- published: 04 May 2016
- views: 63594
Michael Arata (born February 23, 1966) is an American actor and film producer. He began his acting career at age four and has since appeared on stage, in feature films and television programs.
Arata was born in New Orleans, Louisiana. As an actor, he has worked with Academy Award winners Oliver Stone, Gene Hackman, Kevin Costner, Jamie Foxx, Tatum O'Neil, Kim Hunter, Billy Bob Thornton, Denzel Washington, Ellen Burstyn and Sissy Spacek, and has appeared on stage with Sir Kenneth Branagh, Ben Kingsley, and Rosemary Harris, as well as Alec Baldwin and Elizabeth Ashley in Tennessee Williams's classic The Night of the Iguana.
In addition to his film history, Mr. Arata has extensive theatre experience, including acting and producing the works of Tennessee Williams, Caryl Churchill, Tony Kushner, and William Shakespeare. In 1997, American Theatre Magazine hailed Mr. Arata's performance of Stanley Kowalski in the 50th anniversary production of Tennessee Williams' classic A Streetcar Named Desire as "unhinged and electrifying", and reviewer Dalt Wonk called the performance "a Stanley for our times".
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Slow motion; don't say anything,
Better left unsaid, refrain as she always did.
Pretty words I read them from a book, expressing her face(?) she's only worthy of perfect.
But nothing's what it seems, cavalier and sadistically(?), smile she fronted and the making of a fine way to an end,
She suddenly will not give in...
In...
In...
She's worn thin.
So close your eyes, so your ears can see,
Black hearts appear in nightmare or daydream, cause when she smiles, it's just a low grade attempt of hiding the truth of what's real and what's pretend.
So nothing's what it seems,
Pixilated memories,
Smile she fronted and the making of a fine way to an end,
She suddenly will not give in...
In...
In...
She's worn thin.
Help for this girl's in trouble, something's gone missing,
Something within me, a love for a passion,
Emotion is crashing,
And nothing is working,
She turns for a final farewell with her chin down,
A tear rolling slowly,
She'll ask if we're going,
What is believing if no one can see me and nobody knows me,
Nobody holds me,
Open up your eyes for a safe land,
She's falling,
She's falling,
She's falling,
In...
In...
In...
In...