Louis Proyect: The Unrepentant Marxist

December 11, 2015

Assadism without Assad

Filed under: Syria — louisproyect @ 1:15 am

December 9, 2015

Zizek, Turkey and ISIS

Filed under: journalism,Syria,Zizek — louisproyect @ 8:38 pm

Screen Shot 2015-12-09 at 3.37.32 PM

AN UPDATE FROM THE NEW STATESMAN:

Editor’s note, 9 December: This article originally included a statement that was falsely attributed to the head of Turkey’s National Intelligence Organization. This has now been removed.

As someone who has been monitoring the leftist support for Bashar al-Assad for the past four years, I continue to be mystified by the willingness of so many otherwise sensible people to write a bunch of bullshit without the slightest self-awareness—the latest case being Slavoj Žižek in the New Statesman. The Elvis Superstar of Marxism, Lacanian film interpreter and scourge of immigrants trying to flee warfare and economic disaster has joined the growing chorus of radicals arguing that the AKP in Turkey and ISIS are in cahoots.

Like the shoddy list of allegations put together by Columbia University professor and flimflam artist David L. Phillips that John Wight and Rick Sterling represented as a smoking gun proving that the AKP and ISIS were co-conspirators, Žižek scrapes the bottom of the barrel:

In October 2015, Hakan Fidan, the head of Turkey’s National Intelligence Organisation and the Turkish President’s staunchest ally, condemned Russian military intervention in Syria, accusing Moscow of trying to “smother” Syria’s Islamist revolution. “Isis is a reality and we have to accept that we cannot eradicate a well-organised and popular establishment such as the Islamic State; therefore I urge my western colleagues to revise their mindset about Islamic political currents, put aside their cynical mentalité and thwart Vladimir Putin’s plans to crush Syrian Islamist revolutionaries,” Anadolu News Agency quoted Fidan as saying on Sunday.

Actually when you click the link to Anadolu News Agency, you end up on another news website that provides no link to the reputable Turkish publisher. That website is AWDNews.com, with the “AWD” being the acronym of “Another Western Dawn”. You might wonder why Žižek would be trawling this website but then again his publisher at Verso—the redoubtable Tariq Ali—seems to have his nose buried in RT.com most of the time nowadays. I guess it is contagious.

I invite people who prefer thinking for themselves to being spoon-fed by the Baathist amen corner to visit the Anodolu website either in English (http://aa.com.tr/en) or Turkish (http://aa.com.tr/) and find such an article using the search terms “Fidan” and “ISIS”. As the Turks say, “yok”–there is none. I was not able to find anything in Nexis as well.

More importantly, it is always a good idea to check the provenance of a website before passing on its articles as the gospel. If you do a “Whois” on http://www.awdnews.com, you will discover that the administrator is one Kelvin Middelkoop who is based in Berlin. Middelkoop also administers a website called Muslim Press (http://www.muslimpress.com/) that is as anxious as AWD to make connections between the AKP and ISIS. It lines up with Phil Greaves’s Shi’ite “axis of resistance” just like Wight and Sterling do. For example, you can find an article there titled “Recent letter shows Ayatollah Khamenei’s insight into world developments”, just the sort of thing you’d expect from these quarters.

But it is AWD that really lets out the stops. In addition to the dodgy article on Turkey and ISIS, you can find one titled “North Korea Threatens Turkey With Nuclear Missile Strike” (http://www.awdnews.com/top-news/north-korea-threatens-turkey-with-nuclear-missile-strike). It states that “Mizan News agency reports that the North Korean leader has promised to ‘wipe Turkey off the map’ if Ankara takes part in the Syrian war, cooperates with the US and helps ISIS any further.” Mizan News, as it turns out, is based in Iran. Gee whiz, I never would have guessed.

Besides his reliance on such questionable sources, Žižek offers up other steaming piles of dung such as “Turkey even shot down a Russian fighter attacking Isis positions in Syria”. Who knows where he came up with this? One imagines that he has bought into the formula that Russia only bombs ISIS even though reputable sources identify the Turkmen victims of Russian bombing as FSA affiliates.

I must point out one other thing. Žižek ‘s article has a paragraph that starts off:

Fidan further added that in order to deal with the vast number of foreign jihadists craving to travel to Syria, it is imperative that Isis set up a consulate or at least a political office in Istanbul.

okThat does not exactly sound like Žižek, right? No, it doesn’t. In fact the entire paragraph is lifted from the AWD article that his stupid piece relied on. Didn’t the New Statesman editors catch this? Did Žižek send them an article that failed to blockquote the AWD horseshit? Who knows? The only thing you can conclude, as I stated above, is that it is contagious. When you associate yourself in any way with the Baathist amen corner, you will end up looking like a fool.

December 8, 2015

Is Donald Trump a fascist?

Filed under: Fascism — louisproyect @ 7:13 pm

Nearly 20 years ago the Marxism list was discussing the candidacy of Pat Buchanan, who was viewed with the same kind of alarm that greets Donald Trump today and greeted George Wallace in 1968. As someone trained in the Trotskyist movement and who learned to be skeptical of leftist claims that these men or even someone as centrist as Richard Nixon could be a “fascist”, I tend to agree with fellow ex-SWP member Charles Post, who while being quite wet on the Brenner thesis, wrote with some clarity for Jacobin on this matter:

This radicalization of the middle classes — what Trotsky once referred to as “human dust” — bears some resemblance to the classic fascist movements of the 1920s and 1930s. Genuine fascist elements (white supremacist groups with organized street fighting groups) have been attracted to the Tea Party and Trump.

However, neither the Tea Party nor Trump can be described as fascists. Both seek to win power through electoral politics, not abolish elections and representative government. Nor will capitalists in the US, in the foreseeable future, opt for such a far-right option. If the Republican establishment can’t stop Trump, they’ll likely cross partisan lines and support a neoliberal politician like Hillary Clinton.

The specter of Trump not only frightens the Republican establishment, but most of the US left. As it has time and time again since the 1930s, the threat of the far right will serve as an excuse for union officialdom and the liberal civil rights, feminist, and LGBTQ establishment to mobilize for Democrats.

But this solution to the rise of Trump and the far right is no solution at all: embracing “lesser evilism” in 2016 would mean yet again forgoing the work of rebuilding the labor and social movements and instead subordinating our radical politics to the Democratic Party. The disastrous result would be that the only visible opposition to the capitalist class would come not from the Left, but from a billionaire businessman.

After the discussion on Buchanan erupted on the Marxism list, I began writing a series of posts trying to analyze fascism historically in order to come to terms with his candidacy. My take was very close to Post’s and not surprisingly the analysis below that is extracted from my articles can apply equally to Trump. Just substitute “Donald Trump” for “Pat Buchanan” in the excerpt below and the analysis will ring true.

——

Bonapartism, populism and fascism overlap to a striking degree. We see elements of fascism, populism and Bonapartism in the politics of Pat Buchanan. Buchanan rails against African-Americans and immigrants, both documented and undocumented. He also rails against Wall St. which is “selling out” the working man. Is he a fascist, however? Ross Perot employs a number of the same themes. Is he?

The problem in trying to answer these questions solely on the basis of someone’s speeches or writings is that it ignores historical and class dynamics. Bonaparte and Hitler emerged as a response to powerful proletrian revolutionary attacks on capital. What are the objective conditions in American society today? Hitler based their power on large-scale social movements that could put tens of thousands of people into the streets at a moment’s notice. These movements were not creatures of capitalist cabals. They had their own logic and their own warped integrity. Many were drawn to Hitler in the deluded hope that he would bring some kind of “all-German” socialism into existence. These followers were not Marxists, but they certainly hated the capitalist class. Are the people who attend Buchanan, Perot and Farrakhan rallies also in such a frenzied, revolutionary state of mind?

At what point are we in American society today?

I would argue that rather than being in a prerevolutionary situation, that rather we are in a period which has typified capitalism for the better part of a hundred and fifty years.We are in a period of capitalist “normalcy”. Capitalism is a system which is prone to economic crisis and war. The unemployment and “downsizing” going on today are typical of capitalism in its normal functioning. We have to stop thinking as if the period of prosperity following WWII as normal. It is not. It is an anomaly in the history of capitalism. When industrial workers found themselves in a position to buy houses, send children through college, etc., this was only because of a number of exceptional circumstances which will almost certainly never arise again.

We are in a period more like the late 1800’s or the early 1900’s. It is a period of both expansion and retrenchment. It is a period of terrible reaction which can give birth to the Ku Klux Klan and the skinheads and other neo-Nazis. It is also a period which can give birth to something like Eugene V. Debs socialist party.

The United States in the 1930s became a battleground between industrial workers and the capitalist class over whether workers would be able to form industrial unions. There had been craft unions for decades, but only industrial unions could fight for all of the workers in a given plant or industry. This fight had powerful revolutionary implications since the captains of heavy industry required a poorly paid, docile work-force in order to maximize profits in the shattered capitalist economy. There were demonstrations, sit-down strikes and even gun-fights led by the Communist Party and other left groups to establish this basic democratic right.

Within this political context, fascist groups began to emerge. They drew their inspiration from Mussolini’s fascists or Hitler’s brown- shirts. In a time of severe social crisis, groups of petty-bourgeois and lumpen elements begin to coalesce around demagogic leaders. They employ “radical” sounding rhetoric but in practice seek out working- class organizations to intimidate and destroy. One such fascist group was the Silver Shirts of Minneapolis, Minnesota.

In chapter eleven of “Teamster Politics”, SWP leader Farrell Dobbs recounts “How the Silver Shirts Lost Their Shrine in Minneapolis”. It is the story of how Local 544 of the Teamsters union, led by Trotskyists, defended itself successfully from a fascist expedition into the city. Elements of the Twin Cities ruling-class, alarmed over the growth of industrial unionism in the city, called in Silver Shirt organizer Roy Zachary. Zachary hosted two closed door meetings on July 29 and August 2 of 1938. Teamster “moles” discovered that Zachary intended to launch a vigilante attack against Local 544 headquarters. They also discovered that Zachary planned to work with one F.L. Taylor to set up an “Associated Council of Independent Unions”, a union-busting operation. Taylor had ties to a vigilante outfit called the “Minnesota Minute Men”.

Local 544 took serious measures to defend itself. It formed a union defense guard in August 1938 open to any active union member. Many of the people who joined had military experience, including Ray Rainbolt the elected commander of the guard. Rank-and-filers were former sharpshooters, machine gunners and tank operators in the US Army. The guard also included one former German officer with WWI experience. While the guard itself did not purchase arms except for target practice, nearly every member had hunting rifles at home that they could use in the circumstance of a Silver Shirt attack.

Events reached a climax when Pelley came to speak at a rally in the wealthy section of Minneapolis.

Ray Rainbolt organized a large contingent of defense guard members to pay a visit to Calhoun Hall where Pelley was to make his appearance. The powerful sight of disciplined but determined unionists persuaded the audience to go home and Pelley to cancel his speech.

This was the type of conflict taking place in 1938. A capitalist class bent on taming workers; fascist groups with a documented violent, anti-labor record; industrial workers in motion: these were the primary actors in that period. It was characteristic of the type of class conflict that characterized the entire 1930s. It is useful to keep this in mind when we speak about McCarthyism.

WWII abolished a number of major contradictions in global capital while introducing others. The United States emerged as the world’s leading capitalist power and took control economically and politically of many of the former colonies of the exhausted European powers. Inter-imperialist rivalries and contradictions seemed to be a thing of the past. England was the U.S.’s junior partner. The defeated Axis powers, Germany and Japan, were under Washington’s thumb. France retained some independence. (To this day France continues to act as if it were an equal partner of the US, detonating nuclear weapons in the Pacific or talking back to NATO over policies in Bosnia.)

Meanwhile the USSR survived the war bloodied but unbowed. In a series of negotiations with the US and its allies, Stalin won the right to create “buffer” states to his West. A whole number of socialist countries then came into being. China and Yugoslavia had deep-going proletarian revolutions that, joined with the buffer states, would soon account for more than 1/4 of the world’s population.

World imperialism took an aggressive stance toward the socialist bloc before the smoke had cleared from the WWII battlegrounds. Churchill made his “cold war” speech and contradictions between the socialist states and world capitalism grew very sharp. Imperialism began using the same type of rhetoric and propaganda against the USSR that it had used against the Nazis. Newreels of the early fifties would depict a spreading red blot across the European continent. This time the symbol superimposed on the blot was a hammer-and-sickle instead of a swastika. The idea was the same: to line up the American people against the enemy overseas that was trying to gobble up the “free world”.

A witch-hunt in the United States, sometimes called McCarthyism, emerged in the United States from nearly the very moment the cold war started. The witch-hunt would serve to eradicate domestic opposition to the anti-Communist crusade overseas. The witch-hunters wanted to root up and eradicate all sympathy to the USSR. President Harry Truman, a Democrat and New Dealer, started the anticommunist crusade. He introduced the first witch-hunt legislation, a bill that prevented federal employees from belonging to “subversive” organizations. When Republican Dwight Eisenhower took office, he simply kept the witch-hunt going. The McCarthy movement per se emerges out of a reactionary climate created by successive White House administrations, Democrat and Republican alike.

I will argue that a similar dynamic has existed in US politics over the past twenty years. Instead of having a “cold war” against the socialist countries, we have had a “cold war” on the working-class and its allies. James Carter, a Democrat, set into motion the attack on working people and minorities, while successive Republican and Democratic administrations have continued to stoke the fire. Reaganism is Carterism raised to a higher level. All Buchanan represents is the emergence of a particularly reactionary tendency within this overall tendency toward the right.

Attacks on the working-class and minorities have nothing to do with “bad faith” on the part of people like William Clinton. We are dealing with a global restructuring of capital that will be as deep-going in its impact on class relations internationally as the cold war was in its time. The cold war facilitated the removal of the Soviet Union as a rival. Analogously, the class war on working people in the advanced capitalist countries that began in the Carter years facilitates capital’s next new expansion. Capitalism is a dynamic system. This dynamism includes not only war and “downsizing”, it also includes fabulous growth in places like the East Coast of China. To not see this is to not understand capitalism.

“The United States, the most powerful capitalist country in history, is a component part of the world capitalist system and is subject to the same general laws. It suffers from the same incurable diseases and is destined to share the same fate. The overwhelming preponderance of American imperialism does not exempt it from the decay of world capitalism, but, on the contrary, acts to involve it even more deeply, inextricably and hopelessly. US capitalism can no more escape from the revolutionary consequences of world capitalist decay than the older European capitalist powers. The blind alley in which world capitalism has arrived, and the US with it, excludes a new organic era of capitalist stabilization. The dominant world position of American imperialism now accentuates and aggravates the death agony of capitalism as a whole.”

This appears in an article in the April 5, 1954 Militant titled “First Principles in the Struggle Against Fascism”. It is of course based on a totally inaccurate misunderstanding of the state of global capital. Capitalism was not in a “blind alley” in 1954. The truth is that from approximately 1946 on capitalism went through the most sustained expansion in its entire history. To have spoken about the “death agony” of capitalism in 1954 was utter nonsense. This “catastrophism” could only serve to misorient the left since it did not put McCarthyism in proper context.

One of the great contributions made by Nicos Poulantzas in his “Fascism and the Third International” was his diagnosis of the problem of “catastrophism”. According to Poulantzas, the belief that capitalism has reached a “blind alley” first appeared in the Comintern of the early 1920’s. He blames this on a dogmatic approach to Lenin’s “Imperialism, The Highest Stage of Capitalism” that existed in a communist movement that was all too eager to deify the dead revolutionist.

Lenin’s theory of imperialism owed much to Hilferding and Bukharin who believed that capitalism was moribund and incapable of generating new technical and industrial growth. Moreover, this capitalist system was in a perpetual crisis and wars were inevitable. The Comintern latched onto this interpretation and adapted it to the phenomenon of fascism. Fascism, in addition to war, was also a permanent feature of the decaying capitalist system. A system that had reached such an impasse was a system that was in a permanent catastrophic mode. The Comintern said that it was five minutes to midnight.

The SWP’s version of catastrophism did not allow it to see McCarthy’s true mission. This mission was not to destroy the unions and turn the United States into a totalitarian state. It was rather a mission to eliminate radical dissent against the stepped-up attack on the USSR, its allies and revolutionary movements in the third world. The witch- hunt targeted radicals in the unions, the schools, the State Department, the media and elsewhere. After the witch-hunt had eradicated all traces of radical opinion, the US military could fight its imperialist wars without interference from the left. This is exactly what took place during the Korean War. There were no visible signs of dissent except in the socialist press and in some liberal publications like I.F. Stone’s Newsletter. This clamp-down on dissent lasted until the Vietnam war when a newly developing radicalization turned the witch-hunt back for good.

In the view of the SWP, nothing basically had changed since the 1930’s. The target of McCarthyite “fascism” was the working-class and its unions. The Militant stated on January 18, 1954:

“If the workers’ organizations don’t have the answer, the fascists will utilize the rising discontent of the middle class, its disgust with the blundering labor leadership, and its frenzy at being ruined economically, to build a mass fascist movement with armed detachments and hurl them at the unions. While spouting a lot of radical-sounding demagogy they will deflect the anti-capitalist wrath of the middle class and deploy it against labor, and establish the iron- heel dictatorship of Big Capital on the smoking ruins of union halls.”

One wonders if the party leadership in 1954 actually knew any middle- class people, since party life consisted of a “faux proletarian” subculture with tenuous ties to American society. Certainly they could have found out about the middle-class on the newly emerging TV situation comedies like “Father Knows Best” or “Leave it to Beaver”. Rather than expressing “rising discontent” or “frenzy”, the middle- class was taking advantage of dramatic increases in personal wealth. Rather than plotting attacks on union halls like the Silver Shirts did in 1938, they were moving to suburbia, buying televisions and station wagons, and taking vacations in Miami Beach or Europe. This was not only objectively possible for the average middle-class family, it was also becoming possible for the worker in basic industry. For the very same reason the working-class was not gravitating toward socialism, the middle-class was not gravitating toward fascism. This reason, of course, is that prosperity had become general.

The other day Ryan Daum posted news of the death of Pablo, a leader of the Trotskyist movement in the 1950s. European Trotskyism is generally much less dogmatic than its American and English cousins. While the party leadership in the United States hated Pablo with a passion, rank and filers often found themselves being persuaded by some ideas put forward by the Europeans.

One of these differences revolved around how to assess McCarthy. The party leadership viewed McCarthy as a fascist while a minority grouping led by Dennis Vern and Samuel Ryan based in Los Angeles challenged this view. Unfortunately I was not able to locate articles in which the minority defends its view. What I will try to do is reconstruct this view through remarks directed against them by Joseph Hansen, a party leader. This is a risky method, but the only one available to me.

Vern and Ryan criticize the Militant’s narrow focus on the McCarthyite threat. They say, “The net effect of this campaign is not to hurt McCarthy, or the bourgeois state, but to excuse the bourgeois state for the indisputable evidences of its bourgeois character, and thus hinder the proletariat in its understanding that the bourgeois- democratic state is an ‘executive committee’ of the capitalist class, and that only a workers state can offer an appropriate objective for the class struggle.”

I tend to discount statements like “only a workers state” since they function more as a mantra than anything else (“only socialism can end racism”; “only socialism can end sexism”– you get the picture.) However, there is something interesting being said here. By singling out McCarthy, didn’t the SWP “personalize” the problems the left was facing? A Democratic president initiated the witch-hunt, not a fascist minded politician. Both capitalist parties created the reactionary movement out of which McCarthy emerges. By the same token, doesn’t the narrow focus on Buchanan today tend to lift some of the pressure on William Clinton. After all, if our problem is Buchanan, then perhaps it makes sense to throw all of our weight behind Clinton.

Vern and Ryan also offer the interesting observation that McCarthy has been less anti-union than many bourgeois politicians to his left. The liberal politicians railed against McCarthy’s assault on civil liberties, but meanwhile endorsed all sorts of measures that would have weakened the power of the American trade union movement.

This was an interesting perception that has some implications I will attempt to elucidate. McCarthy did not target the labor movement as such because the post WWII social contract between labor and big business was essentially class-collaborationist. The union movement would keep its mouth shut about foreign interventions in exchange for higher wages, job security, etc. Social peace at home accompanied and eased the way of US capitalist expansionism overseas. The only obstacle to this social contract was the ideological left, those members of the union movement, the media, etc. They were all possible supporters of the Vietminh and other liberation movements. McCarthy wanted to purge the union movement of these elements, but not destroy the union movement itself. Turning our clock forward to 1996, does anybody think that Buchanan intends to break the power of the US working-class? Does big business need Buchanan when the Arkansas labor-hater is doing such a great job?

The SWP has had a tremendous attraction toward “catastrophism”. Turning the clock forward from 1954 to 1988, we discover resident genius Jack Barnes telling a gathering of the faithful that capitalism finally is in the eleventh hour. In a speech on “What the 1987 Stock Market Crash Foretold”, he says:

“Neither past sources of rapid capital accumulation nor other options can enable the imperialist ruling classes to restore the long-term accelerating accumulation of world capitalism and avert an international depression and general social crisis….

“The period in the history of capitalist development that we are living through today is heading toward intensified class battles on a national and international scale, including wars and revolutionary situations. In order to squeeze out more wealth from the labor of exploited producers….

“Before the exploiters can unleash a victorious reign of reaction [i.e., fascism], however, the workers will have the first chance. The mightiest class battles of human history will provide the workers and exploited farmers in the United States and many other countries the opportunity to place revolutionary situations on the order of the day.”

Someone should have thrown a glass of cold water in the face of this guru before he made this speech. He predicted depression, but the financial markets ignored him. The stock market recovered from the 1987 crash and has now shot up to over 5000 points. His statement that nothing could have averted an international depression shows that he much better qualified at plotting purges than plotting out the development of capital accumulation.

His statement that the “period in the history of capitalist development that we are living through” is heading toward wars and revolution takes the word “period” and strips it of all meaning. Nine years have passed and there is neither depression nor general social crisis. Is a decade sufficient to define a period? I think all of us can benefit from Jack Barnes’ catastrophism if we simply redefine what a period is. Let us define it as a hundred years, then predictions of our Nostradamus might begin to make sense. Unfortunately, the art of politics consists of knowing what to do next and predictions of such a sweeping nature are worthless.

Sally Ryan posted an article from the Militant newspaper the other day. It states that Buchanan is a fascist:

“Buchanan is not primarily out to win votes, nor was he four years ago. He has set out to build a cadre of those committed to his program and willing to act in the streets to carry it out. He dubs his supporters the ‘Buchanan Brigades’….

“Commenting on the tone of a recent speech Buchanan gave to the New Hampshire legislature, Republican state representative Julie Brown, said, ‘It’s just mean – like a little Mussolini.’….

“While he is not about to get the Republican nomination, Buchanan is serious in his campaign. The week before his Louisiana win, he came in first in a straw poll of Alaska Republicans and placed third in polls in New Hampshire, where the first primary election will be held. He is building a base regardless of how the vote totals continue to fall. And he poses the only real alternative that can be put forward within the capitalist system to the like-sounding Clinton and Dole – a fascist alternative.”

These quotations tend to speak for a rather wide-spread analysis of Buchanan that a majority of the left supports, including my comrades on this list.

I want to offer a counter-analysis:

1) We are in a period of quiescence, not class confrontation.

Comrades, this is the good news and the bad news. It is good news because there is no threat of a fascist movement coming to power. It is bad news because it reflects how depoliticized the US working-class remains.

There is no fascist movement in the United States of any size or significance. It is time to stop talking about the militias of Montana. Let us speak instead of New York, Los Angeles, Chicago, San Francisco, etc. Has there been any growth of fascism? Of course not. In New York, my home town, there is no equivalent of the German- American bund, the fascists of the 1930s who had a base on New York’s upper east side, my neighborhood.

There are no attacks on socialist or trade union meetings. There are not even attacks on movements of allies of the working-class. The women’s movement, the black movement, the Central American movement organize peacefully and without interference for the simple reason that there are no violent gangs to subdue them.

The reason there are no violent gangs of fascists is the same as it was in the 1950s. We are not in a period of general social crisis. There are no frenzied elements of the petty-bourgeoisie or the lumpen proletariat being drawn into motion by demagogic and charismatic leaders like Mussolini or Hitler. There are no Silver Shirts that the labor or socialist movement needs protection from.

There is another key difference from the 1930s that we must consider. Capital and labor battled over the rights of labor within the prevailing factory system. Capitalism has transformed that factory system. Workers who remain in basic industry are not fighting for union representation. They simply want to keep their jobs. Those who remain employed will not tend to enter into confrontations with capital as long as wages and benefits retain a modicum of acceptability. That is the main reason industrial workers tend to be quiescent and will remain so for some time to come.

In the 1930s, workers occupied huge factories and battled the bosses over the right to a union. The bosses wanted to keep these factories open and strikes tended to take on a militant character in these showdowns. Strike actions tended to draw the working-class together and make it easier for socialists to get a hearing. This was because strikes were much more like mass actions and gave workers a sense of their power. The logical next step, according to the socialists, was trade union activity on a political level and, ultimately, rule by the workers themselves.

The brunt of the attack today has been downsizing and runaway capital. This means that working people have a fear of being unemployed more than anything else. This fear grips the nation. When a worker loses a job today, he or she tends to look for personal solutions: a move to another city, signing up for computer programming classes, etc. Michael Moore’s “Roger and Me” vividly illustrated this type of personal approach Every unemployed auto worker in this film was trying to figure out a way to solve their problems on their own.

In the face of the atomization of the US working class, it is no surprise that many workers seem to vote for Buchanan. He offers them a variant on the personal solution. A worker may say to himself or herself, “Ah, this Buchanan’s a racist bigot, but he’s the only one who seems to care about what’s happening to me. I’ll take a gamble and give him my vote.” Voting is not politics. It is the opposite of politics. It is the capitalist system’s mechanism for preventing political action.

2) Buchanan is a bourgeois politician.

Pat Buchanan represents the thinking of an element of the US ruling class, and views the problems of the United States from within that perspective. Buchanan’s nationalism relates very closely to the nationalism of Ross Perot, another ruling class politician.

A consensus exists among the ruling class that US capital must take a global route. The capitalist state must eliminate trade barriers and capital must flow to where there is greatest possibility for profit. Buchanan articulates the resentments of a section of the bourgeoisie that wants to resist this consensus. It would be an interesting project to discover where Buchanan gets his money. This would be a more useful of one’s time than comparing his speeches to Father Coughlin or Benito Mussolini’s.

There are no parties in the United States in the European sense. In Europe, where there is a parliamentary system, people speak for clearly defined programs and are responsible to clearly defined constituencies. In the United States, politics revolves around “winner take all” campaigns. This tends to put a spotlight on presidential elections and magnify the statements of candidates all out of proportion.

Today we have minute textual analysis of what Buchanan is saying. His words take on a heightened, almost ultra-real quality. Since he is in a horse race, the press tends to worry over each and every inflammatory statement he makes. This tends to give his campaign a more threatening quality than is supported by the current state of class relations in the United States.

3) The way to fight Buchanan is by developing a class alternative.

The left needs a candidate who is as effective as Buchanan in drawing class lines.

The left has not been able to present an alternative to Buchanan. It has been making the same kinds of mistakes that hampered the German left in the 1920s: ultraleft sectarianism and opportunism. Our “Marxist-Leninist” groups, all 119 of them, offer themselves individually as the answer to Pat Buchanan. Meanwhile, social democrats and left-liberals at the Nation magazine and elsewhere are preparing all the reasons one can think of to vote for the “lesser evil”.

What the left needs to do is coalesce around a class-based, militant program. The left has not yet written this program, despite many assurances to the contrary we can hear on this list every day. It will have to be in the language of the American people, not in Marxist- Leninist jargon. Some people know how speak effectively to working people. I include Michael Moore the film-maker. I also include people like our own Doug Henwood, and Alex Cockburn and his co-editor Ken Silverstein who put out a newsletter called “Counterpunch”.

Most of all, the model we need is like Eugene V. Debs and the Socialist Party of the turn of the century, minus the right-wing. Study the speeches of Debs and you get an idea of the kind of language we need to speak. Our mission today remains the same as it was in turn of the century Russia: to build a socialist party where none exists.

 

 

Camp Woodland

Filed under: Catskills — louisproyect @ 4:58 pm

Screen Shot 2015-12-08 at 11.56.16 AM

Joan Roelof wrote a comment yesterday on my post about Chester’s Zumbarg: “I wonder if you know about Camp Woodland. It was a major influence in my life.” As it turns out the book on the Catskills that I had excerpted for that post had a couple of pages on Camp Woodland just before the Chester’s passage. Camp Wo-Chi-Ca, which stood for Workers Children Camp, was based in New Jersey and like Camp Woodland catered to the children of leftists, especially CP’ers. Three years ago I blogged about Fred Baker’s experiences at Wo-Chi-Ca and perhaps I will get the opportunity to interview Joan Roelof before too long as part of my video project about the Borscht Belt and the left.

“The Catskills: Its History and How It Changed America”, pp. 347-348

When he emerged from the [Committee on Un-American Activities] hearing he reacted to the cameras outside: “Ah, they’re letting me back on television. First time in years.”

-RING LARDNER JR. on Zero Mostel

“The first time I went to the Catskills was with my father, at age twelve, to climb Slide Mountain,” recalled Pete Seeger, one of the iconic figures of American folk music. Seeger, along with Woody Guthrie, had been an original member of the Weavers and an unabashed left-wing protester who was blacklisted during the McCarthy era. “Another time,” Seeger remembered, “we climbed Overlook and slept up there on a cliff” Still able to picture the “sunrise over the valley,” Seeger, at age ninety in 2009, described the origins of Camp Woodland, arguably the first interracial camp in America. “Many of the teachers in New York in the 19305 were lefties of one sort or another, and a group of them decided to pool their resources and found they could buy an old church camp that was for sale near Phoenicia, up Woodland Valley. And they called it Camp Woodland.”

Woodland’s goal was to instill a democratic spirit in its campers by inviting city children of different ethnic, racial, and religious backgrounds to live together and learn from one another and their counselors. At the same time, they would be steeped in the rich cultural and sociological history of the Catskills.

As in a 2010 exhibition presented by the Historical Society of Woodstock, titled “The Spirit of Camp Woodland”:

Just as there is a Hudson River School of Painting, whose artists like Thomas Cole, Frederic Church, and Jasper Cropsey sought to capture and preserve an idyllic view of the Hudson River Valley, so too is there a lesser known, unofficial Hudson River School of Folk Music, among which Pete Seeger, Eric Weissberg, and Joe Hickerson can be counted as some of its students. Like those painters who created sweeping vistas of Catskill Mountain landscapes and majestic views of Hudson River scenes, they too are creating an image with lyrics and melodies of the lives and stories of the people who dwelled and settled in this region long ago.

SEEGER, who worked on an early version of what was to become his signature song, “Where Have All the Flowers Gone?” at Camp Woodland, was a regular summer visitor who first came in the late 1930s, at a time when he and three oth-ers were appearing in a traveling puppet show. “I remember being struck by the wonderful spirit of the children and the fact that they took the older kids out in station wagons to visit people in the local towns,” Seeger recalled. “At the general store, they’d ask, ‘Is there anybody here who knows what it was like back in the days when the tanneries were going?’ [And they’d be told,’ ‘Oh, go see Mrs. Johnson. She’ll talk your ear off.’ And they would go find her.”

Seeger also said “the camp had one big room that could be used for square dances and a performance. I’d sing for the whole camp for an hour or so, get them singing with me. And every year I looked forward to learning new songs.”

The camp’s founder was the educator Norman Studer, who, with his codirectors, Norman Cazden and Herbert Haufrecht, set about documenting and conserving the fast-disappearing traditional folk and music culture of the Catskills. Counselors would ferry carloads of campers to visit and talk with old-time Catskills mountain folk, then drive them all back to Woodland so the locals could continue to share what they knew.

“Camp Woodland’s musical traditions included a weekly square dance called by Catskill resident George Van Kleek, who was always accompanied by his wife Clara, and sometimes the youngsters themselves,” according to the New York Folklore Society. What the old-timers sought to pass on were “traditional skills in logging, bark stripping, blacksmithing, hoop-shaving, shingle splitting, square dance calling, and … the stories of their lives, the tall tales and songs from the region.”

In 1982, years after this information was first amassed, Studer, Cazden, and Haufrecht published Folk Songs of the Catskills: A Celebration of Camp Woodland, an invaluable collection of songs and ballads that chronicled the entire span of Catskills history, from those crooned by the first pioneers to ballads about the Catskills during the Revolutionary War, and songs about lumbering and quarry ing, the Anti-Rent War, steamboat pilots and railroad wrecks, and the hoboes and tramps who rode the Catskills rails during the Depression.

The high point of every summer at Woodland was a folk festival that brought together campers and residents to perform songs, put on plays, and tell stories, all to celebrate, maintain, and pass on Catskills culture to the next generation.

 

December 7, 2015

Katniss Everdeen visits Aleppo

Filed under: Syria — louisproyect @ 11:48 pm

Chester’s Zumbarg

Filed under: Catskills,comedy,repression — louisproyect @ 6:41 pm

Yesterday’s NY Times Sunday Book Review had an article on Stephen M. Silverman and Raphael D. Silver’s “The Catskills: its history and how it changed America”. As someone who grew up in the southern Catskills in the so-called Borscht Belt and who went to college in Annandale-on-Hudson in the northern Catskills, the region has been a big influence on my life.

I had the good fortune to attend a talk by Stephen M. Silverman at a Barnes and Noble on the Upper West Side just after the book came out. The audience, like me, came mostly for what he would say about the Borscht Belt. Many had memories of going “to the mountains” in the 1950s when it was still a vibrant resort area.

When I was in high school I had heard about a hotel called Chester’s that had a reputation for being leftist and culturally advanced, featuring string quartets rather than Mambo bands. I never made it over there but was keenly aware that it existed. As I have mentioned in my comic book memoir, there was a leftist underground in the Borscht Belt in the 1950s that included certain hotels and bungalow colonies as part of its “liberated territory”.

Michael Elias is one of the people who knew Chester’s well. Five years older than me, he was the son of a leftist physician in South Fallsburgh, a nearby town. Michael made it out to Hollywood after graduating college and became a very successful director and screenwriter with films like “The Jerk” to his credit. I had a brief chat with Michael about 20 years ago on a trip out to tinseltown but never had any idea that he was a red diaper baby.

A few months ago, after legendary novelist and screenwriter Clancy Sigal mentioned that he was a friend of Michael’s, we began exchanging emails about growing up in the Borscht Belt. This led to Michael sending me a copy of his play “A Catskill Sonata” that was based on a weekend at Chester’s with a character named Dave who had been blacklisted from his job writing for the Arthur Godfrey show, a popular daytime talk show. Michael describes “A Catskill Sonata” as a “serious comedy in one act”. The owner of the hotel is named Anne Rosen, an obvious reference to Ann Chester.

Here is a brief excerpt from Michael’s play followed by Stephen M. Silverman’s discussion of Chester’s.

DAVE

Actually, Godfrey and I…actually CBS and I…how to say this…

RAE

You quit?

DAVE

Actually, it was more of a mutual thing. The producers fired me and I went along with their decision.

RAE

What about Godfrey? What did he say?

DAVE

He feels terrible. His assistant gave me the message personally.

ERNIE

When did this happen?

DAVE

A couple of weeks ago. Costello called me into his office, said my wife gave money to the Communist Party. So that’s where it went, I said. I told him Madeline and I have a deal. She doesn’t try to convert me to Marxism and I don’t make her watch your putrid show. Which, naturally, didn’t go over too well. But, as you know, my policy is to be brave as long as the situation is hopeless.

ERNIE

Can you get another show?

DAVE

They made it clear that I am not employable in television. Wait. Maybe I could repair them. If only I knew how they worked.

RAE

I’m sorry, Dave.

DAVE

It’s not all bad. Now that I’m blacklisted I don’t have to subscribe to The Daily Worker.

RAE

Can’t you write for Godfrey under another name?

DAVE

I don’t write that much. I mainly whisper clever things in Arthur’s ear between songs. No, I’m dead. Wait. There is one thing: I could turn in my friends. Give their names to the FBI. That would get my job back. I could become head writer. It won’t work. I don’t have any friends. Okay, I know a couple of comics who don’t care about my politics. I’ll survive. I’ll have to keep this from my dope dealer. He’s a rabid anti-Communist.

Stephen M. Silverman:

A HIGHLY REGARDED WRITER of scripts for television and film, Walter Bernstein penned the 1976 The Front, in which Woody Allen plays a practically illiterate bar cashier and part-time bookie who during the McCarthy era in the 1950s poses as a “front” for blacklisted television writers. “There were a bunch of us in New York in the entertainment business that were writers and directors and musicians and producers who were blacklisted as a result of Red Channels,” said Bernstein, who in the 1950s was only in his early thirties. “There were eight or nine listings for me, all true. Supporting Republican Spain. Some Russian friendship thing. African-American civil liberties. Writing for the New Masses, a couple of times. They were all accurate. You were blacklisted unless you went and cleared yourself. And that meant going down and testifying before the House Committee on Un-American Activities…. You could go there and say, ‘I’m sorry I did this. I would never join the organizations again. You know, they’re all terrible people.’ But unless you gave names—that was the mark of your sincerity—you stayed blacklisted.”

For Bernstein, who did not name names, this meant being out of work “for about eight or nine years in movies, and another year in television before it ended. It was not easy making a living. It was harder for the actors and directors than it was for the writers, because we could try to find ways to survive. We stuck together,” he said.

“One of the things that was very nice was that several hotels in the Catskill Mountains, the smaller ones in particular, would invite blacklisted artists to come for a free weekend. And in return for which they would ask us if we would conduct seminars or panels or give speeches or lectures on our particular subjects. The hospitality was very open. There was either a swimming pool or a lake. And lots and lots of food, all you could eat.”

Bernstein found refuge in “one small hotel that I went to several times … Chester’s. The full name was Chester’s Zunbarg, that’s Yiddish for Sun Hill.” Located down the road from Grossinger’s and started during the Depression by Anne Chester and her family when their real estate business collapsed, the no-guest-capacity hotel catered to an intellectual crowd, offering chamber music, workshops, discussion groups, and meditation sessions. African-American entertainers like Josh White and Paul Robeson stayed there as guests of the Chester family. Roberson, who frequented Chester’s, was taken there in 1949 after the notorious Peekskill riots, when a crowd of racists and anticommunists stoned his car before he was to perform a concert on the Lakeland Picnic Grounds at Cortland Manor in Westchester County.

Long a figure of controversy for his social and political stance, Robeson had been targeted on this particular occasion for expressing his gratitude toward the Soviet Union (about which he said, “Here I am not a Negro but a human being) and for his belief that African Americans should not serve in the military of a racist Western democracy. During the melee, Robeson escaped from one car to another to conceal his exit amid a seven-car convoy. “He was told to lie on the floor in case somebody tries to kill him on the way out,” remembered Pete Seeger.

Seeger also vividly recalled how the Klan surrounded the dirt road of the country club as if it were a battlefield and that signs had goneup throughout Peekskill reading, Wake Up, America: Peekskill Did. “The very moment of the evening of the attack, [the signs] went up,” said Seeger. “They were on bumpers of cars. In gas stations In windows. In houses. In stores. And, in Europe, they were horrified. They said, ‘Don’t you know that’s the same sign that went up in Germany after Kristallnacht? They said, Wake Up, Germany: Munich Did.'”

“Chester’s Zunbarg was a small hotel,” Bernstein said. “The woman who ran it, Anne Chester, was warm and very hospitable. What I remember mainly was the warmth. ‘Kinderlach, darlings, children, come, eat, eat!’ You know you were constantly trying to cut that sense of isolation that was forced on you by being black-listed. You knew you were the pariahs. There were people who I knew who would cross the street when they saw me coming.” This was not the case at Chester’s. “We went up there several times. Go up on a Friday, come back Monday morning. And we entertained. Some of the actors did comic routines.”

One of them was Zero Mostel. “I remember going up there once with Zero. He was the big star of the weekend. They knew him from his nightclub work. He had played the Borscht Belt. One time Zero asked if I would drive him up to a hotel in the Catskills called the Concord. Big hotel. He had been promised five hundred dollars to appear. Before he was blacklisted, he was pulling down something like two thousand dollars a night. But he needed the five hundred very badly.” So badly that when Mostel showed up, the manager informed him that the fee had been sliced in half “Even the two-fifty at that time was more than rent money, and he needed it,” said Bernstein. Mostel took to the stage as planned, before an audience of at least fifteen hundred. “And he was wonderful. He did his act in a rage. He was so angry at what was going on. And he insulted the audience in Yiddish. He called them names. And the more he did that, the more they laughed. The more they liked him. He was a big hit. They called him back several times, and he cursed out everybody.” Bernstein wound up putting Mostel to bed that night, though not before the actor had downed half a bottle of whiskey. When it became time to shoot The Front more than two decades later, Bernstein wanted Mostel, who played a black-listed TV star in the movie, to re-enact the entire real-life episode, only Mostel would have none of it. “It was still too painful for him to re-create that. And so we just show a snippet of his thing and then he does get angry afterward and attacks the manager. But he wouldn’t do that thing which was so awful and extraordinary to see, of him performing his comic act on the stage in such anger.”

 

New York Film Critics Online (NYFCO) 2015 awards

Filed under: Film — louisproyect @ 12:10 am

New York Film Critics Online members held their annual awards meeting on December 6, 2015, at the Furman Gallery inside Lincoln Center.

The following awards for films that opened in 2015 were voted:

PICTURE: Spotlight (Open Road)

DIRECTOR: Tom McCarthy, Spotlight (Open Road)

SCREENPLAY: Tom McCarthy, Josh Singer, Spotlight (Open Road)

ACTRESS: Brie Larson, Room (A24)

ACTOR: Paul Dano, Love & Mercy (Roadside Attractions)

SUPPORTING ACTRESS: Rooney Mara, Carol (The Weinstein Company)

SUPPORTING ACTOR: Mark Rylance, Bridge of Spies (DreamWorks)

CINEMATOGRAPHY: John Seale, Mad Max: Fury Road (Warner Bros.)

FOREIGN LANGUAGE PICTURE: Son of Saul (Sony Pictures Classics)

DOCUMENTARY: Amy (A24)

ANIMATED FEATURE: Inside Out (Disney/Pixar)

ENSEMBLE CAST: Spotlight (Open Road)

DEBUT AS DIRECTOR: Alex Garland, Ex Machina (A24)

USE OF MUSIC: Love & Mercy (Roadside Attractions); Atticus Ross, Composer; Featuring the Music of Brian Wilson

BREAKTHROUGH PERFORMANCE: Alicia Vikander, Ex Machina (A24), The Danish Girl (Focus Features)

TOP TEN PICTURES OF 2015 (Alphabetical)
45 Years (IFC Films)

The Big Short (Paramount)

Bridge of Spies (DreamWorks)

Brooklyn (Fox Searchlight)

Carol (The Weinstein Company)

Mad Max: Fury Road (Warner Bros.)

Sicario (Lionsgate)

Spotlight (Open Road)

Steve Jobs (Universal)

Trumbo (Bleecker Street)

 

* * * *

My ballot (members pick their top three choices for each category that are weighed based on their position). I will be posting more about some of the films under consideration:

New York Film Critics Online 2015 Awards Nomination Ballot

Breakthrough Performance (name actor/film)

1. Michael B. Jordan/Creed

2. Louis CK/Trumbo

3. Michael Shannon/99 homes

Supporting Actress (name actor/film)

1. Mara Rooney/Carol

2. Elizabeth Banks/Love and Mercy

3. Tessa Thompson/Creed

Supporting Actor (name actor/film)

1. David Rylance/Bridge of Spies

2. Michael Stuhlbarg/Trumbo

3. Jacob Tremblay/Room

Screenplay (name film)

1. Trumbo

2. Bridge of Spies

3. Youth

Cinematography (name film)

1. Carol

2. Far from the Madding Crowd

3. Youth

Use of Music (name film)

1. Carol

2. Far from the Madding Crowd

3. Love and Mercy

Debut Director (name directors/film)

1. Afia Nathaniel/Dukhtar

2. Chaitanya Tamhane/Court

3. Fernando Coimbra/Wolf at the Door

Director (name directors/film)

1. Jay Roach/Trumbo

2. Stephen Spielberg/Bridge of Spies

3. Todd Haynes/Carol

Actress (name actor/film)

1. Cate Blanchett/Carol

2. Saoirse Ronan/Brooklyn

3. Carey Mulligan/Far from the Madding Crowd

Actor (name actor/film)

1. Bryan Cranston/Trumbo

2. Tom Hanks/Bridge of Spies

3. Michael Caine/Youth

Ensemble Cast (name film)

1. Youth

2. Carol

3. Trumbo

Picture (name film)

1. Trumbo

2. Bridge of Spies

3. Creed

Foreign Language (name film)

1. Court

2. Dukhtar

3. The Tribe

Documentary (name film)

1. Sembene

2. The Pearl Button

3. We Come as Friends

Animated Feature (name film)

1. Inside Out

2. The Prophet

3. Anomalisa

 

December 6, 2015

How Dangerous is Climate Change?, How Much Time Do We Have?

Filed under: Uncategorized — louisproyect @ 5:18 am

Source: How Dangerous is Climate Change?, How Much Time Do We Have?

December 4, 2015

The Messenger; Emptying the Skies

Filed under: Ecology — louisproyect @ 11:20 pm

Despite New York City’s image as the metropolis par excellence, at its heart is Central Park—the crucial hub of bird migration. I first became passionate about birds on New Years Day 1997 when starting off on my jog I saw a red-tailed hawk in the upper limbs of a tree. In all my years living in the Catskill Mountains, I never saw such a creature. Ever since then I have been particularly tuned in to the sights and sounds of Central Park’s birds. I have seen snowy egrets taking off from the Central Park reservoir looking like they had leapt off a Japanese watercolor.

But nothing can compare to the warblers that gravitate to the park on their path northward returning from as far away as South America in early spring. About the size of a mouse and in bright shades of red and yellow, they have the most remarkable singing voice.

One of the things you learn in the disturbing new documentary “The Messenger” that opened today at the Cinema Village is that nearly half of all songbirds have disappeared since the 1960s. Like the honeybees, the bird is essential to the survival of homo sapiens. Although they have great esthetic value, the songbirds have an even more important role in food production. Gorging on insects during the beginning of a migration cycle in order to store the necessary fat that can help them fly thousands of miles obviously benefits farmers.

But if you are shortsighted and do not understand how the ecosphere is constructed, you can make tragic mistakes as the film points out. As part of Mao Zedong’s “Great Leap Forward”, people were mobilized to attack the Four Pests: rats, flies, mosquitos and tree sparrows. Since sparrows were feeding on peasant grain, the answer was to surround the trees in which they nested and bang drums, set off firecracker and generally frighten the birds to such a degree that they remained in the air flying around until they died of exhaustion.

The campaign was a big success since the tree sparrow nearly became extinct. However, the birds also fed on the insects that also attacked grains and much more voraciously than the sparrow. Wikipedia notes:

With no sparrows to eat them, locust populations ballooned, swarming the country and compounding the ecological problems already caused by the Great Leap Forward, including widespread deforestation and misuse of poisons and pesticides. Ecological imbalance is credited with exacerbating the Great Chinese Famine, in which at least 20 million people died of starvation.

The unintended consequences of unwise environmental practices were uppermost in the minds of Marx and Engels. In “The Dialectics of Nature”, Engels wrote as if he was anticipating the disaster in China:

Let us not, however, flatter ourselves overmuch on account of our human victories over nature. For each such victory nature takes its revenge on us. Each victory, it is true, in the first place brings about the results we expected, but in the second and third places it has quite different, unforeseen effects which only too often cancel the first. The people who, in Mesopotamia, Greece, Asia Minor and elsewhere, destroyed the forests to obtain cultivable land, never dreamed that by removing along with the forests the collecting centres and reservoirs of moisture they were laying the basis for the present forlorn state of those countries.

Director Su Rynard was motivated to make the film after realizing that “the birds I used to see and hear were no longer around.” Reading Bridget Stutchbury’s book “Silence of the Songbirds” convinced her that a film had to be made. In Rachel Carson’s “The Silent Spring”, it was DDT that was the cause of the silence. In Su Rynard’s film, we learn of a host of other threats to an essential part of biological recreation (the words “birds and bees” is an implicit acknowledgment of their role.)

Global warming is an obvious problem since birds are accustomed to begin their migration when the seasons change but if November begins to feel more like August, the instinctual wiring is short-circuited. Building lights are another big problem. Birds have evolved over millions of years (remember they started off as dinosaurs) to use starlight as a guide to flights north and south. But artificial light makes that more difficult. Furthermore, birds have a tendency to fly into the windows of skyscrapers that keep their lights on through the night to show off their plutocratic testicles so to speak. The film shows the ghastly remains of birds on the sidewalks beneath some of Manhattan’s most prestigious office buildings.

Our beloved housecats kill of billions of birds each year. As one scientist points out, they are about as alien and destructive to the wild bird population as any invasive species. They might bring a chuckle when they carry a dead bird into the house but it is best to think of them in terms of the snakefish wreaking havoc in American rivers and lakes.

One of the other more repulsive threats is poaching. It seems that migrating songbirds have been a staple of high cuisine in Europe for many years, especially the Ortolan bunting which French master chefs have been preparing for centuries to the bourgeoisie. When the bird is snared during its migratory takeoff, it is laden with fat. The recipe involves drowning the bird in Armagnac, chopping off its head and then serving it to whichever cretin can afford $300 for the experience.

It is this disgusting culinary ritual that came to the attention of Douglas and Roger Kass whose “Emptying the Skies” becomes available as a DVD or VOD on December 8th.

Screen Shot 2015-12-04 at 6.15.10 PM

The documentary includes interviews with Jonathan Franzen who has written about poaching in the New Yorker magazine. Although I am no fan of his novels, his article, which provided the title for the film, is essential reading for understanding the crisis:

 

In places like Cyprus, Malta, and Italy, violent clashes between poachers and activists have grown increasingly common.

The southeastern corner of the Republic of Cyprus has been heavily developed for foreign tourism in recent years. Large medium-rise hotels, specializing in vacation packages for Germans and Russians, overlook beaches occupied by sunbeds and umbrellas in orderly ranks, and the Mediterranean is nothing if not extremely blue. You can spend a very pleasant week here, driving the modern roads and drinking the good local beer, without suspecting that the area harbors the most intensive songbird-killing operations in the European Union.

On the last day of April, I went to the prospering tourist town of Protaras to meet four members of a German bird-protection organization, the Committee Against Bird Slaughter (CABS), that runs seasonal volunteer “camps” in Mediterranean countries. Because the peak season for songbird trapping in Cyprus is autumn, when southbound migrants are loaded up with fat from a northern summer’s feasting, I was worried that we might not see any action, but the first orchard we walked into, by the side of a busy road, was full of lime sticks: straight switches, about thirty inches long, that are coated with the gluey gum of the Syrian plum and deployed artfully, to provide inviting perches, in the branches of low trees. The CABS team, which was led by a skinny, full-bearded young Italian named Andrea Rutigliano, fanned into the orchard, taking down the sticks, rubbing them in dirt to neutralize the glue, and breaking them in half. All the sticks had feathers on them. In a lemon tree, we found a male collared flycatcher hanging upside down like a piece of animal fruit, its tail and its legs and its black-and-white wings stuck in glue. While it twitched and futilely turned its head, Rutigliano videoed it from multiple angles, and an older Italian volunteer, Dino Mensi, took still photographs. “The photos are important,” said Alex Heyd, a sober-faced German who is the organization’s general secretary, “because you win the war in the newspapers, not in the field.”

Suffice it to say that the Kass Brothers have made a film that not only shows what the CABS activists were doing but in highly dramatic terms. The first documentary is one that is analysis driven and the second is character driven. They work together to give you a full picture of what might be one of the greatest environmental challenges humanity has had to face. If the extinction of dinosaurs amounts to one of the world’s greatest geological events, the extinction of their feathered descendants might coincide with our own, amounting to the extinction of higher life on earth.

December 3, 2015

Turkey-Russia spat: One standard for murdered Syrian children, another for the warplanes that kill them

Filed under: Uncategorized — louisproyect @ 4:18 pm

Source: Turkey-Russia spat: One standard for murdered Syrian children, another for the warplanes that kill them

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