In professional wrestling, a push is an attempt by the booker to make the wrestler win more matches and become more popular or more reviled with the fans depending on whether they are a heel or a face. A push can also be based on a single major win against a major star (for example, Shelton Benjamin's 2004 winning streak over Triple H), and it is not uncommon for a push to be accompanied by a turn or a change in the wrestler's gimmick. Pushing is usually done for new wrestlers. This is essentially the opposite of a bury (or depush), which in contrast to the high profile of a push is typically done with little or no fanfare. Sometimes the fans generate the push for a wrestler themselves when their approval for the wrestler's work generates a positive reaction from them that is not anticipated.
A push can also be attributed to a political shift in the promotion's offices. Cowboy Bill Watts, whose promotions always consisted of an African-American main event babyface, began pushing Ron Simmons, a midcarder, to main event status and eventually to the WCW World Heavyweight Championship upon being put in charge of World Championship Wrestling. In WWE, following the fallout from the Signature Pharmacy Scandal, smaller and less muscular wrestlers such as CM Punk and Jeff Hardy began to get pushed and Vince McMahon confirmed the paradigm shift by mentioning that today's fans are drawn by charisma and not size.
"Push" is a song by Canadian singer-songwriter Avril Lavigne, recorded for her fourth studio album, Goodbye Lullaby. It was written by Lavigne and Evan Taubenfeld, and its producer was Deryck Whibley. It was released as the promotional single in Japan on February 13, 2012, peaking at number 35 on the Billboard Japan Hot 100 chart. The song has received positive reviews.
In March 24, 2011, Avril asked her followers from Twitter which song should be the second single of Goodbye Lullaby, "Push" or "Smile". Then later, in the Polish version of the official site of the singer, it was announced that the chosen would be "Smile", which was released worldwide on May 6 of the same year. It reached the top five positions in countries like China, Turkey, Belgium and Japan. After the distribution of "Smile", the chosen as a focus of promotion of the album was "Wish You Were Here", managed a moderate commercial performance. It served as the last song of the album. "Push" until then had not received release, until that Epic Records, Lavigne's new label after leaving RCA, decided to release the same as promotional single digitally on Japanese territory, what happened in February 13, 2012. The CD edition was released on June 3, 2011.
"Push" is the first single from Pharoahe Monch's 2007 album Desire. The single was released September 11, 2006 as a 12" vinyl, but was later released as a CD single and a digital download. Produced by Pharoahe Monch, the song features an upbeat sound and a prominent use of horns played by Tower of Power. It features encouraging raps provided by Pharoahe Monch as well as background vocals sung by MeLa Machinko and Showtyme. The song contains an interpolation from Joe Zawinul's "Country Preacher." Its music video, directed by Paul Minor, features Monch rapping during the New York City blackout of 1977. The song is also featured in the NBA series 2007 video game NBA Street Homecourt.
The song failed to chart, yet it received generally positive critical attention. According to Dave Maher of Pitchfork Media, "the song is an effective throwback to 70s funk" despite the fact that it "could be two or three times longer." John Murphy of musicOMH.com labels "Push" a "typically articulate and intense number," while hailing its overlooked "dark, dramatic" lyrics.Spin also hails "Push" citing Monch's powerful vocals and lyrics.
The "Reds" (Polish: Czerwoni) were a faction of the Polish insurrectionists during the January Uprising in 1863. They were radical democratic activists who supported the outbreak of the uprising from the outset, advocated an end to serfdom in Congress and future independent Poland, without compensation to the landlords, land reform and other substantial social reforms. This contrasted them with the "White" faction, which only came to support the Uprising after it was already under way, and which, while also strongly supporting an end to serfdom wanted to compensate the landowners.
In general, the Reds represented liberal intellectuals while the Whites based their support on progressive landlords. The Reds were based in Warsaw and concentrated around the Warsaw Medical Academy, while the Whites' base of support was in Kraków. The Central National Committee (Komitet Centralny Narodowy) formed the leadership basis of the faction.
The 1962 Cincinnati Reds season was a season in American baseball. After winning the National League pennant a year earlier, the '62 Reds season consisted of the team finishing in third place in the NL standings, with a record of 98–64, 3½ games behind the NL Champion San Francisco Giants. The Reds were managed by Fred Hutchinson, and played their home games at Crosley Field.
Note: Pos = Position; G = Games played; AB = At bats; H = Hits; Avg. = Batting average; HR = Home runs; RBI = Runs batted in
The 1973 Cincinnati Reds season consisted of the Reds winning the National League West with a record of 99-63, 3½ games ahead of the Los Angeles Dodgers, before losing the NLCS to the New York Mets in five games. The Reds were managed by Sparky Anderson, and played their home games at Riverfront Stadium.
The Reds won their division despite having three regular players (Denis Menke, César Gerónimo, and Bobby Tolan) hit a combined .204 for the season, and being in fourth place, 11 games behind the Dodgers on June 30. After that point, the Reds went 60-26 to finish the season. Pete Rose won his third and final batting title with a .338 average, collected a career-high 230 hits and was named the NL MVP.
I'm feeling so tired can't understand it
Just had a fortnight sleep
I'm feeling so tired, oh, so distracted
Ain't touched a thing all week
I'm feeling drunk juiced up and sloppy
Ain't touched a drink all night
Feeling hungry can't see the reason
Just had a horse meat pie
Yeah, when you call my name
I salivate like a Pavlov dog
Yeah, when you lay me out
My heart is beating faster than a big bass drum
Yeah you got to mix it child, you got to fix
It must be love, it's a bitch
You got to mix it child
You got to fix it must be love, it's a bitch
Sometimes I'm sexy, move like a stud
Kicking the stalls all night
Sometimes I'm so shy, got to be worked on