- published: 06 Sep 2016
- views: 5540
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We are pleased to share a sample of the visual effects work created for Star Wars: The Force Awakens. The history of ILM leads all the way back to 1975 and origins of Star Wars and The Force Awakens gave us the opportunity to once again push the boundaries of what is possible in character animation and visual effects while combining cutting edge practical effects and physical sets. ILM studios in San Francisco, Singapore, Vancouver and London each contributed to the film effects as did our partners Hybride, Base FX and Virtuos. We hope you enjoy the reel.
Subscribe to the show for more awesome VFX documentaries! https://www.youtube.com/show/visualeffectsgoingbehindthemagic In this episode of VFX: Going Behind The Magic, we fly through the stunning timeline of the visual effects company created by George Lucas, Industrial Light and Magic. in 1975 this company was formed to create visual effects for Star Wars: A New Hope. All rights reserved to Copyright owners, including Lucasfilm, 20th Century Fox, and Industrial Light and Magic. I do not own any of this content and I am not profiting from it. Timeline: 1975: Resurrected the use of VistaVision; first use of a motion control camera (Star Wars Episode IV: A New Hope) 1982: First completely computer-generated sequence (the "Genesis Sequence" in Star Trek II: The Wrath of Khan) 1985: Fir...
At ILM we know how awesome Star Wars fans are but when John Knoll saw all of the incredible fan reaction videos to the Rogue One trailer he felt he had to share them with the crew. So what did we do? We made our own reaction video to the reaction videos of course. Thanks to all of the fans out there who share their passion for Star Wars online. Enjoy!
Click Here : https://goo.gl/qYgskz ENJOY! SUBSCRIBE! SHARE IT! Warcraft Own it on Digital HD 9/13 on Blu-ray & DVD 9/27 © 2016 Universal Studios. All Rights Reserved.
ILMxLab is the VR and augmented reality think-tank from Industrial Light & Magic. Their mission? Create the future of entertainment. And you’d better believe they’re starting with Star Wars. Edit/direction by Ryan Manning Shot by Tom Conners and John Lagomarsino & hosted by Bryan Bishop Subscribe: http://goo.gl/G5RXGs Check out our full video catalog: http://goo.gl/lfcGfq Visit our playlists: http://goo.gl/94XbKx Like The Verge on Facebook: http://goo.gl/2P1aGc Follow on Twitter: http://goo.gl/XTWX61 Follow on Instagram: http://goo.gl/7ZeLvX Read More: http://www.theverge.com
ILM's Erik Tiemens, Alex Jaeger, Christian Alzmann, Yanick Dusseault, James Clyne, Doug Chiang and Ryan Church discuss the role of concept artists throughout the process of bringing work to the big screen. ILM Art Department Challenge https://www.artstation.com/contests/ilm/challenges/8
غازی الم الدین شہید کون تھے ؟
In 1975 George Lucas formed Industrial Light & Magic (ILM) to create the special effects for his space opera Star Wars. Since that time, ILM has contributed to over 300 films in the process earning 15 Academy Awards for Outstanding Achievement in Visual Effects and 28 Scientific and Technical Achievement from the Academy.
We are pleased to share a sample of the visual effects work created for Colin Trevorrow's 'Jurassic World.' ILM has a long and storied history with the Jurassic series and this film, like each film that has come before it, breaks new ground in character animation and visual effects. We hope you enjoy the reel.
Uh, hmm
Hurry up a bit
Yeah, yeah
[Chorus: x3]
I like the way you do it, when you do it
When you doin, what you doin
Check this out right here, son
We about to move to make you feel some
A lot of positive vibrations to build from
'Cause all I wanna do is lose some and win some
Have a little of prosperity and then some
Livin my life handsome, has always been a dream but
Now it's time to really achieve by all means (Bust it)
I keep my shit, plus thirty in between
When an arm reach out to grab the supreme
'Cause I won't stop, and AP won't stop
And Tab won't stop until we reach the top
That means we won't quit, so we stay thick so you can enjoy it
I know you like the way it's goin down, honey, honey
I know you like the milky-mellow sound, honey, honey
Doin this ain't all about money, money
I know you like the way I sound, right, right
[Chorus x4]
As I enter the room I absorb the mood
Positive vibe supplied by a positive crew
And negativity exist and you must acknowledge
You can be intelligent and never go to college
'Cause the way we live in society
It ain't really the way that it's supposed to be
And don't get close to me if you're contaminated
Take a picture of your soul and get it laminated
Put them in your wallet next to your money
Money represents your whole and soul represents your honey
Ain't got honey then you ain't got bees
And if you ain't got no money I'ma still MC
Then empty L-O-V-E all over the track
Once you R-E-D then you never go back
'Til the end of studio with the Peas as Black
With Adam, Taboo, and alligator APL De AP
[Chorus x4]
I wanna travel the world and stop on every city
Rejuvenate your burnt out sea put down your Philly for a sec
Close your eyes and don't fret
Listen to the audible sounds and just let
Your soul feel the free feelin
Reprovide you with the ride, free fallin
To make your heart beat, skip, hipnotize you and
APL take you on a trip where your mind's at ease
Forget ballin 'cause I won't quit, and Will won't quit
And Tab won't quit so you can enjoy it
That means we won't stop
And I won't stop until we reach the rop
I'd rather be ready for the future
Do it for yourself 'cause no one else will suit ya
I juxtapose for mine to maintain
And segregate myself from evil and pain