"Here I Come" is a song recorded by American singer Fergie for her debut studio album, The Dutchess (2006). It was written by Fergie, Will Adams, and William Robinson, Jr. while the production was helmed by Adams under his stage name will.i.am. The song was released as promotional single on January 19, 2008. "Here I Come" is a hip hop and soul song. It contains a compositional sample of "Get Ready", a song written by Smokey Robinson and performed by The Temptations. The critical reception of "Here I Come" was positive, with many praising the use of the sample. "Here I Come" was moderate success in Australia, peaking at number twenty-two on the chart. It also charted in the United States and New Zealand upon its digital release. The song has been used in many commercials to promote products such as Dr Pepper.
"Here I Come" was written by Fergie (credited as Stacy Ferguson) and will.i.am (credited as Will Adams). The song contains a compositional sample of "Get Ready", a song written by Smokey Robinson, credited as William Robinson Jr., for the American vocal group The Temptations. The song was one of the few songs recorded while on the John Lennon Educational Tour Bus, along with "Fergalicious". Will.i.am produced the song as well as playing the bass and drums. He also supervised in programming the drums and engineering the song, the latter in which he was aided by Joe Pelusso. Padraic Klein provided additional editing using Pro Tools. William Durst worked with Ethan Willoughby on mixing the song, which took place at Pacifique Recording Studios in North Hollywood, California. The song was released as a promotional single on January 19, 2008 to digital retailers in Australia, New Zealand, and the United States, among other territories.
Game Theory is the seventh studio album by American hip hop band The Roots, released August 29, 2006, on Def Jam Recordings. The group's first release for the label after leaving Geffen Records, the album was recorded by the Roots mostly using the Apple-developed software application GarageBand. A darker, grittier album with minimal emphasis on hooks in comparison to their previous work,Game Theory features a stripped-down sound similar to the work of Public Enemy, with lyrics that concern sociological themes and the late hip hop producer J Dilla.
The album debuted at number nine on the U.S. Billboard 200 chart, selling 61,000 copies in its first week. It produced two singles and achieved moderate sales success. Upon its release, Game Theory received acclaim from most music critics and earned a Grammy Award nomination for Best Rap Album. To date, the album has sold over 200,000 copies in the United States.
In an interview for Rolling Stone magazine, Questlove expressed his view on contemporary black music and described the concept of Game Theory, comparing it to previous works:
Here I Come is a reggae album by Barrington Levy. The music was recorded at Channel One Studios in Kingston, Jamaica. It was released in 1985 on LP on Time I Records, and once again in 1988 on CD.
The album was well-received, with Jack Barron of Sounds giving it a three and three-quarter star rating, calling it "a deviously diverting record".
The track "Here I Come," from this album, is featured in Saints Row 2 and Grand Theft Auto San Andreas.
The track "Here I Come" was also sampled on "Harlem World" from the album Return to the 36 Chambers: The Dirty Version by Ol' Dirty Bastard produced by Big Dore.
Mia, MIA, or M.I.A. may refer to:
The Dark Tower is a series of eight novels written by American author Stephen King, which incorporate multiple genres including fantasy, science fantasy, horror and western. Below are The Dark Tower characters that come into play as the series progresses.
Roland Deschain, son of Steven Deschain, was born in the Barony of Gilead, in In-World. Roland is the last surviving gunslinger, a man whose goal is finding and climbing to the top of the Dark Tower, purported to be the very center of existence, so that he may right the wrongs in his land. This quest is his obsession, monomania and geas to Roland: In the beginning the success of the quest is more important than the lives of his family and friends. He is a man who lacks imagination, and this is one of the stated reasons for his survival against all odds: he can not imagine anything other than surviving to find the Tower.
Edward Cantor "Eddie" Dean first appears in The Drawing of the Three, in which Roland encounters three doors that open into the New York City of our world in different times. Through these doors, Roland draws companions who will join him on his quest, as the Man In Black foretold. The first to be drawn is Eddie Dean, a drug addict and a first-time cocaine mule. Eddie lives with his older brother and fellow junkie Henry, whom Eddie reveres despite the corrupting influence Henry has had upon his life. Roland helps Eddie fight off a gang of mobsters for whom he was transporting the cocaine, but not before Eddie discovers that Henry has died from an overdose of heroin in the company of the aforementioned mobsters (after which the mobsters decide to chop off Henry's head). It is because of Eddie's heroin addiction that he is termed 'The Prisoner', and that is what is written upon the door from which Roland draws him.
The following is a list of characters from Camelot Software Planning's Golden Sun series of role-playing video games, consisting of 2001's Golden Sun for Game Boy Advance and its 2003 Game Boy Advance follow-up, Golden Sun: The Lost Age, which deals with the efforts of opposing groups of magic-wielding warriors concerning the restoration of the omnipotent force of Alchemy to the fictional world of Weyard. Classified as Adepts of Weyard's four base elements of Earth, Fire, Wind, and Water, these characters possess the ability to employ a chi-like form of magic named Psynergy. Adepts among the common populace are few and far between the settlements of the game's world. The game's characters were created and illustrated by Camelot's Shin Yamanouchi.
I've been around the world
And I Yi Yi
Don't know why people
What?
Why people go to the strip club
To spend their dough
Just to see butt
To see these ladies strip
And take off all their clothes
I do not know why
They choose such a spot
I just don't know why
We get hot
It's probably cause
They make it hop and twurk the pole
And their headlights are sitting bold
Makes it look like its getting' cold
Can I hold you tight
Hop on my lap
And do that dance
I come to spend ones and huns
On lovely skin
Booty weighs a ton
Let the game begin
Cause here I come
Teccanina swope down like space invaders boy
Pull out the piece like on you haters boy
Forget about the haters
I don't wanna talk about 'em
On this right now
I wanna talk about
That butt them breasts
Yes yes wanna test
Now sanity stops
When the fannie g. drops
Fantasy locked
On makin' the canopy rock
Panties be hot
When we walk in
All vanity pops
In every glam if she's stocked
Make her make it
Frantically hop
We're all at the tittie bar
VIP and all of the kitties
Are sittin' with me
They're all knowin'
Who we are
TECHN9NE, baby
How you doin'
What you drinkin'
Caribou
Is what I'm thinkin'
Kansas City, baby
Hey, yo, yo, yo, yo,
We got relish
Don't be jealous
That's a hey no, no,no
Me and my fellas
Travelin' lookin' for them
Who does what
Make it hop
In Houston, Texas
ATL, California
Whazzup
Bianks with breasts and big butts
Here I come baby
Enough to make the big bucks
Here I come baby
151 and Malibu rum and pineapple juice in
My cup
Here I come baby
Fellas in the front
Let me hear you grunt
Fellas in the back
Watch that booty clap
Ladies in the middle
Let me hear you sizzle
Yell
TECHN9NE is hard as hell
Catch me on the couch
With two stouts
Mouth to mouth
Bounce to the techno festival
See lots of lezbo
Lets go ghetto
Or heavy metal
We slam dancing
Blair witch raves
In the woods
Up in Cameron
Rollin'
Diggin' the private schoolers
St. Theresa's bishop Hogan
Those are the kind
That do ya
Get that sarabell explosion
All of my homies kick it pockets
Ain't no punk
Trav, Dyno, Grant, Kut
Seven, John, George, monk
All at the tittie bar
Drinkin' and laughin'
My homie B'zle
Started this at Bazooka's
Booties clappin'
Black, Asian, White, Hatian, Mexican
And Italian
Doin' tricks with beer bottles
Sexy mixed mullato
I'm comin' to get ya
Drinkin' liquor
Off in Sweden, Germany, London
Back to the STL
Off in Memphis
Raisin' hell
With a stack of hundreds
Kick her that
In Miami
In the Benz
Aristocrat
Where the strippers at
Bianks with breasts and big butts
Here I come baby
Enough to make the big bucks
Here I come baby
151 and Malibu Rum and pineapple juice
In my cup
Here I come baby
Fellas in the front
Let me hear you grunt
Fellas in the back
Watch the bootie clap
Ladies in the middle
Let me hear you sizzle
Yell
TECHN9NE is hard as hell
What ya'll doin' after this scat
With this back activist mack
Blasphemous acts
Hit em with a stack
That will distract a bitch
All I wanna do
Is hit the back of this black abyss
In the cat in the hat for risk
If you really wanna master this
Know it's a whole lotta cash to get
Me and my homeboys
Will get with
Your homegirls
And get in our own world
We gotta be ready
To get up and go
To the bedroom
Or up in the bathroom
Givin' me and my homeboys a show
Baby get low
To a TECHN9NE tempo
Do you know
What you're in for
Rough sex
Much sweat
Enough flesh
What's next
Make her say
Oh la la la la
Give it to me TECHN9NE
You're the best time
That I ever had
Give it to me papa
Hit the na na na
And oh oh oh oh yeah
I love it when you do me
Like this teccanina
And I like it
When you make it do that
In Kansas City
We scan the tittes
And brand sadities
Were handsome hippies
Who land some quickies
We comin to kick it
Where you from
Pirates come screamin'
Yo ho ho
151 rum
Bianks with breasts and big butts
Here I come baby
Enough to make the big bucks
Here I come baby
151 and Malibu rum and pineapple juice
In my cup
Here I come baby
Fellas in the front
Let me hear you grunt
Fellas in the back
Watch that bootie clap
Ladies in the middle
Let me hear you sizzle
Yell