- published: 12 Apr 2015
- views: 163
Hou Hanru (Chinese: 侯瀚如; pinyin: Hóu Hànrú; born 1963 in Guangzhou) is a Chinese art curator and critic. He is Artistic Director of the MAXXI in Rome, Italy.
Hou graduated from the Central Academy of Fine Arts in Beijing and moved to Paris in 1990. He lived 16 years in France before moving to the United States in 2006. He worked at San Francisco Art Institute as Director of Exhibitions and Public Program and Chair of Exhibition and Museum Studies from 2006 to 2012.
He has curated numerous exhibitions including "Cities On The Move" (1997–2000), Shanghai Biennale (2000), Gwangju Biennale (2002), Venice Biennale (French Pavilion, 1999, Z.O.U. -- Zone Of Urgency, 2003, Chinese Pavilion, 2007), Nuit Blanche (2004, Paris), the 2nd Guangzhou Triennial (2005), the 2nd Tirana Biennial (2005), the 10th Istanbul Biennial (2007), "Global Multitude" (Luxembourg 2007), "Trans(cient)City" (Luxembourg 2007), EV+A 2008 (Limerick), "The Spectacle of the Everyday, The 10th Lyon Biennale" (Lyon, 2009), the 5th Auckland Triennial (Auckland, New Zealand, May - August 2013), etc.
In war, in the event of the imminent capture of a city, the government/military structure of the nation that controls the city will sometimes declare it an open city, thus announcing that it has abandoned all defensive efforts. The attacking armies of the opposing military will then be expected not to bomb or otherwise attack the city but simply march in. The concept aims at protecting the city's historic landmarks and resident civilians from an unnecessary battle.
Attacking forces do not always respect the declaration of an "open city". Defensive forces will use it as a political tactic as well. In some cases, the declaration of a city to be "open" is made by a side on the verge of defeat and surrender; in other cases, those making such a declaration are willing and able to fight on but prefer that the specific city be spared.
According to the Protocol I of the Geneva Conventions, it is forbidden for the attacking party to "attack, by any means whatsoever, non-defended localities".
Open Museum is a participatory exhibit space for fine artists, art museums, and art enthusiasts. Also a not-for-profit digital outreach tool for artists and museums, its purpose is to help make the arts more accessible to everyone and support museums in engaging people around their collections. Visitors can explore Open Museum through Objects, Museums, or People.
Open Museum also offers educational and inspirational games for art and museum lovers, such as The Association Game (t.a.g.), which everyone is welcome to watch, but only members can participate in.
Open Museum is a kind of “Facebook meets Blogger and Flickr for the visual arts.” By being a simple, web-based tool and keeping the object at its center, the museum fills a niche: a destination site for art students or enthusiasts and a tool for visual artists or art museums wanting to use the internet to optimize its outreach and connect with other arts professionals. Open Museum is ideal for exhibits that have no permanent home in a museum’s exhibit space, or for collections that have no catalogs. For museums without an actual building, Open Museum provides a permanent (virtual) home away-from-home for collections that would exist nowhere else.
Hou Hanru is an art curator born in 1963 Guangzhou, China. Moved to Paris in 1990, now he is the artistic director at MAXXI in Rome, Italy. He has curated many significant shows including He has curated numerous exhibitions including Shanghai Biennale (2000), Gwangju Biennale (2002), Venice Biennale (French Pavilion, 1999, Guangzhou Triennial (2005), the 2nd Tirana Biennial (2005), the 10th Istanbul Biennial (2007), The 10th Lyon Biennale" (2009), the 5th Auckland Triennial (2013), Published on We Taipei Ren http://goo.gl/AiF6KG
Hou Hanru was born in Guangzhou, China, and studied at the Central Academy of Fine Arts in Beijing. He moved to Paris in the 90s and to San Francisco in 2006, where he was Director of Exhibitions and Public Programs and Chair of Exhibition and Museum Studies at San Francisco Art Institute. He was appointed Artistic Director of MAXXI (National Museum of 21st Century Arts) in Rome, in 2013. The interview took place in his office in Rome and revolves around complexity, reality, and action in his approach as institutional curator “on the move.” The audio file is the recording of a phone conversation that occurred a day after our meeting in Rome. It contains a couple of questions suggested by Hans Ulrich Obrist to Michela Alessandrini concerning Obrist and Hanru’s project Cities on the Move, an...
Watch San Francisco based academic and cultural commentator Hou Hanru's talk Exhibitions: Making Spaces recorded on Sunday 26th of February 2012 at NG, 212 Madras Street.
Dal 24 ottobre al 30 novembre il Museo nazionale delle arti del XXI secolo si svuota e si reinventa per riempirsi di suono, immagini, movimenti, con installazioni site specific e un ricco programma di eventi. La parola al Direttore artistico del MAXXI, Hou Hanru // From 24 October through to 30 November the National Museum of XXI Century Arts is emptying and reinventing itself as a container for sound, image and movement with site specific installations and a rich programme of events.
The San Francisco-based curator Hou Hanru discusses the artists and themes guiding China's contemporary art boom. Read the full feature on NOWNESS: http://bit.ly/1qFagxy Watch more art videos here: http://bit.ly/art-videos _______________________________________ Subscribe to NOWNESS here: http://bit.ly/youtube-nowness Like NOWNESS on Facebook: http://bit.ly/facebook-nowness Follow NOWNESS on Twitter: http://bit.ly/twitter-nowness Daily exclusives for the culturally curious: http://bit.ly/nowness-com Behind the scenes on Instagram: http://bit.ly/instagram-nowness Curated stories on Tumblr: http://bit.ly/tumblr-nowness Inspiration on Pinterest: http://bit.ly/pinterest-nowness Staff Picks on Vimeo: http://bit.ly/vimeo-nowness Follow NOWNESS on Google+: http://bit.ly/google-nowness...
Recorded on my Android phone. - Captured Live on Ustream at http://www.ustream.tv/channel/hanru1 with the Ustream Mobile App
Servizio di Maria Letizia Bixio - Riprese e montaggio Francesco Talarico - Inside Art web tv - Tutti diritti riservati
Intervista a Hou Hanru, curatore d'arte contemporanea tra i più importanti del panorama internazionale.
Every year along about this time it all goes dry
Nothing round for love or money that'll get you high.
Henry got pissed off and he run to Mexico
See if he could come back holdin' 29 keys of Gold.
Now the road to Acapulco is very hard indeed
And it isn't any better if you haven't any weed.
Henry struggled to hold it straight on twisty mountain roads
Fifty people waitin' back in hopes for Henry's load.
chorus:
Now he's rolling down the mountain goin' fast, fast, fast
And if he blows it this one's going to be his last
Run to Acapulco to turn the Golden Key
Henry keeps the brakes on for this corner if you please.
Henry got to Mexico and he turned his truck around
Talkin' with the man who has it growin' from the ground
Henry tasted, he got wasted, couldn't even see
How he's going to drive like that it's not clear to me.
CHORUS
Sunday afternoon, Tihajuana is a lovely town
Bullfight brings the tourist in, their money flowing down
Border guards are much too busy there at 5 o'clock
Henry truckin' right on through, he hardly even stopped.