Joaquín Rodrigo

Joaquín Rodrigo Vidre, 1st Marquis of the Gardens of Aranjuez (Spanish: [xoaˈkin roˈðɾiɣo]; November 22, 1901 – July 6, 1999), commonly known as Joaquín Rodrigo, was a Spanish composer and a virtuoso pianist.

Rodrigo's music is among the most popular music of the 20th century. In particular, his Concierto de Aranjuez is considered one of the pinnacles of Spanish music and of the guitar concerto repertoire.

Life

Rodrigo was born in Sagunto, Valencia, and almost completely lost his sight at the age of three after contracting diphtheria. He began to study solfège, piano and violin at the age of eight; harmony and composition from the age of 16. Although distinguished by having raised the Spanish guitar to dignity as a universal concert instrument and best known for his guitar music, he never mastered the instrument himself. He wrote his compositions in Braille, which was transcribed for publication.

Rodrigo studied music under Francisco Antich in Valencia and under Paul Dukas at the École Normale de Musique in Paris. After briefly returning to Spain, he went to Paris again to study musicology, first under Maurice Emmanuel and then under André Pirro. His first published compositions date from 1940. In 1943 he received Spain's National Prize for Orchestra for Cinco piezas infantiles ("Five Children's Pieces"), based on his earlier composition of the same piece for two pianos, premiered by Ricardo Viñes. From 1947 Rodrigo was a professor of music history, holding the Manuel de Falla Chair of Music in the Faculty of Philosophy and Letters, at Complutense University of Madrid. Notable students include Yüksel Koptagel, Turkish composer and pianist.

Nicanor Zabaleta

Nicanor Zabaleta (January 7, 1907 – March 31, 1993) was a Spanish harpist.

Zabaleta was born in San Sebastián, Spain, on January 7, 1907. In 1914 his father, an amateur musician, bought him a harp in an antique shop. He soon began taking lessons from Vincenta Tormo de Calvo (Madrid Conservatory faculty) and Luisa Menarguez. In 1925 he began studies in Paris, where his teachers were Marcel Tournier and Jacqueline Borot. In 1926, in Paris, he made his own official concert debut. Then he travelled to the U.S. and there, on July 5, 1934 he made his North America debut in New York City. At a concert in Puerto Rico in 1950 he met Graziela and they were married in 1952. They relocated to Spain and Zabaleta began touring Europe. During the years of 1959–1962 he led a harp class on Accademia Musicale Chigiana courses in Siena.

He performed mainly music of the 18th century, and also ancient and modern music. People who composed for him include Alberto Ginastera, Darius Milhaud, Xavier Montsalvatge, Heitor Villa-Lobos, Walter Piston, Ernst Krenek, Joaquín Rodrigo.Josef Tal's Concerto for Harp and Electronics was commissioned by Zabaleta in 1971, and premiered by him in Munich the same year. It is estimated that Zabaleta sold nearly three million records.

Heitor Villa-Lobos

Heitor Villa-Lobos (Portuguese: [ejˌtoʁ ˌvilɐ ˈlobus]; March 5, 1887 – November 17, 1959) was a Brazilian composer, described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known and most significant Latin American composer to date. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bachian-pieces). His preludes for guitar, written in 1940, are important works in the guitar repertory, and were inspired by Andrés Segovia.

Biography

Youth and exploration

Heitor Villa-Lobos was born in Rio de Janeiro. His father, Raul, was a civil servant, an educated man of Spanish extraction, a librarian, and an amateur astronomer and musician. In Villa-Lobos's early childhood, Brazil underwent a period of social revolution and modernisation, abolishing slavery in 1888 and overthrowing the Empire of Brazil in 1889. The changes in Brazil were reflected in its musical life: previously European music had been the dominant influence, and the courses at the Conservatório de Música were grounded in traditional counterpoint and harmony. Villa-Lobos underwent very little of this formal training. After a few abortive harmony lessons, he learnt music by illicit observation from the top of the stairs of the regular musical evenings at his house arranged by his father. He learned to play cello, guitar and clarinet. When his father died suddenly in 1899 he earned a living for his family by playing in cinema and theatre orchestras in Rio.

Concerto

A concerto (from the Italian: concerto, plural concerti or, often, the anglicised form concertos) is a musical composition, whose characteristics have changed over time. In the 17th century, "sacred works for voices and orchestra were typically called concertos." J. S. Bach "was thus reflecting a long-standing tradition when he used the title `concerto' for many of the works that we know as cantatas.". But in recent centuries, up to the present, a concerto is a piece usually composed in three parts or movements, in which (usually) one solo instrument (for instance, a piano, violin, cello or flute) is accompanied by an orchestra or concert band.

The etymology is uncertain, but the word seems to have originated from the conjunction of the two Latin words conserere (meaning to tie, to join, to weave) and certamen (competition, fight): the idea is that the two parts in a concerto, the soloist and the orchestra or concert band, alternate episodes of opposition, cooperation, and independence in the creation of the music flow.