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The Invaders-1912-Francis Ford and Thomas H. Ince-A fine western, a classical silent film

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• published: 08 Sep 2013
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"The Invaders" is a 1912 American silent Western film directed by Francis Ford and Thomas H. Ince. Ince was an American silent film actor, director, screenwriter and producer of more than 100 films and pioneering studio mogul. Known as the "Father of the Western", he invented many mechanisms of professional movie production, introducing early Hollywood to the "assembly line" system of film making. He wrote the screenplay for The Italian (1915), and directed Civilization (1916), both films selected for preservation by the United States National Film Registry. He was a partner with D.W. Griffith and Mack Sennett in the Triangle Motion Picture Company, and built his own studios in Culver City, which later became the legendary home of Metro-Goldwyn-Mayer. Ince is also known for his death aboard the yacht of William Randolph Hearst; officially he died of heart trouble, but Hollywood rumor of the time suggested he had been shot by Hearst in a dispute over actress Marion Davies. Francis Ford (born Francis Feeney, August 14, 1881 -- September 5, 1953) was a prolific film actor, writer, and director. He was the mentor and elder brother of film director John Ford. He also appeared in many of John Ford's movies, including Young Mr. Lincoln and The Quiet Man. Ford acted in over 400 films altogether, with many of his early credits poorly-documented and likely lost. Ambitious and prolific, in Ford's early work he cast himself as George Armstrong Custer, Sherlock Holmes (with his younger brother as Dr. Watson), and Abraham Lincoln, a role which he specialized in. By 1912 Ford was directing alongside Thomas Ince. It rapidly became clear that Ince was routinely taking credit for Ford's work, so Ford moved to Universal in early 1913. His 1913 Lucille Love, Girl of Mystery was Universal's first serial, and the first of a string of very popular serials starring Ford's collaborator and lover Grace Cunard. The 1915 serial The Broken Coin was expanded from 15 to 22 episodes by popular demand, probably the height of Ford's career. In 1917 Ford founded a short-lived independent company, Fordart Films, which released the 1918 Berlin via America with Phil Kelly, and briefly opened his own studio at Sunset Boulevard and Gower Street. At the same time Ford mentored his younger brother, collaborating frequently as writers, directors, and actors in each other's projects; but as early as 1917, it was clear that John's star was on the rise. Frank's directorial style remained suitable for serials, but failed to evolve. Ford's final known directoral credit is for the 1928 The Call of the Heart, a 50-minute vehicle for "Dynamite the Devil Dog". The Ford brothers were, at the best of times, critical of each other, and sometimes sharply antagonistic. Ford wrote an unpublished memoir in 1934 called "Up and Down the Ladder" which is "filled with bitter and sometimes heartrending complaints about how old-timers who had helped create the industry had been shunted aside by younger men." From the late 1920s, and for the next two decades, Ford sustained a career as a grizzled character actor and bit player. He is often uncredited, as in his appearance in James Whale's 1931 Frankenstein. Among his most memorable roles was that of the demented old man in The Ox-Bow Incident (1943). Resources: wikipedia.org, archive.org, imdb.com New soundtrack and dubbing: Cinemateca Music: Kevin MacLeod (incompetch.com) licensed under Creative Commons licence: Attribution 3.0 Unported (CC BY 3.0).