- published: 28 Jan 2016
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The name Robert is a Germanic given name, from Proto-Germanic *χrōþi- "fame" and *berχta- "bright". Compare Old Dutch Robrecht and Old High German Hrodebert (a compound of hruod "fame, glory" and berht "bright"). It is also in use as a surname.
After becoming widely used in Continental Europe it entered England in its Old French form Robert, where an Old English cognate form (Hrēodbēorht, Hrodberht, Hrēodbēorð, Hrœdbœrð, Hrœdberð) had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto.
Similar to the name, Richard, "Robert" is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Danish, and Icelandic. It can be used as a French, Hungarian, Finnish, and Estonian name as well.
Robert, and also the name Joseph, were in the top 10 most given boys' names in the US for 47 years, from 1925 to 1972.
In Italy during the Second World War, the form of the name, Roberto, briefly acquired a new meaning derived from, and referring to the Rome-Berlin-Tokyo Axis.
Teatro La Fenice (pronounced [la feˈniːtʃe], "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre", and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers—Rossini, Bellini, Donizetti, and Verdi were performed.
Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004.
In 1774, the San Benedetto Theatre, which had been Venice's leading opera house for more than forty years, burned to the ground. By 1789, with interest from a number of wealthy opera lovers who wanted a spectacular new house, "a carefully defined competition" was organised to find a suitable architect. It was won by Gianantonio Selva who proposed a neoclassical style building with 170 identical boxes in tiers in a traditional horseshoe shaped auditorium, which had been the favoured style since it was introduced as early as 1642 in Venice. The house would face on one side a campo, or small plaza, and on the other a canal, with an entrance which gave direct access backstage and into the theatre.
Giuseppe Fortunino Francesco Verdi (Italian: [dʒuˈzɛppe ˈverdi]; 10 October 1813 – 27 January 1901) was an Italian composer of operas.
Verdi was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Bellini, Donizetti and Rossini, whose works significantly influenced him, becoming one of the pre-eminent opera composers in history.
In his early operas Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi however did not seek to ingratiate himself with popular movements and as he became professionally successful was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He surprised the musical world by returning, after his success with the opera Aida (1871), with three late masterpieces: his Requiem (1874), and the operas Otello (1887) and Falstaff (1893).
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"La Traviata" by Giuseppe Verdi @ Teatro La Fenice, Venice/Italy Ekaterina Bakanova - Violetta Valéry Piero Pretti - Alfredo Francesco Ivan Ciampa - Conductor Robert Carsen - Director Recorded: 07 May 2015 www.ekaterinabakanova.com
Arena Sferisterio - Macerata - 2016 Manrico : Piero Pretti Conte di Luna : Marco Caria Leonora : Anna Pirozzi Azucena : Enkelejda Shkosa Direttore : Daniel Oren Regista : Francisco Negrin
Música cantada no dia 12/10/2016, pelo cantor Pretti na na Paróquia de Nossa Senhora Aparecida - Araras/SP. #CoralDoJair Executada após a bênção final, como canto final.
I VESPRI SICILIANI (VERSIÓN DE CONCIERTO) Giuseppe Verdi (1813-1901) Ópera en cinco actos en versión de concierto Libreto de Eugène Scribe y Charles Duveyrier Teatro Real de Madrid 17 de junio de 2014 Coro de la Comunidad de Madrid Coro y Orquesta Titulares del Teatro Real (Coro Intermezzo / Orquesta Sinfónica de Madrid) Ficha Artística Dirección musical: James Conlon · - · Guido di Monforte: Franco Vassallo El señor de Bethune: Francisco Tojar El conde Vaudemont: Luis Cansino Ninetta: Adriana Di Paola Arrigo: Piero Pretti Giovanni di Procida: Ferruccio Furlanetto La duquesa Elena: Julianna Di Giacomo Danieli: Antonio Lozano Tebaldo: Alejandro González Roberto: Fernando Radó Manfredo: Eduardo Santamaría
from the opera "La Traviata" by Giuseppe Verdi Ekaterina Bakanova - Violetta Valéry Piero Pretti - Alfredo Francesco Ivan Ciampa - Conductor Robert Carsen - Director Recorded: 07 May 2015 by Georg List (Editing: Frank Stahmer) www.ekaterinabakanova.com
CONCERTO LE VIE DELL'AMICIZIA Ravenna 7 luglio - Nairobi 9 luglio 2011 Direttore Riccardo Muti - Tenore Piero Pretti Baritono Alessandro Luongo - Basso Luca Dall'Amico - Soprano Anna Kasyan - Mezzo Soprano Anna Malavasi - Orchestra Giovanile Luigi Cherubini - Orchestra Giovanile Italiana - La Stagione Armonica - Coro Del Teatro Municipale Di Piacenza - Maestri Del Coro Sergio Balestracci Corrado Casati
Marco Guidarini ha diretto l'Orchestra I Pomeriggi Musicali nel corso di due rappresentazioni di Rigoletto andate in scena il 3 e il 5 novembre al Teatro degli Arcimboldi di Mlano. In questo video è ripresa la scena iniziale del capolavoro verdiano, con la prima romanza dell'opera cantata dal tenore Piero Pretti nel ruolo del Duca di Mantova. Il cast comprendeva Ivan Inverardi nel ruolo di Rigoletto; Irina Dubrovskaya, Gilda; Eugeniy Stanimirov Iossitov, Sparafucile; Alessandra Palomba, Maddalena; Veronica Senserini, Giovanna; Pasquale Amato, il Conte di Monterone; Mirko Quarello, Marullo; Saverio Pugliese, Borsa; Marian Reste, il Conte di Ceprano; Miriam Artiaco, la Contessa di Ceprano; Bianca Tognocchi, il Paggio. Regia, scene, costumi e disegno luci di Massimo Gasparon. Coro AsLiCo. M...
Questo video riguarda piero scala
Chiste
"La Traviata" by Giuseppe Verdi @ Teatro La Fenice, Venice/Italy Ekaterina Bakanova - Violetta Valéry Piero Pretti - Alfredo Francesco Ivan Ciampa - Conductor Robert Carsen - Director Recorded: 07 May 2015 www.ekaterinabakanova.com
Arena Sferisterio - Macerata - 2016 Manrico : Piero Pretti Conte di Luna : Marco Caria Leonora : Anna Pirozzi Azucena : Enkelejda Shkosa Direttore : Daniel Oren Regista : Francisco Negrin
Música cantada no dia 12/10/2016, pelo cantor Pretti na na Paróquia de Nossa Senhora Aparecida - Araras/SP. #CoralDoJair Executada após a bênção final, como canto final.
I VESPRI SICILIANI (VERSIÓN DE CONCIERTO) Giuseppe Verdi (1813-1901) Ópera en cinco actos en versión de concierto Libreto de Eugène Scribe y Charles Duveyrier Teatro Real de Madrid 17 de junio de 2014 Coro de la Comunidad de Madrid Coro y Orquesta Titulares del Teatro Real (Coro Intermezzo / Orquesta Sinfónica de Madrid) Ficha Artística Dirección musical: James Conlon · - · Guido di Monforte: Franco Vassallo El señor de Bethune: Francisco Tojar El conde Vaudemont: Luis Cansino Ninetta: Adriana Di Paola Arrigo: Piero Pretti Giovanni di Procida: Ferruccio Furlanetto La duquesa Elena: Julianna Di Giacomo Danieli: Antonio Lozano Tebaldo: Alejandro González Roberto: Fernando Radó Manfredo: Eduardo Santamaría
from the opera "La Traviata" by Giuseppe Verdi Ekaterina Bakanova - Violetta Valéry Piero Pretti - Alfredo Francesco Ivan Ciampa - Conductor Robert Carsen - Director Recorded: 07 May 2015 by Georg List (Editing: Frank Stahmer) www.ekaterinabakanova.com
CONCERTO LE VIE DELL'AMICIZIA Ravenna 7 luglio - Nairobi 9 luglio 2011 Direttore Riccardo Muti - Tenore Piero Pretti Baritono Alessandro Luongo - Basso Luca Dall'Amico - Soprano Anna Kasyan - Mezzo Soprano Anna Malavasi - Orchestra Giovanile Luigi Cherubini - Orchestra Giovanile Italiana - La Stagione Armonica - Coro Del Teatro Municipale Di Piacenza - Maestri Del Coro Sergio Balestracci Corrado Casati
Marco Guidarini ha diretto l'Orchestra I Pomeriggi Musicali nel corso di due rappresentazioni di Rigoletto andate in scena il 3 e il 5 novembre al Teatro degli Arcimboldi di Mlano. In questo video è ripresa la scena iniziale del capolavoro verdiano, con la prima romanza dell'opera cantata dal tenore Piero Pretti nel ruolo del Duca di Mantova. Il cast comprendeva Ivan Inverardi nel ruolo di Rigoletto; Irina Dubrovskaya, Gilda; Eugeniy Stanimirov Iossitov, Sparafucile; Alessandra Palomba, Maddalena; Veronica Senserini, Giovanna; Pasquale Amato, il Conte di Monterone; Mirko Quarello, Marullo; Saverio Pugliese, Borsa; Marian Reste, il Conte di Ceprano; Miriam Artiaco, la Contessa di Ceprano; Bianca Tognocchi, il Paggio. Regia, scene, costumi e disegno luci di Massimo Gasparon. Coro AsLiCo. M...
I VESPRI SICILIANI (VERSIÓN DE CONCIERTO) Giuseppe Verdi (1813-1901) Ópera en cinco actos en versión de concierto Libreto de Eugène Scribe y Charles Duveyrier Teatro Real de Madrid 17 de junio de 2014 Coro de la Comunidad de Madrid Coro y Orquesta Titulares del Teatro Real (Coro Intermezzo / Orquesta Sinfónica de Madrid) Ficha Artística Dirección musical: James Conlon · - · Guido di Monforte: Franco Vassallo El señor de Bethune: Francisco Tojar El conde Vaudemont: Luis Cansino Ninetta: Adriana Di Paola Arrigo: Piero Pretti Giovanni di Procida: Ferruccio Furlanetto La duquesa Elena: Julianna Di Giacomo Danieli: Antonio Lozano Tebaldo: Alejandro González Roberto: Fernando Radó Manfredo: Eduardo Santamaría
Culto igreja presbiteriana renovada cape cod , hyannis, ma , www.prajesus.com
https://www.facebook.com/GaetanoDonizettiComposer Aria & Cabaletta of Edgardo Composer - Gaetano Donizetti Place - La Scala Year - 2014
Participação de Gleibe Prettim, professor de Direito do trabalho. REDE APARECIDA A TV de Nossa Senhora http://www.A12.com/tvaparecida http://facebook.com/aparecidatv http://twitter.com/tvaparecida http://instagram.com/tvaparecida Baixe o nosso Aplicativo gratuitamente no seu celular, tablet ou iPad.
DON CARLO | 1 Act The Vienna State Opera. 21.06.2017 Сonductor: Myung-Whun Chung Director: Daniele Abbado Cast Filippo II.: Ferruccio Furlanetto Don Carlo: Ramon Vargas Rodrigo: Placido Domingo Il Grande Inquisitore: Alexandru Moisiuc Un frate/Carlo V.: Ryan Speedo Green Elisabetta: Krassimira Stoyanova Eboli: Elena Zhidkova Tebaldo: Margarct Plummer Contessa d'Aremberg: Fabiola Varga Conte di Lerma: Carlos Osuna Un araldo reale: Carlos Osuna Voce dal cielo: Hila Fahima
Madama Butterfly Tragedia giapponese in due atti Libretto di Luigi Illica e Giuseppe Giacosa dal racconto di John Luther Long e dal dramma di David Belasco Musica di Giacomo Puccini Adattamento e testi di Vittorio Sabadin Esecuzione in forma semiscenica Personaggi e interpreti Karah Son, soprano Madama Butterfly (Cio-cio-san) Piero Pretti, tenore F.B. Pinkerton, tenente della Marina U.S.A. Roberto de Candia, baritono Sharpless, console degli U.S.A. a Nagasaki Silvia Beltrami, mezzosoprano Suzuki, servente di Cio-cio-san Luca Casalin, tenore Goro, nakodo Sandro Lombardi, attore nel ruolo di Giacomo Puccini Francesco Lanzillotta, direttore d’orchestra Vittorio Borrelli, regia Claudio Fenoglio, maestro del coro Orchestra e Coro del Teatro Regio
Lucia soprano Jessica Pratt Edgardo di Ravenswood tenor Piero Pretti Enrico Ashton baritone Gabriele Viviani Raimondo Bidebent bass Aleksandr Vinogradov Arturo Bucklaw tenor Francesco Marsiglia Alisa, Lucia's damsel mezzo-soprano Daniela Valdenassi Maria de Lourdes Rodrigues Martins Normanno tenor Luca Casalin Conductor Gianandrea Noseda Direction Damiano Michieletto Revival by Roberto Pizzuto Sets Paolo Fantin Costumes Carla Teti Lighting Martin Gebhardt Revival by Alessandro Carletti Assistant to costumes Alessio Rosati Chorus master Claudio Fenoglio Orchestra and Chorus Teatro Regio Torino Staging Opernhaus Zürich New for Italy
Opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El trovador (1836) by Antonio García Gutiérrez. Leonora - Cheryl Studer Graf von Luna - Sergei Leiferkus Azucena - Agnes Baltsa Manrico - Frederic Kalt Ferrando - Kurt Rydl Inès - Ruxandra Donose Ruiz - Ruben Broitman Un vecchio zingaro - Josef Stangl Un messo - Peter Jelosits Live, 22 October 1993, Wiener Staatsoper, Zubin Mehta Chorleitung - Dietrich D. Gerpheide 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥 Here is one of those edge-of-your-seat performances that is as exciting as it is terrifying. In the interest of gaining a better overall sense of the performance, I have removed all audience participation/distractions pro and con. Because participate the audience did. A hostile claque (or claques) was out ...
Florence Opera Theatre "ROBERTO DEVEREUX" Opera in three acts by Salvatore Cammarano, from Jacques-François Ancelot's tragedy "Elisabeth d'Angleterre". Music by Gaetano Donizetti Elisabetta I: MARIELLA DEVIA Duck of Nottingham: PAOLO GAVANELLI Sara, his wife: CHIARA AMARÙ Roberto Devereux, Count of Essex: CELSO ALBELO Lord Cecil: ANTONIO CORIANÓ Sir Gualtiero Raleigh: GABRIELE SAGONA Conductor: Paolo Arrivabeni Florence, 18 may 2014