Joe-Pye weed in flower

A wildlife garden (or wild garden) is an environment that is attractive to various forms of wildlife such as birds, amphibians, reptiles, insects, mammals and so on. A wildlife garden will usually contain a variety of habitats that have either been deliberately created by the gardener, or allowed to self-establish by minimising maintenance and intervention.

Many organic gardeners are sympathetic to the philosophy of wildlife gardening, and will usually try to incorporate some aspects of the wild garden into their own plots in order to both act as a means of biological pest control, as well as for its value in promoting biodiversity and generally benefitting the wider environment.

Habitats[link]

Wildlife gardens may contain a range of habitats:

• ponds^[1] to attract frogs, newts, toads, dragonflies, and birds
• nest boxes for birds and solitary bees, hedgehogs or certain insects
• log piles to provide shelter for insects, lizards, and slow worms
• plants that attract beneficial insects^[2] including wildflower meadows, etc.

Choice of plants[link]

Although some exotics may also be included, the wild garden will usually predominantly feature a variety of native species. Generally these will be a part of the pre-existing natural ecology of an area, but managed in a way that is enhanced rather than damaged by the process of cultivation.

As in other forms of gardening, aesthetics plays a central role in deciding what is 'right', but constraints regarding issues such as seed provenance also apply. Wild gardens are by definition examples of water-wise gardening, as the natural species of any ecoregion or micro-climate are those optimal for local water supplies.

There are a few super-beneficial plants that bloom for a long time, and yield abundant nectar and pollen, or bear fruit throughout the year. These plants, such as the Joe-Pye weed, wild figs (Ficus species), and Sandpaper Raisin (Grewia flavescens) support a whole community of beneficial insects and small vertebrates. Goldenrod is another example.

Essential to any true understanding of the wildlife gardening concept is an appreciation of the symbiotic relationships between plants and animals. This interdependence is the result of species evolving alongside of one another over millennia. When one wildlife gardens, one acts always in accordance with the idea of keeping plants that are native to the area preeminent in the garden. Exotics, though they may provide shelter or food, will not compete well with those plants the native animals have always depended upon, either for the nectar and fruits they bear, or the invertebrates they attract.

It is also a good idea to replicate a natural habitat (even if only partially) in the garden, especially if that habitat was the original vegetation of that area, before urbanisation erased it. A good example would be forest in England; Cape Flats fynbos in Cape Town, South Africa; or prairie in the middle USA.

Layout of Garden[link]

There are four basic habitat types which should ideally be included in the garden to maximise the wildlife species that will occur in the garden: the Open Area, the Exclusion Area, the Canopy corridor and the Wetland.

The Open Area is the space of the garden where the area is relatively exposed as regard to other areas of the garden. In most cases this area comprises the lawn, although it may consist of low-growing groundcovers and annuals.

The Exclusion Area is more dense than the Open Area. Trees often are an important component of this area.

See also[link]

Gardening portal

• Backyard Wildlife Habitat
• Butterfly gardening
• Native plant gardening
• Natural landscaping
• Permaculture

References[link]

External links[link]

• OnEarth » Living Green » How to Get Wild in Your Garden
• National Wildlife Federation: Garden for wildlife (USA)
• National Wildlife Magazine: Gardening Information(USA)
• Wild about Gardens (UK)
• Wildscaping (California)
• Growing Native (California)
• Garden Wildlife(UK)
• Backyards for Wildlife (Adelaide, Australia)
• Wildlife Gardeners: North American Wildlife Gardening
• A general not-for-profit site for all wildlife gardening information

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Josefine Cronholm (born 1971) is a celebrated Swedish jazz vocalist who has won numerous awards. Her debut album Wild Garden was released in 2002. She also provided a cover of The Carpenters' Close to you for the film MirrorMask. She sang on the Django Bates Album Quiet Nights in 1998.

Discography[link]

Albums[link]

String Swing Red Shoes (credited to Søren Siegfeldt & Josefin Cronholm) Tracklist

1. Red Shoes
2. French
3. Väntat haver jag
4. For a Change
5. Hur långt det är til kärlek
6. Romp
7. Together Again
8. Wake Up
9. With My Eyes Wide Shuts
10. Åh så intensiv
11. Wait Until Fall
12. Anna Castberg

STUNT records STUCD 01082
Sundance The Scandinavian Music Company Aps

External links[link]

• öresundsfolk

This article about a Swedish musician is a stub. You can help Wikipedia by expanding it. v t e

For the defunct avant-garde metal band from Kristiansand, Norway, see In the Woods...

In the Woods
Cover of In The Woods
Author(s)	Tana French
Country	Ireland
Language	English
Series	Dublin Murder Squad
Genre(s)	Mystery
Publisher	Viking Adult
Publication date	30 January 2007
Media type	Print (Hardcover)
Pages	496
ISBN	978-0-670-03860-2
OCLC Number	191864570
Dewey Decimal	823/.92 22
LC Classification	PR6106.R457 I52 2007
Followed by	The Likeness: A Novel

In the Woods is a 2007 mystery novel by Tana French about a pair of Irish detectives and their investigation of the murder of a twelve year old girl. The novel won several awards such as the 2008 Edgar Award for Best First Novel By An American Author,^[1] the 2008 Barry Award for Best First Novel,^[2] the 2008 Macavity Award for Best First Mystery Novel,^[3] and the 2008 Anthony Award for Best First Novel.^[4]

Plot[link]

Twenty years prior to the novel's events, twelve year-old Adam and his two best friends failed to come home after playing in the familiar woods bordering their Irish housing estate. A search is called by the families, and the police find Adam shivering, clawing the bark of a nearby tree, blood on his shoes and slash marks on his back. He is unable to tell them what happened or where his friends are. His amnesia holds to the present day, where he goes by his middle name, Rob, to avoid the attention of the media to his famous case. His friends were never found.

The plot of the novel circles around the murder of a twelve year old girl, Katy Devlin, whose case Rob and his partner Cassie Maddox are given to investigate. The body is found in the same woods where Rob’s friends disappeared, at an archeological dig site, and the coincidence is enough to make Rob nervous, though he insists to his partner that he is fine.

Cassie and Rob have been partners for a few years and get along famously, teasing one another and completing one another’s thoughts. There are many rumors at the station that they are romantically involved, though both of them scoff at the idea, despite the fact that they live almost like a married couple, spending a lot of time at Cassie’s cooking dinner for one another, drinking wine, and having Rob crash on Cassie’s couch across the room.

Katy’s murder takes the pair along many lines of investigation. Her death might be related to her father’s protests against the new highway meant to go straight through the dig site, or one of the students on the dig might have attacked her. She might have been abused by her father or someone else (her mother, twin sister, or older sister) in the family. She might have been previously poisoned over time. Or it might be related to the disappearance of Rob’s friends, as a hair clip that one of his friends was wearing that day appeared near the crime scene.

These possibilities are investigated, but the detectives come up frustratingly empty-handed at every turn. The case messes with Rob’s psyche as he tries to remember details about the two previous disappearances in case it would help. He tries spending the night in the woods, but freaks out and calls Cassie to pick him up. He’s afraid to sleep again, thinking that he’ll just have nightmares, so Cassie allows him into her bed. Things escalate from there and they end up having sex.

Rob feels immensely awkward after and can’t go back to their normal jokey-insult ways, but also feels that he can’t start a relationship with her. Their partnership deteriorates just as they start to uncover new leads in the case and they are unable to discuss the case and get along the way they used to.

Rob goes back to the dig site alone, where all the students are frantically digging before the site is shut down for the construction of the highway. He comes to a realization and calls in the forensics team again, who discover the location of the murder in a shed to which only three people have the key. After some heavy interrogation, one of the suspects confesses, though his motive is far from clear.

It becomes clearer when the suspect contends that he had been dating Katy’s older sister, Rosalind. When questioned by Cassie, she denies it and any involvement in Katy’s death, but also makes a comment that Cassie is obviously sleeping with Rob. Cassie takes it in stride, but after the interrogation, she has an idea of how to get a confession out of Rosalind: Go to her and admit sleeping with Rob and promise to keep her updated on the case if she promises not to tell.

Rosalind’s psychopathic tendencies get the better of her, and once she knows that she has Cassie in her debt, she brags about the whole thing and how she got the murderer to come up with the idea by telling him that all three girls were being sexually abused by their father, but that Katy liked it and was therefore their father’s favorite. Rosalind also told him that Katy told their father lies to make him beat them and would watch and laugh, that if Katy was gone, then they would be happy. She also admitted to Cassie that Katy was strong-willed and wouldn’t always do as Rosalind told her, so she had poisoned her to make her sick. After this confession, recorded on a wire, Cassie arrests her and takes her in, but because Rosalind was a few months from turning 18 (though she had told Rob previously that she was already 18), the confession is invalid. She is released with a smug smile.

The Police Captain has learned that Rob is actually Adam Ryan and confines him to desk work. He never goes back to Detective work. Cassie starts dating someone else and gets engaged. Rob is heartbroken and calls her, but it’s too late. He goes to the dig site to see the highway construction has begun, and thinks that he’ll never regain his lost memories of that night.

Reception[link]

Thomas Gaughan of Booklist gave In the Woods a starred review and hailed it as “…a superior novel about cops, murder, memory, relationships, and modern Ireland. The characters of Ryan and Maddox, as well as a handful of others, are vividly developed… Equally striking is the picture of contemporary Ireland, booming economically and fixated on the shabbiest aspects of American popular culture. An outstanding debut and a series to watch for procedural fans.” ^[5] Publishers Weekly praised author French, saying she “… expertly walks the line between police procedural and psychological thriller in her debut” and that “Ryan and Maddox are empathetic and flawed heroes, whose partnership and friendship elevate the narrative beyond a gory tale of murdered children and repressed childhood trauma.” ^[5] Kirkus Reviews said of the novel, “When not lengthily bogged down in angst, a readable, non-formulaic police procedural with a twist. It’s ultimately the confession of a damaged man.” ^[6]

Awards and nominations[link]

• Edgar Award for Best First Novel By An American Author, 2008^[1]
• Barry Award for Best First Novel, 2008^[2]
• Macavity Award for Best First Mystery Novel, 2008^[3]
• Anthony Award for Best First Novel, 2008^[4]

References[link]