I'm Only Human

I'm Only Human may refer to:

Marvin Gaye

Marvin Gaye (/ɡeɪ/; born Marvin Pentz Gay Jr.; April 2, 1939 – April 1, 1984) was an American soul singer, songwriter, and musician. Gaye helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of hits, including How Sweet It Is (To Be Loved By You) and I Heard It Through the Grapevine, and duet recordings with Mary Wells, Kim Weston, and Tammi Terrell, later earning the titles Prince of Motown and Prince of Soul.

During the 1970s, he recorded the concept albums What's Going On and Let's Get It On and became one of the first artists in Motown to break away from the reins of their production company.

Gaye's later recordings influenced several contemporary R&B subgenres, such as quiet storm and neo-soul. Following a period in Europe as a tax exile in the early 1980s, Gaye released the 1982 Grammy Award-winning hit "Sexual Healing" and its parent album Midnight Love.

On April 1, 1984, Gaye's father, Marvin Gay Sr., fatally shot him at their house in the West Adams district of Los Angeles. Since his death, many institutions have posthumously bestowed Gaye with awards and other honors—including the Grammy Lifetime Achievement Award, the Rhythm and Blues Music Hall of Fame, and the Rock and Roll Hall of Fame.

Wiz Khalifa

Cameron Jibril Thomaz (born September 8, 1987), better known by his stage name Wiz Khalifa, is an American recording artist, songwriter and actor. He released his debut album, Show and Prove, in 2006, and signed to Warner Bros. Records in 2007. His Eurodance-influenced single, "Say Yeah", received urban radio airplay, charting on the Rhythmic Top 40 and Hot Rap Tracks charts in 2008.

Khalifa parted with Warner Bros. and released his second album, Deal or No Deal, in November 2009. He released the mixtape Kush and Orange Juice as a free download in April 2010; he then signed with Atlantic Records. He is also well known for his debut single for Atlantic, "Black and Yellow", which peaked at number one on the Billboard Hot 100. His debut album for the label, Rolling Papers, was released on March 29, 2011. He followed that album with O.N.I.F.C. on December 4, 2012, which was backed by the singles "Work Hard, Play Hard" and "Remember You". Wiz released his fourth album Blacc Hollywood on August 18, 2014, backed by the lead single We Dem Boyz. In March 2015, he released "See You Again" for the soundtrack of the film Furious 7 and the song peaked at number one on the Billboard Hot 100.

The Fillmore

The Fillmore is a historic music venue in San Francisco, California, made famous by Bill Graham. Originally named the Majestic Hall, it became the "Fillmore Auditorium" in 1954 when Charles Sullivan acquired the master lease from the building owner, Harry Shiffs, and renamed it for the neighborhood rather than its original location at the intersection of Fillmore Street and Geary Boulevard. It is situated in the historical center of the Western Addition neighborhood, on the edge of the Fillmore District and Upper Fillmore (lately known as Lower Pacific Heights). From the 1930s through the '60s, before redevelopment, this location was considered the heart of the San Francisco Fillmore District.

Graham also opened a Fillmore East in New York City in March, 1968. In July, 1968, he opened an additional venue in San Francisco under the same brand. Formerly known as The Carousel Ballroom at Market Street and South Van Ness Avenue, he called this the Fillmore West.

History

On May 27, 28 and 29, 1966, The Velvet Underground and Nico led by Lou Reed played the Fillmore Auditorium as part of Andy Warhol's Exploding Plastic Inevitable avant-garde, multimedia show premiered in New York City. Their light show engineer Danny Williams, who pioneered many of today's standard practices in rock music light shows, built a light system at the Fillmore that included stroboscopes, slides and film projections onstage. Conceived by Andy Warhol, Danny Williams and using some of film maker Jonas Mekas's ideas (Mekas pioneered film projections during concerts at The Cinematheque in New York), the show also included wild, free dancing both in the crowd and onstage. At Bill Graham's request Danny Williams soon came back to the Fillmore to build more. These innovations were to become part of the Fillmore Auditorium's prestige and image and were also used at the Fillmore East and Fillmore West venues, both opened in 1968.