Fascinating Rhythm

"Fascinating Rhythm" is a popular song written by George Gershwin in 1924 with lyrics by Ira Gershwin.

It was first introduced by Cliff Edwards, Fred Astaire and Adele Astaire in the Broadway musical Lady Be Good. The Astaires also recorded the song on April 19, 1926 in London with George Gershwin on the piano (English Columbia 3968 or 8969).

A large number of recorded versions exist. One of the rarest recordings is one by Joe Bari (a pseudonym of Anthony Dominick Benedetto, later better known as Tony Bennett) for Leslie Records in 1949 and issued as catalog number 919 with "Vieni Qui" as the flip side. In 2012 a version by Hawaiian steel guitarist Sol Hoʻopiʻi was added to the Library of Congress's National Recording Registry list of "culturally, historically, or aesthetically important" American sound recordings.

"Fascinating Rhythm" inspired the 1974 Deep Purple song "Burn".

Recorded versions

Pluperfect

The pluperfect is a type of verb form, traditionally treated as one of the tenses of certain languages, used in referring to something that occurred earlier than the time being considered, when the time being considered is already in the past. The meaning of the pluperfect is equivalent to that of English verb forms such as "(we) had arrived" or "(they) had written".

The word derives from the Latin plus quam perfectum, "more than perfect" – the Latin perfect refers to something that occurred in the past, while the pluperfect refers to something that occurred "more" (further) in the past than the perfect.

In English grammar, the equivalent of the pluperfect (a form such as "had written") is now often called the past perfect, since it combines past tense with perfect aspect. (The same term is sometimes used in relation to the grammar of other languages.) English also has a past perfect progressive (or past perfect continuous) form: "had been writing".

Meaning of the pluperfect

The pluperfect is traditionally described as a tense; in modern linguistic terminology it may be said to combine tense with grammatical aspect; namely past tense (reference to past time) and perfect aspect (state of being completed). It is used to refer to an occurrence that was already in the past (completed) at a past time.

Rhythm

Rhythm (from Greek ῥυθμός, rhythmos, "any regular recurring motion, symmetry" (Liddell and Scott 1996)) generally means a "movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions" (Anon. 1971, 2537). This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to millions of years.

In the performance arts rhythm is the timing of events on a human scale; of musical sounds and silences, of the steps of a dance, or the meter of spoken language and poetry. Rhythm may also refer to visual presentation, as "timed movement through space" (Jirousek 1995, ) and a common language of pattern unites rhythm with geometry. In recent years, rhythm and meter have become an important area of research among music scholars. Recent work in these areas includes books by Maury Yeston (Yeston 1976), Fred Lerdahl and Ray Jackendoff, Jonathan Kramer, Christopher Hasty (Hasty 1997), Godfried Toussaint (Toussaint 2005), William Rothstein, and Joel Lester (Lester 1986).

George Gershwin

George Gershwin (/ˈɡɜːrʃ.wɪn/; September 26, 1898 – July 11, 1937) was an American composer and pianist. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are widely known. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928) as well as the opera Porgy and Bess (1935).

Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark and Henry Cowell. He began his career as a song plugger, but soon started composing Broadway theatre works with his brother Ira Gershwin, and Buddy DeSylva. He moved to Paris to study with Nadia Boulanger, where he began to compose An American in Paris. After returning to New York City, he wrote Porgy and Bess with Ira and the author DuBose Heyward. Initially a commercial failure, Porgy and Bess is now considered one of the most important American operas of the twentieth century.

Gershwin moved to Hollywood and composed numerous film scores until his death in 1937 from a brain tumor.

Herbie Hancock

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Herbert Jeffrey "Herbie" Hancock (born April 12, 1940) is an American pianist, keyboardist, bandleader, composer and actor. Starting his career with Donald Byrd, he shortly thereafter joined the Miles Davis Quintet where Hancock helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. He was one of the first jazz musicians to embrace synthesizers and funk music. Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success among pop audiences. His music embraces elements of funk and soul while adopting freer stylistic elements from jazz. In his jazz improvisation, he possesses a unique creative blend of jazz, blues, and modern classical music, with harmonic stylings much like the styles of Claude Debussy and Maurice Ravel.

Hancock's best-known compositions include "Cantaloupe Island", "Watermelon Man" (later performed by dozens of musicians, including bandleader Mongo Santamaría), "Maiden Voyage", "Chameleon", and the singles "I Thought It Was You" and "Rockit". His 2007 tribute album River: The Joni Letters won the 2008 Grammy Award for Album of the Year, only the second jazz album ever to win the award, after Getz/Gilberto in 1965.