- published: 20 May 2009
- views: 139163
Carnal Knowledge is a 1971 American drama film. The film was directed by Mike Nichols and written by Jules Feiffer.
Sandy (Art Garfunkel) and Jonathan (Jack Nicholson) are roommates at Amherst College whose lives are explored and seem to offer a contrast to one another. Spanning a 25-year period, from their college years in the mid-1940s to middle aged adulthood in the early 1970s, the film explores their relationships with various women (played by Candice Bergen, Ann-Margret, Carol Kane, Cynthia O'Neal, and Rita Moreno).
A synopsis of the film which appeared in the Saturday Review by Hollis Alpert was later quoted in a legal proceeding as follows:
The concurrent sexual lives of best friends Jonathan and Sandy are presented, those lives which are affected by the sexual mores of the time and their own temperament, especially in relation to the respective women who end up in their lives. Their story begins in the late 1940s when they are roommates attending Amherst College together. Both virgins, they discuss the type of woman they would each like to end up with. Sandy, the more sensitive of the two, meets Susan at a mixer, she who he believes is going to be the one to who he will lose his virginity. Sandy goes through the process methodically, taking into account what he thinks Susan wants, but without much true passion or romance. Jonathan, the more sexually aggressive of the two, ends up losing his virginity first to "Myrtle", who ends up being a steady but hidden girlfriend. Based on what each knows of the other's relationship, both Jonathan and Sandy strive for a little more of what the other has. These relationships also set the tone for all the relationships they will have in the future. Through their lives, they always seem not totally satisfied with their relationship at the time, still pining for what the other has. This view may change as they and their friendship hits middle age, when Sandy is with a domineering woman named Cindy, while Jonathan is with model/actress Bobbie, whose life goes spiraling downward because of her relationship to Jonathan and despite her beauty which on the surface offered so much opportunity for her. Jonathan's sexual trajectory, directed through these experiences, ends up in a manner he probably did not foresee happening.
Keywords: 1940s, 1950s, 1960s, attempted-suicide, bare-chested-male, barnyard-sex, battered-woman, battle-of-the-sexes, betrayal, bimbo
Jonathan: Is this an ultimatum? Answer me, you ball-busting, castrating, son of a cunt bitch! Is this an ultimatum or not?
Sandy: Looks aren't everything, you know.::Jonathan: Believe me, looks are everything.
Bobbie: I need a life.::Jonathan: Get a job!::Bobbie: I don't want a job. I want you.::Jonathan: I'm taken, by me. Get out of the house, do something useful, Goddammit.
Jonathan: You want a job? I got a job for you. Fix up this pigsty! You get a pretty Goddammed good salary for testing out this bed all day! You want an extra fifty dollars a week, try vacuuming! You want an extra hundred, make this Goddammed bed! Try opening some Goddammed windows! That's why you can't stand up in here, the Goddammed place smells like a coffin!
Jonathan: Why don't you leave me?... For God's sake, I'd almost marry you if you'd leave me.
Jonathan: What are you crying for? It wasn't a Lassie story.
Jonathan: Sandy, do you wanna get laid?::Sandy: Please.
Jonathan: Talk about the pot and the kettle. When I caught wind of your checkered past, I felt like a celibate.::Bobbie: You made me tell you.::Jonathan: Sure. I twisted your arm.::Bobbie: It got you hot!::Jonathan: Something has to.
Jonathan: Women today are better-hung than the men.
Jonathan: Do you always answer a question with a question?::Susan: Do you always date your best friend's girlfriend?