani (Mercurio), Max-René Cosotti, Francesco Piccoli
- published: 11 Mar 2013
- views: 13352
Claudio Monteverdi Vespro Della Beata Vergine Nikolaus Harnoncourt Concentus Musicus Wien
Claudio Monteverdi (1567-1643) Vespro della Beata Vergine (1610)
Concentus Musicus Wien
Conductor : Nikolaus Harnoncourt
0:00 Intonatio: Deus in adiutorium / Re...
Claudio Monteverdi (1567-1643) Vespro della Beata Vergine (1610)
Concentus Musicus Wien
Conductor : Nikolaus Harnoncourt
0:00 Intonatio: Deus in adiutorium / Responsorium: Domine ad adiuvandum (Glory to the Father, the Son and the Holy Ghost)
2:52 Psalmus 109: Dixit Dominus
11:28 Concerto: Nigra sum
16:07 Psalmus 112: Laudate pueri
22:50 Concerto: Pulchra es
26:45 Psalmus 121: Laetatus sum
35:01 Duo Seraphim
41:46 Psalmus 126: Nisi Dominus
47:46 Concerto: Audi coelum
56:22 Psalmus 147: Lauda Jerusalem
1:02:38 Sonata sopra Sancta Maria
1:09:35 Hymnus: Ave maris stella
1:19:08 Magnificat
wn.com/Claudio Monteverdi Vespro Della Beata Vergine Nikolaus Harnoncourt Concentus Musicus Wien
Claudio Monteverdi (1567-1643) Vespro della Beata Vergine (1610)
Concentus Musicus Wien
Conductor : Nikolaus Harnoncourt
0:00 Intonatio: Deus in adiutorium / Responsorium: Domine ad adiuvandum (Glory to the Father, the Son and the Holy Ghost)
2:52 Psalmus 109: Dixit Dominus
11:28 Concerto: Nigra sum
16:07 Psalmus 112: Laudate pueri
22:50 Concerto: Pulchra es
26:45 Psalmus 121: Laetatus sum
35:01 Duo Seraphim
41:46 Psalmus 126: Nisi Dominus
47:46 Concerto: Audi coelum
56:22 Psalmus 147: Lauda Jerusalem
1:02:38 Sonata sopra Sancta Maria
1:09:35 Hymnus: Ave maris stella
1:19:08 Magnificat
- published: 13 May 2015
- views: 1884
CLAUDIO MONTEVERDI.-Visperas de la Beata Virgen María-(Completo)
CLAUDIO MONTEVERDI.-
Visperas de la Beata Virgen María-(Completo)
Responsorio (Salmo 69:1):
V: Deus in adjutorium meum intende
R: Domine ad adjuvandum me fest...
CLAUDIO MONTEVERDI.-
Visperas de la Beata Virgen María-(Completo)
Responsorio (Salmo 69:1):
V: Deus in adjutorium meum intende
R: Domine ad adjuvandum me festina. Este movimiento hace uso de elementos musicales provenientes de la obertura de la ópera Orfeo
Salmo: Dixit Dominus (Salmo 110): Seis voces, coro e instrumentos
Motete: Nigra sum (del Cantar de los cantares): Solo tenor con coro
Salmo: Laudate pueri (Salmo 113): Coro a ocho voces y órgano
Motete: Pulchra es (del Cantar de los cantares): Dúo vocal
Salmo: Laetatus sum (Salmo 122): Coro a seis voces
Motete: Duo Seraphim (Isaias 6:2-3): Dúo vocal, luego trío
Salmo: Nisi Dominus (Salmo 127): Coro a diez voces
Motete: Audi coelum (Poema litúrgico anónimo): Dos tenores solistas
Salmo: Lauda Jerusalem (Salmo 147): Dos coros de tres voces y tenor
Sonata sopra: Sancta Maria, ora pro nobis: Soprano e instrumentos
Himno: Ave maris stella Coro y solistas
Magnificat
Magnificat a seis voces
The Monteverdi Coros
The London Oratory Junior Choir
The English Baroque Soloists
Director: John Eliot Gardiner
Las Vísperas de la beata Vírgen (Vespro della beata Virgine) es una composición sacra de Claudio Monteverdi, publicada en Venecia en el año 1610. Se trata de una de las más célebres obras del compositor, y uno de las trabajos religiosos más ambiciosos y monumentales antes de los de Bach.
Historia y contexto
Monteverdi Vísperas marianas de 1610 , fue su obra sagrada por primera vez después de su publicación primeros veintiocho años antes, y se destaca por su asimilación de los estilos antiguos y nuevos, aunque no puede ser específicamente clasificados como prima pratica o pratica seconda , per se. Lasl Vísperas se publicaron en julio de 1610, en combinación con una masa seis voces que parodiaba un motete de Nicolas Gombert , Inillo tempore loquante Jesu . Hoy en día, más de cuatrocientos años más tarde, las intenciones precisas de esta obra de gran tamaño no son claramente conocidos o entendidos. Este ha sido un gran tema de debate entre los musicólogos durante décadas, e incluso ha sido sugerida por Graham Dixon esa configuración de Monteverdi de las Vísperas es más adecuado para su uso en la fiesta de Santa Bárbara , afirmando, por ejemplo, que los textos tomados de Cantar de los Cantares son aplicables a cualquier santo femenino. Él va a escribir que el formateo de la Vísperas para adaptarse a una fiesta mariana hizo el trabajo más "vendible". Hay varios hechos que apoyan este punto de vista: hay sólo dos canciones marianas en toda la obra ( Audi Coelum y Ave Maris Stella ), la sonata podría muy fácilmente ser reordenados por nombrar cualquier santo, y el texto de la Serafines Duo se conecta con Santa Bárbara (porque ella está generalmente relacionado con la Trinidad).
Lasl Vísperas se imprimió por primera vez en Venecia en 1610 cuando el compositor estaba trabajando en la corte ducal de Mantua . Récord histórico no indica si Monteverdi realmente lleva a cabo el Vísperas , ya sea en la ciudad, el trabajo puede haber sido escrito como una pieza de audición para los puestos en Venecia (Monteverdi se convirtió en maestro de capilla en la Basílica de San Marcos en Venecia en 1613) y Roma (donde el compositor no fue ofrecido un puesto).
wn.com/Claudio Monteverdi. Visperas De La Beata Virgen María (Completo)
CLAUDIO MONTEVERDI.-
Visperas de la Beata Virgen María-(Completo)
Responsorio (Salmo 69:1):
V: Deus in adjutorium meum intende
R: Domine ad adjuvandum me festina. Este movimiento hace uso de elementos musicales provenientes de la obertura de la ópera Orfeo
Salmo: Dixit Dominus (Salmo 110): Seis voces, coro e instrumentos
Motete: Nigra sum (del Cantar de los cantares): Solo tenor con coro
Salmo: Laudate pueri (Salmo 113): Coro a ocho voces y órgano
Motete: Pulchra es (del Cantar de los cantares): Dúo vocal
Salmo: Laetatus sum (Salmo 122): Coro a seis voces
Motete: Duo Seraphim (Isaias 6:2-3): Dúo vocal, luego trío
Salmo: Nisi Dominus (Salmo 127): Coro a diez voces
Motete: Audi coelum (Poema litúrgico anónimo): Dos tenores solistas
Salmo: Lauda Jerusalem (Salmo 147): Dos coros de tres voces y tenor
Sonata sopra: Sancta Maria, ora pro nobis: Soprano e instrumentos
Himno: Ave maris stella Coro y solistas
Magnificat
Magnificat a seis voces
The Monteverdi Coros
The London Oratory Junior Choir
The English Baroque Soloists
Director: John Eliot Gardiner
Las Vísperas de la beata Vírgen (Vespro della beata Virgine) es una composición sacra de Claudio Monteverdi, publicada en Venecia en el año 1610. Se trata de una de las más célebres obras del compositor, y uno de las trabajos religiosos más ambiciosos y monumentales antes de los de Bach.
Historia y contexto
Monteverdi Vísperas marianas de 1610 , fue su obra sagrada por primera vez después de su publicación primeros veintiocho años antes, y se destaca por su asimilación de los estilos antiguos y nuevos, aunque no puede ser específicamente clasificados como prima pratica o pratica seconda , per se. Lasl Vísperas se publicaron en julio de 1610, en combinación con una masa seis voces que parodiaba un motete de Nicolas Gombert , Inillo tempore loquante Jesu . Hoy en día, más de cuatrocientos años más tarde, las intenciones precisas de esta obra de gran tamaño no son claramente conocidos o entendidos. Este ha sido un gran tema de debate entre los musicólogos durante décadas, e incluso ha sido sugerida por Graham Dixon esa configuración de Monteverdi de las Vísperas es más adecuado para su uso en la fiesta de Santa Bárbara , afirmando, por ejemplo, que los textos tomados de Cantar de los Cantares son aplicables a cualquier santo femenino. Él va a escribir que el formateo de la Vísperas para adaptarse a una fiesta mariana hizo el trabajo más "vendible". Hay varios hechos que apoyan este punto de vista: hay sólo dos canciones marianas en toda la obra ( Audi Coelum y Ave Maris Stella ), la sonata podría muy fácilmente ser reordenados por nombrar cualquier santo, y el texto de la Serafines Duo se conecta con Santa Bárbara (porque ella está generalmente relacionado con la Trinidad).
Lasl Vísperas se imprimió por primera vez en Venecia en 1610 cuando el compositor estaba trabajando en la corte ducal de Mantua . Récord histórico no indica si Monteverdi realmente lleva a cabo el Vísperas , ya sea en la ciudad, el trabajo puede haber sido escrito como una pieza de audición para los puestos en Venecia (Monteverdi se convirtió en maestro de capilla en la Basílica de San Marcos en Venecia en 1613) y Roma (donde el compositor no fue ofrecido un puesto).
- published: 08 Mar 2013
- views: 2361
-
Vespro della Beata Vergine / Marienvesper - Claudio Monteverdi
Vespro della Beata Vergine / Marienvesper von Claudio Monteverdi (Carus 27.801). Ein Interview mit dem Herausgeber Dr. Uwe Wolf. Der Herausgeber - ist Spezia...
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"Vespro della beata Vergine" (Claudio Monteverdi) - Concierto de Gabriel Garrido
"Vespro della beata Vergine" (Venecia, 1610), Claudio Monteverdi - Concierto de Gabriel Garrido.
[Concierto realizado en septiembre de 2000, dentro del XXI Festival de Ambronay (Francia)]
Intérpretes: Gabriel Garrido (Director)
- VII Academia Barroca Europea de Ambronay.
'Vísperas' es el oficio divino vespertino en la liturgia de las horas canónicas de la Iglesia Católica. Etimológic
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Interview with Sigiswald Kuijken (part 1)
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610). More information: htt...
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Interview with Sigiswald Kuijken (part 2)
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610). More information: htt...
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Interview with Sigiswald Kuijken (part 3)
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610).
More information:
http://www.challenge.nl/index.php?group=product&serial;=1217611782
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Interview with Sigiswald Kuijken (part 4)
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610). More information: htt...
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Christian Gerhaher sings "Possente spirto" from Monteverdi's L'ORFEO
Christian Gerhaher sings "Possente spirto" from the third act of Claudio Monteverdi's L'ORFEO
A production by the Bayerische Staatsoper
Orfeo: Christian Gerhaher
Monteverdi-Continuo-Ensemble
Members of the Bayerisches Staatsorchester
Musical direction: Ivor Bolton
Stage direction: David Bösch
Recorded live on July 27, 2014 at the Prinzregententheater, Munich
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Interview Alexander King Sample, Archbishop of Portand
Jeffrey Tucker of the Church Music Association of America interviews Archbishop Alexander Sample.
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Opera.TV L'ORFEO
Video magazine on the premiere of Claudio Monteverdi's L'ORFEO on July 20, 2014 in the Prinzregententheater Interviews with David Bösch (stage direction), Ch...
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Pur ti miro - Nuria Rial, Philippe Jaroussky, Christina Pluhar and l'Arpeggiata (Claudio Monteverdi)
Two winners of the German Echo Klassik (Classical) 2009 awards. Christina Pluhar and l'Arpeggiata were awarded the 'Klassik ohne Grenzen' award (and award fo...
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Arandel l Interview l Festival St Eustache 2015
Interview d'Arendel, quelques minutes après son set sous la voûte céleste de St Eustache, la cathédrale des Halles, à Paris. Juin 2015
http://36h-saint-eustache.com/
https://www.facebook.com/36hSaintEustache
Directed by BEAIR
Sound by PACO
Produced by Le Phar, Ombeline & Corentin
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USC Thornton Opera Fall 2013 Interview Brent McMunn
USC Thornton School of Music Opera program music director Brent McMunn discusses the Opera Program's fall 2013 production of "L'incoronazione di Poppea" by C...
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Danilo Tarso (Piano) - Si Dolce è Tormento (Claudio Monteverdi)
(ITA) "Si dolce è tormento" è una magnifica Aria del noto compositore italiano Claudio Monteverdi (1567-1643). ... Questo è stato il Bis del Recital Pianisti...
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Monteverdi: Cantate Domino; Voices of Music
Monteverdi's classic motet, performed on original instruments by the Early Music ensemble Voices of Music. In Cantate Domino, Monteverdi interweaves an unusu...
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Claudio Monteverdi: Puer Natus (Chiome d'oro); Voices of Music
Monteverdi's musical whirligig, with a Latin contrafactum by Lawrence Rosenwald. Live, HD video from the Venetian Christmas Vespers concert, December, 2013, ...
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USC Thornton Opera Fall 2013: Interview with Ken Cazan
Ken Cazan, chair of the Vocal Arts and Opera program at the University of Southern California Thornton School of Music and resident stage director of USC Tho...
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Vi ricorda, o boschi ombrosi - L'Orfeo - Claudio Monteverdi
Jordi Savall - La capella Ceial de Catalunya - Le Concert des Nations - Furio Zanasi as Orfeo - English subs - © Opus Arte 2002
This video contains copyrighted material the use of which has not always been specifically authorized by the copyright owner. Such material is made available for educational scholarship, or research. It is believed that this constitutes a ‘fair use’ of any such copyrigh
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Claudio Monteverdi, Il combattimento di Tancredi e Clorinda, Anna Caterina Antonacci
Il combattimento di Tancredi e Clorinda di Claudio Monteverdi nell'interpretazione di Anna Caterina Antonacci, Cantar lontano e Marco Mencoboni. Il brano è t...
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Claudio Monteverdi's Pulchra es
Live performance by Jolle Greenleaf, Molly Quinn and The Green Mountain Project on January 3, 2013 at the Church of St. Mary the Virgin, New York City. The G...
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Colloquium 2007: The Church Music Association of America
This video features interviews and images from the Sacred Music Colloquium sponsored by the Church Music Association of America, publisher of Sacred Music ma...
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Orfeo, Eurydice & The Serpent - Helen Gabrielsen, soprano
EPK Interview with soprano Helen Gabrielsen performing the Prologue to Orfeo (excerpt) by Claudio Monteverdi with new text by Julie Larios. Hello, there! C'e...
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Claudio Monteverdi "Missa in Illo Tempore" - Ensemble ODHECATON - Paolo da Col
Claudio Monteverdi : Missa in Illo Tempore Ensemble ODHECATON Direction: Paolo da Col More info on http://www.outhere-music.com/store-RIC_322 Follow us on Fa...
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Interview avec l'ensemble A PIACERE - Roya TV -15/12/2012
مجموعة A piacere من مهرجان الموسيقى الروحانية خلال برنامج دنيا يا دنيا - أربعة اصوات متجانسة : تتميز مجموعة A PIACERE بإنشائها المُبتكر، حيث قامت سيدتان بتأس...
Vespro della Beata Vergine / Marienvesper - Claudio Monteverdi
Vespro della Beata Vergine / Marienvesper von Claudio Monteverdi (Carus 27.801). Ein Interview mit dem Herausgeber Dr. Uwe Wolf. Der Herausgeber - ist Spezia......
Vespro della Beata Vergine / Marienvesper von Claudio Monteverdi (Carus 27.801). Ein Interview mit dem Herausgeber Dr. Uwe Wolf. Der Herausgeber - ist Spezia...
wn.com/Vespro Della Beata Vergine Marienvesper Claudio Monteverdi
Vespro della Beata Vergine / Marienvesper von Claudio Monteverdi (Carus 27.801). Ein Interview mit dem Herausgeber Dr. Uwe Wolf. Der Herausgeber - ist Spezia...
"Vespro della beata Vergine" (Claudio Monteverdi) - Concierto de Gabriel Garrido
"Vespro della beata Vergine" (Venecia, 1610), Claudio Monteverdi - Concierto de Gabriel Garrido.
[Concierto realizado en septiembre de 2000, dentro del XXI F...
"Vespro della beata Vergine" (Venecia, 1610), Claudio Monteverdi - Concierto de Gabriel Garrido.
[Concierto realizado en septiembre de 2000, dentro del XXI Festival de Ambronay (Francia)]
Intérpretes: Gabriel Garrido (Director)
- VII Academia Barroca Europea de Ambronay.
'Vísperas' es el oficio divino vespertino en la liturgia de las horas canónicas de la Iglesia Católica. Etimológicamente procede del latín 'vesper', que significa "tarde". Se instituyeron para venerar la memoria de la sepultura de Jesucristo o su descenso de la cruz.
Los salmos y los himnos del servicio de Vísperas han atraído el interés de muchos compositores.
Las "Vísperas de la beata Vírgen" (Vespro della beata Vergine) es una composición sacra de Claudio Monteverdi, publicada en Venecia en el año 1610. Se trata de una de las más célebres obras del compositor, y uno de los trabajos religiosos más ambiciosos y monumentales anteriores a Bach.
[ESTRUCTURA DE LA OBRA]:
- Responsorio (Salmo 69:2):
V: Deus in adjutorium meum intende
R: Domine ad adjuvandum me festina.
[Este movimiento hace uso de elementos musicales provenientes de la obertura de la ópera "L' Orfeo" (1607)]
- Salmo: Dixit Dominus (Salmo 110): Seis voces, coro e instrumentos
- Motete: Nigra sum (del Cantar de los cantares): Solo tenor con coro
- Salmo: Laudate pueri Dominum (Salmo 112): Coro a ocho voces y órgano
- Motete: Pulchra es amica mea (del Cantar de los cantares): Dúo vocal
- Salmo: Laetatus sum (Salmo 122): Coro a seis voces
- Motete: Duo Seraphim clamabant (Isaias 6:2-3): Dúo vocal, luego trío
- Salmo: Nisi Dominus (Salmo 127): Coro a diez voces
- Motete: Audi coelum (Poema litúrgico anónimo): Dos tenores solistas
- Salmo: Lauda Jerusalem dominum (Salmo 147): Dos coros de tres voces y tenor
- Sonata sopra "Sancta Maria, ora pro nobis": Soprano e instrumentos
- Himno: Ave maris stella: Coro y solistas
1. Ave maris stella
2. Sumens illud ave
3. Solve vincla reis
4. Monstra te esse matrem
5. Virgo singularis
6. Vitam praesta puram
7. Sit laus deo patri
- Magnificat (I)
- Magnificat (II):
1. Magnificat
2. Et exultavit
3. Quia respexit
4. Quia fecit mihi magna
5. Et misericordia eius
6. Fecit potentiam
7. Deposuit potentes de sede
8. Esurientes implevit bonis
9. Suscepit Israel puerum suum
10. Sicut locutus est
11. Gloria patri et filio
12. Sicut erat in principio
Texto en latín y español:
http://www.kareol.es/obras/cancionesmonteverdi/vespro.htm
Claudio Giovanni Antonio Monteverdi (1567, Cremona - 1643, Venecia) fue un compositor, gambista y cantante italiano.
Marcó la transición entre la tradición polifónica y madrigalista del siglo XVI y el nacimiento del drama lírico y de la ópera en el siglo XVII. Es la figura más importante en la transición entre la música del Renacimiento y del Barroco.
Inició sus estudios de música con Marco Antonio Ingegnieri, maestro de capilla de la Catedral de Cremona, y a los 15 años publicó sus primeras obras. Entre 1587 y 1638 publicó ocho colecciones de madrigales, en los que muestra su dominio de la técnica madrigalista. Combina las escrituras homofónica y contrapuntística, donde utiliza libremente armonías y disonancias.
En 1599 se casó con Claudia de Cataneis, que murió en 1607 y en ese mismo año se estrenó "L' Orfeo, favola in musica, su primer drama musical, considerado la primera ópera de la historia, como la entendemos hoy día.
Su siguiente ópera Arianna (1608), cuya música se ha perdido, excepto el famoso "Lamento", consolidó su fama.
En 1613 fue maestro de coro y director de la catedral de San Marcos de Venecia, ciudad en la que compuso la mayoría de su obra sacra. Para inaugurar el primer teatro de esta ciudad, compuso más óperas.
En su música religiosa utilizó gran variedad de estilos, que iban desde la polifonía de su Misa de 1610 a la música vocal operística de gran virtuosismo y las composiciones corales antifonales de sus "Vísperas de la beata Vírgen", también de 1610, tal vez su obra hoy más famosa.
http://es.wikipedia.org/wiki/Claudio_Monteverdi
http://es.wikipedia.org/wiki/Vespro_della_Beata_Vergine
wn.com/Vespro Della Beata Vergine (Claudio Monteverdi) Concierto De Gabriel Garrido
"Vespro della beata Vergine" (Venecia, 1610), Claudio Monteverdi - Concierto de Gabriel Garrido.
[Concierto realizado en septiembre de 2000, dentro del XXI Festival de Ambronay (Francia)]
Intérpretes: Gabriel Garrido (Director)
- VII Academia Barroca Europea de Ambronay.
'Vísperas' es el oficio divino vespertino en la liturgia de las horas canónicas de la Iglesia Católica. Etimológicamente procede del latín 'vesper', que significa "tarde". Se instituyeron para venerar la memoria de la sepultura de Jesucristo o su descenso de la cruz.
Los salmos y los himnos del servicio de Vísperas han atraído el interés de muchos compositores.
Las "Vísperas de la beata Vírgen" (Vespro della beata Vergine) es una composición sacra de Claudio Monteverdi, publicada en Venecia en el año 1610. Se trata de una de las más célebres obras del compositor, y uno de los trabajos religiosos más ambiciosos y monumentales anteriores a Bach.
[ESTRUCTURA DE LA OBRA]:
- Responsorio (Salmo 69:2):
V: Deus in adjutorium meum intende
R: Domine ad adjuvandum me festina.
[Este movimiento hace uso de elementos musicales provenientes de la obertura de la ópera "L' Orfeo" (1607)]
- Salmo: Dixit Dominus (Salmo 110): Seis voces, coro e instrumentos
- Motete: Nigra sum (del Cantar de los cantares): Solo tenor con coro
- Salmo: Laudate pueri Dominum (Salmo 112): Coro a ocho voces y órgano
- Motete: Pulchra es amica mea (del Cantar de los cantares): Dúo vocal
- Salmo: Laetatus sum (Salmo 122): Coro a seis voces
- Motete: Duo Seraphim clamabant (Isaias 6:2-3): Dúo vocal, luego trío
- Salmo: Nisi Dominus (Salmo 127): Coro a diez voces
- Motete: Audi coelum (Poema litúrgico anónimo): Dos tenores solistas
- Salmo: Lauda Jerusalem dominum (Salmo 147): Dos coros de tres voces y tenor
- Sonata sopra "Sancta Maria, ora pro nobis": Soprano e instrumentos
- Himno: Ave maris stella: Coro y solistas
1. Ave maris stella
2. Sumens illud ave
3. Solve vincla reis
4. Monstra te esse matrem
5. Virgo singularis
6. Vitam praesta puram
7. Sit laus deo patri
- Magnificat (I)
- Magnificat (II):
1. Magnificat
2. Et exultavit
3. Quia respexit
4. Quia fecit mihi magna
5. Et misericordia eius
6. Fecit potentiam
7. Deposuit potentes de sede
8. Esurientes implevit bonis
9. Suscepit Israel puerum suum
10. Sicut locutus est
11. Gloria patri et filio
12. Sicut erat in principio
Texto en latín y español:
http://www.kareol.es/obras/cancionesmonteverdi/vespro.htm
Claudio Giovanni Antonio Monteverdi (1567, Cremona - 1643, Venecia) fue un compositor, gambista y cantante italiano.
Marcó la transición entre la tradición polifónica y madrigalista del siglo XVI y el nacimiento del drama lírico y de la ópera en el siglo XVII. Es la figura más importante en la transición entre la música del Renacimiento y del Barroco.
Inició sus estudios de música con Marco Antonio Ingegnieri, maestro de capilla de la Catedral de Cremona, y a los 15 años publicó sus primeras obras. Entre 1587 y 1638 publicó ocho colecciones de madrigales, en los que muestra su dominio de la técnica madrigalista. Combina las escrituras homofónica y contrapuntística, donde utiliza libremente armonías y disonancias.
En 1599 se casó con Claudia de Cataneis, que murió en 1607 y en ese mismo año se estrenó "L' Orfeo, favola in musica, su primer drama musical, considerado la primera ópera de la historia, como la entendemos hoy día.
Su siguiente ópera Arianna (1608), cuya música se ha perdido, excepto el famoso "Lamento", consolidó su fama.
En 1613 fue maestro de coro y director de la catedral de San Marcos de Venecia, ciudad en la que compuso la mayoría de su obra sacra. Para inaugurar el primer teatro de esta ciudad, compuso más óperas.
En su música religiosa utilizó gran variedad de estilos, que iban desde la polifonía de su Misa de 1610 a la música vocal operística de gran virtuosismo y las composiciones corales antifonales de sus "Vísperas de la beata Vírgen", también de 1610, tal vez su obra hoy más famosa.
http://es.wikipedia.org/wiki/Claudio_Monteverdi
http://es.wikipedia.org/wiki/Vespro_della_Beata_Vergine
- published: 25 Mar 2012
- views: 39597
Interview with Sigiswald Kuijken (part 1)
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610). More information: htt......
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610). More information: htt...
wn.com/Interview With Sigiswald Kuijken (Part 1)
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610). More information: htt...
Interview with Sigiswald Kuijken (part 2)
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610). More information: htt......
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610). More information: htt...
wn.com/Interview With Sigiswald Kuijken (Part 2)
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610). More information: htt...
Interview with Sigiswald Kuijken (part 3)
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610).
More information:
ht...
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610).
More information:
http://www.challenge.nl/index.php?group=product&serial;=1217611782
wn.com/Interview With Sigiswald Kuijken (Part 3)
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610).
More information:
http://www.challenge.nl/index.php?group=product&serial;=1217611782
- published: 21 Nov 2008
- views: 1502
Interview with Sigiswald Kuijken (part 4)
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610). More information: htt......
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610). More information: htt...
wn.com/Interview With Sigiswald Kuijken (Part 4)
This is an interview with Sigiswald Kuijken about the CD production and book on Claudio Monteverdi's Vespro della Beata Vergine (1610). More information: htt...
Christian Gerhaher sings "Possente spirto" from Monteverdi's L'ORFEO
Christian Gerhaher sings "Possente spirto" from the third act of Claudio Monteverdi's L'ORFEO
A production by the Bayerische Staatsoper
Orfeo: Christian Gerha...
Christian Gerhaher sings "Possente spirto" from the third act of Claudio Monteverdi's L'ORFEO
A production by the Bayerische Staatsoper
Orfeo: Christian Gerhaher
Monteverdi-Continuo-Ensemble
Members of the Bayerisches Staatsorchester
Musical direction: Ivor Bolton
Stage direction: David Bösch
Recorded live on July 27, 2014 at the Prinzregententheater, Munich
wn.com/Christian Gerhaher Sings Possente Spirto From Monteverdi's L'Orfeo
Christian Gerhaher sings "Possente spirto" from the third act of Claudio Monteverdi's L'ORFEO
A production by the Bayerische Staatsoper
Orfeo: Christian Gerhaher
Monteverdi-Continuo-Ensemble
Members of the Bayerisches Staatsorchester
Musical direction: Ivor Bolton
Stage direction: David Bösch
Recorded live on July 27, 2014 at the Prinzregententheater, Munich
- published: 21 Jul 2015
- views: 17
Interview Alexander King Sample, Archbishop of Portand
Jeffrey Tucker of the Church Music Association of America interviews Archbishop Alexander Sample....
Jeffrey Tucker of the Church Music Association of America interviews Archbishop Alexander Sample.
wn.com/Interview Alexander King Sample, Archbishop Of Portand
Jeffrey Tucker of the Church Music Association of America interviews Archbishop Alexander Sample.
Opera.TV L'ORFEO
Video magazine on the premiere of Claudio Monteverdi's L'ORFEO on July 20, 2014 in the Prinzregententheater Interviews with David Bösch (stage direction), Ch......
Video magazine on the premiere of Claudio Monteverdi's L'ORFEO on July 20, 2014 in the Prinzregententheater Interviews with David Bösch (stage direction), Ch...
wn.com/Opera.Tv L'Orfeo
Video magazine on the premiere of Claudio Monteverdi's L'ORFEO on July 20, 2014 in the Prinzregententheater Interviews with David Bösch (stage direction), Ch...
Pur ti miro - Nuria Rial, Philippe Jaroussky, Christina Pluhar and l'Arpeggiata (Claudio Monteverdi)
Two winners of the German Echo Klassik (Classical) 2009 awards. Christina Pluhar and l'Arpeggiata were awarded the 'Klassik ohne Grenzen' award (and award fo......
Two winners of the German Echo Klassik (Classical) 2009 awards. Christina Pluhar and l'Arpeggiata were awarded the 'Klassik ohne Grenzen' award (and award fo...
wn.com/Pur Ti Miro Nuria Rial, Philippe Jaroussky, Christina Pluhar And L'Arpeggiata (Claudio Monteverdi)
Two winners of the German Echo Klassik (Classical) 2009 awards. Christina Pluhar and l'Arpeggiata were awarded the 'Klassik ohne Grenzen' award (and award fo...
Arandel l Interview l Festival St Eustache 2015
Interview d'Arendel, quelques minutes après son set sous la voûte céleste de St Eustache, la cathédrale des Halles, à Paris. Juin 2015
http://36h-saint-eustach...
Interview d'Arendel, quelques minutes après son set sous la voûte céleste de St Eustache, la cathédrale des Halles, à Paris. Juin 2015
http://36h-saint-eustache.com/
https://www.facebook.com/36hSaintEustache
Directed by BEAIR
Sound by PACO
Produced by Le Phar, Ombeline & Corentin
wn.com/Arandel L Interview L Festival St Eustache 2015
Interview d'Arendel, quelques minutes après son set sous la voûte céleste de St Eustache, la cathédrale des Halles, à Paris. Juin 2015
http://36h-saint-eustache.com/
https://www.facebook.com/36hSaintEustache
Directed by BEAIR
Sound by PACO
Produced by Le Phar, Ombeline & Corentin
- published: 20 Oct 2015
- views: 15
USC Thornton Opera Fall 2013 Interview Brent McMunn
USC Thornton School of Music Opera program music director Brent McMunn discusses the Opera Program's fall 2013 production of "L'incoronazione di Poppea" by C......
USC Thornton School of Music Opera program music director Brent McMunn discusses the Opera Program's fall 2013 production of "L'incoronazione di Poppea" by C...
wn.com/Usc Thornton Opera Fall 2013 Interview Brent Mcmunn
USC Thornton School of Music Opera program music director Brent McMunn discusses the Opera Program's fall 2013 production of "L'incoronazione di Poppea" by C...
Danilo Tarso (Piano) - Si Dolce è Tormento (Claudio Monteverdi)
(ITA) "Si dolce è tormento" è una magnifica Aria del noto compositore italiano Claudio Monteverdi (1567-1643). ... Questo è stato il Bis del Recital Pianisti......
(ITA) "Si dolce è tormento" è una magnifica Aria del noto compositore italiano Claudio Monteverdi (1567-1643). ... Questo è stato il Bis del Recital Pianisti...
wn.com/Danilo Tarso (Piano) Si Dolce È Tormento (Claudio Monteverdi)
(ITA) "Si dolce è tormento" è una magnifica Aria del noto compositore italiano Claudio Monteverdi (1567-1643). ... Questo è stato il Bis del Recital Pianisti...
Monteverdi: Cantate Domino; Voices of Music
Monteverdi's classic motet, performed on original instruments by the Early Music ensemble Voices of Music. In Cantate Domino, Monteverdi interweaves an unusu......
Monteverdi's classic motet, performed on original instruments by the Early Music ensemble Voices of Music. In Cantate Domino, Monteverdi interweaves an unusu...
wn.com/Monteverdi Cantate Domino Voices Of Music
Monteverdi's classic motet, performed on original instruments by the Early Music ensemble Voices of Music. In Cantate Domino, Monteverdi interweaves an unusu...
Claudio Monteverdi: Puer Natus (Chiome d'oro); Voices of Music
Monteverdi's musical whirligig, with a Latin contrafactum by Lawrence Rosenwald. Live, HD video from the Venetian Christmas Vespers concert, December, 2013, ......
Monteverdi's musical whirligig, with a Latin contrafactum by Lawrence Rosenwald. Live, HD video from the Venetian Christmas Vespers concert, December, 2013, ...
wn.com/Claudio Monteverdi Puer Natus (Chiome D'Oro) Voices Of Music
Monteverdi's musical whirligig, with a Latin contrafactum by Lawrence Rosenwald. Live, HD video from the Venetian Christmas Vespers concert, December, 2013, ...
USC Thornton Opera Fall 2013: Interview with Ken Cazan
Ken Cazan, chair of the Vocal Arts and Opera program at the University of Southern California Thornton School of Music and resident stage director of USC Tho......
Ken Cazan, chair of the Vocal Arts and Opera program at the University of Southern California Thornton School of Music and resident stage director of USC Tho...
wn.com/Usc Thornton Opera Fall 2013 Interview With Ken Cazan
Ken Cazan, chair of the Vocal Arts and Opera program at the University of Southern California Thornton School of Music and resident stage director of USC Tho...
Vi ricorda, o boschi ombrosi - L'Orfeo - Claudio Monteverdi
Jordi Savall - La capella Ceial de Catalunya - Le Concert des Nations - Furio Zanasi as Orfeo - English subs - © Opus Arte 2002
This video contains copyrighte...
Jordi Savall - La capella Ceial de Catalunya - Le Concert des Nations - Furio Zanasi as Orfeo - English subs - © Opus Arte 2002
This video contains copyrighted material the use of which has not always been specifically authorized by the copyright owner. Such material is made available for educational scholarship, or research. It is believed that this constitutes a ‘fair use’ of any such copyrighted material as provided for in Title 17 U.S.C. section 107 of the US Copyright Law. This material is distributed without profit and is intended for education purposes only. Beyond this, the nature of the material, and the limited amount of material used, should not have an effect on the potential market value of the work
wn.com/Vi Ricorda, O Boschi Ombrosi L'Orfeo Claudio Monteverdi
Jordi Savall - La capella Ceial de Catalunya - Le Concert des Nations - Furio Zanasi as Orfeo - English subs - © Opus Arte 2002
This video contains copyrighted material the use of which has not always been specifically authorized by the copyright owner. Such material is made available for educational scholarship, or research. It is believed that this constitutes a ‘fair use’ of any such copyrighted material as provided for in Title 17 U.S.C. section 107 of the US Copyright Law. This material is distributed without profit and is intended for education purposes only. Beyond this, the nature of the material, and the limited amount of material used, should not have an effect on the potential market value of the work
- published: 17 Oct 2014
- views: 15
Claudio Monteverdi, Il combattimento di Tancredi e Clorinda, Anna Caterina Antonacci
Il combattimento di Tancredi e Clorinda di Claudio Monteverdi nell'interpretazione di Anna Caterina Antonacci, Cantar lontano e Marco Mencoboni. Il brano è t......
Il combattimento di Tancredi e Clorinda di Claudio Monteverdi nell'interpretazione di Anna Caterina Antonacci, Cantar lontano e Marco Mencoboni. Il brano è t...
wn.com/Claudio Monteverdi, Il Combattimento Di Tancredi E Clorinda, Anna Caterina Antonacci
Il combattimento di Tancredi e Clorinda di Claudio Monteverdi nell'interpretazione di Anna Caterina Antonacci, Cantar lontano e Marco Mencoboni. Il brano è t...
Claudio Monteverdi's Pulchra es
Live performance by Jolle Greenleaf, Molly Quinn and The Green Mountain Project on January 3, 2013 at the Church of St. Mary the Virgin, New York City. The G......
Live performance by Jolle Greenleaf, Molly Quinn and The Green Mountain Project on January 3, 2013 at the Church of St. Mary the Virgin, New York City. The G...
wn.com/Claudio Monteverdi's Pulchra Es
Live performance by Jolle Greenleaf, Molly Quinn and The Green Mountain Project on January 3, 2013 at the Church of St. Mary the Virgin, New York City. The G...
Colloquium 2007: The Church Music Association of America
This video features interviews and images from the Sacred Music Colloquium sponsored by the Church Music Association of America, publisher of Sacred Music ma......
This video features interviews and images from the Sacred Music Colloquium sponsored by the Church Music Association of America, publisher of Sacred Music ma...
wn.com/Colloquium 2007 The Church Music Association Of America
This video features interviews and images from the Sacred Music Colloquium sponsored by the Church Music Association of America, publisher of Sacred Music ma...
Orfeo, Eurydice & The Serpent - Helen Gabrielsen, soprano
EPK Interview with soprano Helen Gabrielsen performing the Prologue to Orfeo (excerpt) by Claudio Monteverdi with new text by Julie Larios. Hello, there! C'e......
EPK Interview with soprano Helen Gabrielsen performing the Prologue to Orfeo (excerpt) by Claudio Monteverdi with new text by Julie Larios. Hello, there! C'e...
wn.com/Orfeo, Eurydice The Serpent Helen Gabrielsen, Soprano
EPK Interview with soprano Helen Gabrielsen performing the Prologue to Orfeo (excerpt) by Claudio Monteverdi with new text by Julie Larios. Hello, there! C'e...
Claudio Monteverdi "Missa in Illo Tempore" - Ensemble ODHECATON - Paolo da Col
Claudio Monteverdi : Missa in Illo Tempore Ensemble ODHECATON Direction: Paolo da Col More info on http://www.outhere-music.com/store-RIC_322 Follow us on Fa......
Claudio Monteverdi : Missa in Illo Tempore Ensemble ODHECATON Direction: Paolo da Col More info on http://www.outhere-music.com/store-RIC_322 Follow us on Fa...
wn.com/Claudio Monteverdi Missa In Illo Tempore Ensemble Odhecaton Paolo Da Col
Claudio Monteverdi : Missa in Illo Tempore Ensemble ODHECATON Direction: Paolo da Col More info on http://www.outhere-music.com/store-RIC_322 Follow us on Fa...
Interview avec l'ensemble A PIACERE - Roya TV -15/12/2012
مجموعة A piacere من مهرجان الموسيقى الروحانية خلال برنامج دنيا يا دنيا - أربعة اصوات متجانسة : تتميز مجموعة A PIACERE بإنشائها المُبتكر، حيث قامت سيدتان بتأس......
مجموعة A piacere من مهرجان الموسيقى الروحانية خلال برنامج دنيا يا دنيا - أربعة اصوات متجانسة : تتميز مجموعة A PIACERE بإنشائها المُبتكر، حيث قامت سيدتان بتأس...
wn.com/Interview Avec L'Ensemble A Piacere Roya Tv 15 12 2012
مجموعة A piacere من مهرجان الموسيقى الروحانية خلال برنامج دنيا يا دنيا - أربعة اصوات متجانسة : تتميز مجموعة A PIACERE بإنشائها المُبتكر، حيث قامت سيدتان بتأس...
- published: 02 Jun 2013
- views: 200
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author: IFJORDANIE