- published: 17 Oct 2016
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Culture 2000 was a 7-year European Union (EU) programme, which had among its key objectives to preserve and enhance Europe's cultural heritage. Its duration was between 2000 and 2006, and it had a budget of €236.5 million.
Culture 2000 provided grants to cultural cooperation projects in all artistic and cultural fields (performing arts, plastic and visual arts, literature, heritage, cultural history, etc.).
The objective of Culture 2000 was to promote a common cultural area characterised by its cultural diversity and shared cultural heritage. Its stated aims were to encourage creativity and mobility of artists, public access to culture, the dissemination of art and culture, inter-cultural dialogue and knowledge of the history and cultural heritage of the peoples of Europe.
The program contributed to the financing of European Community co-operations in all artistic fields: performing arts, visual arts, literature, music, history and cultural heritage, etc. Equipped with €240 million over the period 2000-2006, this program aimed to develop the cultural diversity of the European Union, the creativity and the exchange between European cultural actors, whilst making culture more accessible to a larger public. Financial support was granted to projects which were selected on the basis of an annual Call for Proposals.
The following list is a collection of prominent characters from the Ace Combat series of video games by Namco.
The main character of Ace Combat 2, Scarface One is an ace who achieves legendary status through the course of the war. He single-handedly destroys both the coup force Super Powerful Cruise Missiles, the Dragonet class submarine, all of Z.O.E. fighters and the Fortress Intolerance. His fate after the war is unknown.
John is the third member of Scarface Squadron (besides the main character and Nagase), and appears to be of the same ethnicity of Swordsman in AC5 and Keith in AC3. Slash's planes differ from Edge's in that Slash has better attacker aircraft. While not appearing again in any major form in the series storyline, he joins Ouroboros in AC3 according to a newscast. A person with the same name appears in AC04, patrolling over Stonehenge, and it is possible that they are in fact, the same person. One of the crew members of the Arkbird is also, by coincidence, named John Harvard. His hobby appears to be vehicle tuning and his favourite food is the hamburger.
Odbrana i poslednji dani (Serbian Cyrillic: Одбрана и последњи дани; trans. The Defense and the Last Days) is the first studio album by former Yugoslav new wave band Idoli released in 1982.
Džuboks magazine critics voted the album the greatest Yugoslav rock album of the 20th century in 1985. The album was polled in 1998 as Yugoslav greatest popular music album in the book YU 100: najbolji albumi jugoslovenske rok i pop muzike (YU 100: The Best albums of Yugoslav pop and rock music). In 2015, Odbrana i poslednji dani was polled the greatest Yugoslav rock album in the special edition of Croatian Rolling Stone.
The band started recording their first long play album during autumn 1981. The record was originally supposed to be produced by the band members themselves with the assistance of Dušan "Spira" Mihajlović, however, Mihajlović soon left the recording sessions, so the album recordings were produced only with help from Mile "Pile" Miletić and Goran Vejvoda. The band's initial plan was an album dealing with religion and tradition, which was seen as potentially provocative due to many aspects of these topics still being a taboo in communist Yugoslavia's public sphere at the time. This was the first release that included a lineup change as Kokan Popović who used to play with Vlada Divljan and Zdenko Kolar in Zvuk Ulice now joined Idoli as their new drummer.
NEMO (Not Everybody Must Observe) is a toolkit for stellar dynamics. At its core it manipulates an N-body system (snapshot), but can also derive or compute orbits, derive images and extract tables to take to other analysis systems.
NEMO was developed on Sun Workstations, but ports to most Unix like systems. At its core NEMO defines a series of objects (SnapShot, Orbit, Image) and associated header files and libraries to operate on them, and these mirror the data stored in a portable binary name and type tagged XML like format, dubbed structured file. The program tsf in NEMO will show the contents of such a file in a human readable way. Another feature OF NEMO is that all its data can be piped from one task into the next, thus creating whole simulations in a simple Unix pipe. For example,
would create a 1000 particle Plummer sphere, scale the velocities down to below virial equilibrium, integrate this for 10 virial times to see it collapse, and take the particle distribution of the last snapshot and turn that into a FITS file to view in another astronomical analysis package.
In computer networking, the Name/Finger protocol and the Finger user information protocol are simple network protocols for the exchange of human-oriented status and user information.
The Name/Finger protocol, written by David Zimmerman, is based on Request for Comments document RFC 742 (December 1977) as an interface to the name and finger programs that provide status reports on a particular computer system or a particular person at network sites. The finger program was written in 1971 by Les Earnest who created the program to solve the need of users who wanted information on other users of the network. Information on who is logged-in was useful to check the availability of a person to meet. This was probably the earliest form of presence information for remote network users.
Prior to the finger program, the only way to get this information was with a who program that showed IDs and terminal line numbers (the server's internal number of the communication line, over which the user's terminal is connected) for logged-in users. Earnest named his program after the idea that people would run their fingers down the who list to find what they were looking for.
973 Program (Chinese: 973计划) or also known as National Basic Research Program is a basic research program initiated by the People's Republic of China to achieve technology and strategic edge in various scientific fields and especially the development of the rare earth minerals industry.
The program was initiated in 1997 by the Chinese government to develop basic research, innovations and technologies aligned with national priorities in economic development and social development. The program was managed by the Chinese Ministry of Science and Technology. Natural Science Foundation of China is also involved in coordinating the research with the program.
Over the years the program has dedicated funding to areas such as agriculture, health, information, energy, environment, resources, population and materials.
The central government has in the past funded projects for a term of no more than five years. Recently, the funding model has changed to 2 + 3 years. Two years after the project has been implemented, it will be assessed by a special panel and allocate funding accordingly.
Project 985 (Chinese: 985工程; pinyin: 985 gōngchéng) is a project that was first announced by CPC General secretary and Chinese President Jiang Zemin at the 100th anniversary of Peking University on May 4, 1998 to promote the development and reputation of the Chinese higher education system by founding world-class universities in the 21st century and eponymous after the date of the announcement, May 1998, or 98/5, according to the Chinese date format. The project involves both national and local governments allocating large amounts of funding to certain universities in order to build new research centers, improve facilities, hold international conferences, attract world-renowned faculty and visiting scholars, and help Chinese faculty attend conferences abroad.
In 2009, 9 universities made up the C9 League, which is referred to as the Chinese equivalent of the US Ivy League. By the end of the second phase of the project, 39 universities were sponsored. It was announced in 2011 that the project has closed its doors, and no more new schools will be able to join in.
Album koji je prema uticajnom "Rolling Stone" časopisu proglašen za najbolji i najuticajniji na prostorima bivše Jugoslavije. Kao inspiracija za naziv i pojedine numere služio je istoimeni roman Borislava Pekića. Album, pored toga među motivima, sadrži haotičnu fuziju narcisoidnog, religijskog, režimskog, patriotskog, patetičnog, kao i njihove antinomije. Na omotu je deo freske Belog Anđela. Ne polažem nikakva prava na ovaj video ili bilo koji sadržaj vezan za njega.
Label and copyright: Jugoton-Croatia Records @ Idoli Po licenci Jugoton - Croatia Records doo http://www.goldprodukcija.com https://www.facebook.com/pages/Gold-Audio-Video/185582948257663 Zabranjeno svako kopiranje video i/ili audio snimaka i postavljanje na druge kanale!
Pre tačno 40 godina u prodavnicma ploča širom bivše države, pojavio se album koji će promeniti muzičku scenu tog doba. Ploča koja gotovo na svim listama najboljih jugoslovenskih rekonrol albuma zauzima prvo mesto. I to s pravom, jer je prva ne samo po kvalitetu pesama, već i po mnogo čemu drugom. Album Idola ’’Odbrana i poslednji dani’’, bio je prvi konceptualni album u nekadašnjoj državi, kada mnogi nisu ni znali šta to znači, prvi koji je koristio crkvene teme i elemente, prvi rok album sa ćiriličnim nazivom i prvi najbolje ocenjeni jugoslovenski album u inostranstvu. To je ploča koja i danas zapanjuje smelošću tekstovima, muzikom, voljom za istraživanjem. Mnogi kritičari kažu da su Idoli tim albumom zadali jugoslovenskoj rokenrol sceni domaći zadatak koji do danas nije prevaziđen. O duh...
Music video by Idoli performing Poslednji Dani (Remaster 2022). http://vevo.ly/kOAnBp
Label and copyright: Jugoton-Croatia Records @ Idoli Po licenci Jugoton - Croatia Records doo http://www.goldprodukcija.com https://www.facebook.com/pages/Gold-Audio-Video/185582948257663 Zabranjeno svako kopiranje video i/ili audio snimaka i postavljanje na druge kanale!
Intervju za Novi magazin 05.06.2013. pred nastup u SKC-u sa bendom Ljetno kino. Vlada Divljan (10.05.1958. - 05.03.2015.) :'(
Provided to YouTube by Croatia Records d.d. Odbrana · Idoli Odbrana I Poslednji Dani ℗ Croatia Records Released on: 1982-01-01 Arranger: Srđan Šaper Composer: Srđan Šaper Author: Srđan Šaper Arranger: Vlada Divljan Auto-generated by YouTube.
Povodom četrdesete obljetnice objavljivanja, Croatia Records je u Muzeju suvremene umjetnosti u Zagrebu predstavila luksuzno reizdanje kultnog albuma Idola „Odbrana i poslednji dani“, inicijalno objavljenog 1982. za zagrebački Jugoton. Luksuzno je reizdanje gramofonske ploče remasterirano i oplemenjeno manje poznatim fotografijama i tekstovima o ovom jedinstvenom konceptualnom albumu koji je kroz desetljeća višestruko proglašavan najboljim albumom u povijesti jugoslavenske pop kulture.
Bratislav Gašić - odbrana i poslednji dani 24 minuta sa Zoranom Kesićem - 308. epizoda, 5. deo
© 2021 CROATIA RECORDS VIS Idoli - Poslednji dani Album: Odbrana i poslednji dani (Remaster 2021) Glazba: Vlada Divljan Tekst: Vlada Divljan Aranžman: Vlada Divljan Video produkcija: CroRec Digital Subscribe to Croatia Records: https://bit.ly/crorecyoutube Subscribe to CroRec Digital: https://bit.ly/crorecdigital Slušajte VIS Idole na: Spotify: https://bit.ly/idoli_spotify Deezer: https://bit.ly/idoli_deezer Apple Music: https://bit.ly/idoli_applemusic Amazon Music: https://bit.ly/idoli_amazon ZorroTunes: https://bit.ly/idoli_zorrotunes Tidal: https://bit.ly/idoli_tidal SoundCloud: https://bit.ly/idoli_soundcloud Pronađi nas na: Spotify: https://bit.ly/croatiarecords_spotify Deezer: https://bit.ly/croatiarecords_deezer Apple Music: http://bit.ly/croatiarecords ZorroTunes: http:/...
Culture 2000 was a 7-year European Union (EU) programme, which had among its key objectives to preserve and enhance Europe's cultural heritage. Its duration was between 2000 and 2006, and it had a budget of €236.5 million.
Culture 2000 provided grants to cultural cooperation projects in all artistic and cultural fields (performing arts, plastic and visual arts, literature, heritage, cultural history, etc.).
The objective of Culture 2000 was to promote a common cultural area characterised by its cultural diversity and shared cultural heritage. Its stated aims were to encourage creativity and mobility of artists, public access to culture, the dissemination of art and culture, inter-cultural dialogue and knowledge of the history and cultural heritage of the peoples of Europe.
The program contributed to the financing of European Community co-operations in all artistic fields: performing arts, visual arts, literature, music, history and cultural heritage, etc. Equipped with €240 million over the period 2000-2006, this program aimed to develop the cultural diversity of the European Union, the creativity and the exchange between European cultural actors, whilst making culture more accessible to a larger public. Financial support was granted to projects which were selected on the basis of an annual Call for Proposals.