Oceans (film)

Oceans (French: Océans) is a 2009 French-American nature documentary film directed, produced, co-written, and narrated by Jacques Perrin, with Jacques Cluzaud as co-director. The film explores the marine species of Earth's five oceans and reflects on the negative aspects of human activity on the environment. Disneynature released the film in the United States on April 22, 2010 (Earth Day), with narration provided by Pierce Brosnan. It was the nature label's third release following Earth and The Crimson Wing in 2009. Intended for a younger audience, the North American version is twenty minutes shorter than the original French version of the film, which depicts violent massacres of sea animals, recreated through visual effects.

Budgeted at around $80 million, it was filmed in over 50 different places and took four years to film.

Plot

Oceans presents details and facts about the journey of the ocean. The film begins on a beach and there are boys and one of them wonders what the ocean is. The scene cuts to the Galapagos where a clan of marine iguanas and horseshoe crabs wander.

Aldo

Aldo comes from the Latin altus and means "the tall one."

Aldo may refer to:

People

New Age

The New Age is a term applied to a range of spiritual or religious beliefs and practices that developed in Western nations during the 1970s. Precise scholarly definitions of the movement differ in their emphasis, largely as a result of its highly eclectic structure. Although analytically often considered to be religious, those involved in it typically prefer the designation of "spiritual" and rarely use the term "New Age" themselves. Many scholars of the subject refer to it as the New Age movement, although others contest this term, believing that it gives a false sense of homogeneity to the phenomenon.

As a form of Western esotericism, the New Age movement drew heavily upon a number of older esoteric traditions, in particular those that emerged from the occultist current that developed in the eighteenth century. Such prominent occult influences include the work of Emanuel Swedenborg and Franz Mesmer, as well as the ideas of Spiritualism, New Thought, and the Theosophical Society. A number of mid-twentieth century influences, such as the UFO cults of the 1950s, the Counterculture of the 1960s, and the Human Potential Movement, also exerted a strong influence on the early development of the New Age movement. Although the exact origins of the movement remain contested, it is agreed that it developed in the 1970s, at which time it was centred largely in the United Kingdom. It expanded and grew largely in the 1980s and 1990s, in particular within the United States.

Music

Music is an art form and cultural activity whose medium is sound and silence. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and with vocal techniques ranging from singing to rapping, and there are solely instrumental pieces, solely vocal pieces and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses"). In its most general form, the activities describing music as an art form include the production of works of music (songs, tunes, symphonies, and so on), the criticism of music, the study of the history of music, and the aesthetic examination of music. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound."

Romantic music

Romantic music is a term denoting an era of Western classical music that began in the late 18th or early 19th century. It was related to Romanticism, the European artistic and literary movement that arose in the second half of the 18th century, and Romantic music in particular dominated the Romantic movement in Germany.

Background

The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in Europe and strengthened in reaction to the Industrial Revolution (Encyclopædia Britannica n.d.). In part, it was a revolt against social and political norms of the Age of Enlightenment and a reaction against the scientific rationalization of nature (Casey 2008). It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography (Levin 1959, ) and education (Gutek 1995, 220–54), and was in turn influenced by developments in natural history (Nichols 2005, 308–309).

One of the first significant applications of the term to music was in 1789, in the Mémoires by the Frenchman André Grétry, but it was E.T.A. Hoffmann who really established the principles of musical romanticism, in a lengthy review of Ludwig van Beethoven's Fifth Symphony published in 1810, and in an 1813 article on Beethoven's instrumental music. In the first of these essays Hoffmann traced the beginnings of musical Romanticism to the later works of Haydn and Mozart. It was Hoffmann's fusion of ideas already associated with the term "Romantic", used in opposition to the restraint and formality of Classical models, that elevated music, and especially instrumental music, to a position of pre-eminence in Romanticism as the art most suited to the expression of emotions. It was also through the writings of Hoffmann and other German authors that German music was brought to the centre of musical Romanticism (Samson 2001).