- published: 16 Feb 2016
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Rodolfo Guzmán Huerta (September 23, 1917 – February 5, 1984), more widely known as El Santo (the Saint), was a Mexican Luchador enmascarado (Spanish for masked professional wrestler), film actor, and folk icon. El Santo, along with Blue Demon and Mil Máscaras, is one of the most famous and iconic of all Mexican luchadores, and has been referred to as one of "the greatest legends in Mexican sports" His wrestling career spanned nearly five decades, during which he became a folk hero and a symbol of justice for the common man through his appearances in comic books and movies. He is said to have popularized professional wrestling in Mexico just as Rikidozan did in Japan. Guzmán's son followed him into wrestling as El Hijo del Santo, or 'Son of Santo'.
Born in Tulancingo in the Mexican state of Hidalgo, to Jesús Guzmán Campuzano and Josefina Huerta (Márquez) de Guzmán as the fifth of seven children, Rodolfo came to Mexico City in the 1920s, where his family settled in the Tepito neighbourhood. He practiced baseball and American football, and then became interested in wrestling. He first learned Ju-Jitsu, then classical wrestling.
Leonardo di ser Piero da Vinci (Italian pronunciation: [leoˈnardo da ˈvintʃi] pronunciation (help·info); April 15, 1452 – May 2, 1519, Old Style) was an Italian Renaissance polymath: painter, sculptor, architect, musician, scientist, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer whose genius, perhaps more than that of any other figure, epitomized the Renaissance humanist ideal. Leonardo has often been described as the archetype of the Renaissance Man, a man of "unquenchable curiosity" and "feverishly inventive imagination". He is widely considered to be one of the greatest painters of all time and perhaps the most diversely talented person ever to have lived. According to art historian Helen Gardner, the scope and depth of his interests were without precedent and "his mind and personality seem to us superhuman, the man himself mysterious and remote". Marco Rosci points out, however, that while there is much speculation about Leonardo, his vision of the world is essentially logical rather than mysterious, and that the empirical methods he employed were unusual for his time.