- published: 13 Mar 2018
- views: 121
A prologue or prolog (Greek πρόλογος prólogos, from pro, "before" and lógos, "word") is an opening to a story that establishes the setting and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek prólogos included the modern meaning of prologue, but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded.
It is believed that the prologue in this form was practically the invention of Euripides, and with him, as has been said, it takes the place of an explanatory first act. This may help to modify the objection which criticism has often brought against the Greek prologue, as an impertinence, a useless growth prefixed to the play, and standing as a barrier between us and our enjoyment of it. The point precisely is that, to an Athenian audience, it was useful and pertinent, as supplying just what they needed to make the succeeding scenes intelligible. But it is difficult to accept the view that Euripides invented the plan of producing a god out of a machine to justify the action of deity upon man, because it is plain that he himself disliked this interference of the supernatural and did not believe in it. He seems, in such a typical prologue as that to the Hippolytus, to be accepting a conventional formula, and employing it, almost perversely, as a medium for his ironic rationalismo.
Prologue is a grey market album by Elton John featuring music publishing demonstration recordings made in the 1960s. It features four songs with Linda Peters on vocals, who would later marry musician Richard Thompson. Elton sings the remaining titles. The CD is a copy of a promotional 1970 vinyl demo album for producer Joe Boyd's Warlock label. Only 100 of these original vinyl albums are purported to have been made, of which six are known to exist today. The CD is a poor quality copy of a damaged vinyl record. Stylistically, it is very similar to Tumbleweed Connection. The songs are all written by artists signed to Warlock, including Nick Drake and John Martyn.
Kyle Cooper (Born July 1962) is an American designer of motion picture title sequences.
Cooper was born in Salem, Massachusetts, and studied interior architecture at University of Massachusetts Amherst. He then went on to study graphic design under Paul Rand at Yale University, receiving his Master of Fine Arts from there in 1988. Early in his professional career, Cooper worked as a creative director at R/GA - an advertising agency with offices in New York and Los Angeles. During this period, Cooper created the title sequence for the 1995 American crime film Seven, a seminal work which received critical acclaim and inspired a number of younger designers. According to Cooper, at the time he made the title sequence for Seven, main title sequences were behind of what was happening in print, music videos and commercials. He wanted to create main titles that were raising the bar creatively.
In 1996, Kyle co-founded Imaginary Forces with Peter Frankfurt and Chip Houghton- one of the most successful creative agencies in Hollywood that came out of the West Coast division of R/GA. "We have spent a long time building and refining a brilliant creative and production team ... Keeping this group together as our own company is truly exciting," commented Cooper about the name change. Too involved by the business-side of running a design company the size of Imaginary Forces, Cooper decided it was time for him to focus more on his creative work. He left Imaginary Forces. In 2003, Cooper founded Prologue, a creative agency in which he works in a small team while concentrating on creating title sequences.
Shining is the second studio album by American-Australian singer Marcia Hines. Hines had been resident in Australia since 1970. Shining peaked at #3, and remains Hines’ highest charting studio album. It sold more than 150,000 copies.
Shining is the first EP by pop singer Crystal Kay. It was released on November 28, 2007. The EP features five tracks, all of which have a Christmas or holiday theme. A music video was made for the main promotional track, also called "Shining". The song was used in commercials for "Parco X'Mas TV" throughout the Christmas period, in which Kay starred. "Happy 045 Xmas"had been released digitally in 2005, and "No More Blue Christmas'" (a Natalie Cole cover) had been released on Kay's first English studio album Natural: World Premiere Album in December 2003.
First press editions of the EP had a sleeve cover and a greeting card.
The Shining is a 1980 British-American psychological horror film produced and directed by Stanley Kubrick, co-written with novelist Diane Johnson, and starring Jack Nicholson, Shelley Duvall, Danny Lloyd, and Scatman Crothers. The film is based on Stephen King's 1977 novel The Shining, although the film and novel differ in significant ways.
In the film, Jack Torrance, a writer and recovering alcoholic, takes a job as an off-season caretaker at the isolated Overlook Hotel. His young son possesses psychic abilities and is able to see things from the past and future, such as the ghosts who haunt the hotel. Some time after settling in, the family is trapped in the hotel by a snowstorm, and Jack gradually becomes influenced by a ghostly presence, descends into madness, and ultimately attempts to murder his wife and son.
The initial European release of The Shining was 25 minutes shorter than the American version, achieved by removing most of the scenes taking place outside the environs of the hotel. Unlike Kubrick's previous works, which developed audiences gradually through word-of-mouth, The Shining was released as a mass-market film, initially opening in two cities on Memorial Day, then nationwide a month later. Although contemporary responses from critics were mixed, assessment became more favorable in following decades, and it is now widely regarded as one of the greatest horror films ever made. American director Martin Scorsese, writing in The Daily Beast, ranked it one of the 11 scariest horror movies of all time. Critics, scholars, and crew members (such as Kubrick's producer Jan Harlan) have discussed the film's enormous influence on popular culture.
I love the Stanley Kubrick take on "The Shining" and I noticed a lot of similarities that "Beauty and the Beast" shares with it. So, I replaced the theme from "The Shining" with the 2017 version of the prologue. The audio was a tad bit longer than the opening, so it's not the best edit. This and the 1991 version I made is based off of the video "What if THE BEAUTY AND THE BEAST had the trailer of THE SHINING?" I own nothing. All rights go to Disney and Warner Bros. (https://www.youtube.com/watch?v=W-DSSwJuDzk)
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Please see the playlist description for more details... https://twitter.com/Vee_Shadow http://www.twitch.tv/veeshadow Oh yeah Shining Poms... I think video should tell it all. Honestly, resetting battle until Joshua hits Poms not actually required but killing more than 1 Poms at this point might be extra accomplishment. Yeah you get more EXP that a bit decreasing the "no grinding" fun, but define no grinding (not no EXP)... I enter a random battle to fill 20 CP for Estelle, she needs to be a tank for next boss by using Taunt... Checklist Shining Poms 42 BP
Composer: Masahiko Yoshimura Developer: Sonic! (Camelot) Software Planning Music has been extended to 30 mins. Playlist: https://www.youtube.com/playlist?list=PLj_Y2ywLU-EflOjBvu4QfIoVEl0rhn6Fk
- / - Virtual Y3K - / -
A prologue or prolog (Greek πρόλογος prólogos, from pro, "before" and lógos, "word") is an opening to a story that establishes the setting and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek prólogos included the modern meaning of prologue, but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded.
It is believed that the prologue in this form was practically the invention of Euripides, and with him, as has been said, it takes the place of an explanatory first act. This may help to modify the objection which criticism has often brought against the Greek prologue, as an impertinence, a useless growth prefixed to the play, and standing as a barrier between us and our enjoyment of it. The point precisely is that, to an Athenian audience, it was useful and pertinent, as supplying just what they needed to make the succeeding scenes intelligible. But it is difficult to accept the view that Euripides invented the plan of producing a god out of a machine to justify the action of deity upon man, because it is plain that he himself disliked this interference of the supernatural and did not believe in it. He seems, in such a typical prologue as that to the Hippolytus, to be accepting a conventional formula, and employing it, almost perversely, as a medium for his ironic rationalismo.