Louis Proyect: The Unrepentant Marxist

December 18, 2015

Youth; 45 Years

Filed under: aging,Film — louisproyect @ 10:42 pm

If you follow my writings on film, you are probably aware that I tend to review documentaries and foreign-language films with a focus on politics. As a member of New York Film Critics Online (NYFCO), I try to catch up with commercial films starting in late November through the DVD’s and press screenings the studio’s publicity machine churns out. Most years I go to NYFCO meetings and abstain on many categories for the simple reason that something like “Zero Dark Thirty” was beyond the pale for me.

This year I was pleasantly surprised by the number of quality films that came my way, including an animated feature titled “Inside Out” that was in some ways the best film of 2015. Over the next few weeks I am going to be posting reviews of some of the best starting today with a couple that are by no means political but speak to me on both on an artistic and existential basis since they deal with the question of aging, a preoccupation of many baby boomers. Just about all of the films that I will be writing about are still playing in local theaters, including the two considered below.

Although it is an English-language film featuring American and British actors, the ironically titled “Youth” is really an Italian film. Directed by Paolo Sorrentino, it is basically a two-character drama featuring Michael Caine as a composer named Fred Ballinger and Harvey Keitel as film director Mick Boyle. They sit around the hotel restaurant or swimming pool in a combination luxury hotel and health spa in the Swiss Alps discussing their various health problems, including enlarged prostate glands. They have been friends for decades and are acutely aware of having entered what Tom Brokaw called the “mortality zone”.

Ballinger has pretty much given up on new projects and spends much of the film fending off a representative of Queen Elizabeth who wants him to conduct one of his most famous compositions, “Simple Songs”. Boyle hasn’t given up yet and is working with a crew that has gathered at the hotel on a film intended to be his swan song. As grim as this sounds, it is mostly played as wistful comedy with Michael Caine at the top of his game.

Much of the film was shot on the premises of the Hotel Schatzalp, the same place that is featured as a TB sanatorium in Thomas Mann’s novel “The Magic Mountain”. Like Alexander Solzhenitsyn’s “The Cancer Ward”, such frameworks lend themselves to philosophical/political dialogues between the main characters. “Youth” has this aspect but it is blended with Felliniesque touches that are far sunnier than the gloom of Mann and Solzhenitsyn. For example, a monstrously obese actor plays Argentine soccer player Maradona whose daily waddle into the hotel swimming pool prompts catty commentary by the two old friends.

Ultimately “Youth” is as much about the cinematography and film score as it is about plot or dialogue. If you want to spend a couple of hours immersed in a stream of jaw-dropping tableaus assembled by a director/screenwriter with a mastery of his art form second to none, I recommend “Youth” highly.

Like the two main characters in “Youth”, the British film “45 Years” features a couple of old friends who have known each other for about the same amount of time. It also so happens that they are married. As I know from first-hand experience, a solid marriage is based on friendship more than anything else.

Tom Courtenay plays the husband Geoff Mercer and Charlotte Rampling is his wife Kate. Another main character is their German Shepherd Max that Kate walks each morning. Well into their seventies, their day is spent listening to music, eating meals with each other and puttering about their small but attractive house on the outskirts of a bright and prosperous looking town in the British countryside. As a retiree, I am familiar with the drill.

Their placidly quotidian existence is interrupted by a letter that Geoff receives one morning a week before their 45th anniversary informing him that the body of his companion prior to meeting Kate has been discovered at the bottom of a precipice in the Swiss alps. As next of kin (he and his lover identified themselves as husband and wife in more straight-laced times), he was expected to get the news.

Her memory acts to put the anniversary on the back burner to the point of backing out of a big celebration his friends have organized. Not only is Kate disturbed by his decision, she is even more upset to discover that Geoff might be making plans to travel to Switzerland to see her body. When Geoff begins spending time in the attic pouring through the boxes that contain photos of he and the woman, she confronts him: if she had lived, would they eventually wed. His answer: yes.

Andrew Haigh, a gay man who produced and wrote for “Looking”, the HBO series about gay men, wrote and directed “45 Years”. It is as sign of his brilliance that despite his sexual orientation he was able to make a film about heterosexual marriage that is about as realistic as any I have seen in my life. He has the daily rhythms of married life nailed down perfectly, from the minor quarrels to the major dramas that naturally occur over the course of a life together.

The screenplay was adapted from a short story by David Constantine titled “In Another Country”. Constantine lectured on German literature at Oxford University for twenty years and was the editor of the journal Modern Poetry in Translation so we are dealing with source material that is obviously a cut above the junk that most commercial films are based on. It would be well worth your time to read the story at https://books.google.com/books?id=5WRwCgAAQBAJ. It would be an even better use of your time to see this amazing film that probes the depths and heights of human experience.

Is there a place for films starring septuagenarian characters? I would hope so since everybody will find himself or herself there at one point or another—if you are lucky. With so much crap coming out about geezers, from the stereotypical crotchety “get off my lawn” performance of Clint Eastwood in “Gran Torino” to Alan Arkin’s performance of an out-of-control grandfather in “Little Miss Sunshine”, there is a need for films that depict people in their seventies and eighties as essentially the same people they were in their youth. As I told a good friend yesterday who I have known since 1961, there’s not much difference between the man I am today and back then—of course excluding the enlarged prostate.

December 17, 2015

Slavoj Zizek’s shameful bid to tarnish Turkey’s image

Filed under: Syria,Turkey,Zizek — louisproyect @ 9:03 pm

Screen Shot 2015-12-17 at 4.01.40 PM

Slavoj Zizek’s Dec. 9 article in the UK’s New Statesman amounts to little more than anti-Turkey propaganda

ISTANBUL – Slavoj Zizek’s most recent article, published on Dec. 9 in the U.K.’s New Statesman magazine, has been described by some as little more than propaganda unbecoming of an intellectual or an academic.

Ihsan Gursoy, editor of the In-Depth News Analysis Department at Anadolu Agency, responded to Zizek’s article by making the following observations:

Many Turkish readers were surprised by Slavoj Zizek’s Dec. 9 article in the New Statesman.

Unable to forget Zizek’s interesting analysis of German, French and American society based on their respective toilets, many Turkish readers were excited when Zizek said, “We need to talk about Turkey” – expecting to hear a similar psychoanalysis of Turkish society within the context of “Alla Turca” toilets.

Instead, however, Turkey was directly accused by Zizek of collaborating with a terrorist group.

Since the article in question amounted to little more than propaganda – containing a level of impoliteness unbecoming of an intellectual or an academic – we won’t engage in content-based criticism.

Rather, we will discuss the issue only in terms of ethics: editorial ethics and the ethics of accurate citation.

Zizek stated his conclusion at the outset of his article – a conclusion based entirely, with one exception, on quotes that he claimed to have obtained from an Anadolu Agency interview with Hakan Fidan, the head of Turkey’s National Intelligence Organization (MIT).

However, Anadolu Agency never conducted or published such an interview, nor had Fidan uttered the words – anywhere – attributed to him by Zizek.

The fabricated quotes attributed to Zizek – and officially refuted by Anadolu Agency on Oct. 20 – were, however, published on Oct. 18 on AWDnews.com, a “news” website of unknown origin.

Writing an article based on arguments from a fabricated news piece – not covered in any reliable news outlet with the exception of a website with no credibility (and which was probably set up with the purpose of producing disinformation) – would be shameful if done by an unscrupulous university student, let alone a highly-respected professor.

No less unethical is the claim – one that could have serious consequences – that a legitimate country is in cahoots with terrorist organizations.

If our imagined student was to submit such an article as a research paper, he would come in for harsh criticism – first for his misuse of sources, then for his credulousness; for considering all information online as true without cross-checking it with other sources.

He may even be accused of plagiarism – since he failed to use quotation marks for sentences taken directly from his “source” – and could ultimately be expelled.

So what, we wonder, would drive a prominent academic like Zizek – who could not but be aware of these basic principles – to write such an article?

Once the arguments obtained from the fabricated quotes found on AWDnews.com are dispensed with, only one of Zizek’s sources remains: David Graeber’s article in the U.K.’s The Guardian newspaper, entitled: “Turkey could cut off Islamic State’s supply lines. So why doesn’t it?”

But Zizek wasn’t satisfied with merely sourcing an article rife with baseless claims. By pretending to quote Graeber indirectly (he does not use quotation marks), Zizek manages to insert his own claims – claims not made by Graeber – into his own article while making them sound as if they came from Graeber.

Graeber, for example, mentions neither Turkey’s alleged facilitating role in Daesh’s oil exports, nor the wounded Daesh terrorists allegedly being treated in Turkey – claims that are made in Zizek’s article.

Zizek could have written a separate paragraph making these claims on his own authority, but why did he feel the need to quote The Guardian’s Graeber?

Setting aside the issue of intellectual honesty for a moment, why didn’t he, as an academic, comply with the basic rules of citation?

As soon as it became clear – on the very same day that the article was published – that the source of the arguments on which the article was based was a fabricated interview, the New Statesman removed these parts of the article and added a note, stating: “This article originally included a statement that was falsely attributed to the head of Turkey’s National Intelligence Organization. This has now been removed.”

Now the question begs itself: does the removal of the inaccurate parts of the article – and the subsequent addition of the explanatory note by the New Statesman – comply with basic editorial ethics?

The answer is no. On the contrary, the mere removal of blatant inaccuracies in such a controversial article serves to hamper healthy discussion of the issues involved.

Simple editorial ethics demand that the writer’s dishonesty be pointed out to the reader, by, for example, adding a note stating something to the effect of “These assertions have been proven false”.

Rather, the magazine merely attempted to cover up the article’s deceptions once they had been exposed, making the New Statesman itself complicit in the editorial dishonesty.

The New Statesman should have kept the article on its site while pointing out its flaws – in the manner we have described above – due to the extreme sensitivity of the assertions made by the author.

What’s more, the magazine should have published an apology to its readers for running the article in the first place.

So we ask the New Statesman directly:

How could you publish an article – on such a sensitive subject – without first subjecting it to a modicum of editorial scrutiny? Without verifying, by merely clicking on a couple of links, whether the sources therein were even remotely credible?

How can such a well-established publication – and such a prominent intellectual, such as Zizek – so easily risk its dignity and reputation?

The hazards of success, especially for Marxists

Filed under: celebrity — louisproyect @ 6:56 pm

For Boris Kargalitsky, socialist writer and activist who founded the Popular Front for Perestroika in Moscow
and
Boris Yeltsin a leading member of the Communist Party of the Soviet Union, whose political courage has made him a leading symbol throughout the country.

The dedication found in this book:

In bourgeois society, the artist is often undermined by his or her own success. You become too big for your britches. After Woody Allen became the NY Times’s darling, they refrained from telling him that his movies were becoming crap. The same thing with Saul Bellow. After the success of “Herzog”, his editors would not dare tell him that a novel like “Mr. Sammler’s Planet” was racist tripe.

It would seem that Marxist celebrities have the same problem. Slavoj Zizek, the Elvis superstar of Marxism, writes an article for the New Statesman that is based almost exclusively on a website that has about much credibility as Infowars or Global Research. The magazine issues a retraction stating that the paragraphs drawn from the website were being deleted because they made false claims.

Tariq Ali gives a speech to an antiwar rally in London that proves England had plans to invade Syria with a “rebel army”. How does he know? Because a doddering old fool named Roland Dumas who had zero connection to the French state said so in a TV interview.

Don’t celebrities like Tariq Ali and Slavoj Zizek understand that they look like idiots when they make such outrageous claims? Don’t they care? I guess once you have reached such a hallowed status on the left, you can get away with anything—except on this blog.

Below are the concluding paragraphs of chapter two of Tariq Ali’s “Revolution from Above” that obviously reflect the dedication cited above. Trying to map the trajectory of Ali and Kagarlitsky into apologists for Putin’s wars in Syria and Ukraine respectively is much easier when you consider how they found it so easy to hoist Yeltsin on their shoulders in 1988. Perhaps if they had been more self-critical or better yet more in touch with the grass roots, Ali might have not written a book that had reached such ludicrous conclusions. The chapter ends with Ali gazing fondly on a member of Kagarlistky’s (aptly named?) Popular Front who was wearing badges of Che Guevara and “All Power to the Soviets”,  enough to close the deal for the street-fighting man.

In the year that this book came out, I was developing a different perspective on what was happening in the USSR, mostly as a result of what I was seeing in Nicaragua: a clear abandonment of the Sandinista revolution as the Kremlin pursued a new foreign policy in line with perestroika, one that saw Nicaragua as a bargaining chip. When Tecnica executive director Michael Urmann returned from a trip to the USSR to feel out the Russians over support for our initiatives in Africa, he was stunned by the response. All the economists he met with were only interested in discussing Adam Smith and Milton Friedman. Counter-revolution was in the air. In 1993, five short years after the publication of “Revolution from Above”, the call for “All Power to the Soviets” would ring hollow as Yeltsin’s tanks shelled the Russian parliament.

In 2000 Ali must have written off all that Che Guevara stuff as a youthful indiscretion since he clearly had no objection to fellow NLR editor Perry Anderson writing that “Socialism has ceased to be a widespread ideal” and that “Marxism is no longer a dominant in the culture of the Left. “ He was dismayed that the left had failed to come up with a “fluent vision of where the world is going” that could compare to the scribblings of Francis Fukuyama, Zbigniew Brzezinski, Samuel Huntington, Daniel Yergin, Edward Luttwak, and Friedman (we can’t be sure whether he was tipping his hat to Thomas or Milton since the article omitted the first names.)

Fast-forward another 12 years. It is 2012 and Marxism and socialism are on the agenda again, while Fukuyama has become so repentant about his “end of history” thesis that he writes an article in FT stating that American democracy has nothing to teach China.

If the pendulum has swung away from the 2000 defeatist mood that infected the NLR, it has not swung far enough apparently for our NLR gurus to realign with the revolutionary socialism of their youth. The enthusiasm is less over the hammer-and-sickle (or whatever icon is more appropriate for the 21st century) and much more for the Cross of St. George that Russian paramilitaries and Spetznaz wear in Ukraine and Syria.

From chapter two of “Revolution from Above”:

Yuri Karyakin, a well-known Soviet writer, who together with Yegor Yakovlev and Lev Karpinsky served on the Central Committee apparatus during the Khrushchev era and was sent into exile, expressed his anger at the apparatus. He had started off by denouncing the way in which Stalinism and the Western Left had transformed the thought of Marx and Lenin into a religion. I expressed agreement, although it soon became clear that the dogmas of the Brezhnev period had made Karyakin deeply cynical about socialism. He spoke angrily about the corrupt apparatchiks, but nonetheless like many others his hopes were rekindled by Gorbachev. His judgement on the Conference was clearcut: ‘It was Yeltsin who fought Ligachev all the way. He’s totally honest and he has polarised politics. For me he’s worth more than almost all of them put together.’

The resolutions passed at the Conference represented an important advance, but unless there are some concrete results the rise in political consciousness could begin to falter. The spectre which haunts the party masses who back the reforms is of their leader as a prisoner of the apparatus. A number of people referred to this possibility, of political consciousness starting to fall back, although it is far more likely that if the obstruction continues Gorbachev will indeed either appeal over the heads of the bureaucracy and win, or lose and resign. The verdict on the Nineteenth Party conference, perhaps, could be expressed in a simple formula: one step forward, two steps sideways.

This was the view of many participants, as well as the mood of many workers listening to report-backs from the Conference. At the Slava Factory in Moscow, which has a workforce of over 12,000, the factory delegate was cheered as he reported Yeltsin’s speech. The delegate from Sverdlovsk, Volkov, had been reprimanded by the Party Secretary for his speech defending Yeltsin. When Volkov returned to Sverdlovsk he was treated as a local hero, and given a prime time half-hour slot on the local television station where he further elaborated on his speech. When he reported back to his factory he was greeted by a standing ovation. The workers were extremely angry at the action of the local party secretary who reprimanded him, and that same night dozens of them went to the offices of the Party secretary: in thick black paint on the road outside they left behind an extremely rude message. The next morning the slogan was the talk of the town. Since the workers had used a very special paint it was not possible to remove it by normal methods. At mid-day the patch of road outside the Secretary’s office was given a fresh coating of tar and re-surfaced to the great amusement of the passers by. The secretary in question was subsequently transferred to the Diplomatic Service!

The unofficial groups immediately began a signature campaign on the streets in support of Yeltsin and demanding his return to the Politburo. In Sverdlovsk, Sakhalin, Omsk, thousands of signatures were collected. In Moscow, Andrei Babushkin, a young student from Moscow University and an activist of the Popular. Front went out into the streets. He was beginning to collect hundreds of signatures when the militia arrested him. He was kept in prison for five days. When I met him at a Popular front press conference in July 1988 he was totally unrepentant. He had not been mistreated at all. The food in prison was just like that in the Young Pioneer camps and `in the prison van I talked to the militia members about Yeltsin. They saw the petition and most of them said they agreed with me. They, too, were on the side of Boris Nicolaevich.’ Babushkin and his young Komsomol friends were planning on returning to the streets again. His shirt was adorned with two badges: one was an image of Che Guevara, the other was a badge in Russian which bore the inscription: ‘ALL POWER TO THE SOVIETS!’

 

December 16, 2015

The Emperor’s New Clothes

Filed under: Film — louisproyect @ 9:46 pm

If imitation is the sincerest form of flattery, one must conclude that Russell Brand is one of Michael Moore’s biggest fans. Opening today at the IFC Center in New York, “The Emperor’s New Clothes” is one of the many documentaries that have be made in the aftermath of the 2008 financial crisis. Like a British remake of Moore’s “Capitalism: a love story”, Brand is featured in just about every minute of the film calling attention to bankster criminality and the suffering of the poor, especially the council housing denizens who are to him as the people of Flint were to Moore.

Director Michael Winterbottom also made “The Shock Doctrine”, a 2009 documentary based on Naomi Klein’s book. As was the case with the Klein collaboration, Winterbottom’s goal was clearly to allow his subject to set the dramatic and political agenda. In essence, it was Brand’s movie as much as his.

For those who have been on another planet over the past five years or so, comedian Russell Brand became famous for taking on the rich and the powerful in a series of articles, interviews and Youtube videos in a style reminiscent of Jon Stewart. The emphasis was less on analysis and more on jeremiad. Since Brand can be even funnier than Stewart, the jeremiads had high entertainment value.

“The Emperor’s New Clothes” covers well-trodden themes as Brand points out in the opening moments, admitting that you will not be hearing anything new about economic inequality. The difference is that this time you will be learning about how to change things.

This boils down to following the example of council housing activists who were fighting eviction orders by Westbrook Partners, an American company determined to build luxury condos. Eventually Westbrook mass action forced them to abandon their plans despite the British government’s support for its privatization agenda. Throughout the film, David Cameron is seen as the archfiend directing Britain’s implementation of Milton Friedman type economics. For Brand, the enemy is not so much capitalism as what he calls free market fundamentalism. Toward the end of the film, he acknowledges that his goals are relatively modest: making the billionaires pay their taxes, enforcing a living wage, and imposing a Tobin tax to fund new investments in housing, health and job creation. In light of the powerful economic forces driving the attack on working people, it is open to question that much can be done without a frontal attack on capitalism itself.

As a sign of his goodhearted but perhaps naïve understanding of class politics, Brand comes to New York to drop in on Mayor Bill de Blasio to get his advice on fending off Westbrook. While it was commendable that Brand was able to convince De Blasio to offer his support to those facing eviction in Britain, maybe he could have reminded the mayor that housing activists in New York have been bitterly disappointed in his affordable housing program that fails to address the seriousness of a housing crisis that makes many working people barely able to make ends meet. Jonathan Westin of the group Real Affordability for All has complained that the mayor has not made much of a commitment despite his lofty rhetoric. Maybe the fact that de Blasio’s point man on real estate matters is none other than James Patchett, a Goldman-Sachs alum, would explain this.

In one of the more amusing moments of the film, Brand rides around in a truck draped with signs calling for the arrest of top British bankers who were involved in what Woody Guthrie described as robbing with a fountain pen. As he makes the rounds of The City–the London version of Wall Street–in the truck, he uses a bullhorn to urge passers by to track down the guilty bankers and make a citizen’s arrest of just the sort of people who worked for Goldman-Sachs. Indeed, he makes a stop at Goldman offices in London to demand to speak to the head of the firm about why he is paid as much in a single year as one of his window washers would make in three hundred, a move patented by Michael Moore.The fact that Russell Brand seems innocent of Bill de Blasio’s shortcomings does not detract from the delight of this confrontation and many others in a well-constructed documentary that is best suited for people who have not read David Harvey or Doug Henwood.

While we are on the topic of austerity and bourgeois criminality, I would recommend a look at the Intercept website for a series of four videos on the election of Syriza and its failure to make any headway in the ongoing rape of a proud nation. It is a joint production of Laurie Poitras and Paul Mason and rather good as reporting. Unfortunately, as is the case with the Brand documentary, it does not penetrate beneath the surface. To this day much of the left looks at Alex Tsipras as the culprit but it is doubtful that anybody in the left faction of his party could have made much of a difference if they had been in power. With Venezuela’s new neoliberal government about to assail most of the social gains of the Chavistas, it might begin to make sense to stop looking for traitors and more at blind economic forces that keep working people in chains. Greece’s economic problems go back for decades and have much to do with its weak industrial base just as Venezuela’s woes grow out of the falling price of oil on world markets. Karl Marx and Frederick Engels always thought in terms of world revolution. Maybe it is time to return to their original vision.

Finally, I want to recommend a documentary titled “The Winding Stream: The Carters, The Cashes & The Course Of Country Music” that also opens at the IFC Center today. I reviewed it in August 2014 and found it one of the finest documentaries about musicians I have ever seen. (http://louisproyect.org/2014/08/04/three-documentaries-of-note-4/)

December 14, 2015

Radical takes on World War Two

Filed under: Fascism,imperialism/globalization,Syria,war — louisproyect @ 9:12 pm

For baby boomers the decision to join a Trotskyist group in the 1960s entailed coming to terms with WWII especially if you were a Jew. Unlike the Maoists (the CP was generally not an option in those wild times), the Trotskyists viewed the war as a continuation of the inter-imperialist disaster of 1914. As someone who became persuaded by Trotsky’s ideas, putting the war into historical context was made easier by the analysis of Ernest Mandel, a Jew and a member of the Belgian resistance during WWII so committed to class politics that he distributed anti-fascist leaflets to German troops whom he regarded as “workers in uniform”.

His 1976 essay “Trotskyists and the Resistance in World War Two” drew distinctions between the allies versus axis conflict and those that involved struggles for self-determination or the right of the USSR to defend itself from counter-revolution by any means necessary.

Ernest Mandel and the authors represented in Donny Gluckstein’s collection Fighting on All Fronts: Popular Resistance in the Second World War are part of a broader current that rose to prominence during the 1960s out of their “revisionist” take on the supposedly Good War. This includes Howard Zinn, whose chapter on WWII in a People’s History of the United States is titled “A People’s War?” and a number of New Leftist historians like Gabriel Kolko and Gar Alperovitz. To a large extent, Lyndon Johnson’s simultaneous embrace of New Deal domestic policies and the genocidal war in Vietnam forced leftist historians to come to terms with FDR’s historical legacy. The war that many of our fathers fought in, including my own who received a Bronze Star in the Battle of the Bulge, had to evaluated in the light of Marx’s “ruthless criticism of the existing order_, ruthless in that it will shrink neither from its own discoveries, nor from conflict with the powers that be.”

Donny Gluckstein is the son of Yigael Gluckstein, better known as Tony Cliff—the founder of the British SWP. He is a lecturer at Edinbergh College and a member of the SWP. He is also the author of A People’s History of the Second World War, a book that comes highly recommended based on the evidence of the new collection. I learned about Fighting on All Fronts from Tom O’Lincoln who contributed the article “Australia: A war of racism, imperialism and resistance”. I have known O’Lincoln for nearly twenty years as a cyber-comrade and have deep respect for his scholarship. He is a member of Socialist Alternative in Australia, a group that shares the SWP’s general theoretical approach but that is not part of its worldwide tendency. With Tom’s recommendation, I looked forward to reading Fighting on All Fronts since WWII “revisionism” is very close to my heart. Suffice it to say that I was not disappointed.

The book is divided into two parts: War in the West and War in the East. While every article is praiseworthy both in terms of the scholarship and the commitment to a class analysis so sorely missing nowadays, I would like to focus on one article from each part to serve as an introduction to a volume that excels from beginning to end.

Janey Stone’s “Jewish Resistance in Eastern Europe” is a stunning treatment of a topic that is of special interest to me as a Jew and a radical. Stone is a Jew whose mother lost most of her family in the Holocaust and who describes herself as an anti-Zionist. It delves into questions that go to the very heart of Jewish identity and survival. As she unravels the conflicting strands of Zionism, collaboration and working-class resistance, Stone tells a story that is simultaneously inspiring and dispiriting.

The brunt of her article is to challenge the idea that Jews went passively to their death in concentration camps, a view reinforced by both mainstream scholarship and popular culture, with “Schindler’s List” depicting Jews as lambs going to the slaughter and needing a Christian savior.

While nobody would apply the term savior to Jan Karski, a Pole and a Christian, his efforts on behalf of Jews would have made an interesting screenplay but arguably one that Hollywood would have dropped like a hot potato given its take on Roosevelt. Stone explains that after Karski prepared a report on the death camps in Eastern Europe that he discovered after penetrating the Warsaw Ghetto disguised as a Ukrainian soldier, he went to FDR to alert him to the impending human disaster. Karski was disappointed to discover that the president was more interested in the status of Polish horses than that of the nation’s Jews.

Ultimately it would be up to the Jews themselves to organize their defense with the Jewish Labor Bund providing most of the leadership. Stone describes the confrontation between Polish fascists who had been terrorizing Jewish shopkeepers and Jewish activists in 1938 that resulted in ambulances being summoned to carry off the battered thugs who had been lured into an ambush.

Stone tackles the stereotypical view of Poles as anti-Semites with copious evidence to the contrary, especially among the working class that was by and large committed to socialist politics. Furthermore, even in the peasantry, which was by no means as progressive as the workers, there was much more anti-Semitism among the wealthy farmers than those toward the bottom. When peasants organized a ten-day general strike in 1937, the Jews offered support. A Bundist youth leader reported: “During the strike you could see bearded Chassidim [religious Jews] on the picket lines along with peasants.”

Given the widespread attention to Hannah Arendt’s contention in Eichmann in Jerusalem that the Judenrat (Jewish council) was complicit in the extermination of millions of Jews, Stone’s nuanced treatment of this question is essential reading. Citing Lenni Brenner, whose research into this period is essential, Stone points out that Zionists were selected by the Nazis to staff the Judenrat more than all other political groups combined. The remainder came from the traditional Jewish religious establishment.

Some Judenrat figures were barely distinguishable from the Nazis, including Mordechai Rumkowski from the Lodz Ghetto who ran it as a slave labor camp. However, in most cases the collaborationists simply failed to support the Bundist underground and opposed all forms of struggle.

Despite such treachery, struggles did break out. Bundists were on the front lines but so were Labor Zionists. The Zionist officialdom might have made common cause with the Nazis but the more radical youth groups such as Hashomer Hatzair were willing to fight. However, not every Jew was strong enough to engage in combat. For many, the determination to survive was paramount. Setting up soup kitchens or creating art to raise peoples’ spirits was their way of joining the resistance. Even humor was used as a weapon. A joke made the rounds in this bleak world: A Jewish teacher asks his pupil, “Tell me, Moshe, what would you like to be if you were Hitler’s son?” An orphan was the reply.

Although Jews were most often left to their own devices to fight against the Nazi genocide, there were allies. As stated above, the Poles often acted in solidarity despite the fact that they risked certain death if discovered. Stone singles out Zegota, the Council to Aid Jews that was founded in 1944.

Zegota’s headquarters was the home of a Polish Socialist (Eugenia Wasowska) who had worked closely with the Bund. The organisation held “office hours” twice each week at which time couriers went in and out. Despite the enormous number of people who knew its location, the headquarters were never raided by the Germans. One “branch office” was a fruit and vegetable kiosk operated by Ewa Brzuska, an old woman known to everybody as “Babcia” (Granny). Babcia hid papers and money under the sauerkraut and pickle barrels and always had sacks of potatoes ready to hide Jewish children.

The best known Zegota activist is Irene Sendler, head of the children’s division. A social worker and a socialist, she grew up with close links to the Jewish community and could speak Yiddish. Sendler had protested against anti-Semitism in the 1930s: she deliberately sat with Jews in segregated university lecture halls and nearly got expelled. Irene Sendler saved 2,500 Jewish children by smuggling them out of the Warsaw Ghetto, providing them with false documents and sheltering them in individual and group children’s homes outside the ghetto.

Turning to William Crane’s article “Burma: Through two imperialisms to independence”, we are reminded that for many people living in the British Empire, Japan could appear as the lesser evil especially in a place like Burma where George Orwell worked as a cop. In his essay “Shooting an Elephant”, he reflected on the surly natives.

In the end the sneering yellow faces of young men that met me everywhere, the insults hooted after me when I was at a safe distance, got badly on my nerves. The young Buddhist priests were the worst of all. There were several thousands of them in the town and none of them seemed to have anything to do except stand on street corners and jeer at Europeans.

As was the case with India’s Congress Party, resistance to colonialism in Burma was fairly tame with native elites seeking an end to the sort of discrimination that was revealed in Orwell’s complaints. Its vanguard was the Young Man’s Buddhist Association that was founded in 1906 by a British-educated Burmese lawyer.

Eventually the movement grew more militant even if its leadership remained in the hands of the elites who referred to themselves as Thakins, the word for masters. In a new movement that emerged in the 1930s called We Burmans Association, the Thakins drew upon working class support to extract concessions from the British. Like many colonial elites living under British rule, the Burmese nationalists were seduced to some extent by fascist ideology. If “democracy” meant living under the British boot, it was no surprise that rival imperialisms might have a certain appeal.

But another rival to British capitalist democracy had even greater appeal, namely the USSR. In 1939 the first Communist cell was created in Burma under the leadership of an Indian named Narendra Dutt. Despite being a member of this cell, a man named Aung San decided in mid-1940 that an alliance with Japanese imperialism would be more useful for the cause of Burmese independence. He worked closely with Keiji Suzuki, a colonel in the Imperial army who had come to Burma disguised as a businessman and charged with the responsibility of lining up support from nationalists like Aung San, who was the father of Burma’s new president—a reformer who has shown little interest in attacking the deep state that has been in existence for many decades.

Along with other Thakins, Aun San constituted themselves as the Thirty Comrades who became the core of Burma’s wartime armed forces. They received training by the Japanese military in occupied China and began recruiting the men who would join with the Japanese in 1942 in a general assault on British rule. If your yardstick for judging political movements is based on how they lined up in WWII, you will certainly have condemned Aung San on an a priori basis. But as Trotsky pointed out in a 1938 essay titled “Learn to Think”, there are times when workers will find it advantageous to make temporary deals with fascist imperialism rather than its democratic rivals. The only caveat, of course, is that such deals are strictly pragmatic and strictly temporary.

Unfortunately in the case of Burma, the deal was more like a double-deal when the Japanese began their occupation. Aung San and his comrades had exchanged one colonial oppressor for another.

One of the most glaring examples of Japanese disregard for Burmese rights was the construction of a “Death Railway” that became the subject of Pierre Boulle’s novel “The Bridge Over the River Kwai” and the 1957 film directed by David Lean based on Boulle’s novel. You are probably aware that Alec Guinness played the British prisoner of war who in supervising the work crew made up of POW’s lost sight of its use to the Japanese war effort. He saw the bridge much more in terms of Britain’s “civilizing” role in places like India where railways and telegraphs supposedly outweighed colonial exploitation, even in the eyes of Karl Marx early in his career.

What the film leaves out was the costs of its construction on native lives. For that you need to read William Crane’s article:

The conditions for the native labourers in Burma were equivalent if not worse as they were unprotected by even the semblance of concern for the welfare of POWs. The railway upon its completion had consumed as many as 100,000 lives. But we need to draw no special conclusions about the Japanese psyche from the “Death Railway” or any of their other horrific crimes. For the Japanese were trying to catch up with the “civilised” empires of Britain and France, and in the course of this ended up competing with the death tolls they had accumulated over a much longer period of time during the few years of the war. The railway, like the Shoah in Eastern Europe, was the outcome of this process, the realisation of a dream that “projected Japanese dreams of industrial fortitude, economic robustness, and Asian domination”.

Like Donny Gluckstein’s collection, James Heartfield’s Unpatriotic History of World War Two belongs on the same bookshelf along with Zinn, Kolko and Alperovitz. Written in 2012, it is a close to a 500 page debunking of the Good War mythology that is filled with deep insights into how really bad it was. If the Gluckstein collection focuses more on the progressive movements that coincided with a savage bloodletting, Heartfield’s book concentrates much more on the latter. It would be difficult for anybody to read his book and be taken in by the Greatest Generation balderdash that continues to dominate the mainstream narratives of an inter-imperialist rivalry whose damage to humanity and nature alike remains unparalleled.

As many of you realize, I have been sharply critical of Spiked Online, a website that is the latest permutation of a one-time current on the British left known as the Revolutionary Communist Party that emerged as a split from the group that would become Tony Cliff’s Socialist Workers Party. While I generally found the contrarianism of the RCP problematic, particularly around environmental issues, I must admit that any influence it had on James Heartfield’s willingness to spend years of research to write this book that sticks its finger in the eye of the Good War nonsense is to be commended. With so much of the left ready to see the Russian adventure in Syria as a repeat of the war of liberation led by the Red Army against Nazi barbarism, it is of considerable importance to have a book like the Unpatriotic History in our arsenal.

One of the prime dispensers of WWII patriotic gore is the website Socialist Unity that counts John Wight as one of its primary contributors. At one time I considered it a useful resource for regroupment efforts such as the one that took place when RESPECT was a major player on the British left. But when it became obvious that its more fundamental purpose was to breathe life into the Great War mythology and Labour Party reformism, I realized that one’s attitude toward Winston Churchill remained a litmus test for the left. When Socialist Unity began posting “greatest generation” type nonsense about Churchill, I tried to remind Wight et al that the famine in Bengal was really not that great. Suffice it to say that the take on the famine at Socialist Unity amounted to a kind of genocide denial.

The chief value of Heartfield’s book is its copious documentation on how people such as Roosevelt, Churchill, and even Stalin were no better than the Japanese and Germans around a number of questions, particularly their treatment of working people who were cannon fodder and virtual slaves in wartime production when the elementary right to strike was viewed as treasonous.

Chapter Six of Unpatriotic History is titled “Imperialist War” and makes for essential reading. Like every other chapter, it is filled with revealing data and quotations from the warmakers that hoists them on their own petard. Heartfield cites Leo Amery, The Secretary of State for India:

After all, smashing Hitler is only a means to the essential end of preserving the British Empire and all it stands for in the world. It will be no consolation to suggest that Hitler should be replaced by Stalin, Chiang Kai-Shek or even an American President if we cease to exercise our power and influence in the world.

While promoted as a benign free trade policy, Roosevelt’s Open Door Policy was a bid to replace Britain as the world’s number one empire as Leo Amery clearly understood. After signing the Atlantic Charter, FDR articulated the kind of paternalism usually associated with his fifth cousin Theodore:

there seems no reason why the principle of trusteeship in private affairs should not be extended to the international field. Trusteeship is based on the principle of unselfish service. For a time at least there are many minor children among the peoples of the world who need trustees in their relations with other nations and peoples.

But the grand prize for overall depravity goes to Winston Churchill based on this account that clearly would have offended his fans at Socialist Unity:

At a Cabinet meeting on 10 November 1943, Prime Minister Churchill said Indians had brought famine on themselves because they were ‘breeding like rabbits’ and so would have to pay the price of their own improvidence. Churchill’s prejudices were backed up by his chief scientific advisor Frederick Lindemann, Lord Cherwell, in a letter the following day: ‘This shortage of food is likely to be endemic in a country where the population is always increased until only bare subsistence is possible.’ Cherwell carried on to turn the truth on its head, moaning as if it was Britain that was subsidising India, not the other way around:

After the war India can spend her huge hoards of sterling on buying food and thus increase the population still more, but so long as the war lasts her high birth rate may impose a heavy strain on this country [i.e. Britain] which does not view with Asiatic detachment the pressure of a growing population on limited supplies of food.

Let me conclude with some parting thoughts on the spate of World War Two nostalgia that has followed in the wake of Russian entry into the war on the Syrian people. On September 28th, Vladimir Putin made a speech at the UN proposing a coalition against ISIS similar to the one that united the USA, Britain and the USSR in World War Two.

What we actually propose is to be guided by common values and common interests rather than by ambitions. Relying on international law, we must join efforts to address the problems that all of us are facing, and create a genuinely broad international coalition against terrorism. Similar to the anti-Hitler coalition, it could unite a broad range of parties willing to stand firm against those who, just like the Nazis, sow evil and hatred of humankind.

John Wight was obviously one person carried away by this rhetoric to the point of swooning. Showing that he would not be taken in by any weak-kneed aversion to the necessary tasks of a war on fascism, he informed his readers at Huffington Post and CounterPunch that firebombing Dresden and barrel-bombing open-air markets in Syria were not game-changers:

Barrel bombs are an atrociously indiscriminate weapon, for sure, and their use rightly comes under the category of war crime. However just as the war crime of the allied firebombing of Dresden in 1945 did not invalidate the war against European fascism then, neither does the atrocity of Syrian barrel bombs invalidate the war against its Middle East equivalent today. When the survival of a country and its culture and history is at stake, war can never be anything else but ugly, which is why the sooner it is brought to a conclusion in Syria the better.

This specious blast of hot air is so filled with bad faith and faulty logic that it would take a year to elaborate on all of its sinister implications. So let me take a minute to nail them down.

To begin with, the war between Germany and the USA was a war between empires. As Leo Amery stated above, “smashing Hitler is only a means to the essential end of preserving the British Empire and all it stands for in the world.” The democracy enjoyed by Britain was made possible only by its super-exploitation of India, Kenya, Burmese, Egypt, China, et al. This was obvious to anyone who has read Lenin even if it was lost on an aspiring Colonel Blimp like John Wight.

But the most important insight that can be gleaned by Wight’s invocation of the Good War is its affinity with a figure whose ghost walks across the parapet of the Assadist left, namely Christopher Hitchens. His footprints can be seen in all of the Islamophobic articles that appear on a daily basis from people like Wight, Mike Whitney and Pepe Escobar who recently referred to the anti-Assad fighters as “mongrels”, the kind of epithet that usually rolls off the tongues of Israeli politicians.

In 2008 Hitchens wrote an article titled “WW2, a War Worth Fighting” that essentially sums up the outlook of laptop bombardiers like John Wight and everybody else extolling the air war on Syrian rebels from the safety of their offices in the USA or Great Britain–especially the last sentence that jibes with Wight’s ghoulish musings on Dresden.

Is there any one shared principle or assumption on which our political consensus rests, any value judgment on which we are all essentially agreed? Apart from abstractions such as a general belief in democracy, one would probably get the widest measure of agreement for the proposition that the second world war was a “good war” and one well worth fighting. And if we possess one indelible image of political immorality and cowardice, it is surely the dismal tap-tap-tap of Neville Chamberlain’s umbrella as he turned from signing the Czechs away to Adolf Hitler at Munich. He hoped by this humiliation to avert war, but he was fated to bring his countrymen war on top of humiliation. To the conventional wisdom add the titanic figure of Winston Churchill as the emblem of oratorical defiance and the Horatius who, until American power could be mobilized and deployed, alone barred the bridge to the forces of unalloyed evil. When those forces lay finally defeated, their ghastly handiwork was uncovered to a world that mistakenly thought it had already “supped full of horrors.” The stark evidence of the Final Solution has ever since been enough to dispel most doubts about, say, the wisdom or morality of carpet-bombing German cities.

December 13, 2015

A uninvited Syrian speaks out at a Stop the War Coalition rally

Filed under: Syria — louisproyect @ 9:05 pm

December 11, 2015

Alex Anievas: ‘Rethinking the Origins of Capitalism: Beyond the Eurocentric Cage’

Filed under: transition debate — louisproyect @ 8:32 pm

The Girl King; Aferim

Filed under: Film — louisproyect @ 6:19 pm

“The Girl King” is now the third film I have seen this year dealing with transgender issues (the others were Tangerine and The Danish Girl) and by far the most interesting even though it is by no means perfect. Available now on Vimeo for a modest fee, it tells the story of Queen Christina of Sweden who ruled from 1632 until 1654.

Christina, played by Malin Buska, is the daughter of King Gustavus Adolphus who was allied with other Protestant monarchs in a thirty-year war against the Catholics that like Syria today was a combination of geopolitics and class struggle. The Protestants tended to reflect the class aspirations of an emerging bourgeoisie while the Catholics stood for feudalism. Neil Faulkner, the author of “A Marxist History of the World” and a member of John Rees’s CounterFire tendency, describes it:

A religious war therefore turned into a geopolitical conflict. The transformative potential of the Reformation was deflected by princely leadership and dissolved into a conventional military struggle between rival states.

Without a son, King Gustavus decided that Christina would be entitled to all the rights and privileges of a man and even stipulated that she would be called the King after assuming the throne. Whether this explains her sexual orientation is an open question.

As is the case today, it would be a mistake to see the principals in this struggle in a simplistic manner. If Sweden was a state committed to Lutheran values, Queen Christina seemed like the last person on earth willing to carry them out. She was not only willing to defy sexual norms; she was also seduced by the writings of Rene Descartes whose radical subjectivism represented a threat to the established order. Ironically, it was the Catholic powers that tolerated his philosophy much more than the Protestants who ostensibly represented the challenge to feudal orthodoxy—particularly the dominance of religion over science.

After encountering his writings, Queen Christina began corresponding with the French philosopher as a fan, much like a grad student writing to Zizek. Of course, given her sexual orientation, it is obvious that it was his brains rather than his private parts that interested her.

Played by Patrick Bauchau, a veteran Belgian actor and the son of philosopher Henry Bauchau who fought in the French Resistance, Rene Descartes moves to Sweden to become Christina’s tutor. Arguably, it is the most important partnership between a monarch and a philosopher since Aristotle tutored Alexander the Great.

In one of the most riveting scenes in the film, Christina invites the newly arrived philosopher to demonstrate to her retinue his most important discovery—the site of emotions in the human anatomy. Descartes then removes a sheet from a corpse that is displayed before them, takes a scalpel and saw to remove the top of the skull, and reveals the secret source of emotions: the pineal gland. One of the dour Lutherans in attendance can take no more and storms out yelling “sacrilege”.

This offense could not compare to what would soon follow. Christina has invited her lady-in-waiting and bedmate, the Countess Ebba Sparre (Sarah Gadon), into the library she has assembled from the greatest books of Europe. She is proudest of an immense manuscript of black magic written by a monk who supposedly wrote it in one evening under Satan’s direction. Christina opens the book, strips to her waist, presses Erika’s back against the book’s open pages and begins to kiss her. When the doors swing open and a member of the court spots the two women in flagrante delicto, Christina makes no effort to explain what is going on. She is the King after all—or Queen?

The film shows Descartes being poisoned by a Lutheran priest but there is no proof that this happened. Some historians believe that the real cause was living in a cold climate and contracting pneumonia. There is no doubt, however, about the hostility that Christina’s court felt toward him.

Eventually they decided that she had to go as well. Pressures mounted to the point when abdication was the best move for her. She converted to Catholicism and relocated to Rome where she continued as a patron of the arts, the sciences and Enlightenment values. Her contribution to Catholic institutions was considered so important that she is one of only three women buried in the Vatican.

My recommendation is to have a bit of patience with “The Girl King” since there are some artistic choices made by Mika Kaurismaki, the brother of the far better known Finnish director Aki Kaurismaki, that are somewhat off-putting. The film is in English and the actors are directed to appear like our contemporaries rather than as archaic players in a costume drama. That might make sense but more questionable was screenwriter Michel Bouchard’s decision to use outright anachronisms in the dialog. For example, characters say things like “you must be kidding”. It takes a while to get used to that style.

Despite the pleasure I got from Kaurismaki’s film and the incentive it gives me to follow up on a research project about Queen Christina and 17th century history, I could not help but wonder what Sally Potter would have done with this material. If you’ve seen her adaptation of Virginia Woolf’s “Orlando”, a novel about an androgynous member of Queen Elizabeth’s court, you’ll know that it was made to order for director Sally Potter. Even if Kaurismaki was much too literal in his handling of the story, you will appreciate his effort. Given the fear and hatred that so many powerful men today have today about sexual identity, it is salutary to see how the right of a woman to act like a man was uncontested in Lutheran-dominated Sweden. Of course, it helps to be the most powerful person in that society. It might also help if class rule was a thing of the past, so that everybody can enjoy what Huey Long once said:

Every man a king, so there would be no such thing as a man or woman who did not have the necessities of life, who would not be dependent upon the whims and caprices and ipsi dixit of the financial martyrs for a living.

Opening at Lincoln Plaza in NY and the Laemmle in Los Angeles on January 22nd, “Aferim!” is Romania’s official entry for the 2016 Academy Awards. Directed by Radu Jude, it is a commentary on contemporary Romania even though it is set in 1835 Wallachia, a state that would eventually be part of the modern state that is still going through post-Soviet agonies. Indeed, just about all of Romania’s very talented filmmakers are consumed with the question of how they lived under Ceausescu and how his overthrow has failed to bring them the economic well-being and freedom they had hoped for. As director Radu Jude put it in an interview with CineEurope: “I truly believe what Johan Huizinga said: ‘We analyse every age for the sake of the promises it contains for the next age.’”

“Aferim” is a vernacular term meaning something like “Bravo” that is heard from its characters throughout the film. It is obviously related to the Turkish word “aferin” that is part of the term “aferin sana” that means “good for you” and that my wife often says to me after I tell her I have been published in some high-toned journal.

It is used with irony in Jude’s film since everything is marked by degradation of the most appalling nature. It is the story of a father and son who are seen riding across a desolate plain on horseback in their search for a runaway slave. The father, named Constandin (Teodor Corban), is a constable and his son Ionita (Mihai Comanoiu) an unpaid assistant. The story evokes a John Ford western except in this instance the posse is wicked and the runaway slave, a Roma named Carfin Pandolean (Toma Cuzin), is their better. In fact, the higher up you are on the social ladder in feudal Wallachia, the closer you are to savagery.

As Constandin and Ionita wend their way through one Roma village after another, they make sure to bully and threaten those they regard as less than human. They always refer to the Roma as “crows” and make sure to call the boyar—a feudal landowner—as “bright master”. In case Ionita slips up on the hierarchy, his father is sure to remind him that this is the way things are in their world and not likely to change.

The film has a grim sense of humor as Constandin hurls colorful invective at everyone who gets in his way, either beneath him socially or on his own level. In a memorable scene, father and son run into a carriage driven by a Turk somewhat higher up than them on the totem pole. When Constandin sees him coming, he says under his breath “Curse them Turks”. When the Turk asks him for directions to a Wallachian town, Constandin sends him off in the opposite direction. But before the Turk leaves, he gives the men a gift in gratitude for the wrong directions, some halvah. After the carriage departs, Constandin confides to his son: “I sent the fool the other way”. Ionita’s response: “Aferim, father!” Constandin’s final words as the carriage heads off:

I hate the Ottomans. The filthiest nation on earth. And he talked to me like I was shit. Said he was afraid of our haiduks [brigands who operated in Ottoman controlled territories in Eastern Europe]. I hope our Romanian boys catch him and tan his skin. You can tell from their talk that they’s nothin’ but beasts. We work like morons for them and the boyars.

That little speech does more to explain feudal Romania than any ten scholarly articles.

The stunning conclusion of this powerful film is set in the manor of boyar Iordache Cîndescu (Alexandru Dabija) who is intent on punishing the runaway slave for having cuckolded him. Suffice it to say that the punishment is gruesome and only made possible in the same way that it was in the Deep South in the pre-Civil War era. And in the same way that modern-day racism and capitalist dysfunctionality are related to life in that period, it would be fair to conclude that director Radu Jude sees Romania today in the same terms.

I urge you to see this very important film and to at least consult the press notes whether or not you are not in NY or LA to see it as it contains such interesting insights. Historian Constanta Vintila-Ghitulescu states:

The Romanian society is so concerned with women’s honor and reputation, that it allows husbands who are cheated on to punish the poor lover caught in the act with their wife. Revenge included tarring and feathering, exposing the naked man in public places, whipping or even castration, especially when the lover belonged to an inferior social category. And gypsies belonged in the lowest social class. Attached to their masters by slavery, gypsies seem no different from the animals on the noblemen’s or church domain. At the time, “gypsy” is synonymous with “slavery,” and the word “roma” does not even exist yet, it will only be introduced in the 20th century.

Abolishing slavery is a very new idea and only timidly advocated for, because slave owners have important functions in the political life. Preaching freedom for these poor beings, in the name of humanity, starts from the Church, through the voice of a few enlightened ecclesiastics at the beginning of the 19th century, but the time for freedom has not come yet. It is only with the active implication of young intellectuals around the 1848 movement that the public opinion will be shaped in favor of freeing the gypsy slaves. It took more than a decade to translate this process into legal form: in 1856, “The Law for the Emancipation of All Gypsies in Wallachia” is passed.

 

US versus Russia versus “anti-imperialists”: Who is best advocate of killing Syrian truck drivers?

Filed under: Syria — louisproyect @ 3:24 pm

(This was posted to the Marxism list this morning by Michael Karadjis)

Screen Shot 2015-12-11 at 10.22.33 AM

In recent weeks, US and Russian warplanes bombing Syria have been targeting trucks allegedly transporting “ISIS oil.” Indeed, Russian leaders have accused Turkey of being a major market for this “ISIS oil”, a claim that indicates spectacular hypocrisy given the very well-known, long-term oil trade between ISIS and Russia’s ally, the Syrian genocide regime.

Of course, as is well known, ISIS sells oil to hundreds of small private traders who then transport it to whoever wants to buy it, which can include Kurdish authorities, Syrian rebels, Turkey or the Assad regime.

While Russia has focused almost entirely on bombing the Free Syrian Army (FSA), indeed in provinces and regions with zero ISIS presence, even to the point of directly facilitating ISIS advances against the rebels (as in northern Aleppo over the last fortnight), it has also taken some potshots against ISIS, above all slaughtering civilians in Raqqa and destroying civilian infrastructure.

One form of “fighting ISIS” has been bombing these impoverished drivers who make their living by transporting oil or other goods from whoever wants to sell them to whoever wants to buy them.

Soon after Russia invaded Syria, the US also began bombing these civilian trucks and killing their drivers. The US had already been bombing civilian oil infrastructure under ISIS control for a year or so.

One of the talking points of the pro-Russian imperialist “anti-imperialists” then became that “the US only began bombing the oil trucks after Our Mother Russia first bombed them goddamned terrorists.”

For some it seems, “anti-imperialism” today, oddly, means supporting whichever superpower can better slaughter civilian truck-drivers doing their job in a poor country far from home. That is quite a sensational development.

An article which, quite correctly and uncontroversially, points out that Assad buys more “ISIS oil” than anyone else, also gives a good description of how small-scale, insecure and desperate these middle people are:

“The trucks don’t have to go far to sell ISIS oil. In fact, it’s cheaper and easier for them to sell oil to locals who run basic refineries in the countryside, not far from the main oil fields in eastern Syria … With few exceptions, these backyard refineries are just stills in which small batches of oil are heated and the resulting vapor is condensed into low-grade fuel. The owners, usually desperate Arab families who don’t belong to ISIS, run several at a time. The work is dirty and dangerous; the scene is apocalyptic. Toxic plumes of black smoke, scorched earth, soot, and explosions make Mad Max look tame. Hundreds if not thousands of these stills are now active across Syria. Combined, they provide tens of thousands of barrels in daily refining capacity. Fuel from these refineries is sold at roadside pumping stations or in bulk to middlemen who deliver it to population centers where demand is greater”.

These are the people that some “anti-imperialists” think are criminals who the superpowers should blow to bits from the sky if they are serious about “fighting ISIS.”

Moreover, just because Russian media showed pictures of trucks allegedly crossing the Turkish border, hardly proves they are all necessarily transporting oil. According to the truck drivers in this video, many of them are transporting food or other goods to supply some of the millions of Syrian refugees in Turkey, and they constantly get bombed by the Russian air force.

While it may be difficult to vouch for the validity of what these truck-drivers are saying, that is hardly different from a great deal of “information” floating around the region, above all from the Russian and Iranian versions of Fox News which are mere propaganda organs for the Assad regime.

Between a belligerent invading state’s media showing pictures of trucks and calling them “ISIS,” and bombing and killing working people trying desperately to make a living, and truck drivers in a video claiming to be delivering food, I’ll take my bets on the latter.

Assadism without Assad

Filed under: Syria — louisproyect @ 1:15 am

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