Maazel, Lorin Filmography

• Play in Full Screen Lorin Maazel trifft Alice Sara Ott

  2013, role: actor , character name: Dirigent
• Play in Full Screen The Byron Janis Story

  2010, role: actor , character name: Himself
• Play in Full Screen Giuseppe Verdi: Messa Da Requiem

  2007, role: actor , character name: Conductor
• Play in Full Screen La traviata

  2007, role: actor , character name: Himself - Conducted by
• Play in Full Screen 1984

  2006, role: composer
• Play in Full Screen 1984

  2006, role: actor , character name: Himself - Conductor
• Play in Full Screen New York Philharmonic New Year's Eve Concert

  2005, role: actor , character name: Himself - Conductor
• Play in Full Screen La traviata

  2004, role: actor , character name: Himself - Maestro concertratore e Direttore
• Play in Full Screen Lorin Maazel - Solist, Dirigent, Komponist

  2000, role: actor
• Play in Full Screen Lorin Maazel - Solist, Dirigent, Komponist

  2000, role: composer
• Play in Full Screen The Verdi Requiem

  1986, role: actor , character name: Conductor
• Play in Full Screen Requiem Mass

  1985, role: actor , character name: Himself - Conductor
• Play in Full Screen Turandot

  1983, role: actor , character name: Himself - Conductor
• Play in Full Screen Neujahrskonzert der Wiener Philharmoniker

  1980, role: actor , character name: Dirigent
• Play in Full Screen Luisa Miller

  1979, role: actor , character name: Himself - Conductor
• Play in Full Screen Musik zum Ansehen

  1972, role: actor , character name: Himself
• Play in Full Screen Le nozze di Figaro

  1963, role: actor , character name: Himself - Conductor

Famous quotes by Lorin Maazel:

"We are doing a program this season of music by Schubert, Schoenberg, Rachmaninoff, and Ravel, music which is totally -- on paper -- incompatible,"

"Why does Beethoven appeal and continue to appeal? Other than the obvious (his having written great music), Beethoven communicates a credo so effectively that the listener finds the courage he needs to reaffirm his own belief in the purpose of life. Beethoven stiffens the fiber of our commitment in a language that is beauty itself, in a statement as open as a Greek temple. Friend Beethoven is the one friend we shall always have."

"I come to a performance of music that I know very well as if I were performing it for the first time. Every day is a new day, a new experience. This is the way I approach a masterpiece. A masterpiece can never age - it's only the people who perform it or listen to it who become insensitive to it. If you come with a fresh feeling toward a masterpiece, it will always feel fresh and give you the benefit of its genius."

"Salzburg was where he was born and where he was rejected. I don't think he was capable of writing a boring bar of music."

"Salzburg was where he was born and where he was rejected."

"Art rises above and beyond the issues of the day. It reunites what has been rent asunder, not along national or religious lines, but along individual, human ones. It heals, redefines goals, and strengthens the resolve to move on, to rebuild, to reconstruct. However obtuse human behavior is in other arenas, art, if not suborned, can clarify, put into perspective and re-inspire."

"I think I infuse the music with a new passion. Part of this is because I have fallen in love: I am in love with the New York Philharmonic. The chemistry has just been right. Beyond expectation."

"The collaboration with the musicians of the New York Philharmonic is sheer joy. The Orchestra is so professional, so prepared, so motivated. I float from day to day, concert to concert, masterpiece to masterpiece, supported by the sound of the New York Philharmonic."

"In these confused times, the role of classical music is at the very core of the struggle to reassert cultural and ethical values that have always characterized our country and for which we have traditionally been honored and respected outside our shores."

"You encourage, you push and pull. You look out at your colleagues and say, 'Yes, you can.' To bring [performers] past the limitations of their own potential is leadership. All fine leaders conducting from the podium have that. Emotion is what it's all about. Music-making without emotion and passion is nothing. I'm never looking for a perfect performance, I'm looking for an impassioned performance."

"The Beethoven Experience provided the opportunity to solidify the relationship between the Orchestra and me, the Orchestra and me and the public, between all of us and the city of New York, because Beethoven after all is a really amazing point of reference."

Lorin Maazel

Born: 1930-03-06

Died: 2014-07-13