- published: 13 Dec 2010
- views: 505
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Illinois Wesleyan Civic Orchestra performs Borodin's Polovtsian Dances from Prince Igor
Lev Ivanov conductor
- published: 16 Dec 2015
- views: 82
P. I. Tchaikovsky
Marius Petipa, Lev Ivanov
Swan Lake
ACT III
Black Swan pas de deux
Odile.............................................Ekaterina Kondaurova
Siegfried........................................Timur Askerov
Mariinsky Ballet
2013
St. Petersburg, Russia
In this pas de deux, the black swan or Odile, Odette's pure opposite tries to entangle the prince to swear his love to her. She tries to convince him, that she herself is Odette. In truth she is actually Rothbart's (or Evil Genius as they like to call him in the Bolshoi) daughter, enchanted to look like Odette. The only difference is actually (beside her personality) her tutu, which is as you see black, unlike Odette's, which is white.
In other aspects she is completely different from Odette. Unlike Odette, who embodies kindness, a kind of heavenly beauty and just a hint saddness and offcourse pureness, Odile is a living contrast to her. She is the living lust, passion and yearning, which lives in us all. She embodies the kind of darker part of not just the human psyche and soul, but is also the darker side of Odette, that never existed.
There is even a moment, in the pas de deux itself, when Siegfried for a second considers, if this is really Odette. And in most productions it is actually seen, that Odette is trying to warn through the windows, but he doesn't see her, because Odile is already there.
Even in the coda and her variations we see, that she tries to entice not just the prince, but also the court, the court, the audience, the whole world. And good ballerinas are able to do jut that. They command the audience which their sheer presence on the stage, to look at them and only them. And this is certainly a job, which Kondaurova in my humble opinion certainly succeded in.
Now, if you are interested, here is a brief history on the entire pas de deux:
On 26 April 1877 the prima ballerina of the Moscow Imperial Bolshoi Theatre Anna Sobeshchanskaya made her début as Odette/Odile in Swan Lake, and from the start she was completely dissatisfied with the production of the ballet, but most of all with Reisinger's choreography and Tchaikovsky's music. Sobeshchanskaya travelled to St. Petersburg to have Marius Petipa—Premier Maître de Ballet of the St. Petersburg Imperial Theatres—choreograph a new pas de deux to replace the Pas de six that functioned as the third act's Grand Pas. For a ballerina to request a supplemental pas or variation was standard practice in 19th century ballet, and often these "custom-made" dances quite literally became the legal property of the ballerina they were composed for.
Petipa choreographed Sobeshchanskaya's pas de deux to music composed by Ludwig Minkus, who held the post of Ballet composer to the St Petersburg Imperial Theatres. The piece was a standard pas de deux classique that consisted of a short entrée, the grand adage, a variation for the dancer, a variation for the ballerina, and a coda.
Word of this change soon found its way to Tchaikovsky, who became very angry, stating that, whether the ballet is good or bad, he alone shall be held responsible for its music. He then agreed to compose a new pas de deux for the ballerina, but soon a problem arose: Sobeshchanskaya had no reservations about performing a pas to Tchaikovsky's new music, but she wanted to retain Petipa's choreography, and she had no wish to travel to St. Petersburg again to have the Ballet Master arrange a new pas for her. In light of this, Tchaikovsky agreed to compose a pas that would correspond to Minkus' music to such a degree that the ballerina would not even be required to rehearse. Sobeshchanskaya was so pleased with Tchaikovsky's new version of the Minkus music that she requested he compose for her an additional variation, which he did.
Until 1953 this pas de deux was thought to be lost, until an accidentally discovered repétiteur was found in the archives of the Moscow Bolshoi Theatre among the orchestral parts used for Alexander Gorsky's revival of Le Corsaire (Gorsky had included the piece in his version of Le Corsaire staged in 1912). In 1960 George Balanchine choreographed a pas de deux to this music for the Ballerina Violette Verdy, and the Danseur Conrad Ludlow under the title Tschaikovsky Pas de Deux, as it is still known and performed today.
All copyrights go to their respective owners (c)
- published: 31 Oct 2013
- views: 413767
www.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanov | www.facebook.com/Playdex
- published: 19 Jul 2014
- views: 78
Il lago dei cigni
Stagione 2015/2016
http://bit.ly/1U8Pr6v
Coproduzione tra Opernhaus Zurich e Teatro alla Scala
Musica: Pëtr Il'ič Čajkovskij
Coreografia: Marius Petipa e Lev Ivanov
Messa in scena e integrazioni coreografiche: Alexei Ratmansky
Assistenti coreografia: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon
Direttore: Michail Jurowski
Scene e costumi: Jérôme Kaplan
Luci: Martin Gebhardt
Corpo di Ballo e Orchestra del Teatro alla Scala
Con la partecipazione degli Allievi della Scuola di Ballo dell'Accademia Teatro alla Scala
Swan Lake
2015/2016 Season
http://bit.ly/1rgcyoj
Coproduction between Opernhaus Zurich and Teatro alla Scala
Music: Pyotr Ilyich Tchaikovsky
Choreography: Marius Petipa and Lev Ivanov
Staging and additional choreography: Alexei Ratmansky
Choreography Assistants: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon
Conductor: Michail Jurowski
Sets and costumes: Jérôme Kaplan
Lights: Martin Gebhardt
Ballet Company and Orchestra of Teatro alla Scala
with students of the Ballet School of the Teatro alla Scala Academy
- published: 12 Jul 2016
- views: 1540
Il lago dei cigni
Stagione 2015/2016
http://bit.ly/1U8Pr6v
Coproduzione tra Opernhaus Zurich e Teatro alla Scala
Musica: Pëtr Il'ič Čajkovskij
Coreografia: Marius Petipa e Lev Ivanov
Messa in scena e integrazioni coreografiche: Alexei Ratmansky
Assistenti coreografia: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon
Direttore: Michail Jurowski
Scene e costumi: Jérôme Kaplan
Luci: Martin Gebhardt
Corpo di Ballo e Orchestra del Teatro alla Scala
Con la partecipazione degli Allievi della Scuola di Ballo dell'Accademia Teatro alla Scala
Swan Lake
2015/2016 Season
http://bit.ly/1rgcyoj
Coproduction between Opernhaus Zurich and Teatro alla Scala
Music: Pyotr Ilyich Tchaikovsky
Choreography: Marius Petipa and Lev Ivanov
Staging and additional choreography: Alexei Ratmansky
Choreography Assistants: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon
Conductor: Michail Jurowski
Sets and costumes: Jérôme Kaplan
Lights: Martin Gebhardt
Ballet Company and Orchestra of Teatro alla Scala
with students of the Ballet School of the Teatro alla Scala Academy
- published: 07 Jul 2016
- views: 2021
Zenaida Yanowsky as Odile and Nehemiah Kish as Prince Siegfried in the Act III Black Swan Pas de deux of Anthony Dowell's production of Marius Petipa and Lev Ivanov’s Swan Lake.
Find out more at http://www.roh.org.uk/productions/swan-lake-by-anthony-dowell
Swan Lake was Pyotr Il’yich Tchaikovsky's first score for ballet. Its 1877 premiere was poorly received, but it has since become one of the most loved of all ballets. The twinned role of the radiant White Swan and the scheming, duplicitous Black Swan tests the full range of a ballerina's powers, particularly in the two great pas de deux of Acts II and III. Other highlights include the charming Dance of the Little Swans performed by a moonlit lake and sweeping ballroom waltzes in the splendour of the royal palace.
Anthony Dowell's glorious interpretation uses classical choreography created by Lev Ivanov and Marius Petipa for the ballet's revised 1895 version. Dramatic costumes emphasize the contrast between human and spirit worlds, while glowing lanterns, shimmering fabrics and designs inspired by the work of Peter Carl Fabergé create a magical setting.
- published: 13 Jan 2015
- views: 582223
Swan Lake
fantasy ballet in three acts (four scenes)
Music by Pyotr Tchaikovsky
Choreography by Marius Petipa and Lev Ivanov (1895)
revised choreography and stage direction: Konstantin Sergeyev (1950)
Libretto by Vladimir Begichev and Vasily Geltzer
Choreography by Marius Petipa and Lev Ivanov (1895)
revised choreography and stage direction: Konstantin Sergeyev (1950)
Set design by Igor Ivanov
Costume design by Galina Solovyova
World premiere: 20 February 1877, Bolshoi Theatre, Moscow (choreography by Julius Reisinger)
Premiere in St Petersburg: 15 January 1895, Mariinsky Theatre (choreography by Lev Ivanov and Marius Petipa)
Premiere of Konstantin Sergeyev's version: 8 March 1950, Kirov Theatre, Leningrad
- published: 25 Apr 2012
- views: 12794
Lev Ivanov
Lev Ivanovich Ivanov (Russian: Лев Ива́нович Ива́нов; 2 March 1834, Moscow – 24 December 1901, Saint Petersburg) was a Russian ballet dancer and choreographer and later, Second Balletmaster of the Imperial Ballet. As a performer with the Imperial Ballet, he achieved prominence after performing as an understudy in a benefit performance of La Fille Mal Gardée. He is most famous as the choreographer of Dance of the Little Swans from Swan Lake, Act II of Cinderella, and The Nutcracker, which he choreographed alongside Marius Petipa.
Biography
Ivanov entered the Moscow School of Dance, but in 1844 moved to Saint Petersburg where he studied at the Imperial Ballet, becoming an official member of the Corps de ballet in 1852. Among his teachers during this time were Jean-Antoine Petipa, Alexandr Pimenov, Pierre Frédéric Malavergne and Emile Gredlu (Эмиль Гредлю).
Historically, Ivanov is credited with choreographing the entirety of premiere of Pyotr Ilyich Tchaikovsky's ballet The Nutcracker in 1892 due to the ill health of the ballet master, Marius Petipa. While some contemporary and modern accounts dispute this, Ivanov is still mentioned in The New Grove Dictionary of Music and Musicians, Second Edition with choreographing at least the majority of the ballet as Petipa had reportedly not progressed very far in his work. Regardless of the amount of work he actually did, Pepita's was the only name listed for choreography on posters for the first production in St. Petersburg.
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/Lev_Ivanov
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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6:41Lev Ivanov choreographer - Absolute pitch
Lev Ivanov choreographer - Absolute pitchLev Ivanov choreographer - Absolute pitch
Великий хореограф ЛЕВ ИВАНОВ в программе АБСОЛЮТНЫЙ СЛУХ -
1:47Borodin: Prince Igor: Polovtsian Dances
Borodin: Prince Igor: Polovtsian DancesBorodin: Prince Igor: Polovtsian Dances
Illinois Wesleyan Civic Orchestra performs Borodin's Polovtsian Dances from Prince Igor Lev Ivanov conductor -
12:34Swan Lake - Black Swan pas de deux (Kondaurova, Askerov)
Swan Lake - Black Swan pas de deux (Kondaurova, Askerov)Swan Lake - Black Swan pas de deux (Kondaurova, Askerov)
P. I. Tchaikovsky Marius Petipa, Lev Ivanov Swan Lake ACT III Black Swan pas de deux Odile.............................................Ekaterina Kondaurova Siegfried........................................Timur Askerov Mariinsky Ballet 2013 St. Petersburg, Russia In this pas de deux, the black swan or Odile, Odette's pure opposite tries to entangle the prince to swear his love to her. She tries to convince him, that she herself is Odette. In truth she is actually Rothbart's (or Evil Genius as they like to call him in the Bolshoi) daughter, enchanted to look like Odette. The only difference is actually (beside her personality) her tutu, which is as you see black, unlike Odette's, which is white. In other aspects she is completely different from Odette. Unlike Odette, who embodies kindness, a kind of heavenly beauty and just a hint saddness and offcourse pureness, Odile is a living contrast to her. She is the living lust, passion and yearning, which lives in us all. She embodies the kind of darker part of not just the human psyche and soul, but is also the darker side of Odette, that never existed. There is even a moment, in the pas de deux itself, when Siegfried for a second considers, if this is really Odette. And in most productions it is actually seen, that Odette is trying to warn through the windows, but he doesn't see her, because Odile is already there. Even in the coda and her variations we see, that she tries to entice not just the prince, but also the court, the court, the audience, the whole world. And good ballerinas are able to do jut that. They command the audience which their sheer presence on the stage, to look at them and only them. And this is certainly a job, which Kondaurova in my humble opinion certainly succeded in. Now, if you are interested, here is a brief history on the entire pas de deux: On 26 April 1877 the prima ballerina of the Moscow Imperial Bolshoi Theatre Anna Sobeshchanskaya made her début as Odette/Odile in Swan Lake, and from the start she was completely dissatisfied with the production of the ballet, but most of all with Reisinger's choreography and Tchaikovsky's music. Sobeshchanskaya travelled to St. Petersburg to have Marius Petipa—Premier Maître de Ballet of the St. Petersburg Imperial Theatres—choreograph a new pas de deux to replace the Pas de six that functioned as the third act's Grand Pas. For a ballerina to request a supplemental pas or variation was standard practice in 19th century ballet, and often these "custom-made" dances quite literally became the legal property of the ballerina they were composed for. Petipa choreographed Sobeshchanskaya's pas de deux to music composed by Ludwig Minkus, who held the post of Ballet composer to the St Petersburg Imperial Theatres. The piece was a standard pas de deux classique that consisted of a short entrée, the grand adage, a variation for the dancer, a variation for the ballerina, and a coda. Word of this change soon found its way to Tchaikovsky, who became very angry, stating that, whether the ballet is good or bad, he alone shall be held responsible for its music. He then agreed to compose a new pas de deux for the ballerina, but soon a problem arose: Sobeshchanskaya had no reservations about performing a pas to Tchaikovsky's new music, but she wanted to retain Petipa's choreography, and she had no wish to travel to St. Petersburg again to have the Ballet Master arrange a new pas for her. In light of this, Tchaikovsky agreed to compose a pas that would correspond to Minkus' music to such a degree that the ballerina would not even be required to rehearse. Sobeshchanskaya was so pleased with Tchaikovsky's new version of the Minkus music that she requested he compose for her an additional variation, which he did. Until 1953 this pas de deux was thought to be lost, until an accidentally discovered repétiteur was found in the archives of the Moscow Bolshoi Theatre among the orchestral parts used for Alexander Gorsky's revival of Le Corsaire (Gorsky had included the piece in his version of Le Corsaire staged in 1912). In 1960 George Balanchine choreographed a pas de deux to this music for the Ballerina Violette Verdy, and the Danseur Conrad Ludlow under the title Tschaikovsky Pas de Deux, as it is still known and performed today. All copyrights go to their respective owners (c) -
1:11The Life and Ballets of Lev Ivanov Choreographer of The Nutcracker and Swan Lake
The Life and Ballets of Lev Ivanov Choreographer of The Nutcracker and Swan LakeThe Life and Ballets of Lev Ivanov Choreographer of The Nutcracker and Swan Lake
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0:31www.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanov
www.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanovwww.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanov
www.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanov | www.facebook.com/Playdex -
3:31Antonin Dvorak: Symphony No. 8 Allegro ma non troppo (excerpt)
Antonin Dvorak: Symphony No. 8 Allegro ma non troppo (excerpt)Antonin Dvorak: Symphony No. 8 Allegro ma non troppo (excerpt)
ASU Sinfonietta, Scottsdale Arizona. Lev Ivanov Conductor -
1:57Variazione - Il lago dei cigni/Swan Lake (Teatro alla Scala)
Variazione - Il lago dei cigni/Swan Lake (Teatro alla Scala)Variazione - Il lago dei cigni/Swan Lake (Teatro alla Scala)
Il lago dei cigni Stagione 2015/2016 http://bit.ly/1U8Pr6v Coproduzione tra Opernhaus Zurich e Teatro alla Scala Musica: Pëtr Il'ič Čajkovskij Coreografia: Marius Petipa e Lev Ivanov Messa in scena e integrazioni coreografiche: Alexei Ratmansky Assistenti coreografia: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon Direttore: Michail Jurowski Scene e costumi: Jérôme Kaplan Luci: Martin Gebhardt Corpo di Ballo e Orchestra del Teatro alla Scala Con la partecipazione degli Allievi della Scuola di Ballo dell'Accademia Teatro alla Scala Swan Lake 2015/2016 Season http://bit.ly/1rgcyoj Coproduction between Opernhaus Zurich and Teatro alla Scala Music: Pyotr Ilyich Tchaikovsky Choreography: Marius Petipa and Lev Ivanov Staging and additional choreography: Alexei Ratmansky Choreography Assistants: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon Conductor: Michail Jurowski Sets and costumes: Jérôme Kaplan Lights: Martin Gebhardt Ballet Company and Orchestra of Teatro alla Scala with students of the Ballet School of the Teatro alla Scala Academy -
1:57Il lago dei cigni/Swan Lake (Teatro alla Scala)
Il lago dei cigni/Swan Lake (Teatro alla Scala)Il lago dei cigni/Swan Lake (Teatro alla Scala)
Il lago dei cigni Stagione 2015/2016 http://bit.ly/1U8Pr6v Coproduzione tra Opernhaus Zurich e Teatro alla Scala Musica: Pëtr Il'ič Čajkovskij Coreografia: Marius Petipa e Lev Ivanov Messa in scena e integrazioni coreografiche: Alexei Ratmansky Assistenti coreografia: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon Direttore: Michail Jurowski Scene e costumi: Jérôme Kaplan Luci: Martin Gebhardt Corpo di Ballo e Orchestra del Teatro alla Scala Con la partecipazione degli Allievi della Scuola di Ballo dell'Accademia Teatro alla Scala Swan Lake 2015/2016 Season http://bit.ly/1rgcyoj Coproduction between Opernhaus Zurich and Teatro alla Scala Music: Pyotr Ilyich Tchaikovsky Choreography: Marius Petipa and Lev Ivanov Staging and additional choreography: Alexei Ratmansky Choreography Assistants: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon Conductor: Michail Jurowski Sets and costumes: Jérôme Kaplan Lights: Martin Gebhardt Ballet Company and Orchestra of Teatro alla Scala with students of the Ballet School of the Teatro alla Scala Academy -
5:31Swan Lake – Entrée and Adage from the Black Swan pas de deux (The Royal Ballet)
Swan Lake – Entrée and Adage from the Black Swan pas de deux (The Royal Ballet)Swan Lake – Entrée and Adage from the Black Swan pas de deux (The Royal Ballet)
Zenaida Yanowsky as Odile and Nehemiah Kish as Prince Siegfried in the Act III Black Swan Pas de deux of Anthony Dowell's production of Marius Petipa and Lev Ivanov’s Swan Lake. Find out more at http://www.roh.org.uk/productions/swan-lake-by-anthony-dowell Swan Lake was Pyotr Il’yich Tchaikovsky's first score for ballet. Its 1877 premiere was poorly received, but it has since become one of the most loved of all ballets. The twinned role of the radiant White Swan and the scheming, duplicitous Black Swan tests the full range of a ballerina's powers, particularly in the two great pas de deux of Acts II and III. Other highlights include the charming Dance of the Little Swans performed by a moonlit lake and sweeping ballroom waltzes in the splendour of the royal palace. Anthony Dowell's glorious interpretation uses classical choreography created by Lev Ivanov and Marius Petipa for the ballet's revised 1895 version. Dramatic costumes emphasize the contrast between human and spirit worlds, while glowing lanterns, shimmering fabrics and designs inspired by the work of Peter Carl Fabergé create a magical setting. -
0:44Swan Lake at the Mariinsky
Swan Lake at the MariinskySwan Lake at the Mariinsky
Swan Lake fantasy ballet in three acts (four scenes) Music by Pyotr Tchaikovsky Choreography by Marius Petipa and Lev Ivanov (1895) revised choreography and stage direction: Konstantin Sergeyev (1950) Libretto by Vladimir Begichev and Vasily Geltzer Choreography by Marius Petipa and Lev Ivanov (1895) revised choreography and stage direction: Konstantin Sergeyev (1950) Set design by Igor Ivanov Costume design by Galina Solovyova World premiere: 20 February 1877, Bolshoi Theatre, Moscow (choreography by Julius Reisinger) Premiere in St Petersburg: 15 January 1895, Mariinsky Theatre (choreography by Lev Ivanov and Marius Petipa) Premiere of Konstantin Sergeyev's version: 8 March 1950, Kirov Theatre, Leningrad
Ivanov, Lev Filmography
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2009, role: miscellaneous crew
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2000, role: miscellaneous crew
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2000, role: miscellaneous crew
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1994, role: miscellaneous crew
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1992, role: miscellaneous crew
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1988, role: miscellaneous crew
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1987, role: miscellaneous crew
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1985, role: miscellaneous crew
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1982, role: miscellaneous crew
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1977, role: miscellaneous crew
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1964, role: miscellaneous crew
Ivanov, Lev Filmography
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1981, role: actor
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1975, role: actor , character name: Námestek lidového komisare
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1975, role: actor , character name: Rayevsky
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1966, role: actor
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1966, role: actor , character name: Nikolay Bogomolov
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1964, role: actor , character name: Vershinin
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Lev Ivanov choreographer - Absolute pitch
Великий хореограф ЛЕВ ИВАНОВ в программе АБСОЛЮТНЫЙ СЛУХ -
Borodin: Prince Igor: Polovtsian Dances
Illinois Wesleyan Civic Orchestra performs Borodin's Polovtsian Dances from Prince Igor Lev Ivanov conductor -
Swan Lake - Black Swan pas de deux (Kondaurova, Askerov)
P. I. Tchaikovsky Marius Petipa, Lev Ivanov Swan Lake ACT III Black Swan pas de deux Odile.............................................Ekaterina Kondaurova Siegfried........................................Timur Askerov Mariinsky Ballet 2013 St. Petersburg, Russia In this pas de deux, the black swan or Odile, Odette's pure opposite tries to entangle the prince to swear his love to her. She tries to convince him, that she herself is Odette. In truth she is actually Rothbart's (or Evil Genius as they like to call him in the Bolshoi) daughter, enchanted to look like Odette. The only difference is actually (beside her personality) her tutu, which is as you see black, unlike Odette's, which is white. In other aspects she is completely different from Odette. Unlike Odette, who embodies kind... -
The Life and Ballets of Lev Ivanov Choreographer of The Nutcracker and Swan Lake
-
www.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanov
www.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanov | www.facebook.com/Playdex -
Antonin Dvorak: Symphony No. 8 Allegro ma non troppo (excerpt)
ASU Sinfonietta, Scottsdale Arizona. Lev Ivanov Conductor -
Variazione - Il lago dei cigni/Swan Lake (Teatro alla Scala)
Il lago dei cigni Stagione 2015/2016 http://bit.ly/1U8Pr6v Coproduzione tra Opernhaus Zurich e Teatro alla Scala Musica: Pëtr Il'ič Čajkovskij Coreografia: Marius Petipa e Lev Ivanov Messa in scena e integrazioni coreografiche: Alexei Ratmansky Assistenti coreografia: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon Direttore: Michail Jurowski Scene e costumi: Jérôme Kaplan Luci: Martin Gebhardt Corpo di Ballo e Orchestra del Teatro alla Scala Con la partecipazione degli Allievi della Scuola di Ballo dell'Accademia Teatro alla Scala Swan Lake 2015/2016 Season http://bit.ly/1rgcyoj Coproduction between Opernhaus Zurich and Teatro alla Scala Music: Pyotr Ilyich Tchaikovsky Choreography: Marius Petipa and Lev Ivanov Staging and additional choreography: Al... -
Il lago dei cigni/Swan Lake (Teatro alla Scala)
Il lago dei cigni Stagione 2015/2016 http://bit.ly/1U8Pr6v Coproduzione tra Opernhaus Zurich e Teatro alla Scala Musica: Pëtr Il'ič Čajkovskij Coreografia: Marius Petipa e Lev Ivanov Messa in scena e integrazioni coreografiche: Alexei Ratmansky Assistenti coreografia: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon Direttore: Michail Jurowski Scene e costumi: Jérôme Kaplan Luci: Martin Gebhardt Corpo di Ballo e Orchestra del Teatro alla Scala Con la partecipazione degli Allievi della Scuola di Ballo dell'Accademia Teatro alla Scala Swan Lake 2015/2016 Season http://bit.ly/1rgcyoj Coproduction between Opernhaus Zurich and Teatro alla Scala Music: Pyotr Ilyich Tchaikovsky Choreography: Marius Petipa and Lev Ivanov Staging and additional choreography: Al... -
Swan Lake – Entrée and Adage from the Black Swan pas de deux (The Royal Ballet)
Zenaida Yanowsky as Odile and Nehemiah Kish as Prince Siegfried in the Act III Black Swan Pas de deux of Anthony Dowell's production of Marius Petipa and Lev Ivanov’s Swan Lake. Find out more at http://www.roh.org.uk/productions/swan-lake-by-anthony-dowell Swan Lake was Pyotr Il’yich Tchaikovsky's first score for ballet. Its 1877 premiere was poorly received, but it has since become one of the most loved of all ballets. The twinned role of the radiant White Swan and the scheming, duplicitous Black Swan tests the full range of a ballerina's powers, particularly in the two great pas de deux of Acts II and III. Other highlights include the charming Dance of the Little Swans performed by a moonlit lake and sweeping ballroom waltzes in the splendour of the royal palace. Anthony Dowell's glor... -
Swan Lake at the Mariinsky
Swan Lake fantasy ballet in three acts (four scenes) Music by Pyotr Tchaikovsky Choreography by Marius Petipa and Lev Ivanov (1895) revised choreography and stage direction: Konstantin Sergeyev (1950) Libretto by Vladimir Begichev and Vasily Geltzer Choreography by Marius Petipa and Lev Ivanov (1895) revised choreography and stage direction: Konstantin Sergeyev (1950) Set design by Igor Ivanov Costume design by Galina Solovyova World premiere: 20 February 1877, Bolshoi Theatre, Moscow (choreography by Julius Reisinger) Premiere in St Petersburg: 15 January 1895, Mariinsky Theatre (choreography by Lev Ivanov and Marius Petipa) Premiere of Konstantin Sergeyev's version: 8 March 1950, Kirov Theatre, Leningrad
Lev Ivanov choreographer - Absolute pitch
- Order: Reorder
- Duration: 6:41
- Updated: 13 Dec 2010
- views: 505
Великий хореограф ЛЕВ ИВАНОВ в программе АБСОЛЮТНЫЙ СЛУХ
Великий хореограф ЛЕВ ИВАНОВ в программе АБСОЛЮТНЫЙ СЛУХ
wn.com/Lev Ivanov Choreographer Absolute Pitch
Великий хореограф ЛЕВ ИВАНОВ в программе АБСОЛЮТНЫЙ СЛУХ
- published: 13 Dec 2010
- views: 505
Borodin: Prince Igor: Polovtsian Dances
- Order: Reorder
- Duration: 1:47
- Updated: 16 Dec 2015
- views: 82
Illinois Wesleyan Civic Orchestra performs Borodin's Polovtsian Dances from Prince Igor
Lev Ivanov conductor
Illinois Wesleyan Civic Orchestra performs Borodin's Polovtsian Dances from Prince Igor
Lev Ivanov conductor
wn.com/Borodin Prince Igor Polovtsian Dances
Illinois Wesleyan Civic Orchestra performs Borodin's Polovtsian Dances from Prince Igor
Lev Ivanov conductor
- published: 16 Dec 2015
- views: 82
Swan Lake - Black Swan pas de deux (Kondaurova, Askerov)
- Order: Reorder
- Duration: 12:34
- Updated: 31 Oct 2013
- views: 413767
P. I. Tchaikovsky
Marius Petipa, Lev Ivanov
Swan Lake
ACT III
Black Swan pas de deux
Odile.............................................Ekaterina Kondaurova
Si...
P. I. Tchaikovsky
Marius Petipa, Lev Ivanov
Swan Lake
ACT III
Black Swan pas de deux
Odile.............................................Ekaterina Kondaurova
Siegfried........................................Timur Askerov
Mariinsky Ballet
2013
St. Petersburg, Russia
In this pas de deux, the black swan or Odile, Odette's pure opposite tries to entangle the prince to swear his love to her. She tries to convince him, that she herself is Odette. In truth she is actually Rothbart's (or Evil Genius as they like to call him in the Bolshoi) daughter, enchanted to look like Odette. The only difference is actually (beside her personality) her tutu, which is as you see black, unlike Odette's, which is white.
In other aspects she is completely different from Odette. Unlike Odette, who embodies kindness, a kind of heavenly beauty and just a hint saddness and offcourse pureness, Odile is a living contrast to her. She is the living lust, passion and yearning, which lives in us all. She embodies the kind of darker part of not just the human psyche and soul, but is also the darker side of Odette, that never existed.
There is even a moment, in the pas de deux itself, when Siegfried for a second considers, if this is really Odette. And in most productions it is actually seen, that Odette is trying to warn through the windows, but he doesn't see her, because Odile is already there.
Even in the coda and her variations we see, that she tries to entice not just the prince, but also the court, the court, the audience, the whole world. And good ballerinas are able to do jut that. They command the audience which their sheer presence on the stage, to look at them and only them. And this is certainly a job, which Kondaurova in my humble opinion certainly succeded in.
Now, if you are interested, here is a brief history on the entire pas de deux:
On 26 April 1877 the prima ballerina of the Moscow Imperial Bolshoi Theatre Anna Sobeshchanskaya made her début as Odette/Odile in Swan Lake, and from the start she was completely dissatisfied with the production of the ballet, but most of all with Reisinger's choreography and Tchaikovsky's music. Sobeshchanskaya travelled to St. Petersburg to have Marius Petipa—Premier Maître de Ballet of the St. Petersburg Imperial Theatres—choreograph a new pas de deux to replace the Pas de six that functioned as the third act's Grand Pas. For a ballerina to request a supplemental pas or variation was standard practice in 19th century ballet, and often these "custom-made" dances quite literally became the legal property of the ballerina they were composed for.
Petipa choreographed Sobeshchanskaya's pas de deux to music composed by Ludwig Minkus, who held the post of Ballet composer to the St Petersburg Imperial Theatres. The piece was a standard pas de deux classique that consisted of a short entrée, the grand adage, a variation for the dancer, a variation for the ballerina, and a coda.
Word of this change soon found its way to Tchaikovsky, who became very angry, stating that, whether the ballet is good or bad, he alone shall be held responsible for its music. He then agreed to compose a new pas de deux for the ballerina, but soon a problem arose: Sobeshchanskaya had no reservations about performing a pas to Tchaikovsky's new music, but she wanted to retain Petipa's choreography, and she had no wish to travel to St. Petersburg again to have the Ballet Master arrange a new pas for her. In light of this, Tchaikovsky agreed to compose a pas that would correspond to Minkus' music to such a degree that the ballerina would not even be required to rehearse. Sobeshchanskaya was so pleased with Tchaikovsky's new version of the Minkus music that she requested he compose for her an additional variation, which he did.
Until 1953 this pas de deux was thought to be lost, until an accidentally discovered repétiteur was found in the archives of the Moscow Bolshoi Theatre among the orchestral parts used for Alexander Gorsky's revival of Le Corsaire (Gorsky had included the piece in his version of Le Corsaire staged in 1912). In 1960 George Balanchine choreographed a pas de deux to this music for the Ballerina Violette Verdy, and the Danseur Conrad Ludlow under the title Tschaikovsky Pas de Deux, as it is still known and performed today.
All copyrights go to their respective owners (c)
wn.com/Swan Lake Black Swan Pas De Deux (Kondaurova, Askerov)
P. I. Tchaikovsky
Marius Petipa, Lev Ivanov
Swan Lake
ACT III
Black Swan pas de deux
Odile.............................................Ekaterina Kondaurova
Siegfried........................................Timur Askerov
Mariinsky Ballet
2013
St. Petersburg, Russia
In this pas de deux, the black swan or Odile, Odette's pure opposite tries to entangle the prince to swear his love to her. She tries to convince him, that she herself is Odette. In truth she is actually Rothbart's (or Evil Genius as they like to call him in the Bolshoi) daughter, enchanted to look like Odette. The only difference is actually (beside her personality) her tutu, which is as you see black, unlike Odette's, which is white.
In other aspects she is completely different from Odette. Unlike Odette, who embodies kindness, a kind of heavenly beauty and just a hint saddness and offcourse pureness, Odile is a living contrast to her. She is the living lust, passion and yearning, which lives in us all. She embodies the kind of darker part of not just the human psyche and soul, but is also the darker side of Odette, that never existed.
There is even a moment, in the pas de deux itself, when Siegfried for a second considers, if this is really Odette. And in most productions it is actually seen, that Odette is trying to warn through the windows, but he doesn't see her, because Odile is already there.
Even in the coda and her variations we see, that she tries to entice not just the prince, but also the court, the court, the audience, the whole world. And good ballerinas are able to do jut that. They command the audience which their sheer presence on the stage, to look at them and only them. And this is certainly a job, which Kondaurova in my humble opinion certainly succeded in.
Now, if you are interested, here is a brief history on the entire pas de deux:
On 26 April 1877 the prima ballerina of the Moscow Imperial Bolshoi Theatre Anna Sobeshchanskaya made her début as Odette/Odile in Swan Lake, and from the start she was completely dissatisfied with the production of the ballet, but most of all with Reisinger's choreography and Tchaikovsky's music. Sobeshchanskaya travelled to St. Petersburg to have Marius Petipa—Premier Maître de Ballet of the St. Petersburg Imperial Theatres—choreograph a new pas de deux to replace the Pas de six that functioned as the third act's Grand Pas. For a ballerina to request a supplemental pas or variation was standard practice in 19th century ballet, and often these "custom-made" dances quite literally became the legal property of the ballerina they were composed for.
Petipa choreographed Sobeshchanskaya's pas de deux to music composed by Ludwig Minkus, who held the post of Ballet composer to the St Petersburg Imperial Theatres. The piece was a standard pas de deux classique that consisted of a short entrée, the grand adage, a variation for the dancer, a variation for the ballerina, and a coda.
Word of this change soon found its way to Tchaikovsky, who became very angry, stating that, whether the ballet is good or bad, he alone shall be held responsible for its music. He then agreed to compose a new pas de deux for the ballerina, but soon a problem arose: Sobeshchanskaya had no reservations about performing a pas to Tchaikovsky's new music, but she wanted to retain Petipa's choreography, and she had no wish to travel to St. Petersburg again to have the Ballet Master arrange a new pas for her. In light of this, Tchaikovsky agreed to compose a pas that would correspond to Minkus' music to such a degree that the ballerina would not even be required to rehearse. Sobeshchanskaya was so pleased with Tchaikovsky's new version of the Minkus music that she requested he compose for her an additional variation, which he did.
Until 1953 this pas de deux was thought to be lost, until an accidentally discovered repétiteur was found in the archives of the Moscow Bolshoi Theatre among the orchestral parts used for Alexander Gorsky's revival of Le Corsaire (Gorsky had included the piece in his version of Le Corsaire staged in 1912). In 1960 George Balanchine choreographed a pas de deux to this music for the Ballerina Violette Verdy, and the Danseur Conrad Ludlow under the title Tschaikovsky Pas de Deux, as it is still known and performed today.
All copyrights go to their respective owners (c)
- published: 31 Oct 2013
- views: 413767
The Life and Ballets of Lev Ivanov Choreographer of The Nutcracker and Swan Lake
- Order: Reorder
- Duration: 1:11
- Updated: 15 Apr 2016
- views: 6
- published: 15 Apr 2016
- views: 6
www.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanov
- Order: Reorder
- Duration: 0:31
- Updated: 19 Jul 2014
- views: 78
www.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanov | www.facebook.com/Playdex
www.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanov | www.facebook.com/Playdex
wn.com/Www.Playdex.Co.Nz | Www.Playdex.Com.Au | Scam | Fraud | Lev Ivanov
www.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanov | www.facebook.com/Playdex
- published: 19 Jul 2014
- views: 78
Antonin Dvorak: Symphony No. 8 Allegro ma non troppo (excerpt)
- Order: Reorder
- Duration: 3:31
- Updated: 01 May 2013
- views: 612
Variazione - Il lago dei cigni/Swan Lake (Teatro alla Scala)
- Order: Reorder
- Duration: 1:57
- Updated: 12 Jul 2016
- views: 1540
Il lago dei cigni
Stagione 2015/2016
http://bit.ly/1U8Pr6v
Coproduzione tra Opernhaus Zurich e Teatro alla Scala
Musica: Pëtr Il'ič Čajkovskij
Coreografia: M...
Il lago dei cigni
Stagione 2015/2016
http://bit.ly/1U8Pr6v
Coproduzione tra Opernhaus Zurich e Teatro alla Scala
Musica: Pëtr Il'ič Čajkovskij
Coreografia: Marius Petipa e Lev Ivanov
Messa in scena e integrazioni coreografiche: Alexei Ratmansky
Assistenti coreografia: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon
Direttore: Michail Jurowski
Scene e costumi: Jérôme Kaplan
Luci: Martin Gebhardt
Corpo di Ballo e Orchestra del Teatro alla Scala
Con la partecipazione degli Allievi della Scuola di Ballo dell'Accademia Teatro alla Scala
Swan Lake
2015/2016 Season
http://bit.ly/1rgcyoj
Coproduction between Opernhaus Zurich and Teatro alla Scala
Music: Pyotr Ilyich Tchaikovsky
Choreography: Marius Petipa and Lev Ivanov
Staging and additional choreography: Alexei Ratmansky
Choreography Assistants: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon
Conductor: Michail Jurowski
Sets and costumes: Jérôme Kaplan
Lights: Martin Gebhardt
Ballet Company and Orchestra of Teatro alla Scala
with students of the Ballet School of the Teatro alla Scala Academy
wn.com/Variazione Il Lago Dei Cigni Swan Lake (Teatro Alla Scala)
Il lago dei cigni
Stagione 2015/2016
http://bit.ly/1U8Pr6v
Coproduzione tra Opernhaus Zurich e Teatro alla Scala
Musica: Pëtr Il'ič Čajkovskij
Coreografia: Marius Petipa e Lev Ivanov
Messa in scena e integrazioni coreografiche: Alexei Ratmansky
Assistenti coreografia: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon
Direttore: Michail Jurowski
Scene e costumi: Jérôme Kaplan
Luci: Martin Gebhardt
Corpo di Ballo e Orchestra del Teatro alla Scala
Con la partecipazione degli Allievi della Scuola di Ballo dell'Accademia Teatro alla Scala
Swan Lake
2015/2016 Season
http://bit.ly/1rgcyoj
Coproduction between Opernhaus Zurich and Teatro alla Scala
Music: Pyotr Ilyich Tchaikovsky
Choreography: Marius Petipa and Lev Ivanov
Staging and additional choreography: Alexei Ratmansky
Choreography Assistants: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon
Conductor: Michail Jurowski
Sets and costumes: Jérôme Kaplan
Lights: Martin Gebhardt
Ballet Company and Orchestra of Teatro alla Scala
with students of the Ballet School of the Teatro alla Scala Academy
- published: 12 Jul 2016
- views: 1540
Il lago dei cigni/Swan Lake (Teatro alla Scala)
- Order: Reorder
- Duration: 1:57
- Updated: 07 Jul 2016
- views: 2021
Il lago dei cigni
Stagione 2015/2016
http://bit.ly/1U8Pr6v
Coproduzione tra Opernhaus Zurich e Teatro alla Scala
Musica: Pëtr Il'ič Čajkovskij
Coreografia: M...
Il lago dei cigni
Stagione 2015/2016
http://bit.ly/1U8Pr6v
Coproduzione tra Opernhaus Zurich e Teatro alla Scala
Musica: Pëtr Il'ič Čajkovskij
Coreografia: Marius Petipa e Lev Ivanov
Messa in scena e integrazioni coreografiche: Alexei Ratmansky
Assistenti coreografia: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon
Direttore: Michail Jurowski
Scene e costumi: Jérôme Kaplan
Luci: Martin Gebhardt
Corpo di Ballo e Orchestra del Teatro alla Scala
Con la partecipazione degli Allievi della Scuola di Ballo dell'Accademia Teatro alla Scala
Swan Lake
2015/2016 Season
http://bit.ly/1rgcyoj
Coproduction between Opernhaus Zurich and Teatro alla Scala
Music: Pyotr Ilyich Tchaikovsky
Choreography: Marius Petipa and Lev Ivanov
Staging and additional choreography: Alexei Ratmansky
Choreography Assistants: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon
Conductor: Michail Jurowski
Sets and costumes: Jérôme Kaplan
Lights: Martin Gebhardt
Ballet Company and Orchestra of Teatro alla Scala
with students of the Ballet School of the Teatro alla Scala Academy
wn.com/Il Lago Dei Cigni Swan Lake (Teatro Alla Scala)
Il lago dei cigni
Stagione 2015/2016
http://bit.ly/1U8Pr6v
Coproduzione tra Opernhaus Zurich e Teatro alla Scala
Musica: Pëtr Il'ič Čajkovskij
Coreografia: Marius Petipa e Lev Ivanov
Messa in scena e integrazioni coreografiche: Alexei Ratmansky
Assistenti coreografia: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon
Direttore: Michail Jurowski
Scene e costumi: Jérôme Kaplan
Luci: Martin Gebhardt
Corpo di Ballo e Orchestra del Teatro alla Scala
Con la partecipazione degli Allievi della Scuola di Ballo dell'Accademia Teatro alla Scala
Swan Lake
2015/2016 Season
http://bit.ly/1rgcyoj
Coproduction between Opernhaus Zurich and Teatro alla Scala
Music: Pyotr Ilyich Tchaikovsky
Choreography: Marius Petipa and Lev Ivanov
Staging and additional choreography: Alexei Ratmansky
Choreography Assistants: Laura Contardi, Jean-Philippe Halnaut, Tatiana Ratmansky, Jean-François Boisnon
Conductor: Michail Jurowski
Sets and costumes: Jérôme Kaplan
Lights: Martin Gebhardt
Ballet Company and Orchestra of Teatro alla Scala
with students of the Ballet School of the Teatro alla Scala Academy
- published: 07 Jul 2016
- views: 2021
Swan Lake – Entrée and Adage from the Black Swan pas de deux (The Royal Ballet)
- Order: Reorder
- Duration: 5:31
- Updated: 13 Jan 2015
- views: 582223
Zenaida Yanowsky as Odile and Nehemiah Kish as Prince Siegfried in the Act III Black Swan Pas de deux of Anthony Dowell's production of Marius Petipa and Lev Iv...
Zenaida Yanowsky as Odile and Nehemiah Kish as Prince Siegfried in the Act III Black Swan Pas de deux of Anthony Dowell's production of Marius Petipa and Lev Ivanov’s Swan Lake.
Find out more at http://www.roh.org.uk/productions/swan-lake-by-anthony-dowell
Swan Lake was Pyotr Il’yich Tchaikovsky's first score for ballet. Its 1877 premiere was poorly received, but it has since become one of the most loved of all ballets. The twinned role of the radiant White Swan and the scheming, duplicitous Black Swan tests the full range of a ballerina's powers, particularly in the two great pas de deux of Acts II and III. Other highlights include the charming Dance of the Little Swans performed by a moonlit lake and sweeping ballroom waltzes in the splendour of the royal palace.
Anthony Dowell's glorious interpretation uses classical choreography created by Lev Ivanov and Marius Petipa for the ballet's revised 1895 version. Dramatic costumes emphasize the contrast between human and spirit worlds, while glowing lanterns, shimmering fabrics and designs inspired by the work of Peter Carl Fabergé create a magical setting.
wn.com/Swan Lake – Entrée And Adage From The Black Swan Pas De Deux (The Royal Ballet)
Zenaida Yanowsky as Odile and Nehemiah Kish as Prince Siegfried in the Act III Black Swan Pas de deux of Anthony Dowell's production of Marius Petipa and Lev Ivanov’s Swan Lake.
Find out more at http://www.roh.org.uk/productions/swan-lake-by-anthony-dowell
Swan Lake was Pyotr Il’yich Tchaikovsky's first score for ballet. Its 1877 premiere was poorly received, but it has since become one of the most loved of all ballets. The twinned role of the radiant White Swan and the scheming, duplicitous Black Swan tests the full range of a ballerina's powers, particularly in the two great pas de deux of Acts II and III. Other highlights include the charming Dance of the Little Swans performed by a moonlit lake and sweeping ballroom waltzes in the splendour of the royal palace.
Anthony Dowell's glorious interpretation uses classical choreography created by Lev Ivanov and Marius Petipa for the ballet's revised 1895 version. Dramatic costumes emphasize the contrast between human and spirit worlds, while glowing lanterns, shimmering fabrics and designs inspired by the work of Peter Carl Fabergé create a magical setting.
- published: 13 Jan 2015
- views: 582223
Swan Lake at the Mariinsky
- Order: Reorder
- Duration: 0:44
- Updated: 25 Apr 2012
- views: 12794
Swan Lake
fantasy ballet in three acts (four scenes)
Music by Pyotr Tchaikovsky
Choreography by Marius Petipa and Lev Ivanov (1895)
revised choreography and st...
Swan Lake
fantasy ballet in three acts (four scenes)
Music by Pyotr Tchaikovsky
Choreography by Marius Petipa and Lev Ivanov (1895)
revised choreography and stage direction: Konstantin Sergeyev (1950)
Libretto by Vladimir Begichev and Vasily Geltzer
Choreography by Marius Petipa and Lev Ivanov (1895)
revised choreography and stage direction: Konstantin Sergeyev (1950)
Set design by Igor Ivanov
Costume design by Galina Solovyova
World premiere: 20 February 1877, Bolshoi Theatre, Moscow (choreography by Julius Reisinger)
Premiere in St Petersburg: 15 January 1895, Mariinsky Theatre (choreography by Lev Ivanov and Marius Petipa)
Premiere of Konstantin Sergeyev's version: 8 March 1950, Kirov Theatre, Leningrad
wn.com/Swan Lake At The Mariinsky
Swan Lake
fantasy ballet in three acts (four scenes)
Music by Pyotr Tchaikovsky
Choreography by Marius Petipa and Lev Ivanov (1895)
revised choreography and stage direction: Konstantin Sergeyev (1950)
Libretto by Vladimir Begichev and Vasily Geltzer
Choreography by Marius Petipa and Lev Ivanov (1895)
revised choreography and stage direction: Konstantin Sergeyev (1950)
Set design by Igor Ivanov
Costume design by Galina Solovyova
World premiere: 20 February 1877, Bolshoi Theatre, Moscow (choreography by Julius Reisinger)
Premiere in St Petersburg: 15 January 1895, Mariinsky Theatre (choreography by Lev Ivanov and Marius Petipa)
Premiere of Konstantin Sergeyev's version: 8 March 1950, Kirov Theatre, Leningrad
- published: 25 Apr 2012
- views: 12794
-
Download The Life and Ballets of Lev Ivanov: Choreographer of The Nutcracker and Swan Lake PDF
http://j.mp/1VNQmxU -
Swan Lake pas de deux / Het Zwanenmeer Coleen Davis- Zoltán Solymosi
Het Zwanenmeer / Swan Lake Choreography: Rudi van Dantzig after Marius Petipa and Lev Ivanov Music: Pjotr Iljitsj Tsjaikovski Dancers:Coleen Davis (Odette/Odile) and Zoltán Solymosi (the prince) Dutch National Ballet Het Nationale Ballet
Download The Life and Ballets of Lev Ivanov: Choreographer of The Nutcracker and Swan Lake PDF
- Order: Reorder
- Duration: 0:31
- Updated: 26 Mar 2016
- views: 1
http://j.mp/1VNQmxU
http://j.mp/1VNQmxU
wn.com/Download The Life And Ballets Of Lev Ivanov Choreographer Of The Nutcracker And Swan Lake Pdf
Swan Lake pas de deux / Het Zwanenmeer Coleen Davis- Zoltán Solymosi
- Order: Reorder
- Duration: 6:11
- Updated: 16 Nov 2008
- views: 159692
Het Zwanenmeer / Swan Lake
Choreography: Rudi van Dantzig after Marius Petipa and Lev Ivanov
Music: Pjotr Iljitsj Tsjaikovski
Dancers:Coleen Davis (Odette/Od...
Het Zwanenmeer / Swan Lake
Choreography: Rudi van Dantzig after Marius Petipa and Lev Ivanov
Music: Pjotr Iljitsj Tsjaikovski
Dancers:Coleen Davis (Odette/Odile) and Zoltán Solymosi (the prince)
Dutch National Ballet
Het Nationale Ballet
wn.com/Swan Lake Pas De Deux Het Zwanenmeer Coleen Davis Zoltán Solymosi
Het Zwanenmeer / Swan Lake
Choreography: Rudi van Dantzig after Marius Petipa and Lev Ivanov
Music: Pjotr Iljitsj Tsjaikovski
Dancers:Coleen Davis (Odette/Odile) and Zoltán Solymosi (the prince)
Dutch National Ballet
Het Nationale Ballet
- published: 16 Nov 2008
- views: 159692
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6:41
Lev Ivanov choreographer - Absolute pitch
Великий хореограф ЛЕВ ИВАНОВ в программе АБСОЛЮТНЫЙ СЛУХ
published: 13 Dec 2010
Lev Ivanov choreographer - Absolute pitch
Lev Ivanov choreographer - Absolute pitch
- Report rights infringement
- published: 13 Dec 2010
- views: 505
1:47
Borodin: Prince Igor: Polovtsian Dances
Illinois Wesleyan Civic Orchestra performs Borodin's Polovtsian Dances from Prince Igor
Le...
published: 16 Dec 2015
Borodin: Prince Igor: Polovtsian Dances
Borodin: Prince Igor: Polovtsian Dances
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- published: 16 Dec 2015
- views: 82
12:34
Swan Lake - Black Swan pas de deux (Kondaurova, Askerov)
P. I. Tchaikovsky
Marius Petipa, Lev Ivanov
Swan Lake
ACT III
Black Swan pas de deux
Odi...
published: 31 Oct 2013
Swan Lake - Black Swan pas de deux (Kondaurova, Askerov)
Swan Lake - Black Swan pas de deux (Kondaurova, Askerov)
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- published: 31 Oct 2013
- views: 413767
1:11
The Life and Ballets of Lev Ivanov Choreographer of The Nutcracker and Swan Lake
published: 15 Apr 2016
The Life and Ballets of Lev Ivanov Choreographer of The Nutcracker and Swan Lake
The Life and Ballets of Lev Ivanov Choreographer of The Nutcracker and Swan Lake
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- published: 15 Apr 2016
- views: 6
0:31
www.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanov
www.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanov | www.facebook.com/Play...
published: 19 Jul 2014
www.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanov
www.playdex.co.nz | www.playdex.com.au | SCAM | FRAUD | Lev Ivanov
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- published: 19 Jul 2014
- views: 78
3:31
Antonin Dvorak: Symphony No. 8 Allegro ma non troppo (excerpt)
ASU Sinfonietta, Scottsdale Arizona.
Lev Ivanov Conductor
published: 01 May 2013
Antonin Dvorak: Symphony No. 8 Allegro ma non troppo (excerpt)
Antonin Dvorak: Symphony No. 8 Allegro ma non troppo (excerpt)
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- published: 01 May 2013
- views: 612
1:57
Variazione - Il lago dei cigni/Swan Lake (Teatro alla Scala)
Il lago dei cigni
Stagione 2015/2016
http://bit.ly/1U8Pr6v
Coproduzione tra Opernhaus Zur...
published: 12 Jul 2016
Variazione - Il lago dei cigni/Swan Lake (Teatro alla Scala)
Variazione - Il lago dei cigni/Swan Lake (Teatro alla Scala)
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- published: 12 Jul 2016
- views: 1540
1:57
Il lago dei cigni/Swan Lake (Teatro alla Scala)
Il lago dei cigni
Stagione 2015/2016
http://bit.ly/1U8Pr6v
Coproduzione tra Opernhaus Zur...
published: 07 Jul 2016
Il lago dei cigni/Swan Lake (Teatro alla Scala)
Il lago dei cigni/Swan Lake (Teatro alla Scala)
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- published: 07 Jul 2016
- views: 2021
5:31
Swan Lake – Entrée and Adage from the Black Swan pas de deux (The Royal Ballet)
Zenaida Yanowsky as Odile and Nehemiah Kish as Prince Siegfried in the Act III Black Swan ...
published: 13 Jan 2015
Swan Lake – Entrée and Adage from the Black Swan pas de deux (The Royal Ballet)
Swan Lake – Entrée and Adage from the Black Swan pas de deux (The Royal Ballet)
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- published: 13 Jan 2015
- views: 582223
0:44
Swan Lake at the Mariinsky
Swan Lake
fantasy ballet in three acts (four scenes)
Music by Pyotr Tchaikovsky
Choreogra...
published: 25 Apr 2012
Swan Lake at the Mariinsky
Swan Lake at the Mariinsky
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- published: 25 Apr 2012
- views: 12794
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Download The Life and Ballets of Lev Ivanov: Choreographer of The Nutcracker and Swan Lake PDF
http://j.mp/1VNQmxU
published: 26 Mar 2016
Download The Life and Ballets of Lev Ivanov: Choreographer of The Nutcracker and Swan Lake PDF
Download The Life and Ballets of Lev Ivanov: Choreographer of The Nutcracker and Swan Lake PDF
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- published: 26 Mar 2016
- views: 1
6:11
Swan Lake pas de deux / Het Zwanenmeer Coleen Davis- Zoltán Solymosi
Het Zwanenmeer / Swan Lake
Choreography: Rudi van Dantzig after Marius Petipa and Lev Iva...
published: 16 Nov 2008
Swan Lake pas de deux / Het Zwanenmeer Coleen Davis- Zoltán Solymosi
Swan Lake pas de deux / Het Zwanenmeer Coleen Davis- Zoltán Solymosi
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- published: 16 Nov 2008
- views: 159692
Download The Life and Ballets of Lev Ivanov: Chore...
Swan Lake pas de deux / Het Zwanenmeer Coleen Davi...
photo: Public Domain / Chuck Kennedy
Michelle Obama’s “I Wake up Every Morning in A House Built by Slaves” Is Only Partially Right
Edit WorldNews.com 28 Jul 2016
Article by WN.com Correspondent Dallas DarlingJust as she did on the first night of the Democratic National Convention, it has become very fashionable, even unsuspecting, for First Lady Michelle Obama to travel the country and in her speeches declare. “I wake up every morning in a house built by slaves.” The only problem is that she is partially right, one-sixth right to be exact ... He is a correspondent for www.worldnews.com ... Washington....
photo: US Army / Staff Sgt. Jon Soucy
Rep. Duckworth to Trump: I didn't serve my country 'so you could invite Russia to ...
Edit Politico 29 Jul 2016
There were no shortage harsh quips directed towards Donald Trump at the Democratic National convention, but Rep. Tammy Duckworth, a military veteran, had her own take down for Trump’s widely criticized invitation to Russia to hack Hillary Clinton’s emails ... ....
photo: AP / David Guttenfelder
North Korea says U.S. has crossed red line, relations now on war footing
Edit Baltimore Sun 28 Jul 2016
North Korea's top diplomat for U.S. affairs said Thursday that Washington "crossed the red line" and effectively declared war by putting leader Kim Jong Un on its list of sanctioned individuals, and said a vicious showdown could erupt if the U.S. and South Korea hold annual war games as planned... ....
photo: AP / Alexander Kots/Komsomolskaya Pravda via AP
Military Offensive in Manbij Yields ISIS Data Windfall
Edit WorldNews.com 28 Jul 2016
A U.S.-supported military offensive on the Islamic State (ISIS) militant group’s strategic hub in the Syrian city of Manbij has yielded a mother lode of more than four terabytes of data on the group’s foreign fighter network, Newsweek reported Thursday.The cache of information is the biggest data seizure from the radical Islamist group since the U.S ... “We think this is a big deal....
photo: NASA/JPL-Caltech
[VIDEO]: Mysterious Fireball Soars Over Western U.S. Skies
Edit WorldNews.com 28 Jul 2016
Areas of the Western United States were lit up last night as a blazing fireball streaked across the sky Wednesday, igniting a social media frenzy, ABC News reported.From southern California all the way to Utah, residents observed a curious streak of light, with many people taking to the Internet to find out what it was and share their own theories ......
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Eleven London 2012 weightlifters fail doping tests
Edit The Times of India 28 Jul 2016
Russia's five-times European champion Nataliya Zabolotnaya was among three silver medallists from the London Games to fail tests along with compatriots Alexandr Ivanov and Svetlana Tzarukaeva ... Ivanov was world champion in 2010 and 2013 in the -94kg category, while Tzarukaeva won the world title in 2011 in the ......
3 Russian medalists among 11 positives in London retests
Edit The Japan News 28 Jul 2016
The positive Russian tests came from Alexandr Ivanov, silver medalist in the men’s 94-kilogram division; Nataliya Zabolotnaya, silver in the women’s 75-kilogram division; Svetlana Tzarukaeva, silver in the women’s 63-kilogram division; and Andrey Demanov, who placed fourth in the men’s 94-kilogram division. Ivanov also tested positive for tamoxifen, a hormone modulator ... Click to play ... + -. Generating speech. Please wait... Offline error ... ....
Weightlifters From Russia, Six Ex-Soviet States Suspended For Doping
Edit Radio Free Europe 28 Jul 2016
The positive Russian tests came from Aleksandr Ivanov, silver medalist in the men's 94-kilogram division; Natalya Zabolotnaya, silver in the women's 75-kilogram division; Svetlana Tzarukaeva, silver in the women's 63-kilogram division; and Andrei Demanov, who placed fourth in the men's 94-kilogram division. Ivanov was world champion in 2010 and 2013, while Tzarukaeva won the world title in 2011 ... . ....
Macedonian President Assumes Peninsula Terrorist Attacks
Edit Sputnik 28 Jul 2016
Macedonian President Gjorge Ivanov assumes the possibility of the Balkan countries to be exposed to the terrorist attacks, local media reported Thursday ... ....
BWF clears four Russian shuttlers for Rio, awaits 'IOC validation'
Edit The Times of India 28 Jul 2016Putin’s Pre-Election Shuffle Tightens Security Grip on Regions
Edit Bloomberg 28 Jul 2016
Petersburg, was appointed in Kirov, replacing Nikita Belykh who’s in detention after being accused last month of accepting a bribe ... Putin likely carried out the reshuffle not because he’s afraid of election protests but because “for authoritarian regimes, this is a quite traditional tool to control the balance within the elite,” Lev Gudkov, director of the Levada Center polling company, said by phone ... LEARN MORE. ....
Rio 2016: Thee Russians weightlifters among positive tests after samples re-examined from past Olympics
Edit The National 28 Jul 2016
RIO DE JANEIRO // Six weightlifting medallists from the 2012 London Olympics, including three Russians, have tested positive for doping after their samples were re-examined, the sport's ruling body said ... See also.. • Osman Samiuddin ... • Gary Meenaghan ... The banned London weightlifting silver medallists, named for the first time by the IWF, were Russians Alexandr Ivanov, Nataliya Zabolotnaya and Svetlana Tzarukaeva....
Rio 2016: Thee Russian weightlifters among positive tests after samples re-examined from past Olympics
Edit The National 28 Jul 2016
RIO DE JANEIRO // Six weightlifting medallists from the 2012 London Olympics, including three Russians, have tested positive for doping after their samples were re-examined, the sport's ruling body said ... See also.. • Osman Samiuddin ... • Gary Meenaghan ... The banned London weightlifting silver medallists, named for the first time by the IWF, were Russians Alexandr Ivanov, Nataliya Zabolotnaya and Svetlana Tzarukaeva....
Wednesday's Sports in Brief
Edit The Miami Herald 28 Jul 2016
OLYMPICS ... The positive Russian tests came from Alexandr Ivanov, silver medalist in the men's 94-kilogram division; Nataliya Zabolotnaya, silver in the women's 75-kilogram division; Svetlana Tzarukaeva, silver in the women's 63-kilogram division; and Andrey Demanov, who placed fourth in the men's 94-kilogram division. Ivanov also tested positive for tamoxifen, a hormone modulator ... PRO BASKETBALL ... PRO FOOTBALL ... COLLEGE FOOTBALL ... PRO HOCKEY ... ....
U21. Chornomorets v Shakhtar: match preview (JSC FC Shakhtar Donetsk)
Edit Public Technologies 28 Jul 2016
(Source. JSC FC Shakhtar Donetsk). In the 2nd round of the U21 Ukrainian League, Shakhtar will play Chornomorets away. We bring you the match preview. July 29, Odesa, UTB Chornomorets stadium, 17.00. Before the match. Shakhtar and Chornomorets started the season with opposite results. The Pitmen marked the debut of their new head coach Valeriy Kryventsov by thrashing Zirka(6-0) ... Varenyk - Arabidze, Boriachuk, Ivanov, Kiryukhantsev) ... (noodl....
Fantasy bargains: Defenders
Edit Sporting Life 28 Jul 2016
Here's a look at some prospects set to defy their modest valuations and pick big points for your Sky Sports Fantasy Football team... ... While Dawson is marginally their most expensive defender, he's worth the nominal extra cost of £0.2m than Gareth McAuley and Jonny Evans, having found the net four times last season, seeing him pick up 99 points, more than Branislav Ivanovic (£10m) or Danny Rose (£9.3m) ... ....
Half-year Report (IPF - International Personal Finance plc)
Edit Public Technologies 28 Jul 2016
(Source. IPF - International Personal Finance plc). International Personal Finance plc. Half-year Financial Report for the six months ended 30 June 2016. This announcement contains inside information. Key highlights. Ø. Group profit reduced broadly in line with expectations to £30.7M. o ... o. Delivered increase in credit issued of 6% and customer growth of 1%. o ... o ... Ø. Home credit. o ... o ... o ... o ... Ø. Digital. o ... o ... o ... Ø ... Ø ... Ø ... H1 2015 ... £M ... Bulgarian lev ... Bulgarian lev....
‘Interstellar’ Star Mackenzie Foy to Lead Disney’s ‘The Nutcracker’ (Exclusive)
Edit IMDb 27 Jul 2016
Russian composer Pyotr Ilyich Tchaikovsky and choreographers Marius Petipa and Lev Ivanov turned an Alexandre Dumas adaptation of the story into the ballet “The Nutcracker” in 1892 ... ». - Justin Kroll. ....
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