- published: 28 Jul 2012
- views: 153279
Trad jazz, short for "traditional jazz," refers to the Dixieland and ragtime jazz styles of the early 20th century, which typically used a front line of horns, clarinet and trombone in contrast to more modern styles which usually include saxophones, and the revival of these styles in mid 20th-century Britain before the emergence of beat music.
A Dixieland revival began in the United States on the West Coast in the late 1930s as a backlash to the Chicago style, which was close to swing. Lu Watters and the Yerba Buena Jazz Band, and trombonist Turk Murphy, adopted the repertoire of Joe "King" Oliver, Jelly Roll Morton, Louis Armstrong and W. C. Handy: bands included banjo and tuba in the rhythm sections. A New Orleans-based traditional revival began with the later recordings of Jelly-Roll Morton and the rediscovery of Bunk Johnson in 1942, leading to the founding of Preservation Hall in the French Quarter during the 1960s.
Early King Oliver pieces exemplify this style of hot jazz; however, as individual performers began stepping to the front as soloists, a new form of music emerged. One of the ensemble players in King Oliver's Creole Jazz Band, Louis Armstrong, was by far the most influential of the soloists, creating, in his wake, a demand for this "new" style of jazz, in the late 1920s and early 1930s. Other influential stylists who are still revered in traditional jazz circles today include Sidney Bechet, Bix Beiderbecke, Wingy Manone and Muggsy Spanier. Many artists of the Big Band era, including Glenn Miller, Gene Krupa and Benny Goodman, had their beginnings in trad jazz.
Jazz is a music genre that originated from African American communities of New Orleans in the United States during the late 19th and early 20th centuries. It emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African American and European American musical parentage with a performance orientation. Jazz spans a period of over a hundred years, encompassing a very wide range of music, making it difficult to define. Jazz makes heavy use of improvisation, polyrhythms, syncopation and the swing note, as well as aspects of European harmony, American popular music, the brass band tradition, and African musical elements such as blue notes and African-American styles such as ragtime. Although the foundation of jazz is deeply rooted within the black experience of the United States, different cultures have contributed their own experience to the music as well. Intellectuals around the world have hailed jazz as "one of America's original art forms".
I created this video for the Epsom & Ewell U3A Classic Jazz Group meeting in July 2012 from clips on YouTube of Acker Bilk, Humphrey Lyttleton, Chris Barber and Kenny Ball to illustrate the sound of the popular jazz music of the decade. The essentials were a front line of trumpet or cornet, clarinet and trombone, and a rhythm section consisting of banjo, string double bass, and drums, or traps as they sometimes named them. Acker and Kenny Ball also used a piano, whereas Chris Barber rarely had one. Saxes and guitars were generally disliked, to the extent that many people would show their anger if either were produced. Fortunately, these days we now prepared to tolerate a wider range of instruments, even the flugle horn, violin, flute and penny whistle, as long as the musicians don't push t...
Swing that music by the US Jim Cullum Jazz band with Bob Barnard from Australia, at the Monsalvat Jazz festival in Melbourne, Australia. 1990.
The music behind these pics is "That's My Home", of course, it's Acker Bilk. My introduction to trad jazz was at Worthing Assembly rooms in 1952 when I saw Mick Mulligan with George Melly, I was hooked. Trad had to compete with Rock and Roll after I heard Elvis and r&r; won out for the next seven years, it gave me a living, but I returned to trad in 1963.
This is the original mono 10-inch collection of 78rpm performances on by-then extinct labels like Regent, Mirror and FM. Being a budget label pressing doesn't prevent the sound quality from being somewhat better than my usual 78rpm listening experience, that is, except for "Basin Street Blues" for which the master possibly wasn't extant and the masterers might have had to dub from an old record. At any rate, my videos are never meant to take the place of higher quality sources, and I urge everyone interested in owning this album to seek it out: 0:00 Muskrat Ramble 2:38 Basin Street Blues 5:15 The Preacher And The Bear 8:06 Royal Garden Blues 10:56 Sunny Side Of The Street 13:40 After You've Gone This longplay record album was released in the USA as #18153 by Royale in 1955, and is p...
We were playing for a joint 40th birthday party in a garden in Wooburn Town, Near High Wycombe as you can see it was a bit crowded but there really were four of us. Andy Chislett - Trumpet Richard Cook - Clarinet Dave Cummings - Banjo Martin Jones - Sousaphone Acoustic Jass are available for Garden Parties, Promotions, Weddings, Funerals and any event where live foot tapping music is required, for more information see:- http://www.acousticjass.co.uk http://www.wedding-jazz.co.uk http://www.jazz-funeral.co.uk
Lifted from an excellent TV documentary presented by George Melly. This bit of nostalgia gives the story behind the Ken Colyer Jazzmen and the Chris Barber Band. When as was our habit we visited the Burton Stone inn for a pint after band practice in Lumley Barracks just round the corner, we found some of the Chris Barber band doing a similar thing, during the interval while appearing at the Clifton Cinema, behind the pub. I remember Pat Halcox inspecting my trumpet which was near the bar in its case. He became a legend in his own lunchtime!
Some of the Professors play an entertaining version of "Shine" at the 2011 Sacramento Adult Jazz Camp. Wait for 8:33, where they hilariously train wreck the song and come out swingin'! Katie Cavera - Banjo Bill Dendle - Trombone Ed Metz - Drums Rusty Stiers - Trumpet Anita Thomas - Clarinet Jason Wanner - Piano Westy Westenhofer - Tuba
The New Orleans Footstompers are one of the most authentic bands on the UK trad jazz and Dixieland circuit. The Footstompers bring their musical magic to all kinds of events - weddings, corporate functions, birthday parties and even funerals. Call 020 8293 3392 for a quote!
Second Line Parade in New Orleans....Having a blast!
1. I've Found A New Baby 2. Perdido Street Stomp 3. Since I Fell For You 4. Blue Monk 5. I´ve Got A World On A String 6. Darktown Strutters Ball 7. Night Train 8. Nostalgia In Times Square 9. Bei Mir Bist Du Schoen 10. Singing The Blues 11. My Honey‘s Loving Arms 12. One More Kiss Dear 13. As Long As I Live 14. Always Look On The Bright Side Of Life / Olha O Lado Bom Que A Vida Tem Representando o Brasil em festivais realizados em todo o mundo, a TJB costuma lotar todas as salas de espetáculo onde quer que se apresente e é considerada pela crítica especializada como um dos mais vigorosos grupos de jazz tradicional em atividade. Criada em 1964 a Traditional Jazz Band (TJB) conta em sua formação atual com Alcides “Cidão” Lima (bateria e washboard), Edo Callia (piano), Carlos Chaim (contrab...
This is the REAL DEAL with master musicians: the incomparable Peter Dunphy, vocals & banjo / the admirable John Page, trumpet / virtuoso Pat Whittaker, tuba, the great Bill Rayne, trombone, the astounding Doug Protsik, piano, the exceptional Don Whitney, percussion / the remarkable Barry Daniels, clarinet ...
The New York Jazzharmonic trad-jazz sextet plays The Chevy Chase by Eubie Blake Arranged by Kit Johnson Jonathan Greene, alto sax/clarinet Corey A. Wallace, trombone Joe Boga, trumpet Billy Test, keyboard Henry Conerway III, drums Ron Wasserman, bass, leader Verdi Square Festival of the Arts, September 11, 2016 George Litton, president http://www.nyjazzharmonic.org http://www.facebook.com/newyorkjazzarmonic http://www.verdisquarefestival.com/ Video: CrumlicMedia Audio: Manhattan Percussion, LLC
The New York Jazzharmonic trad-jazz sextet plays East St. Louis Toodle-oo , composed by Duke Ellington and Bubber Miley Arranged by Ernie Carbajal Jonathan Greene, alto sax/clarinet Corey A. Wallace, trombone Joe Boga, trumpet Billy Test, keyboard Henry Conerway III, drums Ron Wasserman, bass, leader Verdi Square Festival of the Arts, September 11, 2016 George Litton, president http://www.nyjazzharmonic.org http://www.facebook.com/newyorkjazzarmonic http://www.verdisquarefestival.com/ Video: CrumlicMedia Audio: Manhattan Percussion, LLC
Author: Victor Ohlsson Title: Cool Cat Alley 3 Source: http://www.epidemicsound.com/ License: Proprietary - Sign up using this link to use it in your video: https://www.freedom.tm/via/HCLivess Author's description: Epidemic Sound was founded 2009 in Stockholm, Sweden. We are 20 people at our HQ working closely with a few hundred very talented composers and producers from various nations, and we have clients and collaborators all over the world. Please visit the website of the author to learn about additional ways of supporting them. Facebook: https://www.facebook.com/freemusicyt Twitter: https://twitter.com/freemusic_now Produced by Free Music 2015-2016
Author: Victor Ohlsson Title: Let's Get Cozy In The Kitchen 2 Source: http://www.epidemicsound.com/ License: Proprietary - Sign up using this link to use it in your video: https://www.freedom.tm/via/HCLivess Author's description: Epidemic Sound was founded 2009 in Stockholm, Sweden. We are 20 people at our HQ working closely with a few hundred very talented composers and producers from various nations, and we have clients and collaborators all over the world. Please visit the website of the author to learn about additional ways of supporting them. Facebook: https://www.facebook.com/freemusicyt Twitter: https://twitter.com/freemusic_now Produced by Free Music 2015-2016
The New York Jazzharmonic trad-jazz sextet plays Act One Rag, composed by Ron Wasserman in the style of Scott Joplin Jonathan Greene, alto sax/clarinet Corey A. Wallace, trombone Joe Boga, trumpet Billy Test, keyboard Henry Conerway III, drums Ron Wasserman, bass, leader Verdi Square Festival of the Arts, September 11, 2016 George Litton, president http://www.nyjazzharmonic.org http://www.facebook.com/newyorkjazzarmonic http://www.verdisquarefestival.com/ Music © copyright 2008 by Trilaterus, llc arrangement © copyright 2016 by Trilaterus, llc http://www.trilaterus.com Video: CrumlicMedia Audio: Manhattan Percussion, LLC
Acoustic Jass were playing for Shalbourne Classic car rally. The musicians were:- Andy Chislett - Trumpet Richard Cook - Clarinet Dave Cummings - Banjo Martin Jones - Sousaphon Acoustic Jass are available for Garden Parties, Promotions, Weddings, Funerals and any event where live foot tapping music is required we play throughout southern England UK, for more information see:- http://www.acousticjass.co.uk http://www.wedding-jazz.co.uk http://www.jazz-funeral.co.uk
Were Playing for a picnic at West Hoathly in West Sussex The musicians were:- Andy Chislett - Trumpet Richard Cook - Clarinet Jim Heath - Banjo Martin Jones - Sousaphone Acoustic Jass are available for Garden Parties, Promotions, Weddings, Funerals and any event where live foot tapping music is required we play throughout southern England UK, for more information see:- http://www.acousticjass.co.uk http://www.wedding-jazz.co.uk http://www.jazz-funeral.co.uk