- published: 07 Mar 2016
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Ebony, a monthly magazine for the African-American market, was founded by John H. Johnson and has published continuously since the autumn of 1945. A digest-sized sister magazine, Jet, is also published by Johnson Publishing.
Ebony cover photography has since its inception focused on African-American celebrities and politicians, such as Dorothy Dandridge, Mariah Carey, Michael Jackson, Carol Moseley Braun, Barack Obama, Zoe Saldana, Tyrese Gibson and Tyler Perry. The magazine has evolved over the years, last year – in 2010 – starting an obvious and persistent redesign with an end goal of updating and enlivening the age-old brand. In the past, the magazine was persistently upbeat, much like its generic contemporary Life, Ebony has striven always to address African-American issues, personalities and interests in a positive and self-affirming manner. Advertisers have for decades created ads specifically for the pages of Ebony that featured black models using their products.[citation needed] However, in today's times, many ads already feature black people – no matter the publication. And, "Ebony" frequently runs ads that feature non-black models.
The term black people is used in some socially-based systems of racial classification for humans of a dark-skinned phenotype, relative to other racial groups represented in a particular social context. Different societies apply different criteria regarding who is classified as "black", and often social variables such as class and socio-economic status also play a role, so that relatively dark-skinned people can be classified as white if they fulfill other social criteria of "whiteness" and relatively light-skinned people can be classified as black if they fulfill the social criteria for "blackness" in a particular setting.
As a biological phenotype being "black" is often associated with the very dark skin colors of some people who are classified as "black". But, particularly in the United States, the racial or ethnic classification also refers to people with all possible kinds of skin pigmentation from the darkest through to the very lightest skin colors, including albinos, if they are believed by others to have African ancestry, or to exhibit cultural traits associated with being "African-American". As a result, in the United States the term "black people" is not an indicator of skin color but of socially based racial classification.
Harold George "Harry" Belafonte, Jr. (born March 1, 1927) is an American singer, songwriter, actor and social activist. He was dubbed the "King of Calypso" for popularizing the Caribbean musical style with an international audience in the 1950s. Belafonte is perhaps best known for singing "The Banana Boat Song", with its signature lyric "Day-O". Throughout his career he has been an advocate for civil rights and humanitarian causes and was a vocal critic of the policies of the George W. Bush Administration.
Born Harold George Bellanfanti, Jr., at Lying-in Hospital, Harlem, New York, Belafonte was the son of Melvine (née Love) – a housekeeper of Jamaican descent – and Harold George Bellanfanti, Sr., a Martiniquan who worked as a chef in the National Guard. From 1932 to 1940, he lived with his grandmother in her native country of Jamaica. When he returned to New York City, he attended George Washington High School after which he joined the Navy and served during World War II. In the 1940s, he was working as a janitor's assistant in NYC when a tenant gave him, as a gratuity, two tickets to see the American Negro Theater. He fell in love with the art form and also met Sidney Poitier. The financially struggling pair regularly purchased a single seat to local plays, trading places in between acts, after informing the other about the progression of the play. At the end of the 1940s, he took classes in acting at the Dramatic Workshop of The New School in New York with the influential German director Erwin Piscator alongside Marlon Brando, Tony Curtis, Walter Matthau, Bea Arthur and Sidney Poitier, while performing with the American Negro Theatre. He subsequently received a Tony Award for his participation in the Broadway revue John Murray Anderson's Almanac.